Vinh Ninh communal house is located in Vinh Ninh village, Hoang Van Thu ward, Bac Giang city (before the August Revolution of 1945, it was in Dinh Ke commune, Dinh Ke district, Phuong Nhon district, Bac Giang province). Vinh Ninh communal house relic is located in the Northeast of Bac Giang city and at the beginning of National Highway 31, so the road is very convenient for visitors. Vinh Ninh communal house along with other cultural and religious works of Dinh Ke commune (nhe Ca and Ke Pagoda) form a very valuable continuous relic complex. The place where the communal house is built is the local "spiritual land", it is said that the ancient Vinh Ninh village was located on land shaped like a turtle (Turtle) and the village communal house was built on the head of the devil, facing the West. It is a beautiful and sacred land. Legend has it that in the past, anyone who passed through the communal house had to take off their hats, and mandarins passing by had to "lower their horses", otherwise they would be punished by the Saints. Anyone who did anything unethical would be inflicted with unexpected disaster by the Saints... The ancient Vinh Ninh communal house has a large and massive architectural scale, is an ancient architectural work, was built during the reign of King Le about more than 300 years ago, and was renovated and expanded during the reign of King Le in the 19th year of Vinh Khanh. 3 (1731) follows the traditional structure, including 3 main works: the front altar, the middle court and the harem. From a distance, people can easily recognize this large-scale architectural work because the communal house's buildings are located on high ground, with walls separating them from the outside on four sides. Each building follows another, creating a feeling of a truly solemn and intimate place of worship thanks to its gentle and elegant shapes and lines. The front court: Adjacent to the roof and on the same bank as the central court and the front court, this building consists of three compartments and two doors, ironwood frame, with curved roofs, soft and elegant, carved and painted. Artistic, sophisticated, with a table door in front. The altar is the place where local people gather and prepare offerings for offerings. Middle court: About 1.50m from the harem, this building consists of five compartments and two compartments, ironwood frame, tiled roof, and no swords on both sides of the pavilion. This court is the place of worship for the people, so the worshiping objects are arranged simply and neatly, including the altar, the altar, the "seven things" set, and is also the place to place the people's offerings on every occasion. weekly rules. The middle space of the central court (also known as the well space, in some places it is called the crowd space) is lower than the two side rooms. That is the place of worship - on both sides are the dining and seating areas for all the people according to the traditional order of the village: "The royal court values titles, the village party values slags" (In the royal court, titles are valued, in the countryside, people are respected). tooth loss in old age). The central court is also where gongs and drums are placed; On the roofs of the rooms hang horizontal panels and parallel sentences, brightly painted and gilded. The harem court: Consists of a room with two wings, an ironwood frame and a tiled roof, with 4 elegant swords, the top of the roof is covered with two Dragons flanking the moon. The harem is the center of worshiping Saint Cao Son-Quy Minh. In the harem, the altar is solemnly decorated in the middle, inside the altar is the throne and altar of the Saint. On both sides of the altar are two worshiping horses (two angelic horses), in front is an incense altar, on top is a bronze set of seven things, on the two sides are a set of super swords, eight symbols, on top is a horizontal panel of the Most Highest Spirit, two Next to the column hangs parallel sentences. In the harem, there is also a palanquin (a set of altars and incense pots to worship the Saint whenever the whole commune holds a festival at communal communal houses and Nghe An). All worship objects at the communal house are made of wood, carved and decorated exquisitely down to every small detail, and painted with brilliant gilded vermilion, demonstrating the ingenuity of ancient folk artists. . All are unique ancient art products that few places have preserved to this day. The harem, with a table-top door, separated from the outside, is a dark place where no one is allowed to enter, except the guard. In addition to the main works, Vinh Ninh communal house also has dance courts on both sides of the communal house yard and the front door of the altar. Each building has 3 ironwood rooms, tiled roof, and brick walls. The eastern court has a wooden floor to place feasts and offerings, the western court has no floor, and is often used as a place for pork and village affairs. Vinh Ninh Communal House is the only typical cultural belief building of the villagers, a place to worship two saints Cao Son and Quy Minh (two generals during the reign of Hung Due Vuong). The legend of the two Saints has been passed down through many generations by local people. The story goes: Cao Son and Quy Minh are twin brothers from the reign of the 18th Hung King, in a family of ritualistic, well-educated, and talented martial artists that no one can match. When both men were 2 years old, both of their parents passed away. At that time, King Hung Due Vuong issued an order to the provinces, districts, and religions to select talented and virtuous people to lead soldiers to defeat foreign invaders. Seeing that, the two of them asked to go back to court to apply for the position. The king saw that the two men had more martial arts talent than others, so he immediately recruited and ordered them to hold the position of military commander. Although they were grateful to the king, they did not forget their parents - their funerals and worship were very thoughtful and sincere. Again: King Hung gave birth to four children (two sons and two daughters). But then the two sons died prematurely, and when the two daughters reached adulthood, Hung Due Vuong married one to Chu Dong Tu, the other to a Nguyen general named Tung and passed on the throne to him. At the same time, in Ai Lao land, there was a person with the surname Thuc named Phan, who was a descendant of the Hung family. After branching out, he came to rule this land and changed his family name. Hearing that King Hung Due passed the throne to his son-in-law, Thuc Phan decided to Feeling jealous, he sent troops to invade. Hung Due Vuong was worried, immediately summoned Son Thanh to attend, Cao Son-Quy Minh came to receive his orders and was appointed left-right general, pioneering the journey to defeat the Thuc invaders in the Northeast. Mr. Cao Son and Quy Minh obeyed their orders and set out, with drums and flags flying in the sky. When they reached the Northeast, Bac Giang Highway, it was already dark, so the two men camped here. Seeing that this land had many advantages for military operations, the two men ordered the army and people to establish strongholds to fight the enemy. SOURCE ELECTRONIC INFORMATION PORTAL DEPARTMENT OF CULTURE - SPORTS - TOURISM OF BAC GIANG PROVINCE
Bac Giang 92 view
Dong Nghiem Pagoda, also known as Ke Pagoda, was built a long time ago (before the Le Dynasty). The pagoda was built right next to Nghe Ke in Dinh Ke ward. Dong Nghiem Pagoda is a branch of Vinh Nghiem Pagoda, a resting place for monks before returning to the place where Vinh Nghiem's ancestors sit down. Dong Nghiem Pagoda plays the role of Chief Administrator of Vinh Nghiem ancestral temple. Therefore, it is very likely that Dong Nghiem Pagoda was built during the Tran Dynasty and was a busy place because of the missionary activities of the Truc Lam Zen sect in its ancestral home of Vinh Nghiem. During the resistance war against the Ming Dynasty invasion, Dong Nghiem Pagoda was destroyed and ruined. In the 17th and 18th centuries, it was renovated and expanded, becoming a quite busy center of Buddhist activities of the people. The ancient architectural works of the pagoda are quite large-scale, including many buildings: the Upper Palace, the Three Jewels, the Nine Items Court, the bell tower, the grand entrance, the ancestral house, the three-entrance gate, and the garden. It is very unfortunate that due to the war, many works of Dong Nghiem Pagoda no longer exist. Dong Nghiem Pagoda still maintains a fairly complete system of worship statues concentrated in the upper palace. Most of the statues are carved from wood and gorgeously painted, among which the statues of Tam The, Amitabha, Samantabhadra Bodhisattva, and Bodhisattva Bodhisattva are beautiful statues. There are also many other precious worship objects. In particular, the pagoda still has 3 valuable stone steles left. Dong Nghiem Pagoda has been ranked by the Ministry of Culture and Information as a national architectural and artistic relic according to Decision No. 226/VH-QD, dated February 5, 1994. SOURCE CENTER FOR CULTURE, INFORMATION AND SPORTS OF BAC GIANG CITY
Bac Giang 92 view
Dinh Ke is a commune located in the east of Bac Giang city, bordering the communes of Tan Tien, Huong Gian (Yen Dung), Dinh Tri, Tan Dinh (Lang Giang), Tho Xuong ward, Xuong Giang commune and two Le streets. Loi and Ngo Quyen belong to the inner city. Located right next to Highway 31, the road connecting Bac Giang city with the Northeast region of the country. This small, humble architectural work is located in the middle of high ground and luxuriant fruit trees, looking truly ancient and dignified, in the middle of a market street. The roads here are bustling with people and vehicles, bustling with trading and exchange scenes, and the economic activities are quite diverse, vibrant and bustling, proving that Dinh Ke has long been a place of urban gathering, farming, and farming. Rice, vegetable growing, mulberry growing and silkworm raising are the main livelihoods. However, handicraft activities, especially rice paper making, existed very early and became famous near and far, making the lives of Dinh Ke people increasingly improved - Ke market, a trading center, became busier. Since the Le Dynasty, it has been proven that commercial activities in Dinh Ke appeared quite early and have developed continuously to this day. It is thanks to the rich and diverse economic activities that make Dinh Ke countryside always vibrant, people's relationships are open, villages are not confined, framed in bamboo fences. Dinh Ke is a gathering place for residents in many places and is also a place for dynamic economic and cultural exchanges with other regions in the country. Those are the factors and the social and historical environment that make Dinh Ke rich in cultural tradition. The tradition of community solidarity is expressed quite centrally in the worship of Cao Son - Quy Minh. These are two generals of the Hung King period, with many merits in supporting the king and the country. The people of many Vietnamese villages and communes have built communal houses and temples to worship. The feudal kings of Vietnam conferred titles on two generals as superior gods. Nghe Dinh Ke is a small-scale architectural work with 1 room, 2 left, 2 doors as a worship center (local people often call it the harem court) and 5 worship rooms in front. Like many other countryside in Bac Giang province, Dinh Ke village is the center of worship, ceremonies and meetings of the people of the entire commune. Every year, on the full moon day of the third lunar month, a day of great blessings for the entire people, villages carry palanquins to place the saint's tablet on the altar, hold ceremonies, and express everyone's respect for the saint. . The convention was organized thoughtfully and solemnly. In order to conduct the festival thoughtfully, in the past, the whole commune also built a communal communal house (called communal communal house or Vinh Ninh communal house). This is a large ironwood communal house with a curved roof, wooden floors, and barred doors. This is the meeting place and festival organization of the people of the entire commune. In addition to procession of books, ceremonies, and sacrifices, Ke festival also has many interesting fun games such as Chinese chess; cockfighting; Swinging and other traditional games... In particular, in the Ke festival there are also games of human chess and word drawing: Boys and girls in the village are chosen to be chess pieces or word scissors and must practice months in advance. About 3-4 days before the opening day, these people gather together for a rehearsal. Participants in the word-pulling game are allowed to wear nice clothes, a folding hat or a pineapple top hat, nine-shaped shoes, a red tie, carry a five-colored flag, and follow the empty command of the Flagmaster until the game is arranged. into the shape of the word: "Peace in the world - Trinh mandarin congress". The Ke Festival in March is a religious and cultural activity of the people of the entire commune, attractive and attracts visitors from all over, becoming a major festival of human life in the civilized countryside, entering into natural life like breath: “Rumor has it that the Ke March meeting If you don't go to the festival, you will lose your life." On July 20, the Thuong Dien ceremony of the entire commune also takes place. On this day, the 7 villages of the villages bring offerings to worship at the commune's communal house, demonstrating their reverence for heaven and earth, the gods who have helped the crops to be lush and the people to be prosperous. The worship of saints by the people of Dinh Ke has been very respectful and respectful since ancient times and was conferred and recognized by the feudal state of Vietnam. Currently, Nghe Ca still preserves the 10 religious orders of the Nguyen Dynasty kings given to the people in the commune to worship according to old rules. Nghe is also the place to worship the academic sages of Bao Loc and Phuong Nhon districts, including the great academicians of Dinh Ke, Giap Hai, Giap Phong, and Nguyen Duy Nang. Worshiping objects, documents, antiques, especially tablets, saints, ordinations of kings, steles recording academics... are sources of ancient documents with high historical value. On the other hand, Dinh Ke relic is currently promoting the positive effects of a historical and cultural relic: a place of worship for saints Cao Son - Quy Minh and academic sages, a central place for organizing events. meetings and festivals of the entire people with spiritual and cultural activities rich in humanity and imbued with national identity. SOURCE ELECTRONIC INFORMATION PORTAL DEPARTMENT OF CULTURE - SPORTS - TOURISM OF BAC GIANG PROVINCE
Bac Giang 108 view
By the beginning of Tu Duc's reign in 1883, the population of the two villages had grown large, Ve Pagoda became cramped. Thanh villagers decided to expand the Am into a pagoda (the Am of the old mandarin from Dong Nham village, Nguyen Tuong Cong of the Le Dynasty, was dedicated to the village). Therefore, Thanh village pagoda's name is Am Linh Tu, Thanh Pagoda worships Bodhisattva Avalokiteśvara, the pagoda was built on high land in front of the village gate facing South to West. In front is Doc Dinh area, behind is a high mound area. In terms of feng shui, the pagoda is located on a post-prehistoric era. Although Thanh Pagoda is not large in architectural scale, it is neatly and closely arranged, harmonizing the exterior architectural landscape with the sculpted interior decoration. exquisitely engraved. Every year, the pagoda is regularly renovated; Especially from 2005 to 2009, with the support of the State and the generous contributions of the People, the pagoda was restored and expanded. Up to now, Thanh Pagoda is one of the beautiful and spacious pagodas in the region. Thanh Pagoda is located near National Highway 1A and the railway from Lang Son to Hanoi, so it is very convenient for tourists from all over to come to the festival and visit. Thanh Pagoda is an ancient architectural work over several hundred years old that was classified by the state and awarded by the Ministry of Culture, Information, Sports and Tourism as a cultural and historical relic on February 5, 1994. SOURCE ELECTRONIC INFORMATION PORTAL XUONG GIANG WARD - CITY. BAC GIANG - BAC GIANG PROVINCE
Bac Giang 88 view
