Relic point Vietnam

Hung Yen

Memorial House of Mrs. Hoang Thi Loan (Uncle Ho's Mother)

Ms. Hoang Thi Loan - President Ho Chi Minh's mother was born in a land rich in revolutionary tradition and studiousness; The Hoang family's original hometown is in Van Noi village, Hong Tien commune, Khoai Chau district. In her, she brings together the noble qualities of a traditional Vietnamese woman: responsible, kind, compassionate, hard-working, and devoted to her husband and children. To pay tribute and honor her great contributions, in 2003, the People's Committee of Hung Yen province decided to start construction of a church (now the Memorial House) on the land of Van Noi village, Hong Tien commune. This is a project with bold traditional architecture, in harmony with the space and landscape of the Northern Delta village, in the old campus of Van Noi communal house. Inaugurated in 2005, this is one of the important works of the province, a place for people from all walks of life inside and outside the province to offer incense, visit, and commemorate the woman who sacrificed her life for her husband, children, and family. dedicating to the Vietnamese people a great son - the much beloved President Ho Chi Minh. On July 26, 2023, the Chairman of Hung Yen Provincial People's Committee signed a decision to classify Mrs. Hoang Thi Loan Memorial House as a Provincial Historical Relic under No. 1555/Decision - Chairman of the People's Committee. After 20 years since construction, some items of the project have deteriorated. With the attention of provincial leaders and departments, branches, in early 2024, Khoai Chau District People's Committee implemented the Project to restore and embellish Mrs. Hoang Thi Loan Memorial House and auxiliary works, including Items: Restoration and embellishment of Memorial House relic items; renovating and upgrading the road to the Memorial House and a number of other items... After 6 months of construction, up to now, the work of restoring and embellishing items and auxiliary works of Mrs. Hoang Thi Loan Memorial House has been completed. complete. Relics of the Memorial House of Mrs. Hoang Thi Loan, making this place a red address, an attraction for visitors to learn about history... Source: Department of Culture, Sports and Tourism.

Hung Yen 12 view

Rating : Provincial level relics Open door

Communal house - Temple in Mao Xuyen village

Based on the preserved legends and ordinations, Mao Xuyen Village Communal House was built to worship the Village God, Mr. Hoang Van Lang, also known as Duc Hoang Hai, the second son of female general Ngoc Chi during the Hai Ba Dynasty. Trung were the people who had the merit of expelling the Southern Han army in the years 40 - 43 AD. The communal house has a "first, last, last" architecture. Currently, the communal house still retains two ordinations and precious artifacts such as stone stele, great paintings, parallel sentences, hammock doors and a system of worship statues. Behind the communal house is the pagoda, a place to worship Shakyamuni Buddha, with Dinh script architecture with many ancient features still preserved such as Tam Quan, front hall and upper palace. During the resistance war against the invaders, Mao Xuyen Communal House - Pagoda was also a place for revolutionary activities of local pre-uprising comrades. With that historical meaning and value, at the ceremony, authorized by the Chairman of the Provincial People's Committee, comrade Mai Xuan Gioi, Deputy Secretary of the District Party Committee - Chairman of the District People's Committee, awarded the provincial-level relic ranking certificate Dinh- Mao Xuyen Village Pagoda for officials and people of Nguyen Trai commune. Source Electronic information portal of An Thi district, Hung Yen province.

Hung Yen 15 view

Rating : Provincial level relics Open door

Banyan tree and La Tien Temple

Historical relics Banyan Tree and La Tien Temple are located in Nguyen Hoa commune (Phu Cu, Hung Yen). This is a place to commemorate the heroic souls of 1,145 heroic martyrs, revolutionary soldiers and our compatriots who were killed by the French colonialists during their occupation here (from 1949 - 1954), including 121 officers and soldiers. People of Nguyen Hoa commune (Phu Cu, Hung Yen). During the resistance war against the French colonialists, La Tien was an area with an important strategic military position, blocking the south of Hung Yen, the north of Thai Binh and the west of Hai Duong, so the enemy took this as an occupation position. , set up posts and blockades to prevent the reinforcement of human resources, material resources, weapons, guns, ammunition, food, etc. from neighboring areas and suppress the revolutionary movement of Hung Yen's army and people. Right from the beginning of the occupation, the enemy terrorized the country in an attempt to establish an extremely brutal "white belt". They captured thousands of people and guerrillas in the area and took them to La Tien post to brutally torture and kill them in barbaric ways. In just nearly 5 years of occupation in La Tien (1949 - 1954), the enemy killed 1,145 revolutionary soldiers and patriots. But the enemy's brutality not only failed to suppress the revolutionary movement, but also fanned the flames of hatred and the stubborn will to fight for independence and freedom of our army and people. The attack to destroy La Tien post conducted by our army and people at the end of January 1954 contributed to the resounding victories of the army and people of Hung Yen province in the resistance war against the French colonialists; of great significance on the battlefield across the country, contributing to weakening the enemy, creating conditions for our army and people to win Dien Bien Phu. With special historical values, the Banyan Tree and La Tien Temple have been recognized as National Historical Sites according to Decision No. 4007/Decision - Ministry of Culture, Information and Tourism dated November 18, 2015 of the Ministry. Culture, Sports and Tourism. Today, this relic has become a symbol of the resilient, indomitable and rebellious spirit of the people of Phu Cu in particular, the people of Hung Yen and the whole country in general. This place is not only a place to set up hate stele and engrave the crimes of the enemy, but also a place to pay tribute to the soldiers and compatriots in the province and neighboring provinces who sacrificed heroically to protect every inch of land. , the hometown river. This place has also become a red address to educate the young generation about revolutionary traditions, patriotism, heroism, and resilience of our officers, soldiers, and compatriots. Electronic information portal of Phu Cu district, Hung Yen province.

Hung Yen 16 view

Rating : National monument. Open door

Tong Tran Temple

Tong Tran Temple is located in a prime location, on high and open land in the south of An Cau village, Tong Tran commune, Phu Cu district, Hung Yen province. Tong Tran Temple has the original name "Tien Can Linh Tu", the common name is Thuong Temple, Quan Trang Temple, people often call it Tong Tran Temple. Legend has it that the temple was built on the foundation of Tong Tran's old house from the Ly dynasty. The temple is located separately from the residential area on a campus of about 5 acres in the North. In 1950, the temple was destroyed. After many restorations, in 1998, Tong Tran temple was renovated beautifully. Tong Tran Temple has a two-story, eight-roof architectural gate. The ancient part of the match is inscribed with the Chinese characters "Luong Quoc Trang Nguyen tu mon" (the gate of Luong Quoc Trang Nguyen temple). In the middle of the yard is a scroll-shaped stone gate carved and crafted meticulously and delicately, with content praising the beauty of the temple in Chinese characters. With the principle of "When air meets wind, it spreads, when it meets water, it stops" in feng shui, the "dragon eye pond" in front of the relic's yard has clear blue water all year round, meaning it is a water gathering point, bringing prosperity. prosperity for all people in the village. The relic has a Nhi-shaped architecture, following the ancient architectural style, including two sacrificial buildings and a harem. The front altar consists of 3 rooms and 2 wings made in the style of a gable wall. In the middle of the roof line is a tiger head with the word Tho in its mouth and a pair of moon faces, with two dragons flanking the moon on both sides. The three front altars have carved flower and leaf images and written Chinese characters on the three front altars. In the Pre-Saint space, the floor at the 2 gable ends is 45cm higher than the base of the 3 middle spaces. The column base system is a ball-shaped platform. Supporting the roof are sets of trusses structured in the style of gong racks. The components are smoothed and sharpened, creating a strong and stable appearance for the temple. In the middle is the Council altar, above the altar are 3 gilded lacquered hammock doors, above the hammock door is the Chinese character "Luong Quoc Trang Nguyen". The room on the right hangs a scroll, the room on the left is a brooch written in Chinese characters, with elegant, sharp handwriting, inscribed with 8 verses praising the beauty of the land as well as the bright, airy space of the temple area. . The harem has a gable wall architecture, consisting of 3 rooms and 2 wings. The structure is two sets because the middle has a gong stand-style architecture. In the middle of the star anise is a tiger head with the word Tho and surrounded by flower strings. The remaining ends all touch a stylized dragon's head with an upside-down sword and spear. This way of creating has both a load-bearing and decorative effect, somewhat reducing the roughness of architectural structures. The middle space of the harem is where the coffin and statue worshiping Trang Nguyen Tong Tran are placed, the two side rooms are the thrones worshiping Duong Tam Kha and Doan Thuong. In the relic grounds, in addition to the main worship area, there is also the Mother Temple, which is a place to worship Mrs. Cuc Hoa, Tong Tran's gentle wife. She was also the one who took care of his mother for 10 years when Tong Tran was on a mission. The new Model House was rebuilt in recent years on the old foundation with simple architecture. The building has a Dinh-shaped architecture consisting of two altars and a harem. The altar consists of three rooms and two left, with a simple truss-style architecture. The components are smoothly planed and sharpened without engraved patterns. The middle space is where the statue of Mrs. Cuc Hoa is placed. To commemorate the merits of talented people, every year the Tong Tran temple festival is held from the 10th to the 17th of the 4th lunar month, of which the 13th and 14th are the main festival days. With historical, cultural, architectural and artistic values, Tong Tran Temple has been recognized by the State as a national historical relic according to Decision No. 2387/Decision dated December 30, 1991. Source Electronic information portal of Phu Cu district, Hung Yen province

