Dam Xuyen communal house is located in Tien Chau commune, Phuc Yen town, Vinh Phuc province. The communal house worships 3 gods: Cao Bi Hung Thanh Dai Vuong; Duong Uy Phan Vu Dai Vuong and Princess Thuy Tinh Than. The communal house is located on a land area of about 1,000m², with a construction area of 220m², facing southwest. The communal house consists of three main parts: the main communal house, the harem and the rear altar, forming the shape of the letter "Cong", a typical architectural style common in ancient temples and pagodas of Vietnam. The communal house is built of ancient square bricks, with a tiled roof with a funny nose and a sword head shaped like a rolled dragon, expressing majesty and tradition. The door system has convenient bars, helping the space inside the house to always be airy. The great communal house (front altar) has 5 compartments, where important ceremonies take place; The posthumous court has 3 rooms, and the harem has 2 rooms, which is the main place of worship. All columns and trusses in the communal house are made of ironwood, a type of wood famous for its high durability, bringing stability to the building. The communal house's wood carving art is very elaborate and sophisticated, taking the theme from the four sacred animals: Dragon, Lan, Quy, Phuong, symbols of prosperity and power. In particular, the carvings on the 4 "ports" in a "loose" style with a rolling dragon image are done in a soft, flexible way, clearly showing the charisma of the dragon rolling up and flying, creating an image lively and strong. In addition, some other carved details on the front and rafter panels such as the scene of "lion playing bridge" and "tung loc and apricot bird" bring vividness and excitement, demonstrating the talent of the artisans. . These details are not only aesthetic highlights but also reflect traditional cultural and artistic values, making an important contribution to preserving and promoting the architectural heritage of Vietnamese village communal houses. The existence of Dam Xuyen communal house is a testament to the creativity and enthusiasm of the ancients, while affirming the importance of preserving and developing national cultural values. Currently, Dam Xuyen village communal house still preserves three altar thrones, including one grandmother's throne and two grandfather's thrones, all of which are exquisitely painted and gilded. In the royal court, three ancient couplets dating back hundreds of years are still preserved. The communal house also has two palanquins, one of which belongs to the Le Dynasty and one belongs to the Minh Mang Dynasty. Notably, the remaining stone artifact is a stele established in the year Tu Duc 1870, recording the stories of the three gods worshiped at the communal house. In addition, the communal house also preserves eight ordinations, most from the Nguyen Dynasty (1810-1924). These artifacts not only have historical value but also reflect the culture and beliefs of the community over the centuries. The artifacts at Dam Xuyen communal house are not only symbols of tradition and respect but also evidence of the continuity of local culture in the flow of history.
Vinh Phuc 210 view
Bien Son is a beautiful pagoda of Yen Lac district, Vinh Phuc, ranked as a national historical relic since 1996, located on a high mound of about 1.5 hectares. In the past, the pagoda was called Doc Nhi, local people often called it Bien Mountain with a very strange shape. History books also record that in the 16th year of Thanh Thai's reign, the pagoda was built with Mon-style architecture. Due to changes in time, the pagoda no longer retains its original ancient architectural structure but was restored and embellished in the Dinh style, an architectural style bearing the Nguyen Dynasty's style including 2 worship halls and the main hall. Around the pagoda, the scenery is peaceful and charming, under many years old trees covered with a majestic green color. Coming from Provincial Road 303, visitors will be able to admire the first beauty of the pagoda, which is Tam Quan. The three-entrance gate is designed in the style of a three-storey, 12-roofed dome and is decorated very elaborately and sophisticatedly. From Tam Quan, there is the most straight path consisting of stone steps built along a gentle slope. The pagoda was built according to the internal and external principles. In the temple grounds, there are two long corridors connecting the front house in the front with the back house in the back, forming a rectangular area surrounding the incense burning house. Compared to other temples in the region, Bien Son Pagoda still preserves a system of more than 40 dharma statues and also preserves many valuable treasures and antiques. The statues here are beautifully crafted, gorgeously painted and gilded, meticulously crafted, imbued with the style of the Le Dynasty. A highlight of the Buddhist architecture at Bien Son Pagoda is the 12-ton monolithic bronze stupa, one of the largest stupas in the country, storing many Buddha relics, especially statues. Buddha Emperor Tran Nhan Tong is made of monolithic green jade... In addition, in the pagoda there are other houses such as the ancestral house, which is a place to worship the monks who once lived at the pagoda and have now passed away, and the monk's house, where the monks live. . Located right behind the upper palace, we can admire another extremely unique architecture, which is the rotating tower, also known as the mortar. Today, Bien Son Pagoda has become a stop, sightseeing, and research destination for many tourists on their journey to return to their national roots, and is the place where the Loan River - Bien Mountain festival imbued with national identity takes place. , attracting a large number of local people, tourists, and Buddhists from near and far to worship and enjoy. Source: visitvinhphuc
Vinh Phuc 231 view
The historical relic of Thanh Mau Temple is located in Minh Luong residential group, Thanh Lang town, Binh Xuyen district, Vinh Phuc province. Thanh Mau Temple has a total area of 6,705 m2, of which the worship area is 3,114 m2, built a long time ago, and the current architecture still bears bold features of ancient architectural art. The temple has Dinh-style architecture with 5 compartments and 2 compartments and a 3-compartment harem. The overall layout of the relic includes: Nghinh Mon gate, fence system, front house, harem house, left vu house, right vu house, golden house, internal garden system. – Nghinh Mon Gate: includes the main passage and 02 side passages. The main walkway is formed by 02 large bronze pillars, bronze pillars, the base of which is covered with buddha vases, the top of the pillar is covered with fruit and wind wings made of four phoenixes, the body is covered with embossed thread and written with grapes on 03 sides of the pillar. The side walkway includes two symmetrical paths. The walkway is formed by small bronze pillars and a fence system, the side path is covered with 02 floors of small-sized roofs. – The altar house: built in the shape of a rectangle, with the architecture of a boat with a leaf roof, a husband's head, and a gong stand. The whole house is made of wood, has a door system, and a tiled roof. The building has very beautiful cultural and artistic value. – The harem house: built in the shape of a nail, in the style of a boat with a leaf roof, covering the harem part, inside with wooden structures like husband and wife, and a gong stand. – Historical stele: built in 1992, on it is written the preliminary history of the Holy Mother's behavior and the history of the temple. The stele is 1.8m high, the stele is engraved with yellow letters on one front side. The base of the stele sits on top of the turtle's back. The stele's base is made of square stone. – Left house and right house: the project was built quite a long time ago, the building is built in the most typical style. Thanh Mau Temple is the place to worship Saint Mother Trieu Thi Khoan Hoa. Holy Mother Trieu Thi Khoan Hoa belongs to the Trieu family. The genealogy records that "She belongs to the lineage of the 18th King Hung Vuong" and was once the concubine of King Ve Duong Vuong. Since the Trieu family lost their country, she had to hide from the Han army, lived in exile and then came to live at Quang Huu pagoda, An Lang commune, Chu Dien district; Now it is Thanh Lang commune, Binh Xuyen district. She was originally a beautiful and talented girl. She had 5 sons, all 5 of them had heroic talent, more courage than ordinary people, were skilled in martial arts, good at literature, and had a will as wide as the ocean. Legend has it that her 5 children were born in the same bundle due to a dream of love with the Duck god in this country, hatching from 5 eggs. Because of that, she named all 5 children with the word "ap Lang", meaning Duck. Later, the Holy Mother transformed into Minh Luong mound on the 10th day of the 11th lunar month and was buried by the people in Minh Luong area (Minh Luong residential group). When Hai Ba Trung raised the uprising flag, Thanh Mau's five children had grown up, and the five brothers all came to join Ba Trung at the mouth of the Hat River, bringing with them more than 1,000 indigenous people. Assigned by Hai Ba Trung to lead the navy and army to attack Luy Lau citadel, the five Ap Langs commanded the army to destroy a fierce battle, the Crown Prince To Dinh lost greatly and had to run back to the country. Because they accomplished many glorious victories, all 5 of them were rewarded and given titles by Hai Ba Trung, became 5 Great Kings, and named the mother of the 5 brothers "Queen of the country, Princess". Thanks to the help of the five Duck brothers and many other talented generals. In just a short time, the Hai Ba conquered 64 strongholds. Mrs. Trung Trac proclaimed herself king. The uprising of the Trung Sisters and their generals, with the help of the people of the whole country, won brilliantly, and the country returned to peace. Mrs. Trung Trac ascended the throne, her title was Trung Nu Vuong, and all the generals and soldiers were awarded. When the Han enemy returned to rob our country again, under the command of Hai Ba Trung, the five Ap Langs and their generals fought very bravely, but the enemy was so strong that our army could not resist. Hai Ba was defeated at Cam Khe, 5 generals from the enemy's siege brought their bodies and buried them in Hi Son (He village, Phuc Thang ward, Phuc Yen town), the year Ap Lang returned. Hamlet sacrifices his life to preserve the atmosphere. Remembering the merits of the five Ap Langs and the holy mother Trieu Thi Khoan Hoa, An Lang people built temples and shrines to worship. During the reign of King Le Thanh Tong, in the 12th year of Hong Duc's reign (1460-1497), the Holy Mother and 5 deities were worshiped: An Lang commune was divided into Xuan Lang commune, Hop Le commune, Minh Luong hamlet to serve the Holy Mother and 5 Gods. Later, all the dynasties granted beautiful letters and approved four communes (Yen Lan, Xuan Lang, Minh Luong, Hop Le) to serve them. Although Mrs. Trieu Thi Khoan Hoa did not directly stand under the banner of the Trung Sisters, with her upbringing, her five sons became talented and dutiful generals who helped the Trung Sisters gain independence. Later, she was honored by the people and a temple was established to worship her when she passed away. Her title of Mother Goddess is revered among the goddesses worshiped in some villages in Vinh Phuc. Through the dynasties, she was posthumously promoted to the position of Holy Mother in the 9th year of Khai Dinh (1924) and later as the "Higher God of Fortune" worshiped and commemorated by all people with reverence. Currently, in Thanh Lang town, the relics worshiping the Holy Mother Trieu Thi Khoan Hoa and the 5 Apangs are: Thanh Mau Temple (nationally ranked) worshiping the Queen Mother Princess Trieu Thi Khoan Hoa, Xuan Lang Temple (ranked nationally) national rank) worshiping King O Me, Hop Le communal house (provincial ranking) worshiping Quy Minh king and Yen Lang temple (provincial ranking) worshiping Trinh Ap Lang Nga royal king, Supervisor of royal affairs , Cuong guess the great king's avenue. With a respectful heart and remembering the gratitude of our ancestors, on May 11, 2017, the Management Board of Thanh Mau Temple Historical Relics, Thanh Lang town held a groundbreaking ceremony to build a memorial stele to commemorate the Five Great Kings. Vuong at the termite mound where five generals were martyred. Thereby not only contributing to enhancing the beauty of space and landscape for the relic, but also contributing to preserving and educating the tradition of "Drinking water, remember the source", helping today and future generations to always cherish gratitude. the contributions of our ancestors and forefathers to building and defending the country. Source: Vinh Phuc Department of Culture, Sports and Tourism.
