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Vinh Phuc 123 view
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Architecture and art of Tam Dao stone church
The scenery of Tam Dao town is surrounded by hills and clouds flooded.
The bell tower is a place that many people check-in when visiting the stone church.
Inside the church, many statues of God in the space filled with solemnity.
Tam Dao stone church still retains stone gothic architecture after nearly a century.
The ancient stone walls were over hundred years old of Tam Dao stone church.
To go to Dai Lai tourist area, you should go in the summer, from April to September. This is the right time to go to avoid the heat, Dai Lai will have beautiful sunshine during the day and will be chilly at night. At night, the air is always air-conditioned because there are many green forests surrounding it, extremely suitable for fun activities here such as boat racing, duck riding, and yachting around the lake. Dai Lai is about 60km from Hanoi so it is quite easy and convenient to get here by car or motorbike. If departing from Hanoi, you follow Highway 2, after passing the Thang Long-Noi Bai ticket checkpoint, turn left at the first intersection, turn right at the Xuan Hoa leg and then go straight for about 10km. is to arrive. Because the distance is not far, you can go by motorbike, but you need to pay attention on the way to ensure your safety. Dai Lai Lake is 525 hectares wide, surrounded by a vast green forest of protective trees. From the beach under the lake, you can go to the top of Than Lan mountain in the south to admire the scenery from above, far away is the magical Tam Dao mountain range. Besides, visitors can visit the villages of the San Diu people to discover more about customs and enjoy extremely unique and interesting ethnic dishes. Pearl Island, also known as Bird Island, located in the middle of Dai Lai Lake is a gathering place for hundreds of different species of birds flying from all over, making this place like a vivid natural picture. which is rarely found anywhere else. Coming to Dai Lai, you can participate in many interesting outdoor activities such as swimming in the lake, duck riding, taking a boat to visit the islands around Dai Lai lake, admiring the scenery, taking photos and visiting the green mountains and forests. cool. You will have unforgettable experiences when splashing in the cool water or leisurely pedaling ducks while admiring the scenery. Because Dai Lai Vinh Phuc tourism has recently developed a lot, many motels have also sprung up. Finding a place to stay overnight with good service and reasonable prices is not too difficult, however you should book in advance because it is easy to run out of rooms. Especially recently, the Flamingo Dai Lai resort is also popular with many people because of the combination of natural scenery and human-created architecture. In addition to delicious food, there are also extremely attractive services and games. You can enjoy everything according to 5-star hotel standards and more: swimming pool, billiards, tennis, golf course, boat, garden... however the price is also quite high compared to other places to stay.
Vinh Phuc 2913 view
From January to December
As a medium mountain range located in three provinces of Vinh Phuc, Thai Nguyen and Tuyen Quang, the name Tam Dao mountain originates from the three highest peaks of Rung Rinh, Thach Ban and Thien Thi. The closed terrain along with the typical forest system evokes to travelers a mysterious mountainous area that needs to be explored. Most climbing trips start from Tam Dao National Park and go deep inside with many different routes such as Thai Nguyen Pass route, Thach Ban peak route or route to the southern peak.... The route is still very popular. Climbers' best choice is the route that passes through three peaks in order: Thien Thi, Thach Ban and Rung Rinh. Before starting the challenge, you must notify the ranger station at the foot of the mountain to receive a climbing permit. If this is your first time challenging yourself with mountain terrain in Tam Dao, you should hire a guide in Tam Dao town center to prevent getting lost and deal with bad situations. The Tam Dao mountain climbing route will include many types of sloping, slippery terrain, mysterious green bamboo forests but no less interesting and dramatic. The peaks of Thach Ban and Thien Thi, although the path is not too dangerous and dark, requires you to have endurance and judgment to be able to conquer the cliffs distributed along the climbing path. Standing from the first and second peaks, you will bring yourself surreal experiences when immersing yourself in nature, watching the mist and clouds drifting below. An overwhelming scene that perhaps one has to come here to easily feel. Conquering Rung Rinh peak (also known as Phu Nghia) is probably the real challenge for young people who decide to travel to Tam Dao. After getting tired of the obstacles at the previous two peaks, Rung Rinh peak requires you to have patience and determination to conquer as a climber. Normally such a climb takes about 4 to 6 hours. You should pay attention to the time and decide wisely if you do not want to stay in the forest. Safety is always a top priority for every trip, especially experiential journeys like climbing Tam Dao mountain. Clean water, snacks like chocolate, snacks, and instant noodles are the fastest, most compact, and lightest foods you should prepare, in case you have to stay in the forest at night. At night, the temperature at the mountain tops will drop. You should bring warm clothes or rent tents and thick sleeping bags to avoid heat stroke. In addition, a flashlight is a mandatory item if you need to move at night. Don't forget to bring nasal sprays, pain relievers, daggers and plastic bags to cover electronic items, in case of unexpected rain, insect bites or unnecessary accidents.