Hung Yen 16 view

Rating : National monument. Open door

Temple and mausoleum of General Doan No

The temple worshiping General Doan No is located on a campus of more than 1,000 m2 in Phuong Trung village, Phuong Chieu commune (Hung Yen city). The land here is good, the trees are green in all four seasons. Senior General Doan No was the founder of the country during the Later Le Dynasty. He was a talented general of Le Loi, who had great contributions in the Lam Son uprising against the Ming army in the 15th century. He originated from a fairly ancient clan in Ke Nua village (now in Trieu Son district, Thanh Hoa province). He was born in 1393, the second child of Mr. Doan Quyet - who passed the third exam to become a palace doctor during the Tran dynasty. In the year of At Mui (1415), the Ming enemy massacred the Nong Cong area, killing more than 3,000 people. In Ke Nua alone, only 18 people escaped, including his two brothers. In 1416, Doan No returned to Le Loi, participating in the Lung Nhai oath ceremony and the Lam Son uprising. He was one of Le Loi's first generals. In 1425, Le Loi sent general Doan No along with military officer Tran Nguyen Han to persuade the people, bringing 1,000 troops to attack the South, liberating Tan Binh and Thuan Hoa citadels (belonging to the provinces from Quang Binh to Thua Thien). Hue today) to expand the area, forcing the Ming army to retreat into the citadel. From then on, the Lam Son insurgent army had a solid rear base and advanced to counterattack to the North to liberate Thang Long. After the successful resistance war against the Ming army, when considering his merits and rewards, he was appointed by King Le Thai To as a Lieutenant General, a General of the Left, with the title Dai Tri Tu. Afterwards, he was awarded the title of Tru Quoc Cong Thuong General in charge of Son Nam. He was given a village in Huong Chieu village, now Phuong Chieu commune. He brought his whole family from the capital to Huong Chieu, forming the Doan family in Hung Yen. The temple of General Doan No was built right after his death (1439). In the past, the temple and mausoleum of Senior General Doan No was just a small temple with Dinh script architecture. Over time, the temple was restored and embellished to become larger and more beautiful. Currently, the temple has a Tam-shaped architectural structure including the Pre-Temple, Central Tu and Rear Palace. The altar consists of 5 rooms made of ironwood, built in the ancient style, with four pillars filled with lotus-filled boats and carved flowers and leaves. In the center of the altar room is the great pagoda "Tran Gia Vu Liet" below which there is an incense altar and a 19th century sculpture. On both sides are parallel sentences (Le dynasty, Thai To discovered Nam Son Loi Dai Hien - Founding the country's god Doan outstanding general and hero). For the Trung Tu court, a shrine was placed to worship Doan No's father, Mr. Doan Quyet, and his mother, whose family name was Nguyen. In the most solemn position of the Harem Palace, there is a statue worshiping Senior General Doan No. The items are relatively solid, meeting the spiritual belief needs of Doan family descendants and local people who come to worship and show gratitude and respect to their ancestors. 500m from the temple is the tomb of Senior General Doan No. The mausoleum was built on the land "Figure of a dragon drinking water" (shaped like a dragon drinking water) with the position of Thanh Long on the left and White Tiger on the right. His tomb is located on a high mound, surrounded by fields. The mausoleum has an area of ​​16 m2 and is built with 2 floors and 8 roofs. The front of the mausoleum embossed the words "Doan No Cong Than". Next to the mausoleum is a post-commission stele recording the life and career of General Doan in the national language so that future generations can pay their respects and commemorate a typical famous general of the Le Dynasty who was worshiped by the whole country. Through many changes in history, up to now, the temple of General Doan No still preserves many valuable artifacts, typically the genealogy book of the Doan family in Phuong Chieu, the genealogy book of the Doan family, a genealogy book of the Doan family. Ordination of the Le Dynasty, great paintings, couplets and statues of Senior General Doan No... Although the number of artifacts is not large, they have made an important contribution to the study of the country's history, the history of famous people and the history of the village. commune and family blood relationships. Besides, some artifacts and worship objects also enrich the traditional art of the nation. Every year, at the beginning of spring, local people and the Doan family hold a festival in mid-January to commemorate General Doan No. With typical and unique values, the temple and the mausoleum of General Doan No were ranked as national historical relics on April 20, 1995. Source: Department of Culture, Sports and Tourism

Hung Yen 24 view

Rating : National monument. Open door

Nguyen Thien Thuat memorial area

Nguyen Thien Thuat (1844 - 1926), pseudonym Manh Hieu, from Xuan Duc village, Bach Sam district, Duong Hao district (now Xuan Dao village, Xuan Duc commune, My Hao town). Born in a poor Confucian family, in 1870, Nguyen Thien Thuat passed the baccalaureate. In 1874, he was instrumental in suppressing the enemy in Kinh Mon prefecture (Hai Duong) and was appointed as the state regent. In 1876, he passed his bachelor's degree and held the position of governor of the Tu Son government. He worked as an honest, fair, civil and martial mandarin. In the year of the Cat (1879), he held the position of Tan Tuong Quan, and in 1881, he held the position of Huong Hoa Son, Chief Minister of the Office, and Tan Tuong Quan, Deputy Commander of Son Tay province. Therefore, at that time he was called Tan Thuat or Tan Dong (because he was from Eastern province). When the French colonialists invaded Tonkin, Nguyen Thien Thuat twice resisted royal orders, determined to fight the French. The first time, he retreated to Dong Trieu, often contacting Dinh Gia Que - leader of the Bai Say insurgent army, recruiting and developing insurgent forces in the delta. On November 12, 1883, Nguyen Thien Thuat's insurgent army attacked Hai Duong province to surround the enemy, but the force was still weak, so he had to retreat. The second time at the end of 1883, after signing the Harmand treaty, the court continued to make concessions to the French colonialists, dismissed troops in Tonkin and required mandarins to return to the capital to wait for instructions. Nguyen Thien Thuat brought The army went to Hung Hoa (Tuyen Quang) with Nguyen Quang Bich to defend the citadel. In March 1884, Hung Hoa citadel fell, he and a number of generals determined to stay and fight against the French. After Lang Son citadel fell (March 1885), Nguyen Thien Thuat fled to Long Chau (China) to prepare forces to continue fighting. In July 1885, King Ham Nghi issued Can Vuong decree, Nguyen Thien Thuat returned to the country to establish Bai Say base, led the uprising against the French, continuing the career of the Dinh family (at this time Dinh Gia Que had passed away). ). King Ham Nghi conferred on him the title "Bac Ky Hiep Thong Military Mandarin Gia Chan Lieutenant General", the people also called him Mandarin Hiep Thong, and many talented generals followed him. Bai Say was a particularly strategically important area in the Red River Delta at that time. With such a prime location, right from the time the French army invaded the Tonkin provinces (1883), Bai Say was built into a base against the French colonialists of the Dinh Gia Que insurgent army. Since 1885, based on the base area that the Dinh family had previously built, with the strategic vision of a military man, Nguyen Thien Thuat continued to expand the Bai Say base area to almost every government and district. of Hung Yen and Hai Duong provinces, including Khoai Chau, Van Lam, Van Giang, My Hao, Yen My,... With the wise leadership of Nguyen Thien Thuat, the Can Vuong movement on Bai Say land quickly broadcast developed in all aspects, becoming one of the largest anti-French centers at the end of the 19th century in Tonkin. In 1888, Hoang Cao Khai sent troops to suppress the movement, using Dong Khanh's name to bribe and persuade Nguyen Thien Thuat to surrender and promise to restore his title. Nguyen Thien Thuat wrote in this document the four words "Bat khang thu chi" (Refuses to accept instructions). Afterwards, he handed over power to his younger brother, Nguyen Thien Ke, to continue maintaining the uprising, going to China with the policy of asking for aid to strengthen anti-French forces. During the rest of his life in China, Nguyen Thien Thuat often contacted Ton That Thuyet and a number of comrades, including Nguyen Chi Thuong, his second son. Later, Thuong was captured and sent to Con Dao. He, together with Foreign Marquis Cuong De and Phan Boi Chau, went to Dong Kinh to establish the "Vietnam Duy Tan Phuc National Assembly" with the purpose of finding ways to liberate the nation, expand people's knowledge, and create conditions to bring Vietnamese students abroad. studying abroad,... Nguyen Thien Thuat died on May 25, 1926. His grave is located on a hill in Quan Kieu village, on the outskirts of Nanning city, Guangxi province (China). The tombstone is engraved with the words "Vietnam revolution. Late General Nguyen Cong Thien Thuat - Tomb. On January 30, 2005, his remains were moved to be buried in Xuan Duc commune, My Hao district, Hung Yen province. General Nguyen Thien Thuat's memorial area is located on Xuan Nhan land - where the forward guard post of the old Bai Say insurgent army was located, with a total area of ​​1621.9m2, including many items: gate, memorial house, house. stele, grave of General Nguyen Thien Thuat and relief wall. The Bai Say Uprising (1885 - 1892) was the largest, longest-lasting and most resonant uprising in the Northern Delta region during the "Can Vuong" movement against the French colonialists at the end of the 19th century. The uprising lasted a decade, going through three stages, associated with the names of three leaders: Dinh Gia Que, Nguyen Thien Thuat and Nguyen Thien Ke. But it can be affirmed that Nguyen Thien Thuat is the most typical leader, the soul of the Bai Say uprising. With the above values, Nguyen Thien Thuat Memorial Area, Xuan Duc commune, My Hao town, Hung Yen province has been ranked a national historical relic by the Minister of Culture, Sports and Tourism in Decision No. 3077/Decision - Ministry of Culture, Sports and Tourism dated October 27, 2020./. Source Department of Cultural Heritage.