Vinh Phuc 276 view
Kha Do communal house is located in Viem Nam Viem ward, Phuc Yen city, built in the Later Le dynasty (Le Canh Hung - 1741) to worship Tam Giang Dai Vuong - Famous general who helped Trieu Viet Vuong defeat the Luong invaders; Queen Minh Phi - Holy Mother who gave birth to Duc Tam Giang; Assistant Assistant Nuong Tu - Duc Tam Giang's younger sister, was instrumental in being in charge of military provisions. Legend has it that Saint Tam Giang was appointed General of the Army by King Trieu Viet to fight against the Luong invaders (6th century). He and his three younger brothers used guerrilla tactics to defeat the Luong invaders led by Tran Ba Tien. King Trieu Viet ascended the throne for a while, but due to not listening to his advice, he lost his throne by Ly Phat Tu. Ly Phat Tu sent someone to summon his brothers to become mandarins, but he did not accept them, saying: "I am loyal and do not worship two lords" and then he and his entire family perished on the Nhu Nguyet River. Remembering his merits as well as his example of loyalty, along the three rivers Thien Duc, Nhat Duc, and Nguyet Duc, there are 298 villages and communes worshiping and honoring him as village tutelary god. Kha Do communal house is an ancient, massive architectural work built in the architectural style of the Later Le Dynasty. The communal house's carvings are concentrated in the middle space, the area with the harem, the holy place, the place where military and theocratic power gathers, and mainly depict dragons and cosmic animals, along with the ceiling and worship relics. , the decorations make Kha Do communal house extremely solemn, expressing the authority of royal culture, concentrated and promoting its full strength. With ingenious art and tight layout, cosmic animals such as dragons, lyches, turtles, and phoenixes express the aspirations of human life here more than 200 years ago. This is the outstanding success of the art of carving wooden ceilings at Kha Do communal house of our people during the Le Trung Hung period. Currently, Dinh Kha Temple still has many valuable worship relics of ancient folk art, arranged in the middle of the communal house and on the harem, from the bottom up and according to the material. Wooden items include: altar palanquins, altar altars, altar thrones, altar horses, floating trays... Paper items include: Jade family tree, ordaining... Porcelain items include: incense bowls, water vases, wine bottles. Bronze objects include cranes, candles, and pedestals. Fabric items include pipe fans, ashes, clothes, etc. Nowadays, Kha Do communal house has main holidays during the year such as: 1st and 15th full moon days of every month; January fifteenth and August 2nd are the main parties; May 2 and October 15 are side parties; April 10 is the death anniversary of the village's tutelary god. Kha Do village communal house has a very unique custom: The custom of "Buying Quan Vien", today called "Buying Tu Van" of the young men in the village. In feudal times, the way to buy was to have chicken sticky rice, betel and areca nuts, and incense sticks waiting for the occasion to be placed on a tray and brought to the temple to celebrate the tutelary god and present to the village to buy officials. Nowadays, it's a bunch of bananas, betel and areca nuts, and incense cards to buy documents. Every young man in the village wants to be bought because they feel proud that they have a seat in the village communal house, so they have to live ethically - the family style lest the villagers laugh at them for being ordinary. Currently, the book for monitoring documents continues to follow the old book for officials, very closely and fairly. Those who buy first will be seated first in order (called Table), regardless of age and dignitary. The first two tables, called the Nhat table, sit in the middle of the pavilion, each table seats 3 people. The next two tables called the Second table also sit next to the First table in the middle of the pavilion, each table seats 4 people. After the First and Second tables come the tables of village and commune dignitaries, each with 4 people sitting in the middle of the communal house. Next, there are 4 people sitting at the tables of the officials (Tu Van) on both left and right sides of the pavilion. All tables are covered with mats and the meals are arranged the same according to the instructions of the organizers. Officials (Tu Van) can only change seats or tables to the next or upper table when the person sitting in front is dead or absent. Just like that, seat rotation is not a priority, no matter who it is. Thanks to the strict and fair order, there is no disunity or competition for each other's seats. This is a beautiful local custom still preserved to this day. Source: Information Portal - Electronic Communication of Phuc Yen City
Vinh Phuc 704 view
Hoa Duong Pagoda is in Tuan Lo commune, Tuan Lo district, Bach Hac district, Tam Doi district, Son Tay town. Now it is Thuong village, Tuan Chinh commune, Vinh Tuong district. The pagoda was built in the first year of Chinh Hoa (Canh Than 1680), during the reign of King Le Hy Tong Duy Hiep. Hoa Duong Pagoda was built in the Later Le Dynasty, in 1680. What remains today is a relic with quite massive and magnificent architecture, with a "cong" shaped floor plan consisting of 3 main buildings: Front Street (7 compartments). ), the upper palace (4 compartments) and the ancestral house (5 compartments), total area of 262m2 with 2 corridors including 20 compartments with an area of 196m2, in front of the yard is a hundred year old Bodhi tree and tree species: Dai, Ngau, Lan, and Crocodile create a solemn, somber atmosphere at the meditation door. Architecturally: The structure of the rafters is in the style of "stacking beams and gongs", the load-bearing column system is all made of large ironwood, the column circumference is 1.5m and is placed on square stone bases, each 75cm big to Anti-termite and anti-moisture. Regarding fine arts: The outstanding value of Hoa Duong Pagoda is the art of sculpture, expressed in the system of round statues and wooden sculptures (y subjects, shelf paintings, horizontal panels, parallel sentences). These are the basic classes of statues, generally representing the system of statues arranged in a Buddhist temple according to the Mahayana sect in Northern Vietnam, including the following classes: Set of statues of the Three Buddhas, Amitabha Buddha, Three Buddhas, Sakyamuni Buddha, Four Bodhisattvas, Four Heavenly Kings, Statues of Monsignors, Saints, Dharma Protectors and Patriarch Buddha statues. All Buddha statues are made from old, intact jackfruit wood, with elaborate, meticulous techniques, creative and skillful art, demonstrating high artistic aesthetic thinking ability and perfect harmony in perception. the absolute "emptiness" value of Buddha Dharma. The values of truth, goodness, and beauty of Buddhism originate from the simple truths of everyday life through thousands of years of cultivation, fostering, and transmission, and have become a fundamental part of the Vietnamese soul. The soul of the artist when giving life to statues made of wood, stone, or soil becomes shimmering, fanciful but very real for each person when entering the temple to worship Buddha. The wood sculptures include: 8 paintings of y mon (horizontal sea) all of the same size (3.0m long, 0.6m wide) embossed, lacquered and gilded with natural themes: flowers, leaves, clouds, Ancient trees, birds and animals are extremely close, natural and lively, in the middle are carved "great characters" with the meaning of praise and teaching, interwoven between Buddhism and Confucian philosophy. The 8 "Shelf paintings" engraved with verses in Chinese characters with content about natural landscapes and topics related to the propagation of Buddhism, are excellent poems embedded in talented sculptures, on The background of carving techniques, liberal decoration, harmonious layout, and beautiful painting is worthy of being a legacy for future generations to admire and reflect on. 8 sets of horizontal panels, parallel sentences lacquered with gold, precise and neat sentences, profound meaning, comprehensive semantics, sincere heart, true goodness. Along with ancient relics: bronze bells, incense sticks, stone stele, etc. are also ancient written documents on stone that will be preserved forever for future generations, tourists from all over, Buddhist monks and nuns to find opportunities to admire. worshiping in the quiet meditation scene hidden in the countryside. Hoa Duong Pagoda has a history of over 300 years old. The pagoda was ranked as a national historical relic on December 12, 1994. Source: Vinh Phuc electronic communication portal
Vinh Phuc 1700 view