Vinh Phuc 1922 view
March to October
Located on the slopes of Thach Ban mountain in the Tam Dao range, about an hour's drive from Hanoi, Tay Thien is a charming mountainous area with rich flora and fauna and a cool year-round climate. That's why you can travel to Tay Thien Tam Dao at any time of the year, each season is a different experience. If you go in the spring, you will have a chance to pray for wealth and fortune for the whole year and participate in many unique cultural activities. Traveling to Tay Thien Tam Dao in the summer, you will enjoy a peaceful, calm atmosphere and attend a repentance ceremony at the monastery. Go in the fall or winter to breathe the fresh air of the mountains. Each season has its own unique characteristics, so you can come here at any time of the year. With an area of about 148 hectares, the Tay Thien relic complex is located in a biodiversity area with nearly 500 species of plants and 300 species of animals, including many rare species. In Tay Thien, there are pine trees that have lived to be thousands of years old, proudly stretching out and shining down on the winding paths in the forest. One day here, people can enjoy the aftertaste of the four seasons in a year: the caressing spring breeze at dawn, the warm summer sun at noon, the gentle autumn weather in the afternoon, and the chill of summer. winter when darkness falls. Tay Thien Tam Dao is not only attractive because of its lyrical natural landscape and romantic mountains, but is also a sacred spiritual spot in the North. If you are planning to visit the most beautiful scenic area of Vinh Phuc province, you cannot miss this place. The natural scenery is majestic, majestic, peaceful and breathtakingly beautiful in every second, every moment. It is the pristine mountain and forest scene, the ancient temples, the pure hermitage huts climbing on the towering heights or the murmuring source of Prajnaparamita, singing the music of returning the fragrance from time immemorial. In the distance, the Silver Waterfall stream is as white as the Milky Way, falling from the deep blue sky, creating a peaceful atmosphere. Not only does Tay Thien bring the beauty of majestic mountain and forest nature, but it also gives visitors very interesting and new experiences with ancient temple and pagoda architecture. In the endless silence is the sound of a bell ringing from afar, evoking peace and serenity to the soul of any visitor who has ever set foot here. Tay Thien Truc Lam Zen Monastery (or many people also call it Tay Thien Pagoda) is located about 65 km northwest of Hanoi, in Dai Dinh commune, Tam Dao district, Vinh Phuc province, and is a comprehensive cultural and tourist complex. fit. Along with Truc Lam Zen Monastery in Yen Tu Pagoda and Da Lat, Truc Lam Tay Thien Zen Monastery is one of the largest Zen monasteries in Vietnam. If you are interested in the Buddhist religion, perhaps no one knows about Truc Lam Tay Thien Zen Monastery, belonging to the Truc Lam Yen Tu Zen lineage, which is one of the largest Zen monasteries in Vietnam. Truc Lam Tay Thien Zen Monastery was built right next to the ancient Tay Thien scenic spot. This is a place for systematic training in Buddhism, creating conditions for Vietnamese Buddhism to develop in both breadth and depth and promoting exchanges with Buddhist sects of other countries. If you visit Tay Thien, you should also experience Buddhism here. In Le Quy Don's Kien Van Tan Luc, there is also a description of Tay Thien: "Underneath the water is like indigo, so deep that the bottom cannot be seen; The mountainside has Tay Thien ancient pagoda, elegant scenery. On the top of the mountain there is Dong Co Pagoda; From the left side of Giai Oan ravine, climb up the mountain to reach the lotus lake, the water is blue, in the lake there are strange rocks and red lotus, flowers blooming in four seasons. On both sides of the lake, streams flow from the mountainside, on the left is Silver stream, on the right is Vang stream...". The Truc Lam Zen monastery system in Tay Thien area includes monk pagodas and nun pagodas. Truc Lam An Tam Zen Monastery was built in 2009 by nun Thuan Giac and was basically completed in 2012. An Tam has a main hall worshiping Shakyamuni Buddha, an ancestral house worshiping the ancestors. Zen Buddhism, a guest house, and a restaurant that can serve 200 people at a time. There are also nunneries and meditation halls for meditators to practice; Many meditation rooms for nuns to practice. In addition, visitors coming here can visit the great Mandala stupa, the first Vajrayana stupa in Vietnam. At the end of the journey is the National Mother Tay Thien Temple, a place to worship the National Mother Lang Thi Tieu, the concubine of the 7th Hung King, who contributed to helping the king expand the country and teach people to grow rice in the early days of building the country.
Vinh Phuc 2038 view
From January to December
Vinh Phuc is fortunate to be blessed by Mother Nature with charming and captivating natural landscapes, so when people mention Vinh Phuc, they will mention a potential tourist area with many famous tourist attractions. famous landscapes reaching the world level. These are the majestic mountain scenery of Tam Dao tourist area, Tay Thien pagoda where spiritual peace helps you nourish your soul, or Dai Lai lake with a poetic clear blue lake,... and especially cannot help but including Binh Son tower. Binh Son Tower is one of the tallest towers in Vinh Phuc province. Along with Tay Thien relic, Binh Son tower was received a special national monument on March 14, 2016. Due to a long history, Binh Son Tower currently only has 11 floors and 1 pedestal floor left. The top of the tower has been destroyed so the tower has a square plan and gradually gets smaller towards the top with the edge of the last floor being 4.45 meters, the edge of the 11th floor being 1.55 meters. Overlooking Binh Son Tower is a majestic, ancient masterpiece. The tower was built with 13,200 fired bricks, of two types: square bricks and rectangular bricks. These bricks do not need lime or mortar to assemble together, but are built using a very special method of firing at high temperatures. Because of this method, the tower is built quite solidly. The inside of the tower is not closed but has a hollow section running from the base of the tower to the top of the tower. The outside of the tower is covered with a layer of square tiles decorated with patterns such as lemon flowers, leaves, lions playing on bridges, meandering dragons, etc. The pattern lines are carved very meticulously and delicately. Economical, liberal, strong and bold with the artistic culture of the Ly and Tran dynasties. The unique feature of Binh Son tower is at the base of the tower. The base of the tower has many lotus belts overlapping each other, so when you look at it, you will feel like the tower is growing from a lotus flower, carrying a typical image of Vietnamese cultural beauty. The dragon image carved here is also very special, it has horns and is curled up, its head is tucked in the middle, its legs are kicked out, its spine has a serrated fin, and one front leg is raised. Binh Son Tower with many unique features in architecture, art as well as construction techniques, Binh Son Tower is considered one of the most beautiful towers in Tonkin. If visitors choose to visit on January 15, they can not only visit and admire the artistic beauty of Binh Son Tower but can also participate in the "Pagoda and Tower Festival" with rituals. Traditions include palanquin processions, prayers for favorable weather, peace and prosperity, cultural and artistic programs, sports and folk games.