Hung Yen 25 view

Rating : National monument. Open door

To Hieu memorial area

To Hieu was born in 1912, the youngest child in a family with a tradition of academics and patriotism. His great-grandfather, Doc Nam To Ngoc Niu, was praised as one of the three exemplary teachers of contemporary Tonkin. His father was Mr. To Y, his mother was Mrs. Ngo Thi Ly - daughter of Mr. Ngo Quang Huy, former Director of Bac Ninh, one of the key leaders of the Bai Say uprising movement at the end of the 19th century. From a young age, To Hieu proved to be intelligent and had great ambition. His father passed away early, and his mother and eldest son, To Tu, had to work hard to raise their five brothers. To Hieu was sent to study at Hai Duong primary school for boys. In 1926, when he was only 14 years old, To Hieu participated in the mourning movement for patriot Phan Chu Trinh and was expelled from school. His eldest brother continued to send him to Hanoi to study. During the period 1927 - 1929, To Hieu and his cousin To Gi were admitted to the Xich Ve Doan organization - a student youth organization led by the Revolutionary Vietnamese Youth Association - the Party's predecessor organization. During this time, To Hieu actively participated in the association's activities such as rallies, banner-raising demonstrations on major international anniversaries, and also had the task of protecting the protest group and other organizations. comrade leader. In 1930, while on a fundraising campaign trip, To Hieu was followed by secret police, arrested and sentenced to 4 years in prison and exiled to Con Dao. It was here that he and his brother To Chan were honored to be admitted to the Indochina Communist Party at the age of 18. To Hieu was trusted by senior communists such as Ton Duc Thang and Ngo Gia Tu, who cared about guiding and honing the bravery of young Party members. In 1934, after completing his prison term, To Hieu was released and placed under house arrest in his hometown of Xuan Cau village. Overcoming the siege and surveillance by French secret police, To Hieu not only participated in leading the patriotic movement, raising people's knowledge, gathering the masses in his homeland, but also sought to coordinate with loyal comrades to restore restore the Northern Region Party Committee. At the end of 1936, at a meeting at comrade To Hieu's rented house on Hang Bot street (Hanoi), including comrades Hoang Van Non, Hoang Quoc Viet, Truong Chinh, To Hieu, Nguyen Van Minh, Luong Khanh Thien, Tran Quy Kien officially restored the Northern Party Committee after years of revolutionary decline and broken Party organizations. At the meeting, To Hieu was elected as a Standing Member of the Party Committee, in charge of propaganda, training workers and directly participating in leading public work and activities in Hanoi (at this time Hanoi did not have a City Council). committee). At the end of 1938, To Hieu was appointed by the Central Committee to be Secretary of Inter-Region B, including the Northern coastal provinces of Hai Duong and Hung Yen; Special Secretary of Hai Phong. In December 1939, To Hieu was arrested by French secret police at the City Party Committee's printing facility. Although his thin body was tormented by tuberculosis when he was exiled in Con Dao prison, and was tortured and bribed, with the steadfast spirit and determination of a communist, he overcame all challenges. fierce challenge. The comrade was sentenced to 5 years in prison and exiled to Son La prison in early 1940. In early 1944, To Hieu's health was almost exhausted, but with an optimistic spirit, To Hieu told his brothers in the cell. : "I know for sure that I will die sooner than others, so I have to take advantage of the time to fight and serve the Party." A few days before he breathed his last, To Hieu asked comrade Hoang Tung to write down a will for the Son La Prison Cell, advising his brothers to stay and maintain their fighting spirit, clearly analyze the world situation and in the country, the inevitable victory of the Revolution. He breathed his last on March 7, 1944 in the mourning of all comrades and compatriots. Revolutionary To Hieu sacrificed his life, but To Hieu's spirit is forever immortal and has become a precious spiritual heritage of the Party and nation, the pride of descendants, as well as people throughout the country. The story of the To Hieu peach tree at Son La prison has entered the pages of books and is considered a symbol of revolutionary optimism. To Hieu Martyrs' Memorial House was built in 2000, at the same time as the construction and renovation of Doc Nam To Thi Tu Duong (the To family church of Doc Nam To Ngoc Nuu). Comrade To Hieu Memorial House The memorial house consists of 3 front rooms and 1 back room, made of four iron wood; The sets are made in the form of a lotus-shaped frame combined with a gong-shaped truss structure, creating a spacious interior space. The main decorative themes are traditional leaf patterns, mainly on the two sets of gables and on the lotus joints on the pillars. The back room is decorated with an altar with a photo and statue of comrade To Hieu. The entire inner sanctum of the church's three compartments is used to display precious artifacts and images about Comrade To Hieu's career and active life, arranged from left to right according to 3 themes: Homeland Xuan Cau and his family, the To family of Xuan Cau village; Biography and revolutionary activities of comrade To Hieu; The feelings of the leaders of the Party, State and people towards comrade To Hieu. To family church of Mr. Doc Nam - To Ngoc Nuu Located on the same site as the Comrade To Hieu Memorial House, the entrance gate is built with bricks, in the traditional style, with a pair of Chinese parallel sentences embossed on both sides of the gate pillars. Their church building is designed and built with wood according to traditional architecture; Northeast direction overlooking Nghia Tru River - an ancient tributary of the Red River. The site of Tu Duong has the most typographic architecture, built in the style of gabled walls, and the roof is covered with yin and yang tiles. The inside of the house is divided into 5 compartments, the door system is made of a table top style, following the upper and lower panels; The structure of the trusses is made of four sets of wood in the style of dou-lotus; Decorative themes mainly focus on the gables and the pillars on the armpits in the two gables with the themes of bamboo/dragon-shaped apricot, fighting cocks and on the husbands, the ends of the armpit beams touch lotus petals, soft leaf pattern. The middle space of the church is where the altar is placed, inside are placed 4 tablets of deceased ancestors of the To family. On the right side hangs the great letter 壽春 (Xuan Tho) given by Mr. Doc Nam's students to celebrate his birthday in the year of the Goat (1871). In the middle of the yard is a peach tree extracted from the To Hieu peach tree in Son La prison donated by the Son La Provincial Party Committee in 1998. With the above values, To Hieu Memorial Area, Nghia Tru commune, Van Giang district, Hung Yen province has been ranked as a National Historical Site by the Minister of Culture, Sports and Tourism in Decision No. 3080 /Decision - Ministry of Culture, Sports and Tourism dated October 27, 2020./. Source Department of Cultural Heritage.

Hung Yen 24 view

Rating : National monument. Open door

Sam Khuc Communal House

Sam Khuc communal house (also known as Cham communal house) belongs to Viet Hung commune, Van Lam district, Hung Yen province. Based on the legends, ordinations, and declarations of Elder Huong and Ly, the translator of Sam Khuc village (formerly My Trach village) collected by the Institute of Ancient Far East in 1938, is currently kept at the Research Institute. Han Nom and Hung Yen Provincial Library and the stories of the elders in the village, Sam Khuc Communal House is the place to worship the village's Tutelary God Pho Cuu Dai Vuong (Hung Vuong King's reign), whose merits helped the kings defeat the enemy. set establish order in the country and bring a prosperous life to the people. On the first sentence of the Great Pagoda, there is written the absolute date of the year the communal house was built: "Duy Tan Nham Ty, year of the year, smell of moon, gradually approaching Sun Luong, time of residence, Thuong Luong Dai Cat" (August 6th, year of Nham Ty (1912), Duy's era name). Tan Truong Thuong Luong is good). Based on the existing ordinations, including the earliest ordination in the 10th year of Tu Duc (1856), it can be known that Sam Khuc communal house existed before that time. Sam Khuc Communal House was built on a high, open area of ​​land, with the front facing southwest. The communal house has a Dinh-shaped floor plan. Looking from the outside, in front of the communal house is a lake, between the lake and Nghi Mon is a village road running through. Through Nghi Mon is a large yard, in the innermost part is the architecture of the majestic and majestic Great Court and the Harem. The structures and architectural components are all made of four-stone wood, imbued with the Nguyen Dynasty's artistic style and are still consistent and solid. The ritual gate is made in the style of four pillars (lanterns) forming 3 doors. The Dai Bai Court is the item with the largest area at Sam Khuc communal house, including 05 compartments made in the style of gable walls with dimensions of 19.3m long, 10.17m wide, 6.4m high (from the roof to the floor). family). All four sides around the Dai Bai foundation are lined with bricks, 0.65m high above the communal house yard, covered with mortar on the outside. The foundation is firmly reinforced. The floor is tiled (30cm x 30cm), with a square pattern. From the yard, there are brick steps leading up to the Dai Bai porch. Dai Bai's architectural structure includes 6 sets of rafters, with 24 wooden columns (12 main columns, 12 military columns), with 4 rows of column bases. The distance between the front column and the rear column is 4.22m, the main column and the military column is 2.05m. The columns stand on green stone bases without decorative patterns. Supporting the roof of the Dai Pagoda are the roof beams and armpit beams. The roof system of Sam Khuc Dai Bai communal house is all made in the style of "hidden piles of beams and pillars". The armpits of the Dai Bai communal house are crafted in two forms: "semi-stacked beams" in the side compartments and "con me" in the middle compartment. The Harem Court is an item consisting of 03 compartments, located parallel to the Great Pagoda Court, made in the style of a gable wall, measuring 7.9m x 7.1m (the distance between the two main columns is 2.8m; the main column is 2.8m). the one to the army column is 1.67m). The Harem Center is where the altar to worship the village's Tutelary God Pho Cuu Dai Vuong is located. Tiled floor 20cm x 20cm, public letter pattern. The foundation is lined with red bricks covered with mortar. The special thing about Sam Khuc village's rear palace is that it still retains part of the wooden floorboard architecture of the ancient communal house. The harem has a structure of 4 rows of columns with 6 main columns and 10 military columns (main columns have a diameter of 300mm, military columns have a diameter of 250mm). Supporting the roof diaphragm are the ridge beams, armpit beams and a system of wooden columns placed on the base of the platform. The harem has 03 sets because the roof is made in the style of "stacking the beams", not decorated with patterns. The carvings here focus on architectural components, creating the perfect beauty of the building, bearing the main artistic style of the Nguyen Dynasty with many rich and diverse decorative themes, making the house unique. The house became lively and achieved the highest architectural and artistic value in the art of the Nguyen Dynasty. In particular, the image of the four sacred animals with dragons is the main element in the carved panels, in addition, there are also decorations such as the four sacred animals, four precious animals (pine, chrysanthemum, bamboo, apricot), flipped leaves, clouds, and flowers. Tho script,... Sam Khuc communal house is a unique architectural work, which preserves many precious relics of both tangible and intangible culture. Almost all architectural structures and components are densely carved with rich and diverse decorative themes representing mascots and plant patterns in motion. Currently, Sam Khuc communal house still preserves rare and valuable relics and antiques: miracles, great characters, scrolls, ordinations, bronze bells, thrones and tablets, hammock doors, palanquins, etc. .In addition to material vestiges of historical and artistic value, Sam Khuc communal house is also the place where spiritual and cultural activities of the people here take place, clearly reflecting the character of the village community while also promoting Moral: "when drinking water, remember the source". Religious rituals, festivals, and traditional folk games reflect the social life of the residents here. With the above values, Sam Khuc Communal House, Viet Hung Commune, Van Lam District, Hung Yen Province has been ranked by the Minister of Culture, Sports and Tourism as a National Architectural and Artistic Monument according to Decision No. 3078 /Decision - Ministry of Culture, Sports and Tourism dated October 27, 2020./. Source Department of Cultural Heritage.