Coi Pagoda, formerly located in Coi village, Hop Thinh commune, Tam Duong district, now belongs to Hoi Hop ward, Vinh Yen city. Coi Pagoda relics are a complete complex of a Buddha hall including: Three gates, pagodas and towers. The three-entrance gate of Coi Pagoda has an architecture of 3 small, compact compartments, with the main load-bearing system being 10 meticulously carved monolithic blue stone columns, 0.25m in diameter, 2.0m high, with 3 rows of column bases, In which, the 2 columns of the middle compartment use ironwood columns extending beyond them to serve as common columns for the 2 roof rafters in a stacked-rail style architecture. Instead of the bottom row of rafters, there is a wooden trap head that comes out to support the roof ship. , the 4 corners of the roof are curved, graceful knife heads hidden in the canopy of green leaves, creating a charming scene. On the two stone pillars in the middle, which are beveled flat on one side, there are inscriptions on each side. Although they have faded over the years, if you look closely, you can still read "Canh Ty, strong spring, auspicious day". According to documents of the Vietnam Fine Arts Museum, the three-entrance gate of Coi Pagoda was built along with Coi Pagoda in the 13th century. The original Coi Pagoda no longer exists, now there are only 12 ancient statues kept at the temple that was rebuilt in the late 20th century, including: 3 Buddha statues, the Amitabha Tam Ton set (Amitabha, Quan). Amitabha Buddha and Mahasthamaprapta Bodhisattva), statues of Venerable Ananda and Shakyamuni Buddha preaching the Dharma, all made of wood, lacquered with gold, round sculpture style of the late 18th century. Tower: A type of Buddhist architecture, one of the characteristics of Buddhism, the tower can be a place to contain relics, paintings, statues or have symbolic meaning, for example: 4 steps up to the tower represent the concept The concept is loving kindness - compassion - joy - renunciation or the 10 levels are statues of the ten realms,... The tower floors represent the means of propagating Buddhism. If it is a tomb tower, the statue represents the grave of a monk or nun, and the 5-petal lotus symbolizes the "Five Buddhas". The Papyrus Tower has 7 floors, 7.70m high, gradually shrinking from the base to the top, each floor shrinks by 20cm on both square sides and height (1 square side of the base is 1.70m long) - the bricks used to build the tower are Bat Trang bricks. , square brick type, 3cm thick, the bricks at the 4 corners of the tower are all beveled up, giving the tower a gentle, elegant curved shape, the adhesive mortar is made from shell lime mixed with molasses - the tower body is plastered. covered with a protective layer of mortar. Legend. Coi Tower was built around the middle of the 18th century, related to the event of the uprising of the Heo District (Nguyen Danh Phuong, 1740 - 1751): In just one night, Nguyen Danh Phuong had his troops finish building the tower and The entire Tien restaurant, in order to gain prestige and win people's hearts against Le Trinh's court, over hundreds of years, an ancient moss color covers the entire tower, further increasing the desire to learn about a new species. Buddhist architecture in Vinh Phuc. Thus, Coi Pagoda was built in the 13th century, and in the 18th century after erecting two towers (now only one remains, due to war destruction) became an architectural whole with artistic value recognized by the Far East. Uncle Co was ranked as a valuable cultural heritage in Vietnam (in 1939). Located in a complex of relics: Dong Dao communal house, Quan Tien, Tien communal house, Ha pagoda, stone bridge... and in the center of Vinh Yen town, Coi tower pagoda will be a destination for sightseeing and research. A large number of tourists from near and far inside and outside the province. Source: Vinh Phuc Tourism Information and Promotion Center
Vinh Phuc 1403 view
Huong Canh was originally the name of a commune of An Lang district, Son Tay town in the Later Le dynasty, then was taken as the general name of the Nguyen dynasty and the name of today's town - Huong Canh town (in Binh Xuyen district, Vinh Phuc province). According to folklore, Huong Canh is also called Tam Canh because this is the common name of three Canh villages including: Huong Canh, Ngoc Canh, Tien Canh. The place name Huong Canh also has the ancient name Ke Canh. This name comes from the local rice variety, which has two pointed rays on both sides of the grain. People call those two sharp rays WINGS and the grain of rice is called WINGS, taking the word WING as the name of the village. Initially, there was only one Huong Canh village here. Gradually, the population grew and the village was separated and named Ngoc Canh - a place with Gie Canh rice, rice grains as beautiful as pearls. Finally, when both villages Huong Canh (fragrant Canh rice) and Ngoc Canh (beautiful Canh rice) were densely populated, they expanded to the West and Northwest with another village and took the name Tien Canh, meaning "rice". Early wings”. Three communal houses in the three villages of Huong Canh, Ngoc Canh and Tien Canh are all ranked as national historical and cultural relics and are currently in the process of preparing documents to request special national ranking. The communal houses are located 50m to 100m apart, forming a monumental relic complex, adjacent to National Highway 2A, convenient for sightseeing, tourism and pilgrimage. Regarding the gods worshiped, according to local people's legend, after defeating the invading Southern Han army, Ngo Quyen became king and established the capital in Co Loa (now in Hanoi). The country was independent and at peace, but Ngo Quyen still did not forget to be vigilant and train soldiers and horses to prevent enemies. At that time, hunting was also a form of exercise, so once Ngo Quyen sent his two children, Ngo Xuong Ngap and Ngo Xuong Van, along with his close general Do Canh Thac, to bring troops to conduct an exercise in the form of hunting. They marched through Huong Canh, camped at a mound in the middle of the field, the people called Go Ngu. To record the sacred mark and pay tribute to the heroes of the Ngo Dynasty, the people of Huong Canh built a temple in Go Ngu to worship them, according to the concept of "life is a general, death is a god" (living is a good general - death is sacred). During the Later Le Dynasty, the people of the three villages of Huong Canh, Ngoc Canh and Tien Canh built a communal house in each village, took the sacred names to worship at the communal house and held festivals and offerings every year like today. 1. Huong Canh Communal House Formed the earliest, Huong Canh village built its communal house before the other two villages. Although not larger than Ngoc Canh communal house and Tien Canh communal house, Huong Canh communal house is crafted and shows more decoration and carving. The communal house is located in the south of Huong Canh town, the facade faces southwest, overlooking Diem Lang lake, the river arena and Cau Treo river. Through time and the ups and downs of history, for nearly 300 years Huong Canh communal house still stands there as if challenging the sun and rain, fighting with nature with its massive, graceful roof. The communal house's roof is covered with funny-nosed tiles, arranged in an orderly manner in the style of dragon-scale screws, very tight and beautifully flat. The roof of the communal house is built straight and the tips of the blades are curved. The entire roof of the communal house looks like a giant kite moving, about to fly into the air. 2. Ngoc Canh Communal House was built in the Later Le Dynasty and restored in the early Nguyen Dynasty. On the first sentence in Ngoc Canh communal house, there are two embossed words: "Twenty years in Gia Long, ten years in Quy Dau, ten moons, twenty-six days in old Thuong Luong, restoring earth and wood Giap Tuat years, five moons , the fifteenth day is completed, peace and prosperity are great." (Meaning: The 12th year of Gia Long is the year of the Rooster, on October 26, erect the roof tree as before. Repair the wood and door in the year of Giap Tuat. Complete on May 15, hoping for good harmony). According to the solar calendar, Quy Dau is in 1813 and Giap Tuat is in 1814, the restoration lasted 7 months. The second first sentence engraved is: "The year of Minh Menh, the year of Canh Thin, six moons, ten days, starting the golden cycle jewelry, ten months, ten days, completed great auspicious and prosperous" (Meaning: The first year of Minh Menh was the year of Canh Thin, construction started on June 11, painted golden, and completed on October 10, wishing good luck and prosperity. According to the solar calendar, Canh Thin is the year 1820, the first year of Minh Menh. The decoration lasted 4 months. 3. Tien Canh communal house was built last, but Tien Canh communal house is larger in scale than Ngoc Canh and Huong Canh communal houses. Regarding the construction date, when Thuong Luong's back house was dismantled for restoration, the engravings were still clearly clear: "Canh Hung thirty-seven years, five years Binh Than, twelve moons, twenty-two days, zodiac time, Receiving a high salary, great benefits and prosperity" (Meaning: Canh Hung year 37, year Binh Than, December, day 22, zodiac hour, building a roof tree is very auspicious, brings much prosperity). According to the solar calendar, the year Binh Than is 1776. So the communal house's back house was built 300 years ago (2022). The old first sentence of the great bow is engraved "Year of the Goat, ten months of At Hoi, twenty days of Dinh Mui, At Ty of the year, the great worship of Thu Thuong Luong" (Meaning: Year of the Goat, October of At Hoi, day 20 Dinh Mui, 10 a.m. At Ty, build a tree on the roof of the house to worship). Thus, the Tien Canh communal house was built in the 8th Canh Thinh era, Tay Son Nguyen Quang Toan dynasty - 1799, 223 years ago (2022), 23 years after the post house. These are three typical ancient communal houses of Northern communal house architectural art, built around the late 17th and early 18th centuries. The architectural and artistic relic of Huong Canh communal house cluster was recognized as a special national monument on December 29, 2022 by the Prime Minister. Source: Compiled by Vinh Phuc Newspaper
Vinh Phuc 1621 view