Vinh Phuc 1873 view
From January to December
Talking about ancient craft villages in the North in general and famous craft villages in particular, it is impossible not to mention Huong Canh pottery village in Vinh Phuc province. With an age of more than 300 years, the pottery village has had a period of decline, but thanks to the love of the profession and the desire to preserve the beauty of the traditional village of many genuine artisans. Now, although the pottery village has been renovated, it still retains its simple beauty and has become an attractive tourist destination for domestic and foreign tourists. Located in Lo Cang village, Huong Canh town, Xuyen Binh district, Vinh Phuc province, Huong Canh pottery village is about 12km from Vinh Yen city, 42km from Hanoi, extremely suitable for short trips, combining with other famous tourist destinations in Vinh Phuc such as Dai Lai lake, Tam Dao, Tay Thien bamboo forest meditation, etc. Although not as famous as Bat Trang pottery, Hanoi, Huong Canh pottery village, Vinh Phuc has its own unique features. beauty and unique charm. Pottery here has been present for more than 300 years, but it was not until the 1950s - 1970s, when ceramic cooperatives appeared, that the craft village really grew, creating many ceramic products to supply to other areas. near far. This can also be said to be the most prosperous time of Huong Canh pottery village at that time. Now, the craft village has gone through many ups and downs but is still determined to survive, becoming one of the unique craft villages of the North in general and Vinh Phuc province in particular. During a trip to Tam Dao, visitors can stop by to admire ceramic products with high aesthetics as well as better understand the history of one of these ancient craft villages. The road to Huong Canh pottery village is not too difficult compared to some other tourist destinations in Vinh Phuc. Tourists who travel to Tam Dao on their own can rent a motorbike or take a bus from Hanoi's bus stations to save costs, and for those who need to travel by car or take a tour, it will be suitable. most reasonable. From Vinh Yen and Vinh Phuc cities, visitors can follow National Highway 2, ask for directions to Binh Xuyen Commune People's Committee, go a little further and you will reach Huong Canh pottery village. If traveling from Hanoi, visitors just need to ride a motorbike along Highway 23, go to Lo Cang bridge and ask for directions to the pottery village. This is truly a destination for those who love the art of ceramic making as well as have a passion for traditional ceramic products. Coming to the pottery village, visitors will have the opportunity to see and touch traditional ceramic products such as pots, bottles, vases, jars, jars, etc. In addition, to create rich diversity to meet the needs aesthetically, the pottery village not only produces ceramics but also extremely unique and valuable fine arts and ceramic reliefs. Another interesting thing is that the type of clay used to make pottery here is green clay, rich in flesh, so when the product is formed, it has a thick, beautiful color and, above all, has many more uses than just a product. for display. Ceramic pots used to make tea will help retain the heat and flavor of the tea for a long time. It is even better when storing wine because the wine will not lose its alcohol content and will also taste better if kept for a long time. In particular, due to the characteristics of the materials, when tapped by hand, ceramic products make a very interesting jingling sound just like metal products. Today, to meet the needs and aesthetic tastes of consumers, the artisans here have innovated and created, but at the same time have retained traditional products that are not only beautiful but also diverse. brings a stable source of income for local people. Coming to the pottery village here, visitors should not miss the opportunity to listen to artisans talk about the history of creating pottery, understand more about the pottery making process, and the most interesting thing is still "playing the role" of a real ceramic artist. to create handmade ceramic products. These are also wonderful experiences that promise to bring you the most memorable and meaningful moments when coming to Huong Canh pottery village, Vinh Phuc.