Hung Yen 21 view

Rating : National monument. Open door

Ong Pagoda

Ong Pagoda, also known as Ban Tich Tu, is located in Binh Luong village, Tan Quang commune, Van Lam district. The pagoda has an ancient and sacred beauty, built during the reign of King Ly Than Tong and is now nearly 1000 years old. This is the pride of Van Lam people in particular and is a historical and cultural relic with long-standing value of the land of Hung Yen. About 19km from the center of Hanoi capital, along Highway 5 direction Hanoi - Hai Phong, turn right into Binh Luong village, Tan Quang commune (Van Lam district) is an ancient pagoda called Pagoda by the people here. Grandfather. According to the pagoda's stele (now only the waterfall is currently stored at the Institute of Sino-Nom Studies), the pagoda was built during the reign of King Ly Than Tong (1128 - 1138). The stele bears the symbols 5527 - 5528, on the forehead of the stele is the title: The Self is Compassionate, the date of the stele is the 20th Le Chinh Hoa period (1644), the stele's content records the worship of Zen Master Tu Dao Hanh and the meaning of the stele. Named the pagoda Ban Tich pagoda. Ong Pagoda under the Le Dynasty was located in two villages: Binh Luong and Luong Xa, Dinh Loan commune, Gia Lam district, Thuan An district, Kinh Bac region. In the 13th year of Minh Mang's reign (1834), Bac Ninh province was changed. At the end of the Nguyen dynasty, it was called Van Lam district, Hung Yen province. In the pagoda, there is still a bronze statue of Zen Master Tu Dao Hanh, King Ly Than Tong (5th generation of Ly Dynasty - also the incarnation of Tu Dao Hanh after his death at Thay Mountain). The pagoda is arranged harmoniously and proportionally in the Tam style including the following categories: front hall, middle hall and back palace. In 1938, the pagoda was restored and re-embellished, the structure of the rafters is in the style of stacking smooth planed beams with patterned spots. The entire frame and columns of the ancient pagoda are made of solid ironwood, combined with elaborately carved ancient architecture, giving the front hall a solid and highly artistic position. Coming here, visitors will admire the ancient beauty of the temple with very elaborate and unique artistic architecture. Entering the temple gate is a peaceful, quiet space with a quiet mossy temple roof. According to history books, Ong Pagoda was built by King Ly Than Tong in the spring. Therefore, every spring, the people of Binh Luong village in particular and the people of Tan Quang commune along with tourists from all over gather here to celebrate and hold incense offerings to commemorate those who have contributed to fighting the enemy and defending the country. , built a temple. The traditional festival of Ong Pagoda takes place on 3 days, from March 7 to March 9 (lunar calendar), of which March 9 is the main festival. In 2001, the Pagoda was ranked by the Ministry of Culture and Information as a national architectural and artistic relic, the pride of Van Lam people. Source Department of Cultural Heritage.

Hung Yen 50 view

Rating : National monument. Open door

Dinh Dai Hanh

On May 16, 2024, the Minister of Culture, Sports and Tourism signed and issued Decision No. 1328/Decision - Ministry of Culture, Sports and Tourism on the ranking of national architectural and artistic relics for with Dai Hanh Communal House, Hoan Long commune, Yen My district, Hung Yen province. Dai Hanh Communal House is one of many relics in Hung Yen province worshiping Holy Chu Dong Tu - Princess Tien Dung and Tay Sa princess of the 18th Hung King's reign. These are the Three Saints and are listed among the Four Immortals. in the Vietnamese spirit system. At the same time, we can consider Chu Dong Tu as the founder of Vietnamese commerce, the first person to expand international trade and commerce. Dai Hanh communal house was built early and restored during the Later Le and Nguyen dynasties. Currently, the communal house has an overall layout in the shape of a Cong letter, including the Dai Bai building with 03 compartments and 02 wings, the Morning Glory 01 compartment and the Hau Palace with 03 compartments. The architectural structures are made of wood with many beautiful carvings, especially the Dai Bai building, which still retains almost intact the typical carved architectural mark of the Later Le period, showing many decorative themes and classics. Folk tales are extremely rich and diverse such as: four sacred animals, four precious animals, pine buds, pheasants,... bearing the architectural and artistic styles of the Later Le and Nguyen dynasties. In addition, the communal house also preserves many valuable typical relics such as: Great characters, parallel sentences,... According to the decision, the relic protection area is determined according to the Minutes and Maps delineating the relic protection areas in the file. The Ministry of Culture, Sports and Tourism assigns the People's Committees at all levels where ranked relics are located, within the scope of their duties and powers, to carry out State management of the relics in accordance with the provisions of law. Law on cultural heritage. Source: Department of Culture, Sports and Tourism.

Hung Yen 52 view

Rating : National monument. Open door

Dinh Tho Nham Ha

According to the Divine Tales and Divine Identity of Kim Dong district and local documents, Tho Nham Ha communal house worships Saint Tam Giang, also known as Tam Giang Dai Vuong. He was born into a family of 5 brothers during the reign of King Ly Nam De, who followed Trieu Quang Phuc to fight the Luong invaders. The communal house was built very early. Initially, the communal house was small-scale, made of simple bamboo and leaf thatch materials. Over time, the communal house was restored and embellished many times under the Later Le and Nguyen dynasties. The current architectural imprint of the communal house comes from a major restoration during the Nguyen dynasty in the 15th year of Bao Dai (1940) with a grand architectural scale, including many construction items: Great altar, Hau palace, ritual gate. , communal well, dance hall, stele house,... Tho Nham Ha communal house's ritual gate consists of three gates: The middle gate is built in the form of a pillar and is much wider and taller than the two side gates. The top of the main pillar is covered with "four phoenixes gathering tails" (four phoenixes with their tails together). The lantern's umbrella is decorated with four sacred animals (dragon, unicorn, tortoise, phoenix), and tiger talisman with the word Tho. The body of the pillar is built square, covered with edges, embossed lines and parallel sentences with Chinese characters. The two side gates are made in the style of a two-story, eight-roofed stack of matches. The roof line is covered with pliers holding the tip of the roof edge, and in the middle is an image of the sun with fiery blades. The upper and lower roofs are covered with imitation tube tiles, and the knife heads are decorated with soft patterns. The neck of the match is embossed with Chinese characters. The body of the side gate is built square, covered with edges, embossed lines and parallel sentences with Chinese characters. Through the large yard, you will reach the main worship area with a Dinh (丁) structure, including 05 compartments, 02 Dai Bai wings and 03 Harem compartments, the facade faces southwest, the architectural structures are made of wood with bold architectural features. Nguyen Dynasty architecture. The main pavilion is made in the style of a gable wall, with a roof made of tiles. The roof is a road built of bricks, covered with mortar to create parallel ridges. The center of the roof is decorated with the image of two dragons flanking the sun, the dragon has three healthy bends, its head raised high. At the end of the roof line are two square poles at the bottom and two dragon-head-shaped pliers opening their mouths to suck on the roof edge, the tail is a twisted pattern shaped like a question mark "?" The large spine runs from the head to the back, the whole body flanking the center of the roof. The strip edge is built perpendicular to the roof line in a stepped style, leaving it unadorned. At the end of the strip are two mezzanine walls and two symbolic pillars. The bronze column is 7m high, the top of the column is covered with a stylized dragon scroll with gardenia fruit, 4 kneeling legs, 4 corners covered with 4 phoenixes. The lantern's umbrella is embossed with four sacred animals (dragon, unicorn, tortoise, phoenix). The column's body is square, embossed, embossed, and displays 3 pairs of parallel sentences in Chinese characters. Separating the Dai Bai and the porch are three doors. The communal house's door is made in the style of a table-shaped door. Each door consists of four wings placed parallel to each other on the sill connecting two military columns, creating a continuous, solid connection between the components in the overall architecture of the communal house. The doors all have rotating pillars, latches, and pins. The table door support is a threshold so that the door system does not come into contact with the soil, causing mold, damage, or decorative patterns of the seal and leaves on the roof. The upper part of the door frame has rows of bars and carved panels decorated with the four sacred animals and four precious animals. The floor of the Dai Pagoda is tiled with square tiles. The load-bearing frame of this building is firmly positioned by a system of main columns, military columns, beams, rafters, etc. The system of columns stands in parallel rows in pairs (including 12 female columns and 12 military columns). The columns inside the temple all have the structure of "upper and lower seasons", and are placed on the base of the platform. The sets for the Great Pagoda are made in the style of "for a pile of beams". The beams are crafted to be blocky, strong and sturdy, decorated with soft leaf patterns, placed on squares decorated with the word Tho. Because the armpits are made in the style of bamboo shoots, decorated with the four sacred animals (dragon, unicorn, tortoise, phoenix) and the four precious animals (pine, bamboo, chrysanthemum, apricot) very vividly. Under the hitch are two extra heads decorated into two dragon heads with wavy swords, long hair and beard flying out the back and a fish turning into a dragon. This part has a load-bearing and decorative effect, reducing the roughness of the parts. The royal harem consists of 03 rooms, divided into two parts, separated by a door system including: The outer harem has 01 compartment and the forbidden palace has 02 compartments. Just like the Great Pagoda, the Harem palaces are made in the style of "for husband and wife". The entire Harem roof is placed directly on the column system, the surrounding walls are covered with tiles. The outer harem is connected to the Great Temple. In particular, there is also preserved a jade green ceramic incense bowl with clearly visible cloud patterns and 5 squares of dragon-shaped patterns in the middle of the word Tho, dating from the Le Canh Hung period. On the right side of the altar of Tam Giang the Great King is placed the altar of Princess Que Hoa. The statue of Mrs. Que Hoa is placed in an altar decorated with bamboo structures, double panels, and glass frames. The statue is made of bronze, 61cm high, 32cm thick at the shoulders, 43cm thick at the hips. The statue is carved in a sitting position on an octagonal gilded pedestal, with a relaxed figure like a princess in court, and a beautiful face; The neck has 3 chins, the ears have golden buds, the head is wearing a crown, the neck is wearing a 4-ring necklace, the body is wearing a brocade shirt, the shirt is decorated with embossed gold coins between the word Tho. The left hand is placed face down on the thigh, the right hand is placed on the thigh tilted into the lap. In addition, the altar is also decorated with many valuable worship objects such as: copper tops, copper candlesticks, porcelain incense bowls, etc. Currently, Tho Nham Ha communal house still preserves a number of beautifully carved artifacts and worship objects with historical and aesthetic value dating back to the Later Le and Nguyen dynasties such as: celadon porcelain incense bowls, 04 Great paintings, 03 pairs of parallel sentences, 03 mottos, 04 ordinations (1 Thanh Thai, 3 Khai Dinh), 02 altars, 01 bronze top, statue of Princess Que Hoa,... With the above typical values, Tho Nham Ha communal house, Tho Vinh commune, Kim Dong district, Hung Yen province was ranked as a Heritage site by the Minister of Culture and Information (now the Ministry of Culture, Sports and Tourism). national architectural and artistic achievements according to Decision No. 78/2004/Decision - Ministry of Culture and Information dated August 23, 2004./. Source Department of Cultural Heritage.