Bao An Pagoda, the full name in ancient documents is Bao An Thien Tu or Tu Gia Bao An, the popular name is Cam Pagoda, formerly belonging to Thap Mieu commune, Bach Tru canton, Yen Lang district, Phuc Yen province, Now belongs to Trung Nhi ward, Phuc Yen city, Vinh Phuc province. The pagoda was built in the 12th century during the reign of King Ly Cao Tong (1176-1210). This is one of the few pagodas dating back to the Ly Dynasty until today. The pagoda is built on a high hill, with luxuriant trees, windy on all four sides, beautiful scenery, quiet, full of solitude, a place of meditation. In the past, this area was called Tieu Dao Mountain, and is commonly called Cam Forest, perhaps that's why the pagoda is famous as Cam Pagoda. According to inscriptions and genealogies, the pagoda has existed for a long time. In the 12th century, the crown prince, son of King Ly Cao Tong, donated more than a hundred acres of fields, two thousand francs of money to repair the pagoda, and 700 francs of merit for a banquet. worship easily. Assign martial general Nguyen to directly direct and mobilize donations to repair the pagoda. As a result, the pagoda was restored with "seven newly built closely spaced rooms, columns painted with bright flowers, bright jade colors, a high and precious palace, bright sunlight and moonlight, a splendid Buddha statue, and a poised lotus throne." , the big bell towers over the phoenix, the noble king holds the dragon, the splendor and majesty are clear...". The military general of the Nguyen family also had the merit of a thousand francs to buy more than a hundred acres of fields to donate to the pagoda for farming. In the 14th century under the reign of King Tran Anh Tong, Bao An Pagoda was given a lot of money to repair and embellish by Princess Hung Nuong. To remember his merits, like many other pagodas in the area, people built a shrine to Princess Hung Nuong in the pagoda. Having gone through the ups and downs of thousands of years of history, Bao An Pagoda is still at the old campus but has had many changes. Ancient architectural buildings such as the front hall, incense burner, upper palace, ancestral house, Hung Nuong princess shrine and mother shrine were demolished due to deterioration. Currently, the pagoda has been renovated and rebuilt on a large scale, with reinforced concrete architecture and tiled roof. The pagoda also preserves valuable relics and antiques such as: Dharma statues, altars, bronze bells, and stone stele. Among them, the most typical is the stone stele "Bao An Zen Tu Bi Bi Ky" (inscription of Bao An Pagoda's stele). Up to now, according to review, survey and statistical data, this is the only Ly Dynasty stele remaining in the province. The stele was engraved in December of the year Tri Binh Long Ung (1209) and re-engraved later, probably at the end of the 18th century, placed at Bao An pagoda. The stele was mentioned and published by many researchers in Ly Tran Poetry (Social Sciences Publishing House, H.1977) and Ly Dynasty Epitaph (VNU Publishing House, H.2010). This is the oldest stele in Vinh Phuc and one of the 18 Ly Dynasty stelae remaining in our country today. The stele is 1.4m high, 0.85m wide, 0.14m thick, placed on the back of a smooth-shelled stone turtle, its head protruding, its four-clawed feet spread out in all four directions. The stele is engraved on both sides with 50 lines including 1498 Chinese - Nom characters, sharp handwriting in the style of Ly Dynasty script, very beautiful. The content of the memoir was composed by Wei Tu Hien in a parallel, parallel, and concise writing style. At the end of the memoir is an essay written in the style of Buddhist verse. The content of the stele describes the splendid and splendid scene of Bao An Pagoda in the 12th century, recording the merits of repairing the pagoda of Prince Sam, son of King Ly Cao Tong, military generals of the Nguyen family, along with Buddhists and people there. This. According to Nguyen Huu Mui (Research on Vinh Phuc Inscriptions, 2013), although the epitaph is still full of exaggeration, the image of a Ly Dynasty pagoda is clearly shown: the pagoda was restored by just one person. , the scale of the pagoda is large, inside the pagoda there are Buddha statues and lotus flowers, outside the pagoda there are bells and openings; The pagoda owns a lot of land and has a Thich Giao Zen Association (a type of Buddhist association, offering temple protection) to manage the meditation area. Based on this stele, it can be seen that the construction and restoration of pagodas took place on Vinh Phuc land since the Ly dynasty. The construction and restoration of pagodas was encouraged, not prohibited, by the royal court and assigned to the mandarins and aristocracy to preside and organize. The construction and restoration of pagodas is also considered an important event in the spiritual life of the people, attracting the whole region and even the whole country to join in the merit. This proves that during the peak development of Buddhism during the Ly Dynasty, Vinh Phuc area was also a popular center of this religion. The special thing is that among the nearly 1,500 words on the stele, there are mixed Nom words, these Nom words are used to write people's names and land names. It is said that this is one of the oldest evidences of Nom script found in Vietnam. Before this stele, traces of a few Nom characters were only found in two places: on the bell of Van Ban pagoda, Hai Phong (year 1076), and in an inscription at the pagoda of Huong Non commune, Tam Nong district, Phu Tho province. (year 1173). Bao An Pagoda was ranked as a provincial historical-cultural relic in 1995. In the period 2021 - 2025, Vinh Phuc province plans to build a scientific dossier to request recognition of the National Treasure for the pagoda steles. Bao An and upgrading the national monument ranking for Bao An Pagoda relics, these are activities to further strengthen the management, conservation and promotion of heritage values. Source: Bao An Pagoda Vinh Phuc
Vinh Phuc 2045 view
Tho Tang communal house is located in Tho Tang town, Vinh Tuong district, Vinh Phuc province. The communal house was built in the 17th century, and over time, it still retains its architectural style of the Later Le period relatively intact. The communal house worships the famous general Lan Ho, who was credited with fighting the Mongol invaders in the 13th century. Legend has it that, according to King Tran's orders, Lan Ho led his army to the Gia Ninh region (now in Phu Tho province) to set up a defense line, arrange troops for battle, command soldiers to fight heroically, destroy many enemy forces, and protect the enemy. Protecting the capital Thang Long. Currently, along a strip from Duc My - Son Vi (Phu Tho) to Vinh Tuong - Yen Lac (Vinh Phuc), there is a system of relics worshiping Lan Ho. In Tho Tang commune, there is Truc Temple, Tho Tang communal house, Phuong Vien communal house, in which Tho Tang communal house is the center for organizing festivals with performances and rituals commemorating the talented general Lan Ho and the resistance war against the enemy. Foreign invaders protected our country during the Tran Dynasty. Tho Tang Communal House was built on a massive scale, consisting of two architectural buildings arranged in the shape of a "nail". The main pavilion has 5 rooms, 2 chairs, 6 rows of legs, and the harem has 2 rooms. The whole temple has 60 columns, made of high quality wood. The main column has a diameter of 0.80m, the child column has a diameter of 0.61m. The communal house's foundation is 25.80m long, 14.20m wide, surrounded by green stones. Four-pillar architectural structure, piled with gong-shaped beams, reinforced and durable. Tho Tang communal house still has 21 extremely delicate wood carvings, shown on the architectural components: body, trap, trunk, with rich content, overview of the cycle: labor - business. - enjoyment of agricultural residents, of our people during the reign of Le Trung Hung. The carvings here are arranged in order according to that cycle. Entering the communal house door, you will immediately see the first carving of "field festival" (farming ceremony) followed by paintings of "shooting wild animals" to protect crops and villages. Entertainment scenes include: "soccer", "playing chess", "drinking", "dancers". Family life scenes include: "boy and girl in love", "happy family". Criticizing bad habits including: "jealousy", "lazy husband and wife". Worship decorations include paintings: "nine dragons painting pearls", "eight immortals crossing the sea" and many other dragon and phoenix images. According to historians, Tho Tang is the only place in our country that worships the three words "Hoa Vi Quy". These three letters are still quite intact today. The letters are painted in gilded vermilion on a dark brown wooden background. On both sides of the diaphragm are two small lines of text recording the time of engraving. Because of such sacredness, since it was built until now, Tho Tang communal house has never been harmed by bad people. After 400 years, experiencing all the ups and downs, the communal house remains intact from the iron pillars to the mussel-scale tiles. Tho Tang communal house was ranked as a national monument in 1964. Tho Tang Communal House is one of the communal houses that reached the pinnacle of ancient folk wood carving art in the Later Le Dynasty, and is the earliest nationally ranked relic in Vinh Phuc. In recent decades, it has always attracted attention. research by the scientific community, concern for protection and restoration by the State at all levels, authorities and local people. Source: Vinh Phuc communication portal
Vinh Phuc 1314 view
Bac Cung Temple (literally known as Thinh Temple) in Tam Hong commune, Yen Lac district is one of four large temples around the Ba Vi mountain region and the Red River Delta worshiping Saint Tan Vien. The temples: Tay Cung, Nam Cung, and Dong Cung are on the other side of the Red River in Son Tay territory. These are four temples that were built and preserved relatively carefully by the people. The temple is located in the middle of fertile fields on a 10,000 square meter plot of land next to winding canals, surrounded by rich and densely populated villages. On both sides, the left desert and the right desert stand majestically and silently, covering a large brick yard, looking up to a unique architectural work. Thinh Temple was built 20 centuries ago on the foundation of a small temple worshiping Saint Tan, where he had previously let his troops stay during a mission to help people clear land and manage water. The divine genealogy passes down that: Saint Tan (still called Son Tinh), whose name is Nguyen Tuan, was born on January 15, Dinh Hoi year in Lang Xuong cave, Trung Nghia commune, Thanh Thuy district, Phu Tho province. He lost his father at a young age and lived with his mother and two cousins, Nhuy Hien and Nguyen Sung. Every day, the three brothers crossed the Da River and went to the Ba Vi mountains to clear fields and farm, looking for a living. Here, Nguyen Tuan met Princess Thuong Ngan, was adopted by her, and gave her a walking stick and many magic spells to save humanity. After defeating Thuy Tinh and marrying Princess Ngoc Hoa, he refused the throne that King Hung wanted to give him, and with his two younger siblings traveled everywhere, helping people clear land and water, and was respected by people everywhere. When passing through the Tam Hong area, he let the troops rest and taught the people to grow rice and fish... After he left, the villagers came to the place where the Holy One rested and saw that there were still some packets of hearing left there, so after This temple is called Thinh temple. There is also a story that: when letting the army stay here, Saint Tan taught the people to butcher Thinh, so the people called the temple that name. From a small temple, during the reign of King Ly Than Tong (1072-1128), the temple was rebuilt into a large temple. This is where the king came to pray for longevity. During the reign of King Minh Mang (1820-1840), the temple was repaired many times. During the reign of King Thanh Thai, the Tri of Yen Lac district appointed monk Thanh At to restore the temple. The project lasted until the 6th reign of Khai Dinh (1900-1921). Through many ups and downs, the temple continues to be preserved and preserved by local people. On January 21, 1992, the temple was recognized by the Ministry of Culture and Information as a cultural and historical relic. Every year, the Thinh Temple festival is held from the 6th of the first lunar month to the 20th of the first lunar month. The festival includes sacrifices, palanquin processions from villages inside and outside the commune and many folk games will be held. Source: Vinh Phuc province electronic information portal