Vinh Phuc 1762 view
From January to December
Nestled in the middle of Con Trau mountain valley, in Minh Quang commune, Tam Dao district, Vinh Phuc, Xa Huong lake is only about 60km from the center of Hanoi, so it is very easy for you to take a motorbike trip here. The lake is more than 83 hectares wide and is an artificial freshwater lake that has been dredged since 1984. Surrounding the lake are rolling mountains in accordance with the original design idea of a lake on the back of a mountain. Xa Huong Lake has two water seasons a year: flooded season and low water season. However, in any season, the lake is beautiful and clean. After more than 30 years, the lake has always maintained its breathtaking beauty, the surrounding natural scenery is still like charming water paintings that fascinate many tourists who come here. Every time the seasons change, Xa Huong Lake takes on a different, enchanting beauty. In the spring, young buds begin to bloom, and Xa Huong Lake blends with the mountains, forests, and trees growing after the cold winter days. The dreamy natural scenery of the myrtle flower petals radiating on both banks, of the calm water of the trees overflowing with life, makes the muse of Tam Dao land so beautiful! The arrival of summer also brings with it the appearance of bright golden sunlight, making the surface of Xa Huong water glow to greet summer. The harsh summer sun may also have to succumb to the cool air, the cool breezes flowing through the forest and water surface. An extremely suitable time for Tam Dao backpackers to camp. Fall is the time when the scenery of Xa Huong Lake is displayed at its most beautiful and charming. A clear blue sky with white clouds floating nonchalantly, silhouetted against the clear water surface. Tam Dao's muse is adorned with majestic mountains and forests highlighted in yellow and red. The whole dreamy, peaceful sky makes any traveler feel like he or she is lost in some European place. When winter comes, the coldness of Xa Huong Lake creates a magical and seductive beauty. Blended with the cold white mist, the mountains and forests also become more quiet. Winter days evoke an indescribable feeling in someone's soul.
Vinh Phuc 1825 view
From January to December
Bac Cung Temple (literally known as Thinh Temple) in Tam Hong commune, Yen Lac district is one of four large temples around the Ba Vi mountain region and the Red River Delta worshiping Saint Tan Vien. The temples: Tay Cung, Nam Cung, and Dong Cung are on the other side of the Red River in Son Tay territory. These are four temples that were built and preserved relatively carefully by the people. The temple is located in the middle of fertile fields on a 10,000 square meter plot of land next to winding canals, surrounded by rich and densely populated villages. On both sides, the left desert and the right desert stand majestically and silently, covering a large brick yard, looking up to a unique architectural work. Thinh Temple was built 20 centuries ago on the foundation of a small temple worshiping Saint Tan, where he had previously let his troops stay during a mission to help people clear land and manage water. The divine genealogy passes down that: Saint Tan (still called Son Tinh), whose name is Nguyen Tuan, was born on January 15, Dinh Hoi year in Lang Xuong cave, Trung Nghia commune, Thanh Thuy district, Phu Tho province. He lost his father at a young age and lived with his mother and two cousins, Nhuy Hien and Nguyen Sung. Every day, the three brothers crossed the Da River and went to the Ba Vi mountains to clear fields and farm, looking for a living. Here, Nguyen Tuan met Princess Thuong Ngan, was adopted by her, and gave her a walking stick and many magic spells to save humanity. After defeating Thuy Tinh and marrying Princess Ngoc Hoa, he refused the throne that King Hung wanted to give him, and with his two younger siblings traveled everywhere, helping people clear land and water, and was respected by people everywhere. When passing through the Tam Hong area, he let the troops rest and taught the people to grow rice and fish... After he left, the villagers came to the place where the Holy One rested and saw that there were still some packets of hearing left there, so after This temple is called Thinh temple. There is also a story that: when letting the army stay here, Saint Tan taught the people to butcher Thinh, so the people called the temple that name. From a small temple, during the reign of King Ly Than Tong (1072-1128), the temple was rebuilt into a large temple. This is where the king came to pray for longevity. During the reign of King Minh Mang (1820-1840), the temple was repaired many times. During the reign of King Thanh Thai, the Tri of Yen Lac district appointed monk Thanh At to restore the temple. The project lasted until the 6th reign of Khai Dinh (1900-1921). Through many ups and downs, the temple continues to be preserved and preserved by local people. On January 21, 1992, the temple was recognized by the Ministry of Culture and Information as a cultural and historical relic. Every year, the Thinh Temple festival is held from the 6th of the first lunar month to the 20th of the first lunar month. The festival includes sacrifices, palanquin processions from villages inside and outside the commune and many folk games will be held. Source: Vinh Phuc province electronic information portal
Vinh Phuc 3735 view