Hung Yen 63 view

Rating : National monument. Open door

Dong Ha Communal House

Dong Ha Communal House is located on a high, airy land right in the center of the village, in front is the communal pond - a place where luck gathers. Based on the inscription of the 4th year of Canh Tri, the monument was conferred from the Later Le Dynasty (1783), built by the people of Duc Chiem commune, and restored for the first time in the year of Canh Ngo under the Nguyen Dynasty and the second time in 1991. Dong Ha Communal House worships King Luu Lang, who was instrumental in quelling 12 armies with Dinh Bo Linh. The communal house also records many local historical events during the revolutionary resistance war against the French and Americans. The communal house's architecture was built in the Dinh style, including: Dai Bai and Hau Cung. From a distance, we can see the 4 roofs of the monument with 4 curved sword heads thanks to a special structural system called the roof-roofed sword ship. To create the majesty of the monument, ancient artisans embossed images of dragons flanking each other, phoenix moms and Nghe lying down in front of each other. The roof, strip, and gully edges of the communal house are decorated with lemon flower umbrellas, this is an artistic feature that often appeared in the 17th century. Dai Bai has 5 compartments with 2 long, open spaces, each compartment is 4m wide, each compartment is 0.7m wide with a total area of ​​300m2. The entire column system is made of whole ironwood trees in the style of "upper and lower autumn, challenging summer" and placed on the stones according to the yin and yang style of "square bottom and round top". The two middle compartments have two sets because they are made in the style of a gong stand stacked on a bed and are stylized into leaf guillotine and knife-shaped patterns; The fighting cocks are carved in the shape of the word Tho; The plaques are embossed in the shape of a dragon's tail and connected to the remaining ends. The remaining heads of the Le Dynasty were shaped like majesty and powerful fire swords. Therefore, if you stand below and look up, you will see an intact dragon image. The harem consists of 3 rooms with a simple gong stand architecture made of ironwood. In the middle is an altar decorated with two thrones worshiping Le, with the throne's feet kneeling in a tiger-shaped style. The throne's arms are stylized with flying phoenixes. Tablets decorated with dragons, lemon flowers... Currently, Dong Ha Communal House still preserves a number of valuable artifacts such as memorial stele inscribed with the 4th year of Canh Tri, 5th post-Khai Dinh stele, palanquin, dragon throne, tablet, top, bronze candles, ordained... The communal house is still well preserved and is a place for cultural and religious activities of local people. With the above values, Dong Ha Communal House, Duc Hop Commune, Kim Dong District, Hung Yen Province was ranked as an Architectural Monument by the Minister of Culture and Information (now the Ministry of Culture, Sports and Tourism). national art according to Decision No. 78/2004/Decision - Ministry of Culture and Sports dated August 23, 2004./. Source Department of Cultural Heritage.

Hung Yen 107 view

Rating : National monument. Open door

Phu Ung Temple

Phu Ung Temple is located in Phu Ung village, Phu Ung commune. This is a massive, rich and unique architectural complex consisting of the main part of the temple and many auxiliary works, distributed in garbage strips, interspersed with residential areas. According to feng shui theory, the relic cluster was built on the land of the dragon's head, which is a good place with the earth position "Seven spirits respond, human figures worship generals, elephants kneel on horses and horses, next to the pen is the study, the flag is next to the sword." , in the middle there is a pearl tissue, next to the Mekong River like a meandering dragon, with the dragon's head being the land for the temple protruding completely out of the village. Phu Ung Temple worships Pham Ngu Lao (1255 - 1320), a famous general of literature and martial arts, who was highly trusted, trained, recommended to the court by Hung Dao Dai Vuong Tran Quoc Tuan and became an assistant general. King Tran dynasty. He was born in Phu Ung village, Duong Hao district, Thuong Hong district, Dong province (now Phu Ung village, Phu Ung commune). His life was associated with battles and resounding and glorious victories, contributing with the Tran Dynasty's army and people to defeat the Mongol invaders, bringing peace to the country and a prosperous and happy life for the People. people. Pham Ngu Lao died at the king's palace in Thang Long and was honored by the king as "Highly blessed god". The temple is a complex of monuments with massive architecture, large scale and quite complete, divided into two areas: Inner area and outer area. The outer area includes the main temple of the Royal Palace of General Pham Ngu Lao. The main hall consists of 5 front and back halls and 3 back halls containing a statue of General Pham Ngu Lao, cast in bronze dating back to the Nguyen Dynasty, weighing 300kg in a sitting position; On the left is the Mausoleum worshiping Duc Tien Cong, across the street is the shrine worshiping the Mother Goddess; Khue Van The octagonal structures... The inner area is arranged in the style of "First God, then Buddha" including the temple of Princess Tinh Tue (daughter of Pham Ngu Lao), Bao Son Pagoda (Cam An Pagoda), Mausoleum of Quoc Cong Vu Hong Luong is made of green stone with typical and unique stone carving architecture of the Later Le period of the 17th century. Currently, at the Phu Ung temple relic complex, a number of artifacts of historical and artistic value are preserved, including stone sculpture systems, bronze statues, great characters, parallel sentences, and silver bowls of the Nguyen Dynasty. , ordained,… The traditional festival of Phu Ung temple is held from the 11th to the 13th of the first lunar month, to commemorate the military debut of General Pham Ngu Lao. The festival includes a ceremony and a festival that combine both solemnity, solemnity, bustle, and joy. This is one of the province's major early spring festivals attracting a large number of people to participate. The festival also organizes folk games such as Chinese chess, cockfighting, puppetry, tug of war, Quan Ho singing, asking for words in early spring, tickle wrestling competitions, sim dong dancing... attracting a large number of visitors to watch. and participate. Besides folk games, a number of sports activities such as volleyball, badminton, Chinese chess... take place vibrantly, helping people immerse themselves in the festival as well as have the opportunity to have fun, rest, and pray. a lucky working year. The festival is imbued with profound cultural values. This is not only an opportunity to commemorate the merits of the famous general Pham, but also to educate future generations about the will to rise, about patriotism, and demonstrate the culture of Vietnam. longstanding dedication of the nation. From those typical and unique values, the Phu Ung temple relic area was ranked by the Ministry of Culture as a National "Historic" relic according to Decision No. 1288-Van Hoa /Decision dated November 16, 1988. Source Electronic information portal of An Thi district, Hung Yen province.

Hung Yen 74 view

Rating : National monument. Open door

Tra Phuong Temple (Dau Che)

Tra Phuong Temple (literally called Che Nhang Temple, Dau Che Temple) is located in the center of Tra Phuong village, Hong Van commune, where the land is beautiful and airy, the front facing south. According to legend, the temple was built on the land of "dragons adoring and tigers serving", so many sons of the homeland became famous in all parts of the country. The temple was built to worship the angel, the Jade Emperor, Thai Thuong Lao Quan; worshiping Hung Dao King Tran Quoc Tuan - the man who led the Tran Dynasty's army and people three times to defeat the Yuan - Mongol invaders of our country. In addition, the temple also worships the native Tutelary God, the ancestors of 12 families and famous people who have built villages and fought against foreign invaders. During the war, the temple was also a revolutionary base for a large area of ​​southern Hung Yen, a center for spreading the revolution, a patriotic traditional educational facility for many generations, and a place to hide Protected many central, provincial and district officials in directing the resistance and served many conferences at the temple, sometimes secretly as well as publicly. The temple was built during the reign of King Le Trang Tong and restored during the Nguyen dynasty. Currently, the temple has an "inner Cong and foreign foreign" style architecture including: An altar, a tube of morning glory, a harem and two rows of Giai vu. The altar was restored in the 18th year of Thanh Thai (1906). This building still retains many beautiful carvings, the most beautiful being the armpits in the central space carved with the themes of four precious dragons and four sacred animals with delicate lines. cunning. The Ong Sang Tower consists of 05 compartments, the vertical structure was built in the first year of Minh Menh (1820), the tables are crafted in the style of a husband and wife fighting a lotus, the walls are embossed with the head of a flanking dragon, with the theme of four sacred animals. The harem consists of 3 long rooms with simple architecture, but this is an item that still retains traces from the time the temple was built. Currently, the temple still preserves a number of very valuable artifacts such as: porcelain cups, incense bowls, water hyacinths, incense burners, etc. To commemorate the merits of the gods, villagers often organize festivals on February 2. The occasion is November 9 and March 8 of the lunar calendar every year. During the festival there are often ceremonies to pray for good fortune, water offerings, burning of cotton trees and many folk games. Today, the festival takes place more simply but still ensures traditional rituals and attracts a large number of people and visitors from all over. From its inherent values, Tra Phuong Temple is ranked as a National "Historical and Architectural - Artistic" relic according to Decision No. 68-Culture/Decision dated January 29, 1993 of the Ministry of Culture. - Information. Source Electronic information portal of An Thi district, Hung Yen province.

Hung Yen 74 view

Rating : National monument. Open door

Dinh Dao Fan

Dao Fan Communal House is located on a high, airy area of ​​land in the middle of Dao Fan village, Bai Say commune. In the past, the people of Dao Fan village were famous for their fan making profession and they were very proud of their village's traditional communal house. According to legend, Dao Fan communal house is a place to worship Dao Cong Chi, a martial general of the Ly Dynasty who helped fight the Champa invaders in the early 11th century, bringing a peaceful and prosperous life to the people. When he died, King Ly deeply pitied his talented general, ordered his officials to perform a eulogy, awarded him a lot of gold and silver to make incense, set up a temple and proclaimed him Great King. He was worshiped by local people as the village tutelary god. Legend has it that Dao Fan communal house was built after the death of general Dao Cong Chi, and was initially just a small temple. During the Later Le Dynasty, people carried out renovations. During the Nguyen Dynasty, the communal house was restored on a large scale. Currently, the communal house has a Cong-style architecture including 05 Tien Tien spaces, with a husband and wife fighting lotus style architecture. The center has 03 rooms, the sets are arranged in the style of stacking gongs and gongs. The harem has 03 rooms, the structure is simple in the form of stacked beams. On the pillars, the system of intricately and intricately carved motifs of four sacred animals and dragons... The communal house also preserves many valuable artifacts such as: 18 ordinations from the Le to Nguyen dynasties. , stone stele dated 1758, stone altar, 03 lotus stones of the Le Dynasty with 09 very vividly stylized lotus petals. Every year, on the 10th day of the first lunar month, the people organize a solemn festival to commemorate the death of the general. In the past, during the festival, there were sacrifices, palanquin processions, thrones and statues of gods, color processions, and military drum singing. Today, the festival is organized simply but still ensures traditional cultural rituals. With typical architectural values, Dao Fan communal house has been ranked as an "Architecture - Art" relic by the Ministry of Culture and Information issued Decision No. ” National level. Source Electronic information portal of An Thi district, Hung Yen province.