Vinh Phuc 2418 view
Ha Tien Pagoda is located on Ha hill - in Gia Vien village, Dinh Trung commune, Vinh Yen city, Vinh Phuc province. In the past, Dinh Trung commune belonged to Tam Duong district - During the Hung Vuong period, it belonged to Phong Chau, during the Tran dynasty, it belonged to Tam Bai route, during the Nguyen belongs to Vinh Tuong district, Son Tay province; In 1899, Vinh Yen province was established - now Gia Vien village, Dinh Trung commune, Vinh Yen city - Vinh Phuc province. Ha Tien Pagoda was built in the year of Quy Mui (1703), the 24th year of Chinh Hoa, during the reign of King Le Hy Tong Duy Hiep. From ancient times until now, tourists and Buddhists from near and far, when coming to Ha Tien Pagoda, not only burn incense and pray to Buddha but also sincerely worship before the Holy Mother to pray for peace in the country and people and a peaceful life. According to ancient books, the pagoda is located in the "mountain and water" position, on both sides there are large mounds of earth shaped like dragons and white tigers. When the country was invaded by foreign invaders, Mrs. Lang Thi Tieu, on her way to join forces with King Hung Vuong 7, saw a strange situation, so she stopped to recruit soldiers. Later, she was honored as National Mother Tay Thien. To commemorate her, people set up an altar tablet at the pagoda, called the Holy Great King. Ha Tien Pagoda is a place to worship the Three Jewels and also worship the National Mother. Ha Tien Pagoda also has another name: "Rain Praying Pagoda". In the past, the area often suffered from drought. People who rely on agriculture fall into hunger. The abbot of the pagoda at that time, Tinh Huan, built an altar to pray for rain. Furthermore, the monk vowed to self-immolate to pray for rain for the people on the 30th day of the 5th lunar month. After making a vow before the three jewels and heaven and earth, he sat in the lotus position and then immolated himself to worship the gods and pray for the people. On June 1, after a day of self-immolation, it rained heavily and lasted for 3 consecutive days. And since then, every year on the anniversary of the founder's death, it often rains. Deeply remembering the gratitude of the true monk, the people built a three-story stupa to store his ashes. Currently in the pagoda's tomb garden there are 8 towers. Most of the stupas are still intact with 3 main floors. The towers are about 3m high, have 4 sides, built of red bricks bonded with materials from tree resin combined with clay. Although all eight towers keep the treasured bodies of monks, Tinh Huan's tower is more special because it is covered by a birth tree. The perennial tree is still green and has many roots, covering nearly all three sides of the stupa. In the pagoda there is also an ancient well (Jade well) with cool water. In the past, during the drought season, all the other wells dried up, but the old well still had water, so people in the village had to go to the old well to draw water. The well of Ha Tien Pagoda is "clear and blue, with magical water veins", so the ancients still compared it: "No matter who is as ugly as a ghost/ Drinking the water of Ha Pagoda is as beautiful as a fairy". Every year, on major holidays, visitors from all over come to the temple to worship Buddha and ask for water from Ngoc well, bring it back to burn incense and drink gradually, especially in the early days of spring. People believe that having ancient well water to use during Tet will bring good luck. With the historical and cultural values outlined above, Ha Tien Pagoda was decided by the People's Committee of Vinh Phu province (now Vinh Phuc) to rank it as a provincial-level Historical and Cultural relic in 1995. Source: Vinh Yen City electronic information portal, Vinh Phuc province
Vinh Phuc 1457 view
Tran Nguyen Han Temple, also known as Ta Tuong Temple or Thuong Temple, is an artistic architectural work built in the Later Le Dynasty over 200 years ago. This relic is associated with the life and career of national hero Tran Nguyen Han. He was originally from the royal family of the Tran Dynasty and was a talented and virtuous general who made great contributions to helping Le Loi defeat the Ming invaders and win the Lam Son uprising. The temple is in Da Cai village, Son Dong commune, Lap Thach district. The temple worships General Tran Nguyen Han, who supported Le Loi in defeating the Ming invaders to liberate the country in the 15th century. The temple was built on a flat, wide and high ground, and is said to be the place where Tran Nguyen Han's old palace was located. The temple is structured in the style of the letter "Dinh", surrounded by walls forming a square "dien" campus. The construction works consist of 3 parts: Temple gate, pre-sacrificial house, and harem. Since its construction, the temple has been repaired and built many times, mainly during the Nguyen Dynasty. Architectural art in the style of the Nguyen Dynasty: Smooth, chiseled, simple decoration. Related to the relic, legend has it that there are two ancient objects: the Sword and the sword sharpening stone. The story goes that: During the period when the Ming invaders dominated our country, Tran Nguyen Han had just entered his youth. Because his parents went to reclaim land and set up camp at the top of Son Dong farm, Tran Nguyen Han still plowed and hoeed every day. While plowing in the Go Rach fields, Tran Nguyen Han plowed an iron bar as long as a sword. At night, he sharpened his sword on a large stone on the bank of Son pond, so that stone was called the sword sharpening stone. The stone had a dent that looked like a slash mark. Legend has it that it was the test cut of Tran's sword. Nguyen Han. The sword was carried by Tran Nguyen Han. By chance, Tran Nguyen Han was given a wooden stick shaped like a sword hilt from the riverbed by a raft owner at the mouth of the Phu Hau River. When the blade was inserted, it fit perfectly. That's the effect. That legendary sword was associated with the glorious victories of the first national founder of the Le Dynasty. Legend has it that Ton That Thuyet later borrowed that sword and took it to Can Vuong to fight against the French. As for the stone slab, after a long time being filled with silt from the Lo River, on January 12, 1998, people of Da Cai village found it at a depth of 2m leaning towards the lotus pond, about 2.49m long, about 1 meter wide. .6m, about 0.4m thick and weighs about 2 tons. This fairy stone was salvaged by the government and people of Son Dong commune and placed in the grounds of the Ta Tuong Quoc temple so that everyone can admire the remaining traces of the old hero. In 1984, the Ministry of Culture ranked the historical relic temple of Left General Tran Nguyen Han as a National Monument. Every year, on the anniversaries of his birth and death, especially at the beginning of Spring, people in the region and all over the country often come here to offer incense to commemorate the contributions of the National Hero. Source: Vinh Phuc Electronic Newspaper
Vinh Phuc 1582 view
Tay Thien - Tam Dao historical and scenic spot (Tay Thien Scenic Area) belongs to Dai Dinh commune, Tam Dao district, Vinh Phuc province. Tay Thien is located in the valley of the Tam Dao mountain system, with an altitude of 54m to 1,100m above sea level, a distribution range of about 11km2 with beautiful and majestic landscape. Tam Dao refers to 3 consecutive mountains (in a mountain range) that suddenly emerge, floating in the clouds, like 3 islands in a sea of clouds, according to ancient geology, Phu Nghi is 1,250m high; Thien Thi (Kim Thien) is 1,585m high; Thach Ban is 1,585m high. Tay Thien relics and scenic area is located on the slopes of Thach Ban mountain in Tam Dao range with a length of 11km and a width of 1km. It is a complex of historical - cultural relics and scenic spots, including a system of communal houses and pagodas with cultural and archaeological value such as Thuong temple, Thhong temple, Mau temple, Cau temple, Co temple... This place has a large concentration of old traces as well as cultural works and localities. only valuable for archaeological research hidden under old forests along Tay Thien stream... Thhong Temple: is the starting architecture for the entire Tay Thien relic system. The temple is located at the foot of the mountain, on a high and wide platform, built in a traditional style. The stone pedestal system runs along the front, with three ways up, separated by four large dragons. Next is the four-pillar ritual gate, newly rebuilt in the traditional style, with stone materials. Behind the ritual gate is the temple yard, very large and paved with stone. The main temple has a Dinh-shaped floor plan, including a front porch, with three compartments, two large wings, and the "malle", where the altar of the Holy Mother is located, has three vertical compartments. Cau temple - Co temple: pass Thhong temple on a bumpy stone road along the stream bank for more than 1km to Cau temple. There used to be a small temple there, but now it has been replaced by a seemingly simple house as a place of worship. In the center of the main