Bao An Pagoda, the full name in ancient documents is Bao An Thien Tu or Tu Gia Bao An, the popular name is Cam Pagoda, formerly belonging to Thap Mieu commune, Bach Tru canton, Yen Lang district, Phuc Yen province, Now belongs to Trung Nhi ward, Phuc Yen city, Vinh Phuc province. The pagoda was built in the 12th century during the reign of King Ly Cao Tong (1176-1210). This is one of the few pagodas dating back to the Ly Dynasty until today. The pagoda is built on a high hill, with luxuriant trees, windy on all four sides, beautiful scenery, quiet, full of solitude, a place of meditation. In the past, this area was called Tieu Dao Mountain, and is commonly called Cam Forest, perhaps that's why the pagoda is famous as Cam Pagoda. According to inscriptions and genealogies, the pagoda has existed for a long time. In the 12th century, the crown prince, son of King Ly Cao Tong, donated more than a hundred acres of fields, two thousand francs of money to repair the pagoda, and 700 francs of merit for a banquet. worship easily. Assign martial general Nguyen to directly direct and mobilize donations to repair the pagoda. As a result, the pagoda was restored with "seven newly built closely spaced rooms, columns painted with bright flowers, bright jade colors, a high and precious palace, bright sunlight and moonlight, a splendid Buddha statue, and a poised lotus throne." , the big bell towers over the phoenix, the noble king holds the dragon, the splendor and majesty are clear...". The military general of the Nguyen family also had the merit of a thousand francs to buy more than a hundred acres of fields to donate to the pagoda for farming. In the 14th century under the reign of King Tran Anh Tong, Bao An Pagoda was given a lot of money to repair and embellish by Princess Hung Nuong. To remember his merits, like many other pagodas in the area, people built a shrine to Princess Hung Nuong in the pagoda. Having gone through the ups and downs of thousands of years of history, Bao An Pagoda is still at the old campus but has had many changes. Ancient architectural buildings such as the front hall, incense burner, upper palace, ancestral house, Hung Nuong princess shrine and mother shrine were demolished due to deterioration. Currently, the pagoda has been renovated and rebuilt on a large scale, with reinforced concrete architecture and tiled roof. The pagoda also preserves valuable relics and antiques such as: Dharma statues, altars, bronze bells, and stone stele. Among them, the most typical is the stone stele "Bao An Zen Tu Bi Bi Ky" (inscription of Bao An Pagoda's stele). Up to now, according to review, survey and statistical data, this is the only Ly Dynasty stele remaining in the province. The stele was engraved in December of the year Tri Binh Long Ung (1209) and re-engraved later, probably at the end of the 18th century, placed at Bao An pagoda. The stele was mentioned and published by many researchers in Ly Tran Poetry (Social Sciences Publishing House, H.1977) and Ly Dynasty Epitaph (VNU Publishing House, H.2010). This is the oldest stele in Vinh Phuc and one of the 18 Ly Dynasty stelae remaining in our country today. The stele is 1.4m high, 0.85m wide, 0.14m thick, placed on the back of a smooth-shelled stone turtle, its head protruding, its four-clawed feet spread out in all four directions. The stele is engraved on both sides with 50 lines including 1498 Chinese - Nom characters, sharp handwriting in the style of Ly Dynasty script, very beautiful. The content of the memoir was composed by Wei Tu Hien in a parallel, parallel, and concise writing style. At the end of the memoir is an essay written in the style of Buddhist verse. The content of the stele describes the splendid and splendid scene of Bao An Pagoda in the 12th century, recording the merits of repairing the pagoda of Prince Sam, son of King Ly Cao Tong, military generals of the Nguyen family, along with Buddhists and people there. This. According to Nguyen Huu Mui (Research on Vinh Phuc Inscriptions, 2013), although the epitaph is still full of exaggeration, the image of a Ly Dynasty pagoda is clearly shown: the pagoda was restored by just one person. , the scale of the pagoda is large, inside the pagoda there are Buddha statues and lotus flowers, outside the pagoda there are bells and openings; The pagoda owns a lot of land and has a Thich Giao Zen Association (a type of Buddhist association, offering temple protection) to manage the meditation area. Based on this stele, it can be seen that the construction and restoration of pagodas took place on Vinh Phuc land since the Ly dynasty. The construction and restoration of pagodas was encouraged, not prohibited, by the royal court and assigned to the mandarins and aristocracy to preside and organize. The construction and restoration of pagodas is also considered an important event in the spiritual life of the people, attracting the whole region and even the whole country to join in the merit. This proves that during the peak development of Buddhism during the Ly Dynasty, Vinh Phuc area was also a popular center of this religion. The special thing is that among the nearly 1,500 words on the stele, there are mixed Nom words, these Nom words are used to write people's names and land names. It is said that this is one of the oldest evidences of Nom script found in Vietnam. Before this stele, traces of a few Nom characters were only found in two places: on the bell of Van Ban pagoda, Hai Phong (year 1076), and in an inscription at the pagoda of Huong Non commune, Tam Nong district, Phu Tho province. (year 1173). Bao An Pagoda was ranked as a provincial historical-cultural relic in 1995. In the period 2021 - 2025, Vinh Phuc province plans to build a scientific dossier to request recognition of the National Treasure for the pagoda steles. Bao An and upgrading the national monument ranking for Bao An Pagoda relics, these are activities to further strengthen the management, conservation and promotion of heritage values. Source: Bao An Pagoda Vinh Phuc
Vinh Phuc 3048 view