The temple and mausoleum of Nam Binh General Van Minh Tent are religious works of local people to respect, admire and remember a famous general of the Ly Dynasty, Van Minh Tent - who had the merit of fighting the war. foreign invaders, defended the Dai Viet nation and heroically sacrificed their lives. On the stone stele at the Tomb of the General's Tent, it is clearly written: "All those who have meritorious service to the people and the country are recorded for later generations to remember. Now I see that the Great King's Tent, for the sake of life, has forgotten his own loyalty, because Eliminating harm to the people is merit. Loyalty to the country, meritorious service to the people is a righteous god." On June 28, 1996, the Ministry of Culture and Information granted a national recognition "Temple Historical Monument". and Tent's grave Van Minh”. Currently, General Van Minh Tent is worshiped by the people of Hoa Yen, Huong, and Cung Nhuong 1. Among them, Hoa Yen Temple is the place that preserves the most antiques and is considered the Great Temple. The Temple of General Van Minh's Tent was implemented as the second historical relics lookup point project implemented by the ward union standing committee in the ward (previously, a historical relics lookup point project at the ward level was implemented). national communal house, pagoda, village drawing). In the coming time, the ward union will continue to have many creative activities, applying digital transformation in education and propagating history, national traditions, and homeland to the young generation of the ward today; From then on, you will love and be more proud of your homeland and country, try your best to practice virtue and talent to contribute to building your homeland and the country to become more and more rich, beautiful, and civilized. SOURCE YOUTH ELECTRONIC INFORMATION PAGE OF BAC GIANG CITY
Bac Giang 86 view
National relic stand B (formerly stand A) of Bac Giang stadium in Ngo Quyen ward (Bac Giang CITY) is a place to mark historical events and preserve profound memories of Uncle Ho. Ho to the Party Committee and people of Bac Giang province. In order to promote the historical value of the monument, the Party Committee, provincial government and Bac Giang CITY pay a lot of attention to repair and embellishment work. Honor and pride After the Democratic Republic of Vietnam was born, from 1946 to 1963, despite being busy with many things, Uncle Ho visited and worked in Bac Giang province 5 times. During those visits, Bac Giang CITY was honored to welcome Uncle Ho four times. Including 2 times, Uncle Ho met and talked with officials and people of Bac Giang province at Stand A, Bac Giang Stadium. This is a great pride and honor that not every locality can have. Going back in time, on April 6, 1961, Uncle Ho visited and talked to more than 3.5 thousand officials and people of Bac Giang province at Bac Giang stadium. On Stand A, the leader of the Party, the Father of the Nation, is simply dressed in familiar brown clothes. He cordially asked his compatriots and officials; comrades of the army, police, militia, self-defense, and workers; old people, young people, teenagers, children and expatriates who have just returned to the country. He praised the achievements achieved during the years of resistance; the efforts and progress of the people and officials of Bac Giang province since the day peace was restored. At the same time, Uncle Ho emphasized important tasks, pointed out specific shortcomings that localities need to repair and overcome; Reminding the tasks of unions, each person at this time needs to focus their energy on developing production and fighting for national reunification. More than 2 years later, on October 17, 1963, Uncle Ho visited Bac Giang town. This is an important historical moment for the people of all ethnic groups in the province, since the two provinces of Bac Giang - Bac Ninh were merged into Ha Bac province. That was the first Hebei Provincial Party Congress. This time, also at Stand A of Bac Giang Stadium, Uncle Ho spoke to officials and people of all ethnic groups in the province. He advised his compatriots, officers and soldiers to unite, develop agricultural production, handicrafts, plant forests, improve cooperative management, improve techniques and practice thrift. , contributing to the struggle for national unification. It is Uncle Ho's concern and direction that has empowered him and become a source of great spiritual motivation to help officials, party members, and people overcome difficulties and strive to successfully complete assigned tasks. The Party and Uncle Ho assigned. With that great significance, on June 21, 1993, the Ministry of Culture and Information (now the Ministry of Culture, Sports and Tourism) decided to classify Stand B (former Stand A) as a historical relic. ), Bac Giang Stadium is a national monument. Worthy of its historical significance and value Stand A of Bac Giang Stadium was built between 1958 and 1960, over 10m high, iron frame and corrugated iron roof with two up and down stairs, two chicken wings on both sides, area of 350m2 in the East. stadium, facing National Highway 1A (now Provincial Highway 295B). This place was once chosen to hold many major events of the province such as: Celebrating the 110th anniversary of the founding of Bac Giang province (1895-2005); many sports conferences in Ha Bac and Bac Giang provinces; Provincial and national sports tournaments... Over time, the building deteriorated. In 2008, the People's Committee of Bac Giang City repaired and embellished the small-scale monument with a cost of 800 million VND, the total area of the entire grandstand area is about 1.4 thousand m2. However, up to now, some items of the relic site have deteriorated and are a place for practicing martial arts of the Center for Culture, Information and Sports of Bac Giang CITY. Through assessments of the government and functional agencies, in recent times, the management and promotion of the value of the grandstand relic site has been limited; There has been no interest in investing in large-scale, synchronous and worthy renovations and renovations. Setting landmarks, demarcating land protection, and erecting steles to mark historical events have not been done. The main documents and artifacts about the relic are images of Uncle Ho visiting and talking with the people of Bac Giang, currently displayed at the Provincial Museum. It is known that currently across the country there are very few works associated with his visits and working times in the provinces that are preserved intact like the stand B of Bac Giang Stadium, which is deeply imprinted in the heart. many generations of officials and people of Bac Giang ethnic groups. SOURCE ELECTRONIC INFORMATION PORTAL OF BAC GIANG PROVINCE
Bac Giang 92 view
Tu Vu is located on Bai Mo field (formerly) in Bui Ben village, Yen Lu commune, Yen Dung district, Bac Giang province, built by local people to remember the gratitude of the general Nguyen with the title Ngan Trung Hau. many achievements during the Le dynasty in the 18th century. The relic complex is divided into three parts: The first part is the exterior landscape including a lake, a festival yard... closely related to the interior and separated by 4 walls protecting the interior. The second part is the outdoor architectural cluster including architectural complexes and relics arranged as follows: Tu Vu gate with arched style, laterite walls. Through the Tu Vu gate along the Shinto path, there is a cylindrical stele carved in the 31st year of Canh Hung (1770). The stele has a unique shape, the conical roof is 1.42m high, the circumference is 2.12m, like a "big bell", the body is divided into 4 cells, engraved with Chinese - Nom characters. This unique stele is of interest to many researchers because of its strange design and content recording the merits of an official. On both left and right sides of the pillar stele are stone warrior statues standing as servants. The statue is carved in a serious stance, wearing a helmet, armor, and holding a weapon, facing each side. Behind the two rows of martial artists, there are two steles made of chicken liver stone dating back to the Nguyen Dynasty (19th century), recording the names of people who contributed to the field and money to repair and build the local martial arts temple. The worship architectural block includes a three-compartment front hall connected to the back hall by a strip of morning glory pipes. The newly renovated altar building is built with bricks in the style of a rectangular vase, with a floor paved with large, thick, square tiles. In the middle of the Shinto path is a stone incense burner. On opposite sides, there are two identical stone tables used to place offerings. In front of the stone table are two large stone incense burners and two oval green stone trays. The rear of the hall still has its original architectural appearance relatively intact: walls built of laterite, dome inside, and outside roof covered with 60cm thick bricks. “Our people are very proud, because this is a land of outstanding spiritual people with a complex of unique cultural relics, our generation always preserves, honors, and propagates and educates future generations. "I am proud of the great contributions of the Nguyen general in fighting foreign invaders to preserve the nation's land and rivers" - Mr. Linh shared. The back of the road is paved with square tiles, in the middle is a large blue stone stele engraved with Chinese and Nom characters on all four sides. This is a beautiful stele with historical and artistic value, the head of the stele is shaped like a dragon, embossed with tiger motifs and stylized leaves. The stele's border is embossed with stylized floral motifs. The delicate, engraved features have typical values of stone carving art of the 18th century Le Dynasty.
Bac Giang 96 view
(BGO) - The Ministry of Culture, Sports and Tourism (VHTTDL) has just ranked the historical relic site of Uncle Ho's visit to Cam Xuyen village, Xuan Cam commune, Hiep Hoa district (Bac Giang) as a national monument. family. In February 1955, the Land Reform Committee of the three provinces of Bac Giang - Bac Ninh - Thai Nguyen held a conference to summarize the second phase of land reform in Cam Xuyen village. More than 2 thousand reform officials came here to participate in training, and many high-ranking Party officials attended. It was an honor for Xuan Cam commune and Hiep Hoa district that on February 8, 1955, President Ho Chi Minh attended the conference, visited and encouraged the local people. This is a historical milestone, marking a great transformation of the Vietnamese revolution: Completing the national revolution, people's democracy, realizing the plowman has the field and the biggest goals set by the revolution. . In 2001, the souvenir relic of Uncle Ho's visit to Cam Xuyen village was ranked as a provincial historical and cultural relic. In 2019, Hiep Hoa district spent more than 3 billion VND to build and renovate the relic, such as: Reception area, yard, gate, entrance road, lighting system, drainage... The ranked relic contributes to creating a highlight in the journey back to the source, educating historical traditions for the young generation of Hiep Hoa district in particular, Bac Giang province in general, and at the same time associated with tourism development. SOURCE Bac Giang Newspaper
Bac Giang 90 view
Am communal house, located in the middle of Am village, Xuan Huong commune - Lang Giang district - Bac Giang province, is located on a campus with an area of 1,460m2. Based on the tablets still preserved at the communal house, it shows that Am communal house is a religious building of local people built to worship Princess Ngoc Khanh (Princess Thieu Duong - the 8th daughter of King Le Thanh Tong) has made many contributions to the nation. The communal house was built on a large scale, with the characteristics of an ancient Northern communal house, including: 3 rooms and 2 wings for the main house and 1 room and 2 wings for the harem, creating a Nhi-shaped architectural plan. Wooden architectural structures are carved with a variety of themes: Dragons are carved on the heads of the dragons with eye rolls and blunt lancet-shaped antennae; The porch line system is embossed with the theme of the four sacred animals (Dragon, lychee, tortoise, phoenix), especially interspersed with four sacred animals such as crabs, fish, deer, snails, and fire trays, which are characteristic of the artistic style. engravings during the Le Trung Hung period in the 18th century; On the 4 pillars, the 4 corners of the great communal house are mounted with 4 unique carved statues: a fairy riding a carp, a turtle in a lotus pond, a shepherd playing a flute sitting on the back of a phoenix, and a mandarin wearing a parasol sitting on his back. unicorn...soft, delicate carvings in the style of the Le Trung Hung period (18th century). The engravings on the hammock door of the great communal house and harem with the images of dragons and tigers, tiger faces... are embossed into large, fat blocks in many positions, with a rich and vivid appearance that is unique. Carving art of the Nguyen Dynasty in the 19th century. In the communal house, there are still many exquisitely carved and splendidly painted artifacts of high historical and artistic value such as: altars, tablets, hammock doors, parallel styles, ceramic incense bowls... dated from the 18th to 19th centuries. Through the Han Nom heritage currently preserved in the communal house and ancient documents in the locality, especially the Chinese characters on the first sentence of the grand communal house: "Canh Thinh eight years, five years Canh Than, seven moons, first eight days, "Hour of the Horse, the 8th day of the 7th month of the year Canh Than, the reign of the 8th King Canh Thinh (1800) was built in the Thuong Luong" (Ngo hour, the 8th day of the 7th month of the year Canh Than, the reign of King Canh Thinh the 8th (1800) was built in Thuong Luong) meaning that Am communal house was renovated and embellished in 1800. (8th Canh Thinh), late Tay Son dynasty - early Nguyen dynasty. Am Communal House was ranked a national architectural and artistic relic by the Ministry of Culture in 2014. SOURCE Explore Vietnam's natural & cultural heritage
Bac Giang 118 view
My Loc communal house is located in Ngoai village - My Ha Commune - Lang Giang District - Bac Giang Province. Built in the early 19th century. The communal house is located on a beautiful, large, open plot of land next to My Loc village next to the gentle, poetic Thuong river. The communal house consists of 5 compartments, 2 left, facing Southeast. The communal house is large-scale, majestic, and has ancient architecture imbued with ancient Vietnamese architectural style. My Loc Communal House worships two Thanh Hoangs, Cao Son and Quy Minh. These are two generals who have made great contributions to the people and the country during King Hung's reign. Old history records: During the reign of King Hung Due, Cao Son and Quy Minh were two talented generals named left and right generals who assisted the king and helped him crush the Thuc invaders. When the Thuc invaders were finally appeased, the two men asked the king to return to the place where they were stationed and set up their fortifications (which is the area of My Loc Village today). Since the two men were stationed here, the villagers have been able to do business in peace and have become more and more prosperous. The people on this land asked: First to make it a garrison, then please build a temple to commemorate the merits of the two men. . When the two men died, the king ordered the people in the village to build a temple to worship and organize sacrifices and ordained the two men. Gao Son was conferred with the title: Great King Thong Minh, bestowed the posthumous title of protecting the nation and protecting the people of the Phu Van Duong Vu Thanh Thanh with glorious scenes, honoring the original spirit, conferring the title of Linh Don Tinh, Heroic Strategy, Trac Vi, predicting the renaissance of the highest level. . The conferment for Quy Minh is: Hien respond to the king, bestow the title of brave and courageous father to protect the country and people, grant the king's honor to the king, honor the saint lang high magic dech sand, and bestow the good fortune of the Trung Hung Bao. Preparing the people in the Bac Kinh area to worship them forever after. From then on, the people of the village worshiped the two men with deep respect and infinite gratitude. To this day, the descendants of My Loc village always remember and remember the gratitude of the two Thanh Hoangs. Every year, every year when spring comes, people in the village eagerly prepare to organize the My Loc village communal house festival. The festival is held on the 14th and 15th of the first lunar month with many solemn rituals showing respect and gratitude to the two Gods. According to folk beliefs, the festival is an opportunity for people in the village to report on the results of the old year's labor, thank the two village tutelary gods for their kindness and protection in the past year, and pray for a new year. Peace and luck for the whole family. With such significance, My Loc village communal house festival not only attracts the attention of village members but also tourists from everywhere. In addition to the profound historical and humanistic values mentioned above, My Loc communal house is also known as an ancient architectural work full of art. In the communal house, from the roof to the pillars, there are intricately carved and sculpted motifs. According to research, these are sculptural motifs from the Le Dynasty. Through many ups and downs and historical events, My Loc communal house has changed due to the devastation of the war, but has since been restored and embellished by the people of the village and tourists from all over. Up to now, My Loc communal house still retains its original appearance, preserving its ancient dignity and long-standing architectural artistic values. In the communal house today, there are still many relics, ancient objects, and especially 15 ordinations from the Le and Nguyen dynasties for saints Cao Son and Quy Minh. My Loc village communal house is considered a museum of local history and culture. In 1995, My Loc communal house was recognized by the Ministry of Culture as a national historical relic. SOURCE Explore Vietnam's natural & cultural heritage