hall, there are statues of three forest boys placed in the shrine. Cau Temple originated from Truong Sinh stream, which is said to be the place where "Cau" stayed to recruit and raise troops to follow the National Mother. The temple was renovated in 1993. Co Temple, about 2km from Cau Temple, near Silver waterfall, next to Giai Oan stream (upper part of Truong Sinh stream), so that sentient beings can shake off the dust of the world and gently move on to the holy land. Co Temple also has a long history and is currently worshiping Co Be, who is said to be a child of Heaven who together with the National Mother helped the people and the country. The scenery here is elegant, spacious and peaceful with rich vegetation and a fresh, cool climate all year round. Giai Oan stream and the ancient well near the foot of the temple add solitude and tranquility to the space here. If anyone takes water from there and offers it with offerings and then drinks, they will feel strangely relaxed, peaceful and calm. Thuong Temple area: Currently, this is a common spiritual area of both folk beliefs and religions, the center of which is the shrine of the National Mother Tay Thien. Thuong Temple: The alternating levels of the mountain circuit here have created the foundation of different shrines, in which, Thuong Temple is located in the center, with its back leaning against Thach Ban mountain, on both sides are two mountain arms running down, The front is spacious. Here, clouds play with the mountains, trees are lush, birds gather, streams ring happily, creating one of the Holy Lands of the Tam Dao mountain range. Thuong Temple faces West - South; The ritual gate is structured in a four-pillar style, with a wall connecting the large pillar and the side pillar, leaving only one door in the middle for pilgrims to enter and exit. On these walls are covered dragon fruit (green dragon), white tiger (white tiger) and plants symbolizing the four seasons. The stone-paved courtyard in the middle has a spiritual path, carved with three large letters Phuc, Loc, and Tho (connected vertically) leading to the steps leading up to the temple. This architecture has a Dinh-style base, three compartments, and two large wings. Looking at the front, the architecture is quite balanced with two "matching" floors and eight graceful curved roof corners. In the middle "match pile" hangs a large horizontal painting, titled "Temple of the National Mother Tay Thien" in the national language. On the main hall, there is only a statue of her sitting on the central pedestal, with a majestic and luxurious appearance, her legs hanging straight, her hands resting on the pillow, her right hand holding a folding fan. In addition, in this area there are also newly built works such as: Son Than Temple, Co Chin Temple, Dia Mau Temple, Tam Toa Thanh Mau Temple, Ta/Huu Vu. Tam Dao mountain god temple: Legend has it that the god had a blessing for the island bridge during the reign of Tran Nhan Tong (1279 - 1293), so he was awarded the title "Thanh Son Dai Vuong" by the king. During the early Le Dynasty, the reign of King Nhan Tong, the 8th Thai Hoa year (1450), the king sent his minister Le Khac Phuc to sacrifice, he left behind a ma chew stele (carved into the cliff) recording this event. (about 700m from the temple along the path). Stone stele: a valuable historical relic, is a stele written by ghosts in the area that locals call Stone Stele. This stele was previously known to many people but no one had published it because of the difficulties in traveling and coming into contact with the artifacts. Through actual survey, it is an epitaph carved directly into the middle of an ivory stone slab, about 5m long, about 3m high. The entire stone slab lies sideways on the bank of the stream, creating an arch shape, like a frog's jaw, preventing the letters of the stele engraved in the middle of the frog from being eroded by rain and sun. The stone stele has a total of 121 Chinese characters, inscribed in vertical rows, distributed on 11 lines, large lines have 16 characters, small lines have 3 characters. The text used is in the style of a book, with the characteristics of deeply engraved, easy-to-read letters. Only the three words Prajnaparamita (Prajna Stream) placed at the end of the stele are engraved large. With the above typical value, the historical relic and scenic spot Tay Thien - Tam Dao (Tam Dao district, Vinh Phuc province) was ranked by the Prime Minister as a special national monument on December 23, 2019. 2015. Source: Department of Cultural Heritage
Vinh Phuc 1399 view
Binh Son Tower (Then Tower, Then Pagoda Tower, Vinh Khanh Pagoda Tower) is located in Tam Son town, Song Lo district, Vinh Phuc province; is a Buddhist architecture bearing the mark of a rather long period (approximately from the 14th to 16th centuries). Binh Son Tower - Vinh Khanh Pagoda is located on a high and spacious mound, the area of the protected area is 17,200m2, including: Binh Son Tower, old Tam Bao building, new Tam Bao, ink well, house Guesthouse, lotus pond, gate, auxiliary works. 1. Binh Son Tower The tower is currently 16.5 meters high, (only 11 floors and 1 pedestal remain because the top of the tower was broken), and is constructed with a square plan that gradually gets smaller towards the top, with the side of the bottom floor being 4. 45 meters, the side of the 11th floor is 1.55 meters. The entire tower is built of unglazed fired bricks. From the base of the tower to the end of the 2nd floor, it is less than 6 meters high with the most complete pattern. On these two floors, there are carefully decorated motifs with rows of chrysanthemums, lotus petals, leaves, smooth-faced flowers, embossed dragons, and the "whispering lion" motif... From the third floor up, the decoration is still the same. However, the higher you go, the narrower the width of the tower's face is, and the decorations also gradually decrease. 2. The old Tam Bao Palace: was majorly restored in 1976, in the shape of the letter Dinh, with an area of 131.5 m2, including 5 rooms for the front hall and 3 rooms for the harem. In particular, the building has 2 bronze pillars in front, stretching out 6m, forming like the arms of a throne. The system of worship statues here is mainly made of painted soil, dating from the late 19th and early 20th centuries, with a few statues dating to the 20th century. 3. New Three Jewels: built in 2012, on the foundation of the old Three Jewels house, the architectural form is Zen monastery style. 4. Ink Well: Legend has it that this location was once the base of an ancient blue tower. When this ancient tower disappeared, it left behind a deep round well-shaped hole. 5. Guest house: newly built in 2012, area 283.5m2 with square floor plan, curved roof architecture, consistent with traditional ancient architecture. 6. Lotus pond: located in the garden in front of Binh Son tower, currently growing lotus 7. Gate to the relic site: consists of 4 brick pillars, attached with 2 iron gates in the middle, two side paths are temporarily fenced with trees and bamboo as protection gates. 8. Some decorations of Binh Son Tower Lion whinnying: One of the projects that has puzzled researchers is the "lion whinnying", because it is very different from the "jewel-catching crocodiles" wearing lotus crowns on Buddhist pedestals during the Ly Dynasty. Dragon: has horns, curls in a "nest", head turns to the center of the circle, body does not curl but forms a sinusoidal shape, so does not "tie the bag", legs kick out, or cross over the body to kick out, The spine has a "saw-tooth" shape, one front leg is raised to grasp the "hair"... Some of the details just mentioned are reminiscent of the dragons of the late Tran, but other details do not allow the dragon to be attributed to the Binh Tower. Paint in a certain pattern at all. What's more important is that Binh Son dragons often put their front legs up to grab their hair, in a funny, very mischievous pose, thus quite "folk": in this case, it has taken on the style of the dragon motif. stroking the beard in the post-Le period. The card: is a relatively popular type, with motifs that contain many meanings. Binh Son's "leaves" belong to many styles, but all styles are simple and not as elaborate as the "leaves" of the Ly Dynasty. String chrysanthemum: has been around since the Ly Dynasty in the form of a round frame, the inside of the frame neatly accommodates other decorative projects. The Tran Dynasty inherited that circular layout. Three-pronged (mountain) fighting: an interesting point is that this fighting has appeared since the Ly dynasty (Thap Chuong Son, Nam Dinh) and was even more popular under the Mac dynasty (Ty Dang Communal House, Ba Vi, Hanoi). ). Binh Son Tower has many unique features in terms of architecture, art, and construction techniques. Binh Son Tower not only has artistic architectural value, but also has high aesthetic value, called "The pearl of the national treasure", on the bricks there are many types of decorative patterns, places The shape is circular, some are circular, some are deep, some are shallow, some are dark... proving that the craftsman's hands are extremely skilled. Binh Son Tower is a work with unique architecture. According to the French, this is the most beautiful tower in Tonkin. Currently, the Festival at Binh Son Tower Relic - Vinh Khanh Pagoda is organized by the locality on January 15 every year, called "Pagoda Festival", including rituals: palanquin procession, prayer ceremony. for good weather and wind, a safe and peaceful country and cultural and artistic programs, sports, folk games (Chinese chess, human chess, cockfighting...) Binh Son Tower (Song Lo district, Vinh Phuc province) was ranked by the Prime Minister as a special national monument on December 23, 2015. Source: Department of Cultural Heritage
Vinh Phuc 1587 view
