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Dinh Huong Cau

Dinh Huong Cau

Huong Cau communal house, Huong Lam commune is one of the remaining typical architectural and artistic relics in Hiep Hoa in particular and Bac Giang province in general. The communal house is ranked as a national architectural and artistic relic according to Decision No. 138/QD dated January 31, 1992 of the Minister of Culture, Information and Sports (now the Ministry of Culture, Sports and Sports). Tourism). In terms of architectural and artistic value, Huong Cau communal house is probably second only to Lo Hanh communal house, "the first in Kinh Bac", Dong Lo commune of the same district. The communal house is located in the center of the village looking west, in front there is a communal lake, and further away is the Cau River surrounding. The communal lake is not only a place where water gathers, providing an ecological landscape, but also a place where many folk games take place during the communal house festival, wrestling, going for prayers, singing quan ho on boats...all taking place on the lake. communal house lake. On the left in front of the communal house gate, a village well still reflects water next to a corner of the rural market. No one knows how long the village well has existed, but many generations of people here have been very attached to their childhood memories next to the village well. A corner of the rural market also displays, sells and buys all kinds of village products. Like many other communal houses, the gate of Huong Cau communal house is built in the ritual style, including a main gate built with a pillar with square edges, the body of the pillar is covered with parallel sentences in Chinese characters praising the scene of the communal house and the people worshiped in the communal house. The top of the pillar is stylized in the shape of a garden fruit. Many visual elements, along with folk culture, are displayed here. The lower part of the pier's ear is made up of seams, the four sides are covered with four sacred animals: Dragon, lyre, tortoise, phoenix, four sacred animals with many meanings in Vietnamese religious culture. Huong Cau Communal House has a total area of ​​8,971 m2, the inner communal house area is 291.60 m2. The garden is large and green with shady trees. From a distance, the wide, low roof of Huong Cau communal house with curved blades hidden in the verdant canopy of the village's trees makes it easy to recognize that it is an ancient communal house. The communal house has a very unique architecture, the grand communal house looks like a dragon communal house, surrounded by a very airy wooden railing system, and a roof system with four curved blades. The two main roof sides and the two side roof sides are covered with funny-nosed tiles. The roof edge is built to create a straight strip of lemon flowers connecting the two ends of the roof pliers. The tip of the roof pliers is stylized in the shape of a dragon's head opening its mouth to grasp the edge of the roof. The dragon's tail is a thin strip that curves like a crescent moon. In addition to the aesthetic element, it also has the element of yin and yang. His father put into it valuable folk experiences. The dragon is a symbol of kingship and a symbol of rain clouds. The crescent moon is also a symbol of rain. The dragon's head grasps the edge of the roof, making it easy to imagine the image of a dragon whirring and spraying water. And that will prevent a fire from happening. From a scientific perspective, it is also very reasonable, and folk experience will make people always aware of water and fire in life. The bank is also built to create a strip of lemon flowers reaching the bend to connect with the bank. The edge of the goat is built to create a strip of lemon flowers running straight to connect with the four curved blades. The corners of the knife's head are decorated with a stylized dragon and phoenix shape with a curved shape. At the four corners of the knife's head, there are dragon heads making water as if spraying water on the edge of the river. The four curved corners of the knife's head not only bring the element of yin and yang but also make the house more elegant and soft. The ingenuity of the masons who built Huong Cau communal house, they built tough, strong but very elegant lemon flower strip edges and at the same time created four corners of curved knife heads to cover the edges of the strip, creating a soft floating roof. commercial. The great communal house has 3 rooms and 2 wings built on high ground. From a distance, you can see the roofs forming like a large boat facing down on the wooden frame for the roof. The flat, wide roof system and low structure create a large slope for the communal house roof. On the outside, it is easy to see the porch stripes running around the four communal roofs with 24 stripes. The front eaves are carved the most. The two ends of the middle stripe touch both sides. The main theme is the image of a nest dragon, a mother dragon, and a baby dragon, with details of a 4-clawed dragon and a round, fat body. In addition to dragon images, there are also human and beast images. The top of the porch on the left side has a dragon image on the inside, and there is an image of a fairy's hand with long slender fingers, long nails, holding a dragon sword. Near the dragon's tail, there is a human figure, naked body, belted around the waist, wearing a loincloth, lying on a wooden shelf, one hand resting on his head, the other hand resting on his knee, legs crossed in a five letter, looking very comfortable. Thoughts and faces are described in detail and exude a very cheerful and close feeling. The right side of the porch stripe is also covered with the main theme being a dragon with four clawed dragon details, part of the corner of the stripe has a very funny spirit animal image. The next two lines are also thickly carved with themes of dragons, swords and clouds. The remaining lines running around the four roofs are carved lighter and more sparse than the previous lines. The main carving themes are images of mother dragons, baby dragons, swords, clouds, and mother dragons always opening their mouths to grasp the roof of the ship. If in some other communal houses in the Northern countryside, at the beginning of the 18th century, the engravings of human images were absent, the folk features remained only in the animals close to the workers, then Huong Cau communal house still fully retains the close image of people and animals, retaining the aesthetics, preferences and emotions of the workers. Scenes of love between boys and girls next to the scene of "four sacred animals and four nobles". The royal art here is very strange and rough. We rarely see images of ferocious tigers, or stereotypical images of the four sacred animals and four precious animals, but instead there are images that are very everyday, close and full of folk vitality. SOURCE: ELECTRONIC INFORMATION PORTAL DEPARTMENT OF CULTURE - SPORTS - TOURISM OF BAC GIANG PROVINCE

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