Hung Yen 65 view

Rating : National monument. Open door

Thuong Dao Xa Communal House

Dao Xa Communal House was built on a high, open area of ​​land in the north of Dao Xa village, Dao Duong commune. This land was explored and developed by the Dao family from the beginning. The communal house's facade faces south. Dao Xa Communal House worships Linh Lang Dai Vuong, the son of King Ly Thanh Tong. He had the merit of leading the army with his generals to repel the invaders, keep the land in peace, and protect the peaceful life of the people. When he died, he was worshiped by people in many places, including Dao Xa village, which honored him as the village's Tutelary God. The communal house was built in the Later Le Dynasty, restored during the Nguyen Dynasty with a Dinh-style structure including Dai Bai with 05 compartments and 02 compartments and the Hau Palace with 04 compartments. The ministries are doing it like stacking the mats and fighting cocks. At the communal house, many panels and structures carved with patterns of the Late Le Dynasty are still preserved, such as: dragons, red heads, fire swords, etc., demonstrating the high level of ancient artisans with their details. extremely unique and sophisticated. The communal house also preserves a number of very valuable artifacts and worship items such as: 01 Le Dynasty tribute bowl palanquin, altar throne, parallel sentences, bronze top, porcelain incense bowl. Every year, on March 10 and October 10 of the lunar calendar, villagers organize festivals to commemorate the merits of the god who saved the country and helped the people. Dao Xa communal house was ranked by the Ministry of Culture and Information as Decision No. 22/1999-Decision - Ministry of Culture and Information as a National "Artistic Architecture" relic on April 6, 1999. Source Electronic information portal of An Thi district, Hung Yen province.

Hung Yen 70 view

Rating : National monument. Open door

Dinh Danh Xa

Danh Xa Communal House was built southwest on high, open land in the middle of Danh Xa village, Hoang Hoa Tham commune. According to the villagers' legend, the communal house was built on the land of "Dragon's adoration", so Danh Xa village from ancient times to present has always had many famous and successful people. The temple worships the Five Great Kings including: Cao Son Hieu Cong Dai Vuong, Cao Son Huu Cong Dai Vuong, Quy Cong Dai Vuong, Minh Cong Dai Vuong and Uy Cong Dai Vuong. You have contributed to helping Thuc An Duong Vuong defeat the enemy and save the country, bringing a prosperous and peaceful life to the people. During the historical period of the Revolution, many important events took place here such as propagating the Revolutionary policy among the masses. In 1948, the main army was stationed and operated here. The communal house was built during the 12th Nguyen dynasty, Thanh Thai reign (1900) with Cong-style architecture including: 05 Dai Bai spaces, 03 Ong Morning glory spaces and 03 Hau palace spaces. The system of sets has a lotus-shaped structure. The carvings are concentrated mainly in the central hall of Dai Bai with folk themes such as: four sacred animals, four precious animals, dragon pants... The communal house also preserves a number of precious artifacts such as: The royal palanquin of the Nguyen Dynasty is painted in red and gilded with delicate carvings of dragons, phoenixes, great characters, parallel sentences... Every year, on the 10th day of the third lunar month, local people organize a festival to commemorate people who have contributed to their homeland and country. With its existing values, Danh Xa communal house was ranked by the Ministry of Culture and Information as a National "Artistic Architecture" relic on April 6, 1999 according to Decision No. 22/1999 - Decision No. -Ministry of Culture and Information. Source Electronic information portal of An Thi district, Hung Yen province.

Hung Yen 67 view

Rating : National monument. Open door

HAI THUONG LAN ONG RECONSTRUCTION AREA

The relic site is located in Lieu Xa village, Lieu Xa commune, Yen My district, related to Hai Thuong Lan Mr. Le Huu Trac - Great Vietnamese physician. He was born in 1720 and died in 1791, from Lieu Xa. He was a great physician, poet, excellent writer, and a progressive thinker deeply imbued with a humanitarian spirit. After his death, the people and medical community throughout the country revered him as the Medical Saint of Vietnam. Hai Thuong Lan Ong Le Huu Trac (1720-1791), a native of Lieu Xa village, Duong Hao district, Thuong Hong district, Hai Duong region (now Lieu Xa village, Lieu Xa commune, Yen My district, Hung Yen province). He named himself Hai Thuong Lan Ong, and did not care about fame, fortune, or wealth. He became a physician, a famous physician in Vietnamese history. The life of Hai Thuong Lan Ong is an eloquent example of medical ethics without the need for loud explanations or too much theory. He is the person who laid the foundation for building medical techniques, a shining star in the village of Vietnamese Traditional Medicine, who left behind a treasure trove of experience in Traditional Medicine, not only in medicine but also in practice. farewell to practice. During his 40 years in the medical profession, he put all his heart and soul into treating diseases and serving the people, upholding human ethics, dedication, diligence in researching, compiling, teaching and summarizing experience. Build the country's medical tradition. He was also a talented scientist, a prominent poet of the 18th century, and a cultural figure with great humanistic ideas. During his life as a physician, he left behind a huge and valuable set of books, the "Hai Thuong Lan Ong Y Tong Tam Linh" series, consisting of 28 volumes and 66 volumes. In 1791, he passed away in Nghe Tinh, the "bright star in the medical sky" disappeared, but his shining example remained forever in the sky. After his death, the family's descendants and villagers built a memorial house for Hai Thuong Lan Ong Le Huu Trac. Initially, the scale was quite small, and in 1992, the Ministry of Culture and Information together with the Ministry of Health provided funding to restore and expand into the Memorial House. Visitors will see that this is not only a place of worship but also a place to showcase his personal history and career as well as many of his typical medical works. With an area of ​​200m2 displayed on a campus of 1000m2, there are many surrounding relics creating a large relic complex. In the middle of the memorial house is an altar with couplets praising him. In 2006, the memorial area was restored and embellished, in which the memorial house was rebuilt into the main temple area. In 1990, the memorial relic of the great physician Hai Thuong Lan Ong was ranked at the National level by the Ministry of Culture and Information. Every year on the full moon day of the first month, people, Oriental medicine practitioners and physicians gather here to remember and honor the great medical ethics of Le Huu Trac. This place has become a spiritual destination for many tourists from all over who come to enjoy the spring at the beginning of the year and burn incense to pray for a new year of good health, luck, and success in life. What makes it attractive is not only the landscape but also this is a place for posterity to look back and learn about the ethics and medical skills of the great physician. Source Electronic information portal of Yen My district, Hung Yen province.

Hung Yen 89 view

Rating : National monument. Open door

Trieu Da Communal House

Temple worshiping Trieu Da (during the reign of Emperor Trieu Vu), village 10, Xuan Quan commune, Van Giang district. The communal house was built a long time ago and restored during the Nguyen Dynasty in the 24th year of Tu Duc (1871). Currently, artifacts such as palanquins, stone stele, thrones, and worship statues are still preserved. The annual festival is from the 14th to 16th of the second lunar month. Trieu Da Communal House, Xuan Quan Commune, Van Giang District, Hung Yen Province, was called "Nam Viet Linh Tu". It was not until Ly Anh Tong's reign that it was renamed Long Hung Communal House. Trieu Da communal house has bold architectural features of the 17th - 18th centuries. The communal house's grounds are spacious and airy with an area of ​​about 13,000 square meters. The communal house was built in a foreign domestic style, with construction items located on a straight road stretching from the communal house gate to the harem. The main items of the relic include: the outer gate, Nghi Mon, the great altar, the lower harem, the upper harem and two rows of Giai Vu. The front porch faces South, which is the direction of wisdom and life. The Nghi Mon gate at Trieu Da communal house is completely different from the Nghi Mon gate of many other relics. The ritual gate is made in the style of a two-story, eight-roofed pile of matches, the blades are covered with dragon heads and monkey heads raised high, the roof is tiled, and the banks are flanked by two dragons flanking the Buddha. The neck of the match is emblazoned with three Chinese characters: "Long Hung Dien" (Long Hung Palace). Nghi Mon's architectural structure is in the form of a pile of lotus mats, smooth planing, and sharp edges. The two sides next to it are placed two statues of Tuc Ve (gate guards), statues created in the solemn upright posture of a guard. On both sides of Nghi Mon, there are two side gates made in the style of two floors and eight roofs. Inside the side gate is a small road leading to the inner temple area. Trieu Da Communal House built a main gate and two side gates like today. It is possible that in the past, kings and mandarins in the court often came here to worship and pray for the blessing of the island. Passing through the yard is the inner temple area. The first building is the great worship hall with 3 compartments and 2 floors built in a double-match style with 2 floors and 8 roofs. The dragon-head-shaped blades are raised high. At the top of the roof, there are two numbers flanking the monstrance in the middle of the roof. The great altar is made in a pine style, the two gables are closed, the bottom and back are left blank, creating ventilation for the monument. The altars are structured in the style of stacking lotus beams, the beams and 7 heads are all carved with stylized flowers and leaves. In the middle of the great altar is an incense altar for communal worship. The incense altar is made of wood and carved with four sacred animals and four precious animals. On the incense table are placed worshiping objects such as: incense bowl, copper top set, pair of water hyacinths... Trieu Da's rear palace consists of three rooms and two dishes, with a tiled roof. In the middle space, on the summer side, the porch is built forward to form a space. This space is made of four pillars with two floors and eight roofs. This is the place where the bowl of worship is placed. On both sides of the porch are two statues of Tuc Ve (gate guards). The statues pose in an upright position with a solemn face. Separating between the porch and the inside is a system of tables, each door is engraved with a theme such as: phoenix riding clouds, dragon horse rolling clouds... very sophisticated in the artistic style of the Nguyen Dynasty. The structure of the lower bow sets is a simple gong stand style, smoothed and sharpened. Supporting the roof is a system of two rows of main columns and two rows of military columns. In the center of the nave is the altar, above which is the throne containing the throne of the Village's Thanh Hoang Trieu Vu De. The throne and tablet are 2.1m high; 0.73m long; 0.7m deep. The throne's base is shaped like a fish-wound kneeling leg with a tiger-shaped face. Tablets; The other part is shaped like a fireball, inside the station are 6 dragons curled up; The body is decorated with four sacred lines, shaped like a fire knife; On the body of the tablet is engraved a text in Chinese characters praising the god's merits. In addition, the table is also decorated with a number of worship items such as: candlesticks, candlesticks, ... especially an ancient tamarind-colored incense bowl with a diameter of 0.3m; 0.32m high, decorated with water and mountain patterns, on both sides of the altar are two 1.76m high Eunuch statues; shoulder height 0.5m. The statue is in an upright position. On both sides of the lower palace are altars; The space on the left worships Trieu Da's children and grandchildren; The room on the right worships the queen and two princesses, Truong Trang and the second princess. Connected to the lower palace are three upper palace rooms with an architectural structure of rafters, smooth and sharp. The engravings in this building are concentrated mainly on the front door with themes: stylized flowers and leaves, two dragons flanking the moon, fire swords, phoenix holding a lotus flower..., carved very skillfully by the artist. passionate and full of creativity. In addition, on both sides of the inner temple there are two rows of banh vu, each row has 10 rooms, simple structure, used as a place to receive guests and meet. The communal house is ranked "Artistic Architecture" according to Decision No. 49/2007/Decision - Ministry of Culture and Sports, dated August 3, 2007. Source Electronic information portal of Van Giang district, Hung Yen province