Hoa Duong Pagoda is in Tuan Lo commune, Tuan Lo district, Bach Hac district, Tam Doi district, Son Tay town. Now it is Thuong village, Tuan Chinh commune, Vinh Tuong district. The pagoda was built in the first year of Chinh Hoa (Canh Than 1680), during the reign of King Le Hy Tong Duy Hiep. Hoa Duong Pagoda was built in the Later Le Dynasty, in 1680. What remains today is a relic with quite massive and magnificent architecture, with a "cong" shaped floor plan consisting of 3 main buildings: Front Street (7 compartments). ), the upper palace (4 compartments) and the ancestral house (5 compartments), total area of 262m2 with 2 corridors including 20 compartments with an area of 196m2, in front of the yard is a hundred year old Bodhi tree and tree species: Dai, Ngau, Lan, and Crocodile create a solemn, somber atmosphere at the meditation door. Architecturally: The structure of the rafters is in the style of "stacking beams and gongs", the load-bearing column system is all made of large ironwood, the column circumference is 1.5m and is placed on square stone bases, each 75cm big to Anti-termite and anti-moisture. Regarding fine arts: The outstanding value of Hoa Duong Pagoda is the art of sculpture, expressed in the system of round statues and wooden sculptures (y subjects, shelf paintings, horizontal panels, parallel sentences). These are the basic classes of statues, generally representing the system of statues arranged in a Buddhist temple according to the Mahayana sect in Northern Vietnam, including the following classes: Set of statues of the Three Buddhas, Amitabha Buddha, Three Buddhas, Sakyamuni Buddha, Four Bodhisattvas, Four Heavenly Kings, Statues of Monsignors, Saints, Dharma Protectors and Patriarch Buddha statues. All Buddha statues are made from old, intact jackfruit wood, with elaborate, meticulous techniques, creative and skillful art, demonstrating high artistic aesthetic thinking ability and perfect harmony in perception. the absolute "emptiness" value of Buddha Dharma. The values of truth, goodness, and beauty of Buddhism originate from the simple truths of everyday life through thousands of years of cultivation, fostering, and transmission, and have become a fundamental part of the Vietnamese soul. The soul of the artist when giving life to statues made of wood, stone, or soil becomes shimmering, fanciful but very real for each person when entering the temple to worship Buddha. The wood sculptures include: 8 paintings of y mon (horizontal sea) all of the same size (3.0m long, 0.6m wide) embossed, lacquered and gilded with natural themes: flowers, leaves, clouds, Ancient trees, birds and animals are extremely close, natural and lively, in the middle are carved "great characters" with the meaning of praise and teaching, interwoven between Buddhism and Confucian philosophy. The 8 "Shelf paintings" engraved with verses in Chinese characters with content about natural landscapes and topics related to the propagation of Buddhism, are excellent poems embedded in talented sculptures, on The background of carving techniques, liberal decoration, harmonious layout, and beautiful painting is worthy of being a legacy for future generations to admire and reflect on. 8 sets of horizontal panels, parallel sentences lacquered with gold, precise and neat sentences, profound meaning, comprehensive semantics, sincere heart, true goodness. Along with ancient relics: bronze bells, incense sticks, stone stele, etc. are also ancient written documents on stone that will be preserved forever for future generations, tourists from all over, Buddhist monks and nuns to find opportunities to admire. worshiping in the quiet meditation scene hidden in the countryside. Hoa Duong Pagoda has a history of over 300 years old. The pagoda was ranked as a national historical relic on December 12, 1994. Source: Vinh Phuc electronic communication portal
Vinh Phuc 2513 view
Binh Son Tower (Then Tower, Then Pagoda Tower, Vinh Khanh Pagoda Tower) is located in Tam Son town, Song Lo district, Vinh Phuc province; is a Buddhist architecture bearing the mark of a rather long period (approximately from the 14th to 16th centuries). Binh Son Tower - Vinh Khanh Pagoda is located on a high and spacious mound, the area of the protected area is 17,200m2, including: Binh Son Tower, old Tam Bao building, new Tam Bao, ink well, house Guesthouse, lotus pond, gate, auxiliary works. 1. Binh Son Tower The tower is currently 16.5 meters high, (only 11 floors and 1 pedestal remain because the top of the tower was broken), and is constructed with a square plan that gradually gets smaller towards the top, with the side of the bottom floor being 4. 45 meters, the side of the 11th floor is 1.55 meters. The entire tower is built of unglazed fired bricks. From the base of the tower to the end of the 2nd floor, it is less than 6 meters high with the most complete pattern. On these two floors, there are carefully decorated motifs with rows of chrysanthemums, lotus petals, leaves, smooth-faced flowers, embossed dragons, and the "whispering lion" motif... From the third floor up, the decoration is still the same. However, the higher you go, the narrower the width of the tower's face is, and the decorations also gradually decrease. 2. The old Tam Bao Palace: was majorly restored in 1976, in the shape of the letter Dinh, with an area of 131.5 m2, including 5 rooms for the front hall and 3 rooms for the harem. In particular, the building has 2 bronze pillars in front, stretching out 6m, forming like the arms of a throne. The system of worship statues here is mainly made of painted soil, dating from the late 19th and early 20th centuries, with a few statues dating to the 20th century. 3. New Three Jewels: built in 2012, on the foundation of the old Three Jewels house, the architectural form is Zen monastery style. 4. Ink Well: Legend has it that this location was once the base of an ancient blue tower. When this ancient tower disappeared, it left behind a deep round well-shaped hole. 5. Guest house: newly built in 2012, area 283.5m2 with square floor plan, curved roof architecture, consistent with traditional ancient architecture. 6. Lotus pond: located in the garden in front of Binh Son tower, currently growing lotus 7. Gate to the relic site: consists of 4 brick pillars, attached with 2 iron gates in the middle, two side paths are temporarily fenced with trees and bamboo as protection gates. 