Bac Giang 96 view
In 1527, Mac Dang Dung usurped the Le dynasty. The civil war between the forces of King Le - Lord Trinh and the Mac dynasty lasted, making people's lives miserable. When the Le Dynasty's soldiers and soldiers pursued the Mac Dynasty through the Kep - Can Tram area, they encountered dangerous mountains that made it difficult to advance. They were repeatedly counterattacked by the Mac Dynasty, causing significant wear and tear on the Le Dynasty's generals. When times were tough and weak, the Le Dynasty issued an edict to recruit militiamen "to help the Le destroy the Mac". Thanks to their understanding of the terrain and their willingness to be brave and clever, the two brothers Dang The Cong and Dang The Loc responded and joined the army. Made many great contributions to help the Le Dynasty defeat the Mac Dynasty. In the Year of the Horse, 1566, the court rewarded soldiers, rewarded generals, and treated people with meritorious services. Due to their great contributions in helping Le destroy Mac, King Le ordained two men, Dang The Cong, with the title: "Duong Vu is a mighty and brave man." , Thai treasure tea in Cong district, whose national name is Trinh Van An"; Dang The Loc - Conferred the title "Duong Vu Mighty Courageous Cong of the Left Admiral, Duke of Su Chew District, with national identity as Trinh Van Loc". In particular, Dang The Loc not only made great achievements in expelling the Mac Dynasty, but also knew how to rally and calm the people, bringing honor to the family, thanks to which his descendants later set an example and were all highly respected in the dynasties. King Le. The Royal Court also conferred on the father of the two men, Mr. Dang Chan Tinh - the title of "Admiral of the Than Vu, Military Quarter Guard, Lieutenant Marquis", Mr. Dang Chan Tinh died on January 14, 1547, his grave The burial was in Ni forest (in Tan residential group today). Remembering the contributions of Mr. Dang The Cong and Dang The Loc, local people built a temple to commemorate them in their homeland. The temple was built in the 16th century and consists of 7 tiled compartments, with two compartments on the left and right sides, a lobby, a back lobby, a warehouse for military provisions, and a weapons workshop. In the 80s of the 19th century, the Black Flag invaders invaded, burned villages and destroyed temples; In 1931, local people restored the temple on the land where their ancestor Dang Chan Tinh was buried in Ni forest hill. The current temple has a typical architectural plan consisting of 5 compartments built with bricks and tiled roofs. The middle compartment has a solemn incense burner and two stone tablets engraved with Chinese characters. On the incense burner, there are statues worshiping Dang Chan Tinh and Mr. two sons are Dang The Cong and Dang The Loc. Dang The Cong Temple preserves many heritages of historical value such as the title of Long Duc 2 (1630), Chinh Hoa 4 (1683), two stone tablets, and porcelain incense bowls of the Le Dynasty (18th century). , worship statues, incense burners... The temple is a center of cultural and religious activities, a place of worship and commemoration of military mandarins Dang The Cong and Dang The Loc who have made many contributions to the people and the country. Every year on January 14, local people hold a Festival to remember and pay tribute to their ancestors and those who have contributed to the people and the country. For many generations, Dang The Cong temple has been the center of cultural and religious activities of the community in the region. The Party Committee, government and people of Kep town always respect, take pride in and create all conditions for the Festival to take place solemnly, joyfully, safely and economically, truly becoming a place of rich cultural activities. national cultural identity, is the place to go home to many people and friends from all over the country. SOURCE OF BUSINESS AND BRAND ELECTRONIC MAGAZINE
Bac Giang 99 view
The person listed 89th in that golden book is Le Lieu (also known as Pham Van Lieu, documents say Pham Dinh Lieu), a famous general who from a young age followed his father to join the Lam Son insurgent army, participating in many battles. fought fiercely on the battlefields in the mountainous areas of Thanh Hoa, Nghe An, Tot Dong, Truc Dong... and especially had the first contribution in the siege of Xuong Giang citadel and destroyed the Ming dynasty's great reinforcements on the battlefield of Xuong Giang in the history of Xuong Giang. history. Pham Van Lieu is the son of Pham Van Thanh, and was once awarded the rank of Admiral of the same rank. Originally located in Nguyen Xa village, Lam Son village, Thuy Nguyen district, Thanh Hoa province. He followed Le Loi and the Lam Son insurgent army to build a resistance movement against the Ming army from the early days at the Lung Nhai oath festival. During the arduous resistance war against the Ming invaders, he made many great achievements on the battlefields of Nghe An and Thanh Hoa. During the great war to destroy the Ming Dynasty's reinforcements on the Xuong Giang battlefield, Pham Van Lieu was the general who commanded a secret army along the banks of the Thuong River (present-day Xuan Huong, My Thai, Lang Giang district). attacked, destroyed and captured more than 70,000 Ming reinforcements at the end of 1427. After destroying the invading reinforcements, Pham Van Lieu was appointed by Le Loi to stay in Kinh Bac to guard the northern region of Dong Do citadel. In 1428, the resistance war against the Ming invaders ended, he was promoted to the title of Ngan Thanh Vinh Loc Dai Phuc, Ta Xa Cav General with the title Khang Vu Marquis, and later promoted to the title Khang Quoc Cung. Due to his merits in the resistance war against the Ming, when considering awards, he was included in the "national founding meritorious" (a subject who has contributed to opening the country), was given national status (Le Van Lieu) and was awarded many titles in the country. Kinh Bac origin and settled in Chua hamlet, Xuan Huong commune, Lang Giang district today. In the year of the Rat (1456), Pham Van Lieu died in Kinh Bac. The grave is located in Forbidden Forest, Chua village, Xuan Man commune, Bao Loc district, Lang Giang district (now Chua village, Xuan Huong commune, Lang Giang district, Bac Giang province). 3. Pham Van Lieu has two children, a boy and a girl. The girl recruited into the palace was later appointed Minh Phi. In the book Dai Viet, historian Le Quy Don wrote about her as follows: "Pham Minh Phi (wife of King Le Thanh Tong) Minh Phi, surnamed Pham, was the niece of a mandarin who was awarded the rank of Admiral and co-trier, her name was Thanh, and she was the daughter of The mandarin was awarded General Tri Khang Vu, Pham Van Lieu. She was elected to the palace on the 7th month of Mau Ngo, the 2nd year of Quang Thuan (1461). In the 6th year of Quang Thuan (1465), he was promoted to Tu Vien. On Quy Suu in the 6th month of Hong Duc's 2nd year (1471), he was promoted to Chieu Vien in November 1477 and promoted to Minh Phi in Thuy Duc palace In 1497, King Thanh Tong died. In the first year of Canh Thong (1498), she was a concubine of the previous dynasty, so she served in Thien An palace not long before she fell ill on Giap Ngo day in September, at the age of 50 The consolation money was 270,000 and the mandarin ordered the deceased to be buried in Linh Hoa field in Lang Giang district. Pham Van Lieu's second son, Pham Duc Hoa, was honored with the title of Special Patriarch of Thuong Quoc, Tu Do reviewed, the title of Hoa Phong Uncle (later given the title Hoa Phong Marquis) was chosen to be his son-in-law. Pham Duc Hoa married the 8th daughter of King Thanh Tong Thuan Emperor, Thieu Duong, Princess Le Thi Ngoc Khanh. Thus, Pham Duc Hoa was originally the younger brother-in-law, then was chosen to be the son-in-law (son-in-law) of King Le Thanh Tong. His father, Pham Dinh Lieu, is both the father-in-law and in-laws of this wise king. When settling down on the assigned land, the Pham family became an influential family in Kinh Bac. 4. With the royal benefits and benefits of the 2,370 acres of assigned fields, the Pham family, especially Princess Thieu Duong Pham Thi Ngoc Khanh, donated merit to many localities in the country. Kinh Bac built and expanded welfare projects, so it was worshiped by many localities. According to the declaration of the local Chief Ly from 1942, in Bac Giang province there are 15 communal houses worshiping Pham Van Lieu and his son and Princess Thieu Duong as Phuc Than/Tutelary God. Particularly, Tri Le district, ancient Bao Loc district (now belonging to 4 communes: Duong Duc, Xuan Huong, Tri Le, Tan Thanh of Lang Giang district) has 8 villages/communes worshiping and still preserving the ordination and tablets worshiping three These are the communes: Chuyen My, Chi My, Dai Man, Xuan Man, Huong Man... Pham Van Lieu became the ancestor of the Pham family in Chua village, Xuan Huong commune, Lang Giang district. Currently in Chua village, there are still remains of graves and a family church, a place to worship and commemorate the famous historical general Pham Van Lieu. The relic has been decided by the Ministry of Culture and Sports to be ranked as a national historical and cultural relic. SOURCE ELECTRONIC INFORMATION PORTAL DEPARTMENT OF CULTURE - SPORTS - TOURISM OF BAC GIANG PROVINCE
Bac Giang 116 view
Located 20km northeast of Bac Giang city center, Tien Luc commune, Lang Giang district is famous for its clusters of historical and cultural relics. This is an ancient temple, established in 1723 under the reign of King Le Canh Hung, facing south, built by a monk whose hometown was Tien Luc, Lang Giang - he is the Patriarch sitting on the Three Jewels. . The pagoda has 35 compartments, designed in the "domestic and foreign" architectural style. The entire front hall, two corridors and bell tower are connected to form the letter Quoc, the remaining part is the incense burner connected to the upper palace to form the letter Cong. In the pagoda, the system of Buddha statues is arranged in order from the upper hall to the two corridors and below the large bell tower, in total there are about 90 precious ancient statues. If you stand in the middle of the pagoda to observe and admire the ancient statues, you will not be surprised and admired by the extremely skillful and sophisticated sculpting art of the ancestors. With these precious values, in 1989, Phuc Quang Pagoda was ranked by the Ministry of Culture and Information (now the Ministry of Culture, Sports and Tourism) as a National Historical and Cultural Monument. However, the people of Tien Luc commune still constantly wonder why the pagoda has such beautiful, majestic architecture and peaceful landscape without an owner, with the doors closed front and back. Mr. Nguyen Dinh Thuan, the long-time caretaker of the pagoda, said that there is a monk Thich Hue Cuu, whose birth name is Nguyen Thanh Chung (from Ninh Thuan), who has stayed for no more than three years at the longest (abbot since 2010). to 2013). Even though they cannot explain it, people believe in the sacredness of the temple. The evidence is that during the war years, although the surrounding area was bombarded to the point of ruin, Phuc Quang pagoda and Tien Luc commune were still safely protected. They believe that the more than 300-year-old pagoda has guarded this land, helping people settle down. At the end of 2014, the project to renovate and embellish Phuc Quang Pagoda relics was officially started, including 04 main items. On the morning of July 29, 2016, 02 completed items were handed over as planned, including the Main Pagoda (Three Jewels, Bell Tower, two Corridors), area of 884.5 m2 and Thao Xa House, area of 278.3 m2. The total settlement value from the national target funding source and local budget is estimated to be about 23.5 billion VND. SOURCE PROPAGANDA COMMITTEE OF BAC GIANG PROVINCIAL COMMITTEE
Bac Giang 115 view
San Communal House worships saints Cao Son - Quy Minh and Minh Giang Do Thong, both generals of King Hung, who had meritorious achievements in fighting the enemy, defending the country, eliminating disasters and were bestowed with titles by the Le - Nguyen feudal dynasties. god. Currently, in the two coffins of San Communal House, many religious ordinations with era titles such as: Tu Duc Luc Nien; Tu Duc decade; Tu Duc thirty-three years; Khai Dinh is nine years old; Duy Tan's third year... Passing through the communal house gate, on the right is San Pagoda, going straight in is the Great Temple with 3 compartments, 2 compartments, 2 majestic, majestic wings with 4 curved blades. The roof's edge is covered with "Luong, dragon flanking the moon", both ends have pincers, the strip edge is covered with Nghe chau, dancing phoenix, extremely lively. All the roofs and banks are decorated with lemon flowers, running throughout, adding to the majesty, grand, and outstanding beauty, yet still gentle and elegant thanks to the sophisticated, harmonious combination of horizontal lines. Straight lines with soft, lively curves. The Communal House is made in the shape of the letter Cong (I) and includes three morning glory rooms connected to three harem rooms and the three harem rooms also have very beautiful cornered swords, making this entire massive communal house superior to other temples. Another family in Luc Nam. With the structure: Upper is the husband's head, gong price, lower is the husband's head, the long is strong and beautiful. In particular, this is a Le Dynasty communal house that is still quite intact, but the main pillar frame is much higher and the military column is completely lower, creating a high, wide and very airy interior of the communal house. With this "four rows of legs" structure of the column frame system, the communal house's roof has a large water slope and a wide roof, making the communal house both durable, strong, sturdy, massive, and tall and spacious inside. Spacious but still gentle and elegant. The "nine insects" hammock door is the most outstanding symbol of the art of carving, lacquer and gilding during the Nguyen Dynasty. With 4 monograms "Long live the Holy Palace". The middle space and the entire roof in front of the communal house are covered with ceilings, the well's well is painted with embossed "Four Spirits", "Four Quarters", "Long Ma", "Lac Thu" and a period pattern extending through the morning glory strip. to the harem. The shrine in the harem is bright and brilliant with 2 golden-painted dragon pavilions, 2 altar thrones, inside there are two splendid statues of gods, lacquered tablets of the Le Dynasty, palanquins and many other worship objects... In 1994, San communal house was recognized by the State as a national historical-cultural, architectural and artistic relic. SOURCE BAC GIANG DEPARTMENT OF CULTURE, SPORTS AND TOURISM CENTER FOR INFORMATION - TOURISM PROMOTION