Hung Yen 83 view

Rating : National monument. Not open yet

Comrade Le Van Luong Memorial House

Comrade Le Van Luong - an excellent student of President Ho Chi Minh, the first generation of party members of the Communist Party of Vietnam, with 83 years of life, nearly 70 years of continuous revolutionary activities, he has made important contributions to the victory of the Vietnamese revolutionary cause. In recognition of those great merits and contributions, comrade Le Van Luong was awarded many noble titles by the Party and State: Gold Star Medal, 50-year Party badge and many noble orders and medals. other. Comrade Le Van Luong Memorial House was built in 2003 in Nghia Tru commune, Van Giang district, Hung Yen province. This is a project built by the Provincial Party Committee, People's Council, People's Committee of Hung Yen province and descendants of the Nguyen family to remember the comrade's great contributions and contributions to the Vietnamese revolution. This is also a place to display documents and images as well as worship comrade Le Van Luong - a typical senior leader of the Party, of the revolution, an outstanding son of the Vietnamese people. The memorial house has a Dinh (丁) character structure, including two altar buildings, a harem and other items such as: gate, reception house, Nguyen family church, stele building... The architectural items are Made in the traditional style and still relatively consistent. The altar is the place to display and introduce nearly 100 documents, images, and artifacts typical of comrade Le Van Luong's background, life, revolutionary career, and great contributions to his homeland. country. Connected to the Tieu Te is a Harem pavilion with simple architecture like a hitchhiking bridge truss with no decorative patterns. The harem is the most sacred and solemn place where the altar to worship comrade Le Van Luong is placed. On the altar is placed a statue of comrade Le Van Luong's portrait cast by Prime Minister Phan Van Khai on the occasion of the inauguration of the 1996 memorial house. 2003 shows the Party and State's concern for comrades. On the same campus as Comrade Le Van Luong Memorial House is the Nguyen family church built by Comrade Nguyen Thi Bich Thuan (comrade Le Van Luong's wife) in 2005. The church is simple but solemn, on the altar is placed The throne and tablet are titled "Nguyen family Liet To". Next to the Nguyen family church is a stele building built in a four-pillar style with four twisted curved roofs buried in spirals. Inside is a stone stele engraved with words praising the merits and steadfast heart for the Party and people of comrade Le Van Luong and his wife Nguyen Thi Bich Thuan. Every year, the death anniversary of comrade Le Van Luong is organized by the local government and family descendants on the 26th day of the third lunar month (comrade's death anniversary). This is also an opportunity for everyone to gather together to remember the gratitude of our predecessors who sacrificed for the independence, freedom, and happiness of our children and grandchildren today and tomorrow. To honor the great contributions of comrade Le Van Luong to the revolutionary cause of the Party and the nation, while affirming the cultural and historical value of the Comrade Le Van Luong Memorial House, Ministry of Culture , Sports and Tourism issued Decision No. 673/Decision - Ministry of Culture, Sports and Tourism on March 24, 2022, recognizing the ranking of Comrade Le Van Luong's memorial site as a "Historic Relic" National level family./. Source: Department of Culture, Sports and Tourism.

Hung Yen 95 view

Rating : National monument. Open door

Da Nguu Village Communal House

Da Nguu communal house in Da Nguu village, Tan Tien commune, Van Giang district (Hung Yen) said that, based on the vestiges of Ba Chua's mausoleum as well as the ordination of dynasties (including the ordination of King Quang Trung in the past Da Nguu communal house was built very early in 1520, two brothers, Cong Ca and Cong Hai, organized the construction of the communal house. When starting the construction, the village elders bought 101 ironwood trees using 100 ironwood trees as pillars, 1 split tree as a chisel handle and not using any iron nails. There are few communal houses or temples in the Northern Delta region that have a porch structure surrounded by columns Da Nguu communal house. According to the legend of the ancients: "Da Nguu is like a crouching ox, seventy-two stars" (meaning: "Da Nguu village has the shape of a lying buffalo, there are 72 earth gods"), in the middle of the village there is high terrain That beautiful, airy communal house was built with 100 columns. The communal house consists of 3 buildings: the front porch, the middle court and the back palace. The front of the communal house looks to the Northwest and has many large carved paintings The second court has rows of hammock doors carved with magnificent dragons and phoenixes and the great inscription "Long live the Holy Palace". The gilded, mother-of-pearl mosaics are hung on the columns and in front of the altar praising the merits of the three deities worshiped in the harem: Chu Dong Tu, Tien Dung and Princess Hong Van. In front and behind the communal house, there are two Ngoc wells planted with lotus. On summer days, lotus scent is fragrant. On the annual village festival (from the 10th to the 12th day of the second lunar month), the elders often hold a bathing ceremony for the thrones in the shrines at the two Ngoc wells. To the east of the communal house is the old man's house - a place to worship those who have contributed to the country, to the west is Khanh Van Tu. The ritual gate of Da Nguu communal house was built in the traditional style of communal houses and temples in the Northern Delta, including 4 pillars forming three gates. The pillar is built of bricks. The two pillars in the middle are tall and big; The two pillars on both sides are small and low. All four pillars have a top decorated with four phoenixes, the upper body of the pillar is decorated with lanterns, the middle is a box decorated with parallel sentences, and the base is tied in the form of a puffy neck. Between the two tall pillars is the main gate to the communal house. On both sides of the main gate are two side gates, above which there is a roof, in the form of 4 roofs. There is a wall surrounding the communal house. The communal house's yard is 20m wide, 32m long, paved with Bat Trang tiles. In the middle of the yard there is a path made of paved bricks that is higher than the surrounding yard. On the left side of the yard there is a Ta Vu court, where the offerings are placed. The Great Hall consists of two buildings: the Pre-District and the Main Hall, placed parallel to each other. The hall is 20m long, 7.7m wide, includes 5 compartments, 4 roofs, and a 1.4m wide corridor surrounding 3 sides. The electricity hall has the structure of a communal house. The middle space has a low floor called the boat's heart room, which is the place for ceremonies. The 4 compartments on both sides have high floors and are meeting places. The front hall has 40 columns, the main column is 4.2m high, 0.45m wide in diameter, the military column is 3.1m high, 0.35m wide in diameter. It is the column system arranged along the corridor that makes the communal house have more columns than other traditional communal houses. The front and both gables of the front hall have 2.25m high wooden doors with bars on top. Da Nguu Communal House is also a witness of historical events. Pho Duc Chinh (1907 - 1930) - one of the leaders of the Vietnam Nationalist Party, brought his organization here to build a base to prepare to fight against the French. In 1929 - 1930, Da Nguu communal house was the place where meetings took place to listen to Viet Minh cadres propagandize about the Russian October Revolution... With great values ​​in cultural history and architecture, Da Nguu communal house was Ranked as a national monument since 1995. Source Electronic information portal of Van Giang district, Hung Yen province.

Hung Yen 96 view

Rating : National monument. Open door

Me So Pagoda.

Me So Pagoda is located in Me So village, Me So commune, Van Giang district, Hung Yen province. The pagoda belongs to the Northern sect. Me So Pagoda is located next to the Red River dyke, in the middle of a rich countryside that has long been famous for its thousand-eyed, thousand-armed Quan Am statue. The pagoda was built in the Later Le Dynasty and has been repaired many times. The remaining vestiges were mainly restored at the end of the 19th century. Only the thousand-eyed, thousand-armed Guan Yin statue remains relatively intact. Guan Yin or Avalokiteśvara means to hear the cries of suffering of living beings in life to save them. Guanyin can manifest into thousands of different forms to adapt to every situation to save every case of suffering. With boundless magical power and power, and absolute wisdom with thousands of hands and eyes, he saved all. The statue was created in a meditating position and is quite large in size. From the crown to the seat is 1.4m high, the pedestal is 0.53m high, the lotus flower is 0.23m high, with an elegant, pure face and slim body, creating a beautiful statue in both content and form. show. The statue has two main pairs of hands, the first pair clasped in front of the chest, bearing the "standard de" seal, the other pair of hands raised above to support the lotus stems and small Buddha statue. The large hands are more or less soft and flexible, the arms are round, the bare soles are clasped at the sides in different high and low positions. The opening of the arms is high enough without obscuring the statue. Right behind the big arm is a system of small arms with hundreds of arms and eyes formed into 10 layers growing in symmetrical pairs. These ten layers of hands and eyes are divided into 3 large parts, creating the feeling of a halo radiating from the statue's head. Above the statue's head, the halo is embossed with a cloud shape with small arms intertwined like bird wings in a flying position. This bird avoids the "ungainly" halo of the image, arousing the viewer's curiosity about Buddhism. The small hands of the statue are shown with long, slender arms, the eyes are placed in the palm of the hand to form the nectar seal, these arms vary in length according to the degree of opening gradually taking the statue's head as the center, making them as having a combined function to form an aura... Together with the lotus base and pedestal, all create a complete statue with meticulously skilled lines. The contemporary concept of beauty has been conveyed by artists into the statue with elegant, benevolent lines for the face and figure. This is one of the wooden statues that represent Vietnamese fine arts of the late 18th and early 19th centuries. The thousand-eyed, thousand-armed Guan Yin statue at Me So Pagoda is the pride of Vietnamese statue sculpture, bringing many creative features while still reflecting the compassionate spirit of Buddhism and the soul of Vietnam. Me So Pagoda was ranked as a national architectural and artistic relic by the Ministry of Culture and Information on November 16, 1988. Source Electronic information portal of Van Giang district, Hung Yen province.