8. Some decorations of Binh Son Tower Lion whinnying: One of the projects that has puzzled researchers is the "lion whinnying", because it is very different from the "jewel-catching crocodiles" wearing lotus crowns on Buddhist pedestals during the Ly Dynasty. Dragon: has horns, curls in a "nest", head turns to the center of the circle, body does not curl but forms a sinusoidal shape, so does not "tie the bag", legs kick out, or cross over the body to kick out, The spine has a "saw-tooth" shape, one front leg is raised to grasp the "hair"... Some of the details just mentioned are reminiscent of the dragons of the late Tran, but other details do not allow the dragon to be attributed to the Binh Tower. Paint in a certain pattern at all. What's more important is that Binh Son dragons often put their front legs up to grab their hair, in a funny, very mischievous pose, thus quite "folk": in this case, it has taken on the style of the dragon motif. stroking the beard in the post-Le period. The card: is a relatively popular type, with motifs that contain many meanings. Binh Son's "leaves" belong to many styles, but all styles are simple and not as elaborate as the "leaves" of the Ly Dynasty. String chrysanthemum: has been around since the Ly Dynasty in the form of a round frame, the inside of the frame neatly accommodates other decorative projects. The Tran Dynasty inherited that circular layout. Three-pronged (mountain) fighting: an interesting point is that this fighting has appeared since the Ly dynasty (Thap Chuong Son, Nam Dinh) and was even more popular under the Mac dynasty (Ty Dang Communal House, Ba Vi, Hanoi). ). Binh Son Tower has many unique features in terms of architecture, art, and construction techniques. Binh Son Tower not only has artistic architectural value, but also has high aesthetic value, called "The pearl of the national treasure", on the bricks there are many types of decorative patterns, places The shape is circular, some are circular, some are deep, some are shallow, some are dark... proving that the craftsman's hands are extremely skilled. Binh Son Tower is a work with unique architecture. According to the French, this is the most beautiful tower in Tonkin. Currently, the Festival at Binh Son Tower Relic - Vinh Khanh Pagoda is organized by the locality on January 15 every year, called "Pagoda Festival", including rituals: palanquin procession, prayer ceremony. for good weather and wind, a safe and peaceful country and cultural and artistic programs, sports, folk games (Chinese chess, human chess, cockfighting...) Binh Son Tower (Song Lo district, Vinh Phuc province) was ranked by the Prime Minister as a special national monument on December 23, 2015. Source: Department of Cultural Heritage
Vinh Phuc 2506 view
Huong Canh was originally the name of a commune of An Lang district, Son Tay town in the Later Le dynasty, then was taken as the general name of the Nguyen dynasty and the name of today's town - Huong Canh town (in Binh Xuyen district, Vinh Phuc province). According to folklore, Huong Canh is also called Tam Canh because this is the common name of three Canh villages including: Huong Canh, Ngoc Canh, Tien Canh. The place name Huong Canh also has the ancient name Ke Canh. This name comes from the local rice variety, which has two pointed rays on both sides of the grain. People call those two sharp rays WINGS and the grain of rice is called WINGS, taking the word WING as the name of the village. Initially, there was only one Huong Canh village here. Gradually, the population grew and the village was separated and named Ngoc Canh - a place with Gie Canh rice, rice grains as beautiful as pearls. Finally, when both villages Huong Canh (fragrant Canh rice) and Ngoc Canh (beautiful Canh rice) were densely populated, they expanded to the West and Northwest with another village and took the name Tien Canh, meaning "rice". Early wings”. Three communal houses in the three villages of Huong Canh, Ngoc Canh and Tien Canh are all ranked as national historical and cultural relics and are currently in the process of preparing documents to request special national ranking. The communal houses are located 50m to 100m apart, forming a monumental relic complex, adjacent to National Highway 2A, convenient for sightseeing, tourism and pilgrimage. Regarding the gods worshiped, according to local people's legend, after defeating the invading Southern Han army, Ngo Quyen became king and established the capital in Co Loa (now in Hanoi). The country was independent and at peace, but Ngo Quyen still did not forget to be vigilant and train soldiers and horses to prevent enemies. At that time, hunting was also a form of exercise, so once Ngo Quyen sent his two children, Ngo Xuong Ngap and Ngo Xuong Van, along with his close general Do Canh Thac, to bring troops to conduct an exercise in the form of hunting. They marched through Huong Canh, camped at a mound in the middle of the field, the people called Go Ngu. To record the sacred mark and pay tribute to the heroes of the Ngo Dynasty, the people of Huong Canh built a temple in Go Ngu to worship them, according to the concept of "life is a general, death is a god" (living is a good general - death is sacred). During the Later Le Dynasty, the people of the three villages of Huong Canh, Ngoc Canh and Tien Canh built a communal house in each village, took the sacred names to worship at the communal house and held festivals and offerings every year like today. 1. Huong Canh Communal House Formed the earliest, Huong Canh village built its communal house before the other two villages. Although not larger than Ngoc Canh communal house and Tien Canh communal house, Huong Canh communal house is crafted and shows more decoration and carving. The communal house is located in the south of Huong Canh town, the facade faces southwest, overlooking Diem Lang lake, the river arena and Cau Treo river. Through time and the ups and downs of history, for nearly 300 years Huong Canh communal house still stands there as if challenging the sun and rain, fighting with nature with its massive, graceful roof. The communal house's roof is covered with funny-nosed tiles, arranged in an orderly manner in the style of dragon-scale screws, very tight and beautifully flat. The roof of the communal house is built straight and the tips of the blades are curved. The entire roof of the communal house looks like a giant kite moving, about to fly into the