Lang Le Bau Co relic site is located in Tan Nhut commune, Binh Chanh district, Ho Chi Minh City. Lang Le Bau Co is associated with the resistance war against the French invasion in 1948 with major battles that went down in history. Lang Le Bau Co relic was recognized as a city-level historical relic in 2003. The reason it is called Lang Le Bau Co relic area is because the name of Lang Le Bau Co relic area was given by local people. The hamlet was established next to the interlaced canals and rivers. Lang Le Bau Co is located inside a large field with many shrimp, crabs, and fish. Along with many species of birds such as mallards, storks, teal, nuthatches, gongs, partridges, herons, and red armpits come to feed here. Therefore, Tan Nhut people call it by the familiar and rustic name Lang Le Bau Co. Lang Le Bau Co relic is considered the gateway to move to the center of Vuon Thom base and attack the enemy headquarters in Saigon. Previously, Lang Le Bau Co relic area was originally a field of overgrown reeds. On April 15, 1948, the French colonialists sent 3 thousand soldiers and many modern weapons to simultaneously attack the Lang Le Bau Co area to destroy the Vuon Thom base. At that time, the revolutionary armed forces in Lang Le - Bau, because of their small force and rudimentary weapons, had the help of local people along with the advantage of terrain. After just over half a day of fighting, it turned to attack, causing the French army to suffer a large number of casualties. The victory at Lang Le Bau Co killed 300 enemies, captured 30 mercenaries, and destroyed many machines, military vehicles, and guns of all kinds of the enemy. However, on our side, there are many officers and soldiers who heroically sacrificed their lives at a very young age. On October 14, 1966, in Lang Le, the Republic of Vietnam Army Ranger Battalion was destroyed by tourist militia. Lang Le Bau Co relic site has great historical significance for the people of Saigon in particular and the whole country in general. Faced with hatred for the French colonialists, Lang Le Bau Co's army and people fought a war of great historical significance that opened the door for our side and the enemy. For our side, the battle opened the door to heroism in a strong resistance position. As for the enemy, they had to retreat into a strategic position and were destroyed. The French colonialists could no longer form a strategy to defeat the Viet Minh. Moreover, at Vuon Thom base, Lang Le Bau Co also took place a determined battle to protect our base and destroy all sabotage plans of the enemy. Lang Le Bau Co relic area, after the Dong Khoi movement in 1960, was also a logistics and springboard for the armed forces to liberate Long An - Saigon - Gia Dinh. To commemorate the sacrifices of our compatriots and soldiers, in 1988 Binh Chanh district built a historical building in Lang Le Bau Co land with an area of 1000m2. Source: Ho Chi Minh City Electronic Information Newspaper
Ho Chi Minh City 3715 view
The US Embassy relics, also known as the "White House of the East", are the origin of sinister military and political plots aimed at long-term annexation of Vietnam. The relic site is a 5-storey building built Built in modern architecture, located at the corner of Mac Dinh Chi - Le Duan Street, Ben Nghe Ward, District 1, Ho Chi Minh City, on a plot of land nearly 5,000 square meters. Previously, the US embassy was located at 39 Ham Nghi Street. At around 10:00 a.m. on March 30, 1963, the US embassy on Ham Nghi Street was hit with explosives by the F21 Commando team, collapsing three floors: 1, 2, 3, so the US decided to rebuild it. Construction began on the building in 1965, most of the materials and construction machinery were transported from the US, under the control of American engineers. According to the design, the building is surrounded by 7,800 Taredo stones that can withstand mines and artillery shells. The main door is equipped with thick steel, the other doors are blocked by a special thick bulletproof layer. All doors use automatic systems, including iron doors blocking the way to the upper floors. Inside the building there are 140 rooms with 200 staff serving day and night. In addition, next to the building is also built an additional row of houses called the "Norodom" area exclusively for C.I.A. employees. When inaugurated, the building had only 3 floors. At the end of 1966, two more floors and a terrace were built to serve as a landing place for helicopters. Surrounding the building is a 3m high wall, at both ends of the wall close to Le Duan Street, 2 high blockhouses are built, guarded day and night. The Embassy was completed in September 1967 with a defense system such as a fortress with 60 guards, a bomb shelter, and a radar screen system to control the facade. Immediately after the building was completed, on September 24, 1967, thousands of students flocked to the gate of the US Embassy to fight for "America to stop bombing the North", "America to go home" and issued a notice denouncing the US for "trampling and seriously violating the right to self-determination of the Southern people". But the outstanding event that happened at the US Embassy was the battle of the City Rangers during the General Offensive and Uprising in the Spring of 1968. The target of attacking the US Embassy was added on January 24, 1968 by Ngo Thanh. Van is in charge of general affairs. Ranger Team 11 took on this important mission, including captain Ut Nho (military region reconnaissance captain) and soldiers: Bay Truyen, Tuoc, Thanh, Chuc, Tran The Ninh, Chinh, Tai, Van, Duc, Cao Hoai Vinh, Mang, Sau and 2 drivers: Tran Si Hung and Ngo Van Thuan. Another equally humiliating event for the US Embassy was the chaotic escape that occurred on April 29 and 30, 1975 by the US and its accomplices. Faced with the rapid attack of the Vietnamese army and people in the historic Ho Chi Minh campaign, over 1,000 Americans and more than 5,000 pro-American Vietnamese jostled, pushed, and kicked each other to compete for a place on the terrace of the building. building to be rescued by helicopter. This relic was granted a certificate of recognition by the Ministry of Culture on June 25, 1976. Currently, the US Embassy building has been demolished and a new consulate in Ho Chi Minh City has been built, but next to it is a memorial stele forever remembering the achievements of the special forces soldiers who died in the battle. . Source: Ho Chi Minh City Youth Union
Ho Chi Minh City 3109 view
Tan Hiep Prison, also known as "Tan Hiep Correctional Center", is located in Quarter 6, Tan Tien Ward, Bien Hoa City. Tan Hiep Prison Relic was ranked as a national relic by the Ministry of Culture and Sports on January 15, 1994. Tan Hiep Prison is one of the six largest prisons in South Vietnam and the largest prison in the Southeast region, built in an important military position, northeast of Bien Hoa town. Ahead is National Highway 1; Behind is the North - South railway line. This is an isolated location, convenient for transportation, easy for protecting, guarding, receiving prisoners from other places and transferring prisoners to Con Dao, Phu Quoc... Tan Hiep Prison has an area of 46,520 square meters with 8 prisons, including 5 prisons for communist prisoners and patriots. The prison is surrounded by 4 layers of barbed wire with 9 bunkers, 3 watchtowers with a team of guards and a modern alarm system. It's called "Correctional Center" but inside is actually a gun warehouse, an interrogation and torture room with the most modern tools. Each prison only has an area of nearly 200 square meters but holds 300-400 people, sometimes up to a thousand people. In particular, there are "repentance" rooms and "tiger cages" that are very small and narrow and living conditions are extremely harsh, prisoners live like in a crematorium. The diet was extremely unhygienic. The prison guards bought rotten rice and rotten fish to fertilize the fields, and fried them in oil to feed the prisoners, leading to many people being poisoned. With the determination to escape the imperial prison, return to the Party and the people to continue fighting and liberating the nation, on December 2, 1956, with the agreement of the Eastern Inter-Provincial Party Committee, the soldiers Communists were "detained" in Tan Hiep prison under the direct direction of comrade Nguyen Trong Tam (Bat Tam) - in charge of the prison Party Committee and a number of other comrades who suddenly broke the shackles. was able to free nearly 500 comrades and patriots. This event caused a stir in the Pentagon. America - Diem hastily mobilized both main forces and security forces, civil guards defending the three provinces of Bien Hoa, Ba Ria, Thu Dau Mot and two special forces to encircle and capture the prisoners, but all were defeated. failure. Our comrades and compatriots who escaped from Tan Hiep prison received help and protection from local facilities and returned safely to base. Among the escaped prisoners were comrades: Bay Tam, Hai Thong, Ly Van Sam... who became the core nucleus of the Dong Khoi movement later. In 2001, to partly recreate the crimes of the US - Diem against our comrades and compatriots imprisoned at Tan Hiep prison and describe the entire Tan Hiep uprising on December 2, 1956. , Dong Nai Museum has collected images, documents, and artifacts displayed at the relic and made a model to serve the research and sightseeing needs of all classes of people. Every day, the monument is open to visitors. Source: Dong Nai Electronic Newspaper
Dong Nai 2764 view
Chot Mat Tower Historical-Cultural Relic, located in Xom Thap hamlet, Tan Phong commune, Tan Bien district, Tay Ninh province, was recognized by the Ministry of Culture and Information (now the Ministry of Culture, Sports and Tourism) as historical - cultural relic on July 23, 1993. Also one of the last three ancient towers remaining in the South of our country. Having undergone many restorations in 1938, 2003 and most recently in 2013. Despite undergoing restorations, the Chot Mat ancient tower relic site has given itself a new look but still remains retains the spirit of ancient architecture. The entire Tower is built of brick and slate with the top of the tower tapering upward, from the ground to the highest point of the tower is estimated to be 10m. In addition, this ancient tower is located on a high mound in the middle of the field, so from a distance it looks like a pen rising gradually. In 2003, the People's Committee of Tay Ninh province decided to approve the investment project to restore, embellish and preserve Chot Mat tower relics and carried out the restoration, restoration, display and opening of the excavation pit in 2003. into use. On November 27, 2019, the Provincial People's Committee issued a Decision regulating the decentralization of management, protection and promotion of the value of historical and cultural relics and scenic spots in Tay Ninh province. Decision to assign the People's Committee of Tan Bien district to directly manage 4 relics, including the National Historical-Cultural relic Thap Chot Mat. In particular, the Chot Mat Tower Historical-Cultural Relic in Tan Phong commune, Tan Bien district was chosen to be part of the tourism development link of Tay Ninh Province. This is a tourist destination worth exploring, contributing to tourism development in Tan Phong commune in particular and Tan Bien district in general. Source: Tay Ninh province electronic information portal