Hung Yen 90 view

Rating : National monument. Open door

Dinh Dau and Ngo Temple

Ngo Temple worships Hai Ba Trung, the first Vietnamese woman to raise the flag of insurrection to drive invaders out of the country and regain independence for the country. The temple was built by our ancestors right at the beginning of the village in a spacious campus, open to all four winds, with a harmonious, solemn and magnificent landscape. The front of the temple has a semicircular lotus pond, printed with a large screen with scroll shapes shaped like flags, swords, dragons, cups, and phoenixes. In front of the temple gate are two large, tall square pillars engraved with two lines of parallel sentences: - Phong District's veteran veteran is majestic and clear in the North. - The incense garden preserves the eternal relics of Tran Nam Bang. The idea is: (The victory of the Chau Phong insurgent army resounded to heaven and earth The fragrance of the two ladies is famous forever.) Next are two floors of statues, in which are carved images of a pair of war elephants - Two Ladies riding elephants into battle. Inside the Temple, there are horizontal panels, couplets, tablets, sacrificial objects... all painted in red and gilded, overwhelming the colors. The harem has two ancient altar thrones and statues of the Two Kings and Ladies sitting in the large coffin. The statue is about one meter high, with exquisite and unique sculpted lines. With a forward posture, the statue's two arms are raised to eye level, a sign of the word Trang Khoat, seducing the three armies, holding the mountains and rivers firmly. The statue of the Two Ladies is resplendent in pink attire, radiating a halo of shimmering candle lights. Ngo Temple still retains 18 ordinations passed through dynasties since the reign of Le Canh Hung. Those are extremely valuable documents. In August 1945, Ngo Temple was the place where a large rally took place after the Van Giang district government was seized, declaring the end of the old regime and the new government returning to the people. Many years have passed, after many restorations and embellishments, Ngo temple still retains its ancient appearance. In 1989, the Ministry of Culture recognized Ngo Temple as a national historical-cultural relic, protected by the State. The historical site of Ngo Temple is forever associated with the historical sites of Dong Chau, Gieng Da, and Bai Yen. Those places marked great feats of a historical period, recognizing the efforts of the Phung Cong people who followed the Hai Ba Trung uprising. Dinh Dau was built at the same time as Ngo Temple and worshiped Hai Ba Trung - National Heroes. Dinh Dau is big, beautiful, windy, rural, ancient, mossy, filled with colors over the years. The gate of the communal house is hung with hanging lanterns and two rows of parallel sentences reminding posterity to cherish order. The pavilion curves upward toward the three mountains in the style of four sacred animals adoring the moon, covering the pre-ceremony and harem areas. The middle of the ceremony area is filled with incense burners, has a crane top, an incense burner... Above is hung a gilded hammock door. Four large horizontal panels spread across the pavilion, bearing 4 lines of text: Thanh Vuong Palace Eternal heroic spirit Thang Long determines the peak Righteousness and light All have summarized the sacred and respectful appearance of the communal house. On both sides of the ceremony area are two majestic and solemn rows of Eight Treasures and golden swords. The harem has statues of the Two Kings carved from precious stones following the national model at Dong Nhan temple - Hanoi. Around the communal house, there are many ancient trees that are hundreds of years old, providing shade and the quiet communal house marks the mark of time. In the early years of peace and the years of resistance against America, Dau Communal House was the venue for many commune-level Party Congresses and many important conferences of Van Giang district. In 1970, also at Dinh Dau, the Ministry of Health of the Democratic Republic of Vietnam organized a conference of medical leaders in the entire North, chaired by Minister Pham Ngoc Thach, to decide on major medical policies during the period. period of building socialism and fighting against America to save the country. Dinh Dau had 18 conferments throughout the dynasties and also began in the Le Dynasty. In 1989, the Ministry of Culture issued a ranking certificate recognizing Dau communal house as a national historical and cultural relic. Source Electronic information portal of Van Giang district, Hung Yen province.

Hung Yen 83 view

Rating : National monument. Open door

Phu Thi Pagoda (Hung Phuc Tu)

Phu Thi Pagoda is located on a large campus, outside and close to the foot of the Red River dyke, in Me So commune, Van Giang district, Hung Yen province. The pagoda was built in the style of the character "Dinh" (丁), the door faces southwest and has the Chinese name Hung Phuc Tu. The pagoda was built during the Later Le period and followed the Northern sect. The pagoda has been restored many times and the most recent time was in 1991. When entering the pagoda, visitors will first go through the three gates - the gate outside the pagoda. From the outside, the three-entrance gate looks like three separate structures with three doors. The middle door is tall, built on two floors, and has a square floor plan. The upper and lower floors are equal. On the roof of the second floor is a tiled roof with four blades radiating out in four directions. On the left and right sides are two small symmetrical doors. Right behind these two small doors are steps leading to the second floor of the middle door. Passing through the three gates is the front hall (Upper Palace). Looking from the outside, the front street is built in a matchmaking style with two bell towers and drums on the roof top. The temple bell (Dai Hong Chung) was cast during the reign of King Minh Mang. Inside, visitors will see the front hall consisting of five rooms with large and airy space. Four rows of lim columns are regularly distributed in the middle of the front hall. On the central crossbeam of the front hall is a hammock embossed with the image of two dragons flanking a moon and painted with gilded vermilion. Adjacent to the inner wall are 6 statues: the statue of Khuyen Thien, the statue of Trung Evil, the statue of two holy monks, and the statue of two attendants. These statues add to the majesty of the front hall. Besides, the pagoda has many ancient statues made of wood or painted terracotta, such as Chuan De statue, Ksitigarbha statue (1.08m high); set of statues of Thap Dien Minh Vuong (0.90m high), statue of Anathapindika (1.07m high). The pagoda has been recognized by the Ministry of Culture and Information as a national historical and cultural relic. According to Decision No. 14 dated April 4, 1984. Source Electronic information portal of Van Giang district, Hung Yen province.

Hung Yen 91 view

Rating : National monument. Open door

Plum Village Communal House

Mai Vien communal house is located in Mai Vien village, Song Mai commune - a commune with a large area, dense population and development in many economic and social fields of Kim Dong district. Mai Vien is understood in that "Mai" village is as beautiful as an apricot garden, "Vien" village has many officials and employees. According to legends and ordinations and legends among the people, Mai Vien village communal house was built quite early in the Later Le dynasty on a small scale. The communal house is located on a high, airy mound with beautiful scenery, convenient for the people's cultural and religious activities. The facade faces Southeast, in front of the communal house is an ancient banyan tree with a water well dating back hundreds of years. The courtyard of the communal house is covered with cool canopy of almond and longan trees. Looking at the entire exterior, we feel a sense of majesty and respect because of the massive and ancient appearance of the village communal house. Mai Vien communal house relic was built in the style of the letter I (cong letter) but lost the harem and 2 tea houses. Now the remains are a massive pre-worship house that has just been repaired by the people, the roof is covered with flat tiles, the gables on both sides of the communal house are covered with two pliers crowned with unicorns. Stretching the roof, the artist embossed a pair of dragons flanking the moon, bending into 3 healthy and majestic sections. The architecture of Mai Vien communal house is tall and imposing, the structure of the roof trusses from the top to the roof is in the style of overlapping beams, the system of horizontal supporting beds is embossed with stylized leaf shapes. Due to historical and social upheavals, communal house architecture was no longer consistent and had to be renovated many times during the Nguyen Dynasty, so the architectural art bears strong Nguyen Dynasty characteristics. Like other communal houses in other communes, Mai Vien communal house is considered both a headquarters for people to meet and discuss village affairs as well as a place to worship the emperor. According to the ordination and legend, the communal house worships 5 village tutelary gods and 3 holy ancestors such as: Trung Thanh Dai Vuong, Linh Lang Dai Vuong, Cao Mang Dai Vuong, Dong Vinh Dai Vuong and the tutelary god who had meritorious services to the people. , taught villagers how to burn lime, make bricks, and become masons. During the resistance war against the French, Mai Vien communal house was a gathering place for veteran revolutionary comrades. In 1942, the revolutionary movement developed, revolutionary cadres came here to create a base. The communal house is also where the base district soldiers are stationed, printing resistance documents and digging secret tunnels in the rear to protect the guerrilla soldiers. During the years of anti-American resistance, the base was still facing difficulties. Song Mai Commune People's Committee temporarily borrowed Mai Vien Communal House to hold meetings here. It was not until 1988 that it was paid to the village. Today, Mai Vien communal house still preserves precious artifacts of historical and cultural value such as: at the communal house there is currently a throne worshiped by the Nguyen Dynasty, 3 incense bowls of the Nguyen Dynasty, 2 color boxes, 1 wishing shelf with 27 colors. styled through dynasties, resonators, wooden pedestals and some other late-dating altar items, 2 bronze tops, 2 pairs of bronze candles, 1 pair of water hyacinths. In 1998, Mai Vien communal house was recognized by the state as a national historical relic. Local people not only consider this a center for cultural and religious activities, but also a place for people to organize and review ancestral traditions, fine customs and community lifestyle. Through this, there is cultural exchange between regions and between members of the same community to create bonds of compassion and neighborliness. The communal house is the pride of the people in the village. Source Electronic information portal of Kim Dong district, Hung Yen province.

Hung Yen 104 view

Rating : National monument. Open door

Outstanding relic site