Bac Giang 125 view
Bao An Pagoda (Minh Kinh Tu), located in Cuong Son commune, Luc Nam district (Bac Giang). Because it is located in the Western Yen Tu relic system, located near Luc Nam river wharf, next to road 293, the pagoda is an ideal stop for tourists on their travel journey to the land of Yen Tu Buddha. Bao An Pagoda was built during the Le Dynasty and was repaired in 1710. Over more than three hundred years, the building has been repaired and renovated many times. And now it basically has the architectural features of the 19th century Nguyen Dynasty, some Buddha statues and worship objects have the style of the 18th century Le Dynasty. As one of the ancient pagodas belonging to the Truc Lam Yen Tu sect, Bao An pagoda worships the Three Patriarchs of Truc Lam: Tran Nhan Tong, Phap Loa and Huyen Quang. History books say that, after leaving the throne, King Tran Nhan Tong founded the Truc Lam Zen sect. At that time, Tran Nhan Tong advocated converting Buddhism closer to the people, with the concept "Buddha is the Mind - The Mind is Buddha". In addition to the summer seasons, King Tran Nhan Tong also returned to many places to preach and travel around the zodiac. Along with affirming the position and role of the Truc Lam Zen sect, during the Tran dynasty and later periods, many ancient pagodas appeared on the high peaks of Bac Giang province such as: Am Vai, Binh Long, Ho Bac. , Ma Yen... Although Bao An Pagoda appeared later (Le Dynasty), it is a continuous continuation of the prosperity and development of the Truc Lam Zen sect in Bac Giang. This is an ancient pagoda with beautiful scenery. In front of the pagoda, two ancient brick towers, the resting place of the master, are shaded by the foliage of two ancient trees. The temple garden is covered with green leaves and the scent of flowers and grass spreads throughout the four seasons. Many ancient trees in the temple grounds are proof of the long existence and development of this ancient temple. Bao An Pagoda currently has the following construction items: Tam Bao Court, Patriarch House, Mother House, Guest House and 2 ancient brick towers, all located on a 10,700 square meter campus, surrounded by moss stone walls. ancient style. The Tien Duong and Buddha Hall have a continuous structure in the style of a nail. The 5-compartment frontage is built with a brick structure, the architectural structure is ironwood roof, linked in the style of upper and lower husband, lower and lower, and the carved floral and leaf-shaped structures are in the style of the Nguyen Dynasty in the 19th century. The Upper Palace has 3 compartments, the wooden frame has discolored over time, and is fully decorated with a system of Buddha statues. The Patriarch's house is behind the Tam Bao building, this is where the statue of the Tam To Truc Lam is arranged. All three statues are beautifully crafted according to standards, the statue of Tran Nhan Tong is meditating on a wooden pedestal in the middle, his knees wide open, and the statue is painted with pink powder. The statue of Phap Loa sits as an assistant on the left, the statue of Huyen Quang sits on the right. In addition to the system of beautiful Buddha statues and ancient architecture, Bao An Pagoda also preserves a number of worship objects and Sino-Nom heritage that have existed for hundreds of years such as: Incense burners, "Minh Kinh Tu Chung" bronze bells, stele. stone "Epic of the Late Buddha", ancient tower... Every year, pagoda festivals are held on the 18th, 19th, 20th of the third lunar month with many rituals and folk games imbued with national cultural identity. Along with many other relics on the slopes of West Yen Tu in Bac Giang, Bao An Pagoda will be an attractive destination for tourists from near and far. SOURCE: INFORMATION CENTER, OFFICE OF THE PEOPLE'S COMMITTEE OF BAC GIANG PROVINCE
Bac Giang 107 view
Than Communal House is a place of worship for famous gods who have made great contributions in the fight against foreign invaders and protecting the homeland; In the early days, this place worshiped the Thanh Hoang Thanh Cao Son and Quy Minh Dai Vuong, talented generals of the Hung King period, beautiful symbols of patriotism and the nation's spirit of fighting against foreign invaders. Through the content of documents still preserved here, such as: stories, ordinations, couplets, sacrificial writings... it has been confirmed that this place worships generals of the Hung Due Vuong period and princesses of the Ly Dynasty. Arranged in chronological order, the following gods are worshiped at Dinh Than: * During the reign of Hung Due Vuong, there were: - Cao Son Dai Vuong is a supreme God - Quy Minh Great Vuong is a supreme God - Phuong Dung - Goddess of Yin Phu * During the Ly period there were: - Binh Duong Princess - Princess Thien Thanh - Princess Thien Cuc In the modern historical period since the French colonial invasion, Than communal house has been the base of our army and people, the base of operations of revolutionary and resistance organizations. This place was the base for the activities of revolutionary soldiers in the pre-uprising period and later in the years of resistance against Japan and France. It was also here that in March 1943, the Communist Party in Luc Nam sent comrade Kien to build the party's base and enlighten the elite sons of the homeland who followed the revolution, namely you (Mr. Huyen, Mr. Tai, Mr. Tuy, Mr. Vuong, Mr. Thang, Mr. Moc, Mr. Man, Mr. Cam, Mr. Luu...). At the same time, it was also here that on July 25, 1945, the guerrilla team met to discuss and organize the people to overthrow the Japanese to build a Provisional Revolutionary Committee. During the anti-American period, Dinh Than was the gathering place to send off generations of hometown children who went to fight the enemy to save the country. On September 2, 1969, when President Ho Chi Minh passed away, the District Party Committee - People's Committee of Luc Nam district took this place as the place to hold a very solemn and solemn memorial ceremony for Uncle Ho. A large number of officials and people from all ethnic groups in the district came here to attend Uncle Ho's memorial service. In the period after 1975, when the South was liberated to unify the country, Dinh Than village, in addition to serving the religious culture and community activities of Than village, was also the place where the Party Committee and village authorities discussed and unified production methods. Intensive farming to increase crops, especially during the renovation period. The communal house is where the Board of Directors of Thanh Xuan Cooperative discusses and makes decisions on intensive farming to increase crops and improve efficiency in agricultural production; During the period 1986-1992, Thanh Xuan cooperative was the leading flag in good production and business of 04 mountainous districts of Ha Bac Province. For that achievement, the President awarded the Third Class Labor Medal in 1991. Through many ups and downs of history, the communal house still retains its ancient and unique majesty; With the above mentioned cultural and artistic values, Dinh Than has been ranked as a National Historical - Cultural Relic according to Decision No. 502-QD/BT, dated April 28, 1994 of the Ministry of Culture and Information. news (now the Ministry of Culture, Sports and Tourism). Developing national traditions, government committees and people of the village are now Than Binh, Than Phu, Thanh Tan residential groups, and businesses; Local children who are studying and working in all parts of the country every year make contributions and embellish the relic site to make it more spacious and beautiful. This place is also an annual place of traditional education for generations of young people and teenagers in the area. 2. Architecture Lang Than Communal House is also an ancient cultural and artistic architectural work of the Le Dynasty (17th-18th centuries) with unique and typical artistic value. Currently, the communal house has a Dinh-shaped layout including a Vestibule with 3 compartments and 2 left and a 2-room Harem building. The value of artistic architecture is mainly shown in the Vestibule with its massive architectural scale, unique long lines that give the communal house a steep slope, and sophisticated carvings on all ends. The top is embossed, embossed with leaf-shaped themes, vivid and harmonious animal shapes, carved lines, elegant and sophisticated altarpieces bold with the artistic architecture of the Le Dynasty. The history of building the Than Communal House on the first sentence of the communal house is still clearly inscribed with the inscription that reads: "The roof will be topped off in the first quarter of the year, two moons, two decades, and five days". That means the communal house was built on February 25, Quy Ty year (1713) under the reign of Le Du Tong, the 8th year of Vinh Thinh. The communal house has a unique ancient architecture, typical of art that has been over 300 years old. age, especially the carved lines shown at the ends of the muzzle depicting the four sacred animals (Dragon, Ly, Quy, Phuong) with twisted shapes and rich rolling clouds make the throne unique. The communal house is more sacred and artistic. SOURCE ELECTRONIC INFORMATION PORTAL OF DOI NGO TOWN - LUC NAM DISTRICT
Bac Giang 120 view
Historical-cultural relic area of Thuong Lam communal house and pagoda, located in Thuong Lam village, Thanh Lam commune, Luc Nam district, Bac Giang province, 20km northeast of Bac Giang city. The cultural and historical relic area of communal houses and pagodas in Thuong Lam village was built from the end of the Le dynasty to the beginning of the Nguyen dynasty, during the reign of King Le Hien Tong in the 42nd year of Canh Hung in 1781 as a place of worship and commemoration of the hero who had work with the people and the country. Because in the years 1516-1522, the insurgent army led by Tran Cao and Tran Cung, father and son, occupied a large area from north of Song Cau upwards. In addition to historical significance, this relic also has architectural and artistic significance - helping to educate all generations today and in the future about the tradition of building and defending the country of our ancestors. . The Thuong Lam Village Communal House - Pagoda historical relic site received the first deity ordination to worship the emperor, who contributed to helping the country. Over many dynasties, the relic complex has received many ordinations from kings. Lords of the Nguyen Dynasty, that shows the respect and worship of the local people for the heroic heroes who have made contributions to the country and the people. In the tablets that have been preserved until now, it is written (Chinh Minh, An Quoc, Thai Hoang, Duong Huong, Great Ceremony, Chi Than, Tien) along with the bronze bell, the inauguration of the dragon cot pagoda, the dragon palanquin, the god's hat, the god's hat, are still kept in the village communal house to this day. Precious relics that have been preserved over the centuries still retain their splendor and solemnity. The relic area includes: 1) Communal house: facing south, designed in 2 parts - The altar house is made of ironwood, roofed with funny-nosed tiles, made in the style of stacking beds, with five compartments, 6.87 m wide and 13 m long. - The rear palace consists of 1 room and 2 doors with long stripes, beams, materials made of ironwood, tiled roofs and brick walls, 8.35m long, 6.10m wide. 2) Thuong Lam Pagoda (Long cot pagoda) facing south includes: The old location of the pagoda was built on Long Cot Tu mountain, facing the North. In 1940, the pagoda was moved to its current location. For reason: to protect the temple. The old location now has only 3 towers remaining. - The altar house has a stacked-bed structure, 12.22m long, 7.65m wide. - The cathedral is structured in the style of a gong stand, ironwood, funny-nosed tiles, and square tiled floor. It is 7.5m long and 5.91m wide. In this relic, many rare documents and artifacts are still preserved, which have direct scientific research and traditional educational significance for many present and future generations. These are great paintings, parallel sentences, bells, inscriptions, incense burners, worshiping objects, a system of statues (including 21 Buddha statues), original artifacts of the Le and Nguyen dynasties that have economic value as well as both as art and as documents and artifacts serving scientific research and traditional education. These are rare collections of worship objects that represent a variety of types, ages, and construction materials. Thuong Lam communal house - temple - pagoda relic area is a typical cultural center of Thanh Lam commune in particular and Bac Giang province in general. It is meant to be a very important document that deeply reflects our people's tradition of love for homeland and country and deep hatred of the enemy. At the same time, it is a place of worship and commemoration of Tran Cao - Tran Cung, two leaders of the peasant uprising in the early 16th century against the oppression, exploitation, repression, and harshness of the Vietnamese feudal court in the later period. Pear. What is precious and respectful is that the restorations and repairs are all created by the skillful hands of local carpenters and bricklayers. It is also a reflection of the traditional handicraft tradition here that has existed for a long time and is constantly developing to beautify the village and make Thanh Lam commune prosperous. 7. Related cultural activities and rituals The traditional festival of the local people is held on January 13. During the festival, in addition to the sacrificial ceremony to the village deity and tutelary god, there are also many traditional folk games held such as Chinese chess, wrestling, cockfighting, pot beating, Quan ho singing under the boat... In addition, other rituals Other ceremonies are also held at the relic such as Village Work Day on April 11, Ceremony Day (August 10), Temple of the Soul Worship Day on November 15... Each ceremony has different regulations. SOURCE LUC NAM DISTRICT ELECTRONIC INFORMATION PORTAL
Bac Giang 117 view