air. 2. Ngoc Canh Communal House was built in the Later Le Dynasty and restored in the early Nguyen Dynasty. On the first sentence in Ngoc Canh communal house, there are two embossed words: "Twenty years in Gia Long, ten years in Quy Dau, ten moons, twenty-six days in old Thuong Luong, restoring earth and wood Giap Tuat years, five moons , the fifteenth day is completed, peace and prosperity are great." (Meaning: The 12th year of Gia Long is the year of the Rooster, on October 26, erect the roof tree as before. Repair the wood and door in the year of Giap Tuat. Complete on May 15, hoping for good harmony). According to the solar calendar, Quy Dau is in 1813 and Giap Tuat is in 1814, the restoration lasted 7 months. The second first sentence engraved is: "The year of Minh Menh, the year of Canh Thin, six moons, ten days, starting the golden cycle jewelry, ten months, ten days, completed great auspicious and prosperous" (Meaning: The first year of Minh Menh was the year of Canh Thin, construction started on June 11, painted golden, and completed on October 10, wishing good luck and prosperity. According to the solar calendar, Canh Thin is the year 1820, the first year of Minh Menh. The decoration lasted 4 months. 3. Tien Canh communal house was built last, but Tien Canh communal house is larger in scale than Ngoc Canh and Huong Canh communal houses. Regarding the construction date, when Thuong Luong's back house was dismantled for restoration, the engravings were still clearly clear: "Canh Hung thirty-seven years, five years Binh Than, twelve moons, twenty-two days, zodiac time, Receiving a high salary, great benefits and prosperity" (Meaning: Canh Hung year 37, year Binh Than, December, day 22, zodiac hour, building a roof tree is very auspicious, brings much prosperity). According to the solar calendar, the year Binh Than is 1776. So the communal house's back house was built 300 years ago (2022). The old first sentence of the great bow is engraved "Year of the Goat, ten months of At Hoi, twenty days of Dinh Mui, At Ty of the year, the great worship of Thu Thuong Luong" (Meaning: Year of the Goat, October of At Hoi, day 20 Dinh Mui, 10 a.m. At Ty, build a tree on the roof of the house to worship). Thus, the Tien Canh communal house was built in the 8th Canh Thinh era, Tay Son Nguyen Quang Toan dynasty - 1799, 223 years ago (2022), 23 years after the post house. These are three typical ancient communal houses of Northern communal house architectural art, built around the late 17th and early 18th centuries. The architectural and artistic relic of Huong Canh communal house cluster was recognized as a special national monument on December 29, 2022 by the Prime Minister. Source: Compiled by Vinh Phuc Newspaper
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Tran Nguyen Han Temple, also known as Ta Tuong Temple or Thuong Temple, is an artistic architectural work built in the Later Le Dynasty over 200 years ago. This relic is associated with the life and career of national hero Tran Nguyen Han. He was originally from the royal family of the Tran Dynasty and was a talented and virtuous general who made great contributions to helping Le Loi defeat the Ming invaders and win the Lam Son uprising. The temple is in Da Cai village, Son Dong commune, Lap Thach district. The temple worships General Tran Nguyen Han, who supported Le Loi in defeating the Ming invaders to liberate the country in the 15th century. The temple was built on a flat, wide and high ground, and is said to be the place where Tran Nguyen Han's old palace was located. The temple is structured in the style of the letter "Dinh", surrounded by walls forming a square "dien" campus. The construction works consist of 3 parts: Temple gate, pre-sacrificial house, and harem. Since its construction, the temple has been repaired and built many times, mainly during the Nguyen Dynasty. Architectural art in the style of the Nguyen Dynasty: Smooth, chiseled, simple decoration. Related to the relic, legend has it that there are two ancient objects: the Sword and the sword sharpening stone. The story goes that: During the period when the Ming invaders dominated our country, Tran Nguyen Han had just entered his youth. Because his parents went to reclaim land and set up camp at the top of Son Dong farm, Tran Nguyen Han still plowed and hoeed every day. While plowing in the Go Rach fields, Tran Nguyen Han plowed an iron bar as long as a sword. At night, he sharpened his sword on a large stone on the bank of Son pond, so that stone was called the sword sharpening stone. The stone had a dent that looked like a slash mark. Legend has it that it was the test cut of Tran's sword. Nguyen Han. The sword was carried by Tran Nguyen Han. By chance, Tran Nguyen Han was given a wooden stick shaped like a sword hilt from the riverbed by a raft owner at the mouth of the Phu Hau River. When the blade was inserted, it fit perfectly. That's the effect. That legendary sword was associated with the glorious victories of the first national founder of the Le Dynasty. Legend has it that Ton That Thuyet later borrowed that sword and took it to Can Vuong to fight against the French. As for the stone slab, after a long time being filled with silt from the Lo River, on January 12, 1998, people of Da Cai village found it at a depth of 2m leaning towards the lotus pond, about 2.49m long, about 1 meter wide. .6m, about 0.4m thick and weighs about 2 tons. This fairy stone was salvaged by the government and people of Son Dong commune and placed in the grounds of the Ta Tuong Quoc temple so that everyone can admire the remaining traces of the old hero. In 1984, the Ministry of Culture ranked the historical relic temple of Left General Tran Nguyen Han as a National Monument. Every year, on the anniversaries of his birth and death, especially at the beginning of Spring, people in the region and all over the country often come here to offer incense to commemorate the contributions of the National Hero. Source: Vinh Phuc Electronic Newspaper
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