Noi communal house, Viet Lap commune, Tan Yen district is one of the famous large-scale, beautiful and famous ancient communal houses of Tan Yen land, past and present. Based on Han Nom sources still inscribed on wooden pillars in the communal house, it is said that the Noi communal house was built during the reign of King Le Hien Tong, the 34th year of Canh Hung (1775), on a high, open mound in the middle of the temple. Ly village and Noi village. However, because the communal house was built by people of 3 borders: Western, American, and Domestic of Noi village, that's why the communal house is called Noi communal house. In addition, when the communal house was completed, the villagers also named the communal house "Tien Dinh". Those two words are embossed on the top of the communal house's roof for everyone to see. If you want to visit the relic, visitors can go from Bac Giang city along National Highway 1A (old), cross Song Thuong bridge, turn right along provincial road 398, Bac Giang - Cao Thuong route, pass kilometer 11, turn right. Go right along the inter-village gravel road for about 1km to Noi communal house. Going back in time to find the history of Noi Communal House's construction, it is known that when they had prepared enough materials, Noi villagers welcomed carpenters from Bac Ninh to build the communal house. The workers competed with each other to show off their talents, so they left behind many beautiful wood carvings at the Noi communal house. Among them, a typical carving with the theme "rowing a boat to catch a stork" is based on the classic story: "If you keep the fish alive, the fisherman will benefit", depicting the scene of a stork pecking at a boy, and a boy holding his shell tightly to the stork's beak. So the old fisherman rowed out to catch both of them. There is also a carving of two mandarins sitting and drinking together, but behind each mandarin are two sword-wielding warriors standing right next to them. People call this carving "fighting while talking". The artist seems to want to say that in anything, we need to be calm and discuss carefully, then we hope to succeed. Again, these are crude carvings, but all the meanings are clearly visible. There is another painting depicting the scene of cavalry going into battle in an extremely strong and sturdy posture. In addition, in the communal house there are many carvings with delicate lines, each of which the artist reflects a current social reality with another profound meaning. The Noi Communal House was built to worship Saint Cao Son and Quy Minh, who were generals from the time of Hung King who had many contributions in repelling foreign invaders and protecting the peace of the country. The communal house also fully preserves precious worship objects such as: Dragon throne, tablets, palanquin set, and wooden bowls in the artistic style of the Le Dynasty (18th century). Over time, the Noi communal house was also restored and embellished through historical periods. Especially in the late 19th century, the communal house received attention and direction from the leader of the Yen The insurgent army - De Tham. This story is told by the elders: The front communal house faces southwest, the roof points straight to the Noi hamlet. People see "the corner of the family pond" as an unfavorable thing, causing people in the village to often quarrel and lose unity. Therefore, the villagers asked Mr. De Tham to change direction when Hoang Hoa Tham led the army to fight the French, having a close relationship with Noi village. The insurgents often came back here to meet and discuss with Mr. Doc Tuan (Ly village); Chanh Hoach (Noi village), Tong Lo (Temple of Literature). Knowing that, De Tham, with his prestige, stood up and turned the direction of the communal house to Noi village. From there, the communal house rotates to the Southeast. Also after the shooting of this communal house, the people built in front of the communal house two buildings, left vu, right vu, and a majestic ceremonial gate. Seen from afar, Noi village communal house stands tall in the beautiful natural scenery of a countryside village with green bamboo, ancient trees growing in the rain and sun next to the communal house's yard, and a fragrant green lotus pond radiating a cool scent. from the family pond makes the love for the countryside even more passionate. Today, through the ups and downs of history, the Noi communal house is no longer as intact as it was originally. Some items of the old building have been lost such as: The dance hall, the ceremonial gate, the entire wooden floor system of the communal house and many parallel sentences and horizontal panels are also gone. But basically, Noi Communal House still retains the appearance of an ancient communal house. The communal house currently has a linear layout including a large communal house with 5 compartments and 2 wings. In front of the communal house is a row of 3 rooms. Inside, the wooden frame system is linked in the way of stacking beams and gong stands. The communal house still preserves some traditional architectural features shown in the patterns carved on wooden structures, with the art of embossing, sinking, and carving channels that are very elaborate and meticulous. Decorative themes are presented in a variety of ways such as: Themes of four sacred animals, four precious animals, rowing boats to catch storks, storks,... typical of the style of the Le-Nguyen dynasties. The remaining system of precious worship objects in the communal house is: 1 set of palanquins, 2 altar thrones, 2 incense bowls of the Le Dynasty, 2 altar fruits, 1 mail tube... These artifacts are all very valuable original artifacts. in researching the history of monuments as well as the human land here. Every year, on January 10 and 11, Noi Lai villagers organize a big festival at the center of Noi communal house. During the festival, villagers organize sacrifices and solemn processions of books; There are poetry feasts, five trays of sticky rice made with the four words "peaceful world", there are rituals of singing ca tru to worship the Saints, singing tuong, singing cheo... to welcome people to dance at Lang Cao to come and enjoy the festival. At the same time, the association organizes many unique folk games such as: playing bridge, swing, cockfighting, wrestling... attracting many people from all over to attend. Therefore, the people of Noi village still have a song that says: "Dinh Noi has a festival to rob the bridge. Every November, every January comes." With typical architectural, artistic, historical and cultural values, it is also a place closely related to the Yen The uprising led by Hoang Hoa Tham (late 19th century - early 19th century). XX), Noi communal house was honored to be included in the list of 23 relics and historical relic clusters of Yen The uprising sites signed by the Prime Minister in Decision No. 548/QD-TTg dated May 10, 2012. recognized as a special national monument. This decision affirms the role and value of the monument and is a tribute from the state to the great contributions of our ancestors in creating a peaceful life for today's descendants. SOURCE Bac Giang Tourism Information & Promotion Center
Bac Giang 107 view
Ha Temple in dual village 2B, Hong Giang commune, Luc Ngan district is an important relic with high historical, architectural and artistic value. The temple located in the middle of Ky Son hill has always been called Ha and Tu Ha temples. Along Highway 31, from the Bac Giang expressway intersection, turn right about 40km to the Kep and Hong Giang junction, turn right for more than a mile to reach the relic. Ha Temple worships Than Canh Phuc (ie Vu Thanh, Canh Nguyen, Canh Long or Than Dao Nguyen) who was the son-in-law of the Ly Dynasty and married to Princess Thien Thanh. In addition, Temple Ha from ancient times up to now not only worships one general of Vu Thanh, but also worships 6 other people who are all concubines and princesses of the Ly dynasty; Minister of the country Vu Tinh; National mother Thien Thanh Vu Thi Canh; Thuy Nhien, Princess Ly Thi Duoc; Binh Duong Princess Ly Thi Giam; Princess Yen Hoa Ly Thi Kien and Thanh Concubine Giap Thi Tuan. Ha Temple in Hong Giang commune is a type of famous memorial relic to commemorate not only one famous person, general Vu Thanh, but also 6 other famous people of the Ly dynasty. Ha temple is located in the southeast of Ho Ho village, on a large hill, arranged in the style of the letter Tam, including three not very large buildings: the lower temple, the middle temple and the upper temple. Next to it is the temple of the same name. All form an architectural unity located on the Luc Nam bank about half a kilometer. These three temples are located parallel to each other, but the middle and upper temples are connected to the temple by a tube. The house is simple, the structure between the rafters is in the style of single pillars. Ha Temple's architecture consists of 3 compartments, 2 grilles with 6 trusses and 24 large and small columns irregularly spaced between compartments. Behind the Lower temple is the middle temple consisting of 3 compartments and 2 compartments and finally the upper temple is also built with 3 compartments and 2 compartments. Located in the overall architecture of the temple is Tu Ha Pagoda. The pagoda's architecture is in the style of a nail. Around the temple area are a number of other relics associated with the temple and annual festivals including puppet ponds, drum mountains, gong mountains, flag fields, Duoc beach... which have made the relics richer and more lively. SOURCE ELECTRONIC INFORMATION PORTAL LUC NGAN DISTRICT, BAC GIANG PROVINCE
Bac Giang 245 view
Khanh Van Temple is located next to the bank of Luc Nam river, on Tan Da hill, Ha Thi village, now Tran Hung Dao residential group, Chu town, Luc Ngan district. From Bac Giang, follow Highway 31 through Luc Nam district into Luc Ngan, a distance of nearly 40km to Chu town (district center). From here turn right about 500m to reach the temple. Khanh Van Temple is the name of the word (Sino-Vietnamese) engraved on the current temple roof, this is the main name of the temple. The name Quan Quan temple is the folk name after the character worshiped at the temple. The temple worships Vi Hung Thang of Luc Ngan, a general of the Tran Dynasty who helped Tran Trieu fight the Yuan-Mongol invaders in the 13th century. Vi Hung Thang is the son of Mr. Phuc Tinh and Mrs. Tu Duyen of the Vi family in Kim Son fabric village, Luc district. Ngan. He was compared with Yet Kieu, Da Tuong, Pham Ngu Lao and other generals. After being honored with the title of Duke, the people called it Quan Quan Temple. Khanh Van Temple is a type of memorial to famous people to recognize Vi Hung Thang, Luc Ngan's outstanding son, for killing the enemy and saving the country. The original Khanh Van Temple no longer exists. The current temple has just been rebuilt on the old ground, according to the elders, this is the land where he was buried, his grave. The temple is arranged in a nail style, in the middle of the temple there is a statue of Vi Hung Thang in a sitting position. In addition, the temple also worships generals of his time such as Yet Kieu, Da Tuong, Pham Ngu Lao... Next to the temple on the right hand side is Khanh Van Pagoda and other structures serving activities, festivals, worship... SOURCE ELECTRONIC INFORMATION PORTAL LUC NGAN DISTRICT, BAC GIANG PROVINCE
Bac Giang 214 view
In the cultural space of Bac Giang province, Kham Lang Pagoda is an ancient relic that currently preserves many historical cultural values and artistic architectural values, the most typical being the lotus stone incense burner of the Early Le Dynasty. Kham Lang Pagoda, Kham Lang commune, Luc Nam district, is ranked as a national architectural and artistic relic according to Decision No. 53/QD-BVHTT dated August 2, 1999 of the Minister of Culture and Information (now is the Ministry of Culture, Sports and Tourism). The pagoda is located in Ben village overlooking Luc Nam river and the majestic Huyen Dinh mountain range. This is an ancient pagoda that still preserves many historical, cultural and artistic architectural values. Currently, Kham Lang pagoda also preserves some documents and artifacts with the most typical historical and cultural value. is a lotus stone incense burner of the Early Le Dynasty. On the incense burner is engraved the words "Thuan Thien five years - Nham Ty year" (ie year of the Rat, the fifth year of Thuan Thien (King Le Thai To's reign - 1432). Overall, the surface of the incense altar's base looks like a court). In Bac Giang, besides Cao Pagoda, there is no place with such a unique incense burner. With its historical and cultural value, aesthetic value and uniqueness, the lotus stone incense burner at Kham Lang Pagoda has been recognized by the Prime Minister as a National Treasure in Decision No. 2382/QD-TTg dated December 25, 2015. It is known that Cao Pagoda is an artistic architectural work of the Tran Dynasty. In 1999, it was ranked as a national architectural and artistic relic. In 2013, the Vietnam Institute of Archeology coordinated with the Provincial Museum to organize an excavation and discovered many relics such as: Single lotus-nosed tiles, leaf-nosed tiles, cow tiles... dating from the Ly and Tran dynasties. to the Le and Nguyen dynasties. SOURCE: Bac Giang Tourism Information & Promotion Center
Bac Giang 102 view
Cao Thuong communal house is located in the southeast of Yen Ngua mountain, Cao Thuong village, Cao Thuong commune, Tan Yen district (Bac Giang). It is a large, beautiful and splendid ancient communal house, the most majestic in the Tan Yen region. This place has imprinted the footprints of national hero Hoang Hoa Tham during the Yen The uprising 130 years ago. Cao Thuong Communal House consists of a 5-compartment, 2-room main house and 3-storey harem. This is a typical architectural work, characterized by the artistic style of the Le Dynasty in the 17th century. The communal house has an architectural style: the upper part of the house is the gong stand, the lower part of the house is the gong stand, and the lower part of the house is the 5-compartment and 2-compartment hall, which is tall, wide, majestic, and solemn. The middle space is up to 4.50 wide, the side space is nearly 4 meters wide, the main column has a circumference of more than 2 meters, a diameter of more than 70cm, enough to see the massive architectural scale of the communal house. The length of the communal house is more than 24m, the width is more than 14m, the area of the communal house is exactly one kilometer wide in the North, it is truly the largest wooden architectural work in this region. With 4 wide roofs, 4 curved blades, the roof is decorated with lemon flowers. Particularly, the gable is covered with a tiger face, originally from the communal house's renovations during the Nguyen Dynasty. As for the load-bearing frame structure, it includes 6 rows of column bases, a total of 48 columns with 8 extremely large columns, hardly seen in any communal houses in Bac Giang province today. This is the most outstanding architectural feature of Cao Thuong communal house, which is the many columns and large columns. All 8 main columns have 8 extra ends, these 8 columns are over 5m high, the military column is 3.5m high, and the porch column is also 2.7m high. The entire communal house floor is tiled with large bowls 40 x 40 x 5cm, 45cm higher than the communal house's yard surface. The bundle is full of bricks, 4 corners have 4 brick columns supporting the roof spreading out to nearly 2m. Creates a gentle, elegant look for the entire communal house's roof, which is inherently formal and majestic. Normally, village communal houses are built in the Dinh style, but Cao Thuong Communal House is built in the Nhi style with a two-room harem, 4 curved roofs, 4 rows of sturdy iron columns, and a strictly forbidden door. adjacent to the front and back roofs of the large communal house. This unique wooden architectural style has made the communal house both sustainable, strong, and massive while inside being tall and spacious while still being gentle, elegant, and beautiful. Currently, the communal house still preserves a number of ordinations with different dates, the two Cao Son - Quy Minh ordinations are: Superior God. The worship of the gods is held very solemnly and solemnly by the villagers. solemn with all the rituals: spring and autumn two periods: January 12 and August 20 (lunar calendar) both have book processions and jubilant sacrifices. From January 12 to 14, the two villages Cao Thuong and Dau Cau come to hold a big festival to process saints from Chanh communal house and Tren communal house to Cho communal house (Cao Thuong communal house is near the market so it is also called Cho communal house). The two villages held huge ceremonies and sang ca tru to worship the saint. Outside the communal house, there are many fun games: wrestling, chess, cockfighting, drum dancing... The festival includes tuong and cheo singing. People from far and near come to the festival and it has become a very sacred festival. During the years of fighting against the French colonialists, Hoang Hoa Tham often attended the Cao Thuong communal house and entertained the insurgents. When the French invaders burned Ton communal house, De Tham spent public funds and let the insurgents and people rebuild a new communal house. The communal house not only has architectural value but also carries a strong historical mark when the De Tham rebel army, our main force during the fight against the French colonialists, was stationed at this communal house. Especially during the Yen The uprising, the insurgent army led by Hoang Hoa Tham had a very close connection with Cao Thuong village and Cao Thuong communal house. Therefore, De Tham established a base on Yen Ngua mountain in the Cao Thuong communal house area. In 1890, the French colonialists learned that there were Mr. De's troops at Yen Ngua Mountain, so they organized a force to attack the insurgents. Defeated, they frantically burned down communal houses, pagodas and Yen Ngua mountain. During the second peace period between France and De Tham (1897-1909), De Tham helped people repair the communal house and rebuild the pagoda on the old pagoda's foundation. The historical evidence and heroic past of Cao Thuong communal house relics have been the pride of officials and people here. In addition to the unique architectural features and historical evidence, Cao Thuong Communal House is also known for its special market on the 2nd day of Tet every year, "Yin and Yang Market". According to the people of Cao Thuong village, Cao Thuong commune. (Tan Yen) is said to be special because the "Yin and Yang Market" only meets once a year, fixed on the 2nd day of Tet. People who go to the market are happy and mentally comfortable. They believe that it is an opportunity to do good and good deeds for the dead and their spiritual life will be more peaceful. With typical and unique values, Cao Thuong communal house was honored to be recognized by the Government as a special National Monument in 2012. SOURCE: Bac Giang Tourism Information & Promotion Center
Bac Giang 122 view
Hoang Hoa Tham historical relic site is located in Phon Xuong town, Yen The district, Bac Giang province. This place is associated with the resounding victory of national hero Hoang Hoa Tham - the brown-shirted leader - who together with the people of Yen The raised an uprising flag against the French colonialists nearly 30 years (1884 - 1913). This is the largest and longest peasant uprising in the history of our Vietnamese nation against foreign invaders before the Party led it. The historical and cultural relic site of the Yen The peasant uprising has created a complex of historical relics of great value. With 23 relic sites, most of them are forts, communal houses, temples, pagodas and shrines spread across 4 districts (Yen The, Tan Yen, Viet Yen and Yen Dung). The Yen The uprising relic site is convincing evidence of the brave spirit and sacrifice of the De Tham insurgent army to regain independence and freedom. To recognize and honor those special values and meanings, on May 10, 2012, the Prime Minister signed Decision No. 548/QD-TTg classifying the relic as a special national monument. Yen The district has 9 points including: Phon Xuong fort, Ho Chuoi fort, Leo pagoda, Dinh Thep communal house, Thong pagoda, Hom fort, Thien Thai cave, Cau Khoai temple and The Temple. Among them, the center of the uprising was the Hoang Hoa Tham historical relic site in Phon Xuong town, Yen The district, Bac Giang province. 1. Oath Temple In front of us is the Oath Temple. The temple was built in the late 19th century using thatch, bamboo, and leaves. In 1897, when the second peace between the French colonialists and the Yen The insurgent army took place here, De Tham repaired the temple with ironwood architecture as we see today. This architecture is still fortunately still intact. After being renovated, De Tham often used this place to hold festivals to improve the spiritual life of the people. In particular, he often used this place to recruit insurgents and recruit talented people. Before each battle, he often had the insurgents gather to drink bloody wine and swear oaths here. In May 2012, the Prime Minister signed a decision to recognize 23 relics of the Yen The uprising as special national historical relics and The Temple as one of 23 special national historical relics. there. 2. Hoang Hoa Tham Monument Located right behind the The Temple is the monument of national hero Hoang Hoa Tham. The statue was initially made of concrete, then changed to bronze in 2013, created by author Anh Vu - a member of the Bac Giang Province Literature and Arts Association in 1984. The statue is 5.07m high, surface area 31m2, average thickness 2.0cm; The statue's pedestal is 2.1x2.1m in size, 0.32m high, surface area 7m2, average thickness 2.5cm. The statue weighs over 7 tons of solid bronze, with a value of over 4 billion VND, and most of the money for making the statue came from socialization. 3. Yen The Uprising Exhibition House The next item in the relic site that any visitor cannot help but visit is the Yen The Uprising Exhibition House. The exhibition house was built in 1984 and initially had a 1-storey architecture. It was later built and remodeled and has the 2-storey architecture it has today. The first floor displays an ethnographic corner of Yen The district. The second floor displays images and artifacts of the Yen The uprising, the most typical, largest and longest spontaneous peasant uprising of our nation in the late 19th and early 20th centuries ago. when the Communist Party of Vietnam was born. 4. Phon Xuong Fort Phon Xuong Fort, also known as Don Go, Don Cu, was built in 1894, guarding the only road leading to the insurgent base. This is the main headquarters of the Yen The insurgent army, the capital of the uprising, the starting place to expand the movement to localities. De Tham built Phon Xuong Fort as both a place to live and live for De Tham's family as well as for the insurgents, and at the same time it was also a meeting and discussion place between De Tham and contemporary heroes to discuss matters. fought the enemy to save the country (like Phan Boi Chau, Phan Chu Trinh, Le Van Huan, Nguyen Dinh Kien, Ky Dong...). In particular, this is where the second peace settlement between the Yen The insurgent army and the French enemy took place. After the uprising ended, Yen The people built the temple of Ba Ba - Hoang Hoa Tham's third wife in Phon Xuong station to commemorate her great contributions in the uprising. 5. Yen The Festival Yen The Festival is held on March 15, 16, 17 every year. This is one of the biggest festivals of Bac Giang province. The festival is an opportunity for people to express their respect and remember the merits of Hoang Hoa Tham, a talented general, the supreme leader of the Yen The peasant movement and the insurgent army who fought against the French colonialists. In 2013, Yen The festival was recognized by the State as a national intangible cultural heritage. SOURCE: Bac Giang Tourism Information & Promotion Center
Bac Giang 108 view
Dinh Huong Mausoleum was built in 1727 (18th century) in the mausoleum to store the body of Duke La Quy Hau. He was born in 1688 locally. In 1730, during the reign of Le Duy Phuong, he was appointed as a military servant, a military guard, and then a eunuch. During the reign of Le Y Tong, he was sent twice as envoy to the North, in 1735 and 1739. In 1740, during the reign of Le Hien Tong, he led troops to suppress rebellions in the areas of Kinh Bac, Son Nam, and Hai Duong. He died on the 9th day of the 6th month in the year of the Snake (1749), at the age of 61. In 1754, the king appointed him the title of Phuc Than Loyal Great King. In particular, the mausoleum was built by the Duke himself in his hometown when he was still alive. Dinh Huong Mausoleum is located on a circular hill, about one hectare wide, surrounded by laterite walls (recently renovated). The architectural layout of the mausoleum consists of three main parts: the burial part in the middle, the worship part on the left, and the stele part on the right. The stone mausoleum is about 100 square meters built of square laterite. In front of the tomb are two mandarins leading horses standing facing each other. The pair of statues of mandarins leading horses are considered masterpieces of stone carving art. The military officer wearing a sword and leading a horse on the right side has a big face and wide jaw. The military officer carrying a sword and leading a horse on the left side has a long beard and small face. The entire statue's shape is elaborately carved to exude an extraordinary, dignified appearance. Coming to Dinh Huong Mausoleum, visitors will admire the worship area, which is also built square like the burial area, with walls made of laterite, steps built in front, a stone collapse on top, an altar throne, and on both sides there are statues of maids. The casket and the couple lie prostrate. Below the altar is an incense burner, a stone table, and a pair of goats sitting with their heads facing each other across the Shinto path. In the distance, a pair of elephants knelt down and prostrated themselves. On the right side of the grave is a stele house with 4 arched rolling doors, inside is a stone stele recording the merits of the person being worshiped. The inscription says that the stele was created in 1729. Overall, the materials used to create the artistic architectural work of Dinh Huong mausoleum are mainly green stone, finely chiseled and trimmed with fire cloud motifs, high-embossed spiral clusters, and interlocking geometric patterns. hooked together and posted oppositely. What is most unique about this architectural work is the art of carving round statues in a realistic style with a naturalistic tendency. Statues of people and animals at the mausoleum are made of green stone, carved very vividly. The statue is large in size, fat, sturdy, and meticulously trimmed. It can be said that this is a massive architectural work, elaborately carved in stone with skillful craftsmanship. The mausoleum complex is a typical first-class stone art sculpture in Bac Giang province. The antiques in the mausoleum are preserved relatively intact Tourists visiting Dinh Huong Mausoleum will be fascinated by the stone sculpture art of ancient artisans. The highlight and unique feature of Dinh Huong mausoleum are the massive statues, much larger than those in other mausoleums, delicately carved. According to statistics, in Bac Giang, 46 ancient stone structures have been discovered and recognized, mainly stone mausoleums. The stone mausoleum system is proof of the art of tomb sculpture that has developed to its peak and holds an important position in the architecture and ancient stone sculpture of Vietnamese mausoleums. These are truly the quintessence of ancient sculpture, with sophistication expressed in every line on the statues. Artifacts and stone statues also contribute to increasing the historical value and cultural and artistic value of ancient mausoleums. Dinh Huong Mausoleum is a place to honor the nation's architectural tradition of stone sculpture, clearly shown in the art of sculpting statues of people or sacred beasts and worshiping objects, as well as rich architectural decorations and life-style patterns. The cave is truly typical of ancient Vietnamese stone sculpture art. With values of cultural history and typical architectural art, Dinh Huong mausoleum has been attracting tourists to visit. SOURCE OF BAC GIANG TOURISM
Bac Giang 111 view
Phu Lao Communal House in Phu Lao village, Dao My commune, Lang Giang district, Bac Giang province. Despite many years of war, devastation from sun and rain, and deterioration due to many renovations, Phu Lao communal house still retains the basic features of an ancient Vietnamese communal house, especially the about art and architecture. Phu Lao Communal House was built in 1688, during the reign of King Le Chinh Hoa the 15th. Phu Lao Communal House was built on a campus of more than 1,500 square meters at the beginning of the village, looking to the Southeast to worship Duc Cao Son - Quy Minh who are the kings. Famous generals of the Hung King period were instrumental in suppressing the enemy and defending the country. These are famous generals whose temples were built in many places in the Northeast region to honor those who contributed to the village and the country. They were ordained as superior gods by many dynasties and were classified as Gods of Goodness, eliminating evil, eliminating evil and protecting good people. At the same time, the communal house also worships General Cong Dao and Lady Quy Thi, local people who passed the exam to become mandarins, and donated money to build a communal house to merit the village. Phu Lao communal house is located on a high, open, beautiful strip of land at the beginning of the village, the back of the communal house is built outward, the communal house's face faces the village, hidden under the cool green banyan shade, reflecting on the clear water wharf. In front of the communal house's door, there is a large, semi-oval pond and the communal house's yard is large and flat. The newly built altar house consists of three small rooms. In the back yard of the altar there is a four-sided stele, built in the 15th year of Chinh Hoa (1694), composed by Dr. Hoang, talking about his contribution to building the communal house. Ms. Dao Thi Hien. The communal house has four high, wide roofs, the roof is covered with bai-shaped tiles. The great hall consists of seven compartments, 23m long, 12m wide, with 8 trusses, 6 rows of columns, 48 columns. The trusses are structured in a way that overlaps the beams and gongs, combined with stripes at the four corners. The four middle columns have four panels running nearly the entire room, creating four large decorative panels. The four sides of the pavilion still have traces of paneling and are surrounded by a table door; All rooms have floors. Except for columns, rafters and diaphragms, other wooden architectural structures such as wooden poles, corbels, planks, stripes, pillars... are carved with many shapes reflecting aspects of village life. With its unique architectural and wood carving art values, since 1982 Phu Lao communal house has been recognized by the State as a nationally ranked historical relic, after being restored twice to prevent deterioration. , most recently in 2011, up to now, the state, party committees, authorities, social organizations, especially Buddhists everywhere have contributed to building relics that are getting better and better, in order to preserve the relics. the unique cultural values of our ancestors for our descendants for generations to come. SOURCE World Heritage e-magazine
Bac Giang 119 view
Lang Le Bau Co relic site is located in Tan Nhut commune, Binh Chanh district, Ho Chi Minh City. Lang Le Bau Co is associated with the resistance war against the French invasion in 1948 with major battles that went down in history. Lang Le Bau Co relic was recognized as a city-level historical relic in 2003. The reason it is called Lang Le Bau Co relic area is because the name of Lang Le Bau Co relic area was given by local people. The hamlet was established next to the interlaced canals and rivers. Lang Le Bau Co is located inside a large field with many shrimp, crabs, and fish. Along with many species of birds such as mallards, storks, teal, nuthatches, gongs, partridges, herons, and red armpits come to feed here. Therefore, Tan Nhut people call it by the familiar and rustic name Lang Le Bau Co. Lang Le Bau Co relic is considered the gateway to move to the center of Vuon Thom base and attack the enemy headquarters in Saigon. Previously, Lang Le Bau Co relic area was originally a field of overgrown reeds. On April 15, 1948, the French colonialists sent 3 thousand soldiers and many modern weapons to simultaneously attack the Lang Le Bau Co area to destroy the Vuon Thom base. At that time, the revolutionary armed forces in Lang Le - Bau, because of their small force and rudimentary weapons, had the help of local people along with the advantage of terrain. After just over half a day of fighting, it turned to attack, causing the French army to suffer a large number of casualties. The victory at Lang Le Bau Co killed 300 enemies, captured 30 mercenaries, and destroyed many machines, military vehicles, and guns of all kinds of the enemy. However, on our side, there are many officers and soldiers who heroically sacrificed their lives at a very young age. On October 14, 1966, in Lang Le, the Republic of Vietnam Army Ranger Battalion was destroyed by tourist militia. Lang Le Bau Co relic site has great historical significance for the people of Saigon in particular and the whole country in general. Faced with hatred for the French colonialists, Lang Le Bau Co's army and people fought a war of great historical significance that opened the door for our side and the enemy. For our side, the battle opened the door to heroism in a strong resistance position. As for the enemy, they had to retreat into a strategic position and were destroyed. The French colonialists could no longer form a strategy to defeat the Viet Minh. Moreover, at Vuon Thom base, Lang Le Bau Co also took place a determined battle to protect our base and destroy all sabotage plans of the enemy. Lang Le Bau Co relic area, after the Dong Khoi movement in 1960, was also a logistics and springboard for the armed forces to liberate Long An - Saigon - Gia Dinh. To commemorate the sacrifices of our compatriots and soldiers, in 1988 Binh Chanh district built a historical building in Lang Le Bau Co land with an area of 1000m2. Source: Ho Chi Minh City Electronic Information Newspaper
Ho Chi Minh City 3771 view
The US Embassy relics, also known as the "White House of the East", are the origin of sinister military and political plots aimed at long-term annexation of Vietnam. The relic site is a 5-storey building built Built in modern architecture, located at the corner of Mac Dinh Chi - Le Duan Street, Ben Nghe Ward, District 1, Ho Chi Minh City, on a plot of land nearly 5,000 square meters. Previously, the US embassy was located at 39 Ham Nghi Street. At around 10:00 a.m. on March 30, 1963, the US embassy on Ham Nghi Street was hit with explosives by the F21 Commando team, collapsing three floors: 1, 2, 3, so the US decided to rebuild it. Construction began on the building in 1965, most of the materials and construction machinery were transported from the US, under the control of American engineers. According to the design, the building is surrounded by 7,800 Taredo stones that can withstand mines and artillery shells. The main door is equipped with thick steel, the other doors are blocked by a special thick bulletproof layer. All doors use automatic systems, including iron doors blocking the way to the upper floors. Inside the building there are 140 rooms with 200 staff serving day and night. In addition, next to the building is also built an additional row of houses called the "Norodom" area exclusively for C.I.A. employees. When inaugurated, the building had only 3 floors. At the end of 1966, two more floors and a terrace were built to serve as a landing place for helicopters. Surrounding the building is a 3m high wall, at both ends of the wall close to Le Duan Street, 2 high blockhouses are built, guarded day and night. The Embassy was completed in September 1967 with a defense system such as a fortress with 60 guards, a bomb shelter, and a radar screen system to control the facade. Immediately after the building was completed, on September 24, 1967, thousands of students flocked to the gate of the US Embassy to fight for "America to stop bombing the North", "America to go home" and issued a notice denouncing the US for "trampling and seriously violating the right to self-determination of the Southern people". But the outstanding event that happened at the US Embassy was the battle of the City Rangers during the General Offensive and Uprising in the Spring of 1968. The target of attacking the US Embassy was added on January 24, 1968 by Ngo Thanh. Van is in charge of general affairs. Ranger Team 11 took on this important mission, including captain Ut Nho (military region reconnaissance captain) and soldiers: Bay Truyen, Tuoc, Thanh, Chuc, Tran The Ninh, Chinh, Tai, Van, Duc, Cao Hoai Vinh, Mang, Sau and 2 drivers: Tran Si Hung and Ngo Van Thuan. Another equally humiliating event for the US Embassy was the chaotic escape that occurred on April 29 and 30, 1975 by the US and its accomplices. Faced with the rapid attack of the Vietnamese army and people in the historic Ho Chi Minh campaign, over 1,000 Americans and more than 5,000 pro-American Vietnamese jostled, pushed, and kicked each other to compete for a place on the terrace of the building. building to be rescued by helicopter. This relic was granted a certificate of recognition by the Ministry of Culture on June 25, 1976. Currently, the US Embassy building has been demolished and a new consulate in Ho Chi Minh City has been built, but next to it is a memorial stele forever remembering the achievements of the special forces soldiers who died in the battle. . Source: Ho Chi Minh City Youth Union
Ho Chi Minh City 3125 view
Tan Hiep Prison, also known as "Tan Hiep Correctional Center", is located in Quarter 6, Tan Tien Ward, Bien Hoa City. Tan Hiep Prison Relic was ranked as a national relic by the Ministry of Culture and Sports on January 15, 1994. Tan Hiep Prison is one of the six largest prisons in South Vietnam and the largest prison in the Southeast region, built in an important military position, northeast of Bien Hoa town. Ahead is National Highway 1; Behind is the North - South railway line. This is an isolated location, convenient for transportation, easy for protecting, guarding, receiving prisoners from other places and transferring prisoners to Con Dao, Phu Quoc... Tan Hiep Prison has an area of 46,520 square meters with 8 prisons, including 5 prisons for communist prisoners and patriots. The prison is surrounded by 4 layers of barbed wire with 9 bunkers, 3 watchtowers with a team of guards and a modern alarm system. It's called "Correctional Center" but inside is actually a gun warehouse, an interrogation and torture room with the most modern tools. Each prison only has an area of nearly 200 square meters but holds 300-400 people, sometimes up to a thousand people. In particular, there are "repentance" rooms and "tiger cages" that are very small and narrow and living conditions are extremely harsh, prisoners live like in a crematorium. The diet was extremely unhygienic. The prison guards bought rotten rice and rotten fish to fertilize the fields, and fried them in oil to feed the prisoners, leading to many people being poisoned. With the determination to escape the imperial prison, return to the Party and the people to continue fighting and liberating the nation, on December 2, 1956, with the agreement of the Eastern Inter-Provincial Party Committee, the soldiers Communists were "detained" in Tan Hiep prison under the direct direction of comrade Nguyen Trong Tam (Bat Tam) - in charge of the prison Party Committee and a number of other comrades who suddenly broke the shackles. was able to free nearly 500 comrades and patriots. This event caused a stir in the Pentagon. America - Diem hastily mobilized both main forces and security forces, civil guards defending the three provinces of Bien Hoa, Ba Ria, Thu Dau Mot and two special forces to encircle and capture the prisoners, but all were defeated. failure. Our comrades and compatriots who escaped from Tan Hiep prison received help and protection from local facilities and returned safely to base. Among the escaped prisoners were comrades: Bay Tam, Hai Thong, Ly Van Sam... who became the core nucleus of the Dong Khoi movement later. In 2001, to partly recreate the crimes of the US - Diem against our comrades and compatriots imprisoned at Tan Hiep prison and describe the entire Tan Hiep uprising on December 2, 1956. , Dong Nai Museum has collected images, documents, and artifacts displayed at the relic and made a model to serve the research and sightseeing needs of all classes of people. Every day, the monument is open to visitors. Source: Dong Nai Electronic Newspaper
Dong Nai 2827 view
Chot Mat Tower Historical-Cultural Relic, located in Xom Thap hamlet, Tan Phong commune, Tan Bien district, Tay Ninh province, was recognized by the Ministry of Culture and Information (now the Ministry of Culture, Sports and Tourism) as historical - cultural relic on July 23, 1993. Also one of the last three ancient towers remaining in the South of our country. Having undergone many restorations in 1938, 2003 and most recently in 2013. Despite undergoing restorations, the Chot Mat ancient tower relic site has given itself a new look but still remains retains the spirit of ancient architecture. The entire Tower is built of brick and slate with the top of the tower tapering upward, from the ground to the highest point of the tower is estimated to be 10m. In addition, this ancient tower is located on a high mound in the middle of the field, so from a distance it looks like a pen rising gradually. In 2003, the People's Committee of Tay Ninh province decided to approve the investment project to restore, embellish and preserve Chot Mat tower relics and carried out the restoration, restoration, display and opening of the excavation pit in 2003. into use. On November 27, 2019, the Provincial People's Committee issued a Decision regulating the decentralization of management, protection and promotion of the value of historical and cultural relics and scenic spots in Tay Ninh province. Decision to assign the People's Committee of Tan Bien district to directly manage 4 relics, including the National Historical-Cultural relic Thap Chot Mat. In particular, the Chot Mat Tower Historical-Cultural Relic in Tan Phong commune, Tan Bien district was chosen to be part of the tourism development link of Tay Ninh Province. This is a tourist destination worth exploring, contributing to tourism development in Tan Phong commune in particular and Tan Bien district in general. Source: Tay Ninh province electronic information portal
Tay Ninh 2575 view
Bac Cung Temple (literally known as Thinh Temple) in Tam Hong commune, Yen Lac district is one of four large temples around the Ba Vi mountain region and the Red River Delta worshiping Saint Tan Vien. The temples: Tay Cung, Nam Cung, and Dong Cung are on the other side of the Red River in Son Tay territory. These are four temples that were built and preserved relatively carefully by the people. The temple is located in the middle of fertile fields on a 10,000 square meter plot of land next to winding canals, surrounded by rich and densely populated villages. On both sides, the left desert and the right desert stand majestically and silently, covering a large brick yard, looking up to a unique architectural work. Thinh Temple was built 20 centuries ago on the foundation of a small temple worshiping Saint Tan, where he had previously let his troops stay during a mission to help people clear land and manage water. The divine genealogy passes down that: Saint Tan (still called Son Tinh), whose name is Nguyen Tuan, was born on January 15, Dinh Hoi year in Lang Xuong cave, Trung Nghia commune, Thanh Thuy district, Phu Tho province. He lost his father at a young age and lived with his mother and two cousins, Nhuy Hien and Nguyen Sung. Every day, the three brothers crossed the Da River and went to the Ba Vi mountains to clear fields and farm, looking for a living. Here, Nguyen Tuan met Princess Thuong Ngan, was adopted by her, and gave her a walking stick and many magic spells to save humanity. After defeating Thuy Tinh and marrying Princess Ngoc Hoa, he refused the throne that King Hung wanted to give him, and with his two younger siblings traveled everywhere, helping people clear land and water, and was respected by people everywhere. When passing through the Tam Hong area, he let the troops rest and taught the people to grow rice and fish... After he left, the villagers came to the place where the Holy One rested and saw that there were still some packets of hearing left there, so after This temple is called Thinh temple. There is also a story that: when letting the army stay here, Saint Tan taught the people to butcher Thinh, so the people called the temple that name. From a small temple, during the reign of King Ly Than Tong (1072-1128), the temple was rebuilt into a large temple. This is where the king came to pray for longevity. During the reign of King Minh Mang (1820-1840), the temple was repaired many times. During the reign of King Thanh Thai, the Tri of Yen Lac district appointed monk Thanh At to restore the temple. The project lasted until the 6th reign of Khai Dinh (1900-1921). Through many ups and downs, the temple continues to be preserved and preserved by local people. On January 21, 1992, the temple was recognized by the Ministry of Culture and Information as a cultural and historical relic. Every year, the Thinh Temple festival is held from the 6th of the first lunar month to the 20th of the first lunar month. The festival includes sacrifices, palanquin processions from villages inside and outside the commune and many folk games will be held. Source: Vinh Phuc province electronic information portal
Vinh Phuc 2441 view
During the period when the Mac dynasty had its capital in Cao Bang, in order to prevent the Le dynasty from attacking, the Mac dynasty restored and repaired Na Lu citadel (now in Hoang Tung commune, Hoa An) and Ban Phu citadel (now in Hung Dao commune). ), Phuc Hoa citadel, in addition to building many other citadels in Cao Bang, making Cao Bang a political and military center in the far Northeast border region at that time. Na Lu citadel and Phuc Hoa citadel are two citadels built before. According to the records of Be Huu Cung in Cao Bang Thuc Luc, Na Lu citadel and Phuc Hoa citadel began in the reign of Tang Y Tong in the year Giap Than, the 5th Ham Thong era (874). Based on the presence of many ancient tombs with stone inscriptions containing the names, addresses, and hometowns of the citadel builders who died here during the Ham Thong Dynasty, it can be confirmed that these two citadels were built during the Tang Dynasty. Na Lu Citadel was built over many different dynasties. When the Mac dynasty came to Cao Bang, it was rebuilt with bricks. Na Lu citadel has a nearly rectangular shape, has a total area of about 37.5 hectares, a length of about 800 m, a width of about 600 m, the citadel has 4 gates. Ban Phu citadel in the capital of Nam Binh, Nam Cuong country of Thuc Phan in the past in Cao Binh (Cao Bang), the Mac dynasty renovated the royal palace in the inner circle of the old capital of Nam Binh and called it Ban Phu citadel or Royal Palace. In the ancient capital of Nam Binh of the Nam Cuong country and the Mac dynasty, Ban Phu citadel still has clear traces. The capital city of Nam Binh consists of two citadels, to protect the citadel, the outer ring has a circumference of about 5 km, including a low hillock area, around the foot of the hill is covered with vertical canvas like a wall, convenient for navigation. Build defense lines. The western wall of the citadel runs parallel to the bank of the Bang River to the beginning of Bo Ma village, connecting the southeast wall of the citadel, flowing in front of Ban Phu, following the foot of the hill to meet National Highway 4, the northeastern side running along the foot of the hill close to the outside of National Highway 4. , up to the top of the mound is the northwest side, continue running along the foot of the hill, out to the river bank and meet the west wall, forming a closed citadel. When the Mac Dynasty established the capital, it repaired and built a number of additional works, in which Ban Phu Citadel (inner citadel - the king's working place) was built higher on the old citadel walls from the Thuc Phan period. The citadel is located on a flat land. Along with rebuilding the capital, the Mac dynasty also built a system of posts and ramparts quite thick around the capital and a number of important border points, forming a system of protecting the capital and protecting the border. gender. Phuc Hoa citadel (Phuc Hoa district) was built in a square style, about 400 m in each direction, including two citadel rings, the distance between the two rings is 80 m. Currently, the southern wall has been completely destroyed. Phuc Hoa Citadel has 2 main gates: The North Gate is open to the national highway to Ta Lung Border Gate today, people often call it Pac Gate, this gate is built in a rectangular style, 8 m wide, 5 m high. , including two gates made of thick, very sturdy wood; The second gate is in the south, opening to the river bank. Both gates were flattened long ago, and now there are no traces left. Near the citadel, in the northwest suburbs along the riverbank, there are many traces of brick kilns. People said that during the process of labor and exploration, many intact brick kilns were found in this area. Through research and surveys, it has been shown that in Cao Bang, the Mac dynasty renovated, embellished and built many citadels and fortresses, including repairing, embellishing and rebuilding Ban Phu citadel, Na Lu citadel, and Phuc citadel. Hoa. These fortifications have formed a quite solid system of protecting the capital. Up to now, of the ancient citadels built by the Mac Dynasty during the capital period in Cao Bang, some of the citadels built of earth only have traces left, but the citadels built of stone are still very clear. Source: Cao Bang Electronic Newspaper
Cao Bang 2354 view
Mai Xuan Thuong was the leader of the Can Vuong movement against the French at the end of the 19th century in Binh Dinh. Mai Xuan Thuong was born in the year of Canh Than, 1860, died in the year of the Pig, 1887, from Phu Lac village, Phu Phong district, Tuy Vien district, Binh Dinh province (now Phu Lac village, Binh Thanh commune, Tay Son district, Binh Dinh province). His father, Mai Xuan Tin, was the chief father in Cao Bang. His mother, Huynh Thi Nguyet, was the daughter of a noble family in the village. Mai Xuan Thuong is inherently intelligent and eager to learn. At the age of 18 (1878), he passed the Baccalaureate at Binh Dinh Examination School. At the age of 25 (1885), he passed the bachelor's exam. Responding to King Ham Nghi's Can Vuong edict, Mai Xuan Thuong returned to his hometown of Phu Lac, recruited insurgents, set up a base on Sung island to raise the Can Vuong flag against the French, then Mai Xuan Thuong brought his forces to join the army. The insurgent army was led by Dao Doan Dich and was appointed by Dao Doan Dich to the position of Military Salary Officer (in charge of food for the insurgent army). From then until 1887, the Can Vuong movement in Binh Dinh developed strongly and spread to Quang Ngai, Phu Yen... attracting tens of thousands of people from all walks of life to participate. On September 20, 1885, Dao Doan Dich died and assigned all his forces to Mai Xuan Thuong. He chose the Loc Dong mountain area (now in Binh Tuong commune, Tay Son district) as his headquarters and organized a flag worshiping ceremony, calling on scholars, literati, and people to join the movement to fight against the French. During that ceremony, insurgents from many regions in Binh Dinh province agreed to honor him as the Marshal leading the uprising and raised the slogan: "First to kill the left, later to attack the West". In early 1887, the French army under the command of Lieutenant Colonel Cherrean and the royal army led by Tran Ba Loc along with Minister Trira launched a major attack on the headquarters of the Can Vuong movement in Binh Dinh, the battle The fighting between the insurgent forces and the French enemy was extremely fierce, the fight was unequal, and in the end the insurgent force was pushed back. In March 1887, after a fierce battle in Bau Sau (An Nhon town, Binh Dinh province), Mai Xuan Thuong was seriously injured, the insurgents withdrew to Linh Dong secret area. On April 21, 1887, Tran Ba Loc surrounded and captured the Linh Dong secret base and captured a number of insurgents, including Mai Nguyen Soai's mother. On the night of April 30, 1887, Mai Xuan Thuong sent a suicide squad to break into Tran Ba Loc barracks, relieve the captured people, and he and a group of 50 subordinates crossed the mountain into Phu Yen and continued to resist. battle, but when she reached Phu Quy Pass (boundary between Binh Dinh and Phu Yen), she was captured by Tran Ba Loc's ambush and taken to be beheaded at Go Cham (East of Binh Dinh Citadel). The mausoleum of patriot Mai Xuan Thuong is located on a high hill of the Ngang mountain range (in Hoa Son village, Binh Tuong commune, Tay Son district, Binh Dinh province) about 50km northwest of Quy Nhon city; The mausoleum was built on a land area of 1988m2, inaugurated on January 22, 1961. Overall, the mausoleum is designed in the style of an ancient mausoleum, surrounded by low walls. The Lang gate (three gates) is made up of 4 square pillars, the top is tied in the style of a gourd and a vase, bearing the architectural appearance of a communal house or temple gate of the late 19th century. In the middle of the Mausoleum is Mai Xuan Thuong's tomb, rectangular in shape in the East - West direction; At the head of the grave is a stone stele engraved with an inscription recording the biography and career of Mai Xuan Thuong: The relic was ranked at the National level by the Ministry of Culture and Information on April 20, 1995. Source: People's Committee of Tay Son District, Binh Dinh Province
Binh Dinh 2266 view
Hoc Mon District Palace is located at No. 1, Ly Nam De Street, Hoc Mon Town, (next to the District People's Committee headquarters) and is the place where many outstanding fighting events have been recorded throughout the long history from 1885 to the Southern days. Complete liberation of the People of 18 Betel Garden Villages. After defeating Chi Hoa Fort, the French colonialists built a 3-storey wooden house here to use as a military post. When Tran Tu Ca took office as Governor of the Palace, he used the Station as the Palace of Binh Long district. Originally a cunning drunkard of the French colonialists, Tran Tu Ca was led by a group led by Mr. Phan Van Hon (Quan Hon) and Nguyen Van Qua (Chanh Lanh Binh) of nearly 1,000 insurgents who came to burn the District Palace, captured and head cut off in the middle of the market. That was February 8, 1885, At Dau Tet. Afterwards, Hoc Mon District Palace was rebuilt with a blue stone foundation, brick walls, and a defense system from the upper floors to the fence. The architecture is similar to the Military Fort, so the locals call it Hoc Mon Fort. Tran took over from Tran Tu Ca as Governor of Ngon district, moving to Tra District and then Tho District. This was a long period of time when the people of the Hoc Mon region suffered from many cruel and despicable scenes from the French colonialists and their oligarchic henchmen mentioned above. With the indomitable tradition of Hoc Mon people. On June 4, 1930, around 6 a.m. in front of the District Palace, hundreds of Hoc Mon people protested demanding "abolition of poll tax, reduction of license and market taxes, and granting land to poor farmers." Tra District invited the leaders into the Palace to negotiate, but they cunningly arrested them, including Mr. Le Van Uoi (Secretary of Tan Thoi Nhi Commune), who was the leader of the protest. People were undaunted and fiercely demanded that Tea District release those detained. The protest group became more and more crowded, the fighting spirit spread somewhat, causing Tra District to give in. On the one hand, they released the detained people, on the other hand, they called the officials in Saigon for help. 2 hours later, the struggle was led by two men, Blachole and Nobbot, who opened fire on the protest group, causing many casualties. But the most impressive historical event at Hoc Mon District Palace was the Southern Uprising on November 23, 1940. Hoc Mon Fort is very solid, built of green stone like a fortress, about 15 meters high, has a gun emplacement and a defense system with battlements guarded by a platoon of green soldiers. On November 22, 1940, France reinforced one more platoon to deal with the situation. On the afternoon of November 22, 1940, Mr. Do Van Coi's army broke into the town, disguised as civilians, ambushed behind the Station waiting for orders to rob the Station. Another army wing has the task of destroying bridges, cutting down trees blocking roads, and occupying offices and houses... The army wing from Phuoc Vinh An, Tan Thong, Tan An Hoi, Tan Phu Trung is led by Mr. Pham Van Sang and Dang Cong Binh commanded, started from Ben Do hamlet, attacked the house, killed 1 person, collected 4 guns, and took control of the situation here (Tan Phu Trung). Immediately this army was ordered to pull back to Hoc Mon. The Long Tuy Thuong army was commanded by Mr. Bui Van Hoat. The army of General Long Tuy Trung was commanded by Mr. Do Van Day and Le Binh Dang. At around 24:00 on the night of November 22, 1940, the sound of artillery fire had not yet been heard in Saigon. After consulting, the army commanders united to attack the enemy's post. Immediately the troops headed straight to Fort Hoc Mon, where District Chief Bui Ngoc Tho resided. Two insurgents named Nghe and Kinh volunteered to enter the front gate and sacrificed their lives. Insurgents from all directions rushed into the Fort like water bursting its banks. Faced with the power of the insurgents and the masses, the soldiers in the Station no longer had the spirit to resist and fled in disarray. The insurgents completely occupied the inside of the station, but upstairs, the enemy still stubbornly used guns to shoot sporadically, at the same time calling Saigon and Thu Dau Mot for emergency help. Because he was eager to capture the name of Tho District, comrade Do Van Day climbed up to the upper floor of the Station by clinging to the gutter. Halfway up, he was hit by bullets, the comrade fell and died later. The battle was at a standstill when enemy reinforcements arrived. Unable to hold out, the insurgents withdrew from the town, dispersed to the villages, the armed forces withdrew to Ben Do hamlet (Tan Phu Trung) and then moved to My Hanh hamlet (Duc Hoa). Although the attack on Hoc Mon Fort (later called Hoc Mon District Palace) failed, it left a deep impression in the hearts of all civilians admiring the courage of revolutionary soldiers in the fight against colonialism. steal the country. During the historic Ho Chi Minh campaign, at 7:00 a.m. on April 30, 1975, Hoc Mon town was completely liberated, the National flag fluttered above the District Palace, where District Chief Nguyen Nhu Sang and his gang sai has been running away since last night. Today, Hoc Mon District Palace is chosen as the District Museum, where many documents are displayed, illustrating the ups and downs of historical periods as well as the revolutionary fighting spirit of the army and people in Hoc Mon district over the past two years. resistance war against French colonialism and American imperialism. A monument placed in front of the Hoc Mon District Palace relic represents the indomitable sacrifice of the army and people of 18 Betel Garden Villages, recognized as a national historical and cultural relic. Source: Hoc Mon District People's Committee
Ho Chi Minh City 2198 view
Dien Khanh Temple of Literature is located in Phu Loc Tay cluster, Dien Khanh town, Dien Khanh district, Khanh Hoa province. The Temple of Literature is a place to worship Confucius, the founder of Confucianism, and the sages who were his students; At the same time, it is also a place for activities of local scholars and scholars, honoring those who successfully passed the examinations. In 1803, King Gia Long issued an edict to establish a Temple of Literature in Phu Loc commune, Hoa Chau district - Binh Hoa town, now in Phu Loc Tay cluster - Dien Khanh town - Khanh Hoa province. The Temple of Literature was built on a large scale in 1853 and by the following year it was basically completed: in front there was a pavilion, in the middle there was a high and wide front hall and main hall, made of wood and surrounded by brick walls. The rafters are carved with beautiful and majestic gilded lacquer. Dien Khanh Temple of Literature was built on a large, flat area of land, with a total area of 1,500 square meters. When it was first built, the Temple of Literature had the following architectural works: Chinh temple and Khai Thanh temple, roofed with thatched grass. In 1849, the Temple of Literature had its roof system renovated, replacing thatched roofs with tiled roofs and building Ta Vu, Huu Vu, Khai Mieu, Quan Cu, Tu Mieu... with a very large and solid scale. In 1959, the Temple of Literature was rebuilt on the old foundation in Phu Loc village, but on a smaller scale, including: the outer gate and city walls; Internal Nghi Mon; stele house (Thach Bi communal house); temple yard; flag pole; Eastern and Western houses (Ta Vu - Huu Vu); Worshiping the road; Chief of soaking. Basically, the structures of Chanh Tam and Bai Duong compartments were transferred from Van Chi Phuoc Dien, and Ta Vu and Huu Vu were built in the style of a four-level, three-compartment house. The walls are built of bricks, there are no wings. The roof is covered with yin and yang tiles, later restored and replaced with Western tiles; The wooden door system is built in a plank style, replacing the ancient style of upper and lower sides; Do not rebuild Khai Mieu, Quan Cu and Tu Temple. Currently, the Temple of Literature only retains two stone steles from the Tu Duc 11 period (1858), which help us better understand the history, culture, and activities of the people of Khanh Hoa and the process of completing the Temple of Literature area in 1854. There is also an article in Bai Duong that speaks more clearly about the achievements of literary and martial arts scholars, scholars, notables, dignitaries and local students from the beginning of the Nguyen Dynasty to the Tu Duc period. With a rich history, the Temple of Literature area carries great value in the process of learning, receiving knowledge and expressing respect for teachers, enriching the treasure of national cultural heritage. Dien Khanh Temple of Literature relic was ranked a National Monument by the Ministry of Culture, Sports and Tourism on October 15, 1998. Source: Department of Culture and Sports of Khanh Hoa province
Khanh Hoa 2197 view
Hang Temple at the foot of Voi Mountain, An Lao district, Hai Phong city has long been a place to worship Female General Le Chan - who had meritorious contributions with people in the area to establish An Bien village during the Eastern Han Dynasty. After leaving her hometown of Quang Ninh to avoid being forced to become a concubine of the governor To Dinh. Le Chan set foot in the land of Hai An, Hai Phong, recruited soldiers to join them in farming, building a hamlet named An Bien site (today's inner city). Great ambition did not stop there. Disgruntled over the crimes committed by the enemy, causing the people's lives to be miserable and miserable, Le Chan silently prepared his forces, waiting for the day of the uprising. She went to the present-day Elephant Mountain area, gathered soldiers, actively practiced, stored food and herbs, and took advantage of the rugged terrain of the mountains and forests to hide from the enemy. Afterwards, receiving news of Hai Ba Trung's uprising, from the mountains and forests of An Lao, Le Chan contacted and officially brought his army to join the uprising. Due to its good fortified terrain, along with the commanding talent of a talented female general, the Elephant Mountain base quickly developed its forces, in a short time becoming an important base in the Northeast region. During that time, the surrounding area also had many insurgent troops, typically the insurgent army of Mrs. Tran Thi Trinh and her son Ngu Dao in Dai Dien, Tong Thuong Cau, An Lao district, (6km from Elephant Mountain), heard News of Le Chan's reputation contacted the Elephant Mountain base and became a general under her command. Although the uprising later failed and female general Le Chan had to commit suicide to preserve her reputation in the mountainous areas of Lat Son - Ha Nam, An Lao people still remembered her merits and kindness, so after hearing News of the female general's death, people in the area took her to worship in Hang Pagoda. Therefore, Hang Pagoda is also known as Hang Temple - which represents a wonderful combination of Buddhist religion and national hero worship. In the temple, King Thanh Thai still retains the title of female general as "Hoang Ba Long Hoi, Great King, Middle-Class Minister". On the basis of the old Hang Temple, in 2011 the government restored a new temple commemorating the Female General. The Temple of Female General Le Chan is located in the Hang Temple area, where the Buddha, the Holy Mother, the Monsignor and the Princess Thanh Chan were formerly worshiped in An Tien commune, An Lao district, on a large closed campus. more than 4000m2. The main temple has a Dinh-shaped structure with an area of 190 square meters, including five pre-sacrificing rooms and one back room. The front of the temple faces south, looking straight at Highway No. 10, beyond are undulating hills and mountains, the back side is based on a cliff creating a sustainable position. The temple is surrounded by city walls. The ritual gate is made up of 4 large pillars, the 2 tall central pillars at the top are converging purple phoenixes, the 2 slightly lower columns on both sides and at the top are 2 unicorns facing the center. The outside of the ritual wall is embossed with a white horse on the left and a large statue on the right. The renovation and embellishment of the Temple of General Le Chan was completed and put into use, not only meeting the visiting needs of people and tourists while also contributing to preserving the values of the monument for generations to come. next system. Source: Hai Phong Youth Union
Hai Phong 2153 view
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