Tay Ninh 2547 view
Bac Cung Temple (literally known as Thinh Temple) in Tam Hong commune, Yen Lac district is one of four large temples around the Ba Vi mountain region and the Red River Delta worshiping Saint Tan Vien. The temples: Tay Cung, Nam Cung, and Dong Cung are on the other side of the Red River in Son Tay territory. These are four temples that were built and preserved relatively carefully by the people. The temple is located in the middle of fertile fields on a 10,000 square meter plot of land next to winding canals, surrounded by rich and densely populated villages. On both sides, the left desert and the right desert stand majestically and silently, covering a large brick yard, looking up to a unique architectural work. Thinh Temple was built 20 centuries ago on the foundation of a small temple worshiping Saint Tan, where he had previously let his troops stay during a mission to help people clear land and manage water. The divine genealogy passes down that: Saint Tan (still called Son Tinh), whose name is Nguyen Tuan, was born on January 15, Dinh Hoi year in Lang Xuong cave, Trung Nghia commune, Thanh Thuy district, Phu Tho province. He lost his father at a young age and lived with his mother and two cousins, Nhuy Hien and Nguyen Sung. Every day, the three brothers crossed the Da River and went to the Ba Vi mountains to clear fields and farm, looking for a living. Here, Nguyen Tuan met Princess Thuong Ngan, was adopted by her, and gave her a walking stick and many magic spells to save humanity. After defeating Thuy Tinh and marrying Princess Ngoc Hoa, he refused the throne that King Hung wanted to give him, and with his two younger siblings traveled everywhere, helping people clear land and water, and was respected by people everywhere. When passing through the Tam Hong area, he let the troops rest and taught the people to grow rice and fish... After he left, the villagers came to the place where the Holy One rested and saw that there were still some packets of hearing left there, so after This temple is called Thinh temple. There is also a story that: when letting the army stay here, Saint Tan taught the people to butcher Thinh, so the people called the temple that name. From a small temple, during the reign of King Ly Than Tong (1072-1128), the temple was rebuilt into a large temple. This is where the king came to pray for longevity. During the reign of King Minh Mang (1820-1840), the temple was repaired many times. During the reign of King Thanh Thai, the Tri of Yen Lac district appointed monk Thanh At to restore the temple. The project lasted until the 6th reign of Khai Dinh (1900-1921). Through many ups and downs, the temple continues to be preserved and preserved by local people. On January 21, 1992, the temple was recognized by the Ministry of Culture and Information as a cultural and historical relic. Every year, the Thinh Temple festival is held from the 6th of the first lunar month to the 20th of the first lunar month. The festival includes sacrifices, palanquin processions from villages inside and outside the commune and many folk games will be held. Source: Vinh Phuc province electronic information portal
Vinh Phuc 2418 view
During the period when the Mac dynasty had its capital in Cao Bang, in order to prevent the Le dynasty from attacking, the Mac dynasty restored and repaired Na Lu citadel (now in Hoang Tung commune, Hoa An) and Ban Phu citadel (now in Hung Dao commune). ), Phuc Hoa citadel, in addition to building many other citadels in Cao Bang, making Cao Bang a political and military center in the far Northeast border region at that time. Na Lu citadel and Phuc Hoa citadel are two citadels built before. According to the records of Be Huu Cung in Cao Bang Thuc Luc, Na Lu citadel and Phuc Hoa citadel began in the reign of Tang Y Tong in the year Giap Than, the 5th Ham Thong era (874). Based on the presence of many ancient tombs with stone inscriptions containing the names, addresses, and hometowns of the citadel builders who died here during the Ham Thong Dynasty, it can be confirmed that these two citadels were built during the Tang Dynasty. Na Lu Citadel was built over many different dynasties. When the Mac dynasty came to Cao Bang, it was rebuilt with bricks. Na Lu citadel has a nearly rectangular shape, has a total area of about 37.5 hectares, a length of about 800 m, a width of about 600 m, the citadel has 4 gates. Ban Phu citadel in the capital of Nam Binh, Nam Cuong country of Thuc Phan in the past in Cao Binh (Cao Bang), the Mac dynasty renovated the royal palace in the inner circle of the old capital of Nam Binh and called it Ban Phu citadel or Royal Palace. In the ancient capital of Nam Binh of the Nam Cuong country and the Mac dynasty, Ban Phu citadel still has clear traces. The capital city of Nam Binh consists of two citadels, to protect the citadel, the outer ring has a circumference of about 5 km, including a low hillock area, around the foot of the hill is covered with vertical canvas like a wall, convenient for navigation. Build defense lines. The western wall of the citadel runs parallel to the bank of the Bang River to the beginning of Bo Ma village, connecting the southeast wall of the citadel, flowing in front of Ban Phu, following the foot of the hill to meet National Highway 4, the northeastern side running along the foot of the hill close to the outside of National Highway 4. , up to the top of the mound is the northwest side, continue running along the foot of the hill, out to the river bank and meet the west wall, forming a closed citadel. When the Mac Dynasty established the capital, it repaired and built a number of additional works, in which Ban Phu Citadel (inner citadel - the king's working place) was built higher on the old citadel walls from the Thuc Phan period. The citadel is located on a flat land. Along with rebuilding the capital, the Mac dynasty also built a system of posts and ramparts quite thick around the capital and a number of important border points, forming a system of protecting the capital and protecting the border. gender. Phuc Hoa citadel (Phuc Hoa district) was built in a square style, about 400 m in each direction, including two citadel rings, the distance between the two rings is 80 m. Currently, the southern wall has been completely destroyed. Phuc Hoa Citadel has 2 main gates: The North Gate is open to the national highway to Ta Lung Border Gate today, people often call it Pac Gate, this gate is built in a rectangular style, 8 m wide, 5 m high. , including two gates made of thick, very sturdy wood; The second gate is in the south, opening to the river bank. Both gates were flattened long ago, and now there are no traces left. Near the citadel, in the northwest suburbs along the riverbank, there are many traces of brick kilns. People said that during the process of labor and exploration, many intact brick kilns were found in this area. Through research and surveys, it has been shown that in Cao Bang, the Mac dynasty renovated, embellished and built many citadels and fortresses, including repairing, embellishing and rebuilding Ban Phu citadel, Na Lu citadel, and Phuc citadel. Hoa. These fortifications have formed a quite solid system of protecting the capital. Up to now, of the ancient citadels built by the Mac Dynasty during the capital period in Cao Bang, some of the citadels built of earth only have traces left, but the citadels built of stone are still very clear. Source: Cao Bang Electronic Newspaper
Cao Bang 2330 view
Mai Xuan Thuong was the leader of the Can Vuong movement against the French at the end of the 19th century in Binh Dinh. Mai Xuan Thuong was born in the year of Canh Than, 1860, died in the year of the Pig, 1887, from Phu Lac village, Phu Phong district, Tuy Vien district, Binh Dinh province (now Phu Lac village, Binh Thanh commune, Tay Son district, Binh Dinh province). His father, Mai Xuan Tin, was the chief father in Cao Bang. His mother, Huynh Thi Nguyet, was the daughter of a noble family in the village. Mai Xuan Thuong is inherently intelligent and eager to learn. At the age of 18 (1878), he passed the Baccalaureate at Binh Dinh Examination School. At the age of 25 (1885), he passed the bachelor's exam. Responding to King Ham Nghi's Can Vuong edict, Mai Xuan Thuong returned to his hometown of Phu Lac, recruited insurgents, set up a base on Sung island to raise the Can Vuong flag against the French, then Mai Xuan Thuong brought his forces to join the army. The insurgent army was led by Dao Doan Dich and was appointed by Dao Doan Dich to the position of Military Salary Officer (in charge of food for the insurgent army). From then until 1887, the Can Vuong movement in Binh Dinh developed strongly and spread to Quang Ngai, Phu Yen... attracting tens of thousands of people from all walks of life to participate. On September 20, 1885, Dao Doan Dich died and assigned all his forces to Mai Xuan Thuong. He chose the Loc Dong mountain area (now in Binh Tuong commune, Tay Son district) as his headquarters and organized a flag worshiping ceremony, calling on scholars, literati, and people to join the movement to fight against the French. During that ceremony, insurgents from many regions in Binh Dinh province agreed to honor him as the Marshal leading the uprising and raised the slogan: "First to kill the left, later to attack the West". In early 1887, the French army under the command of Lieutenant Colonel Cherrean and the royal army led by Tran Ba Loc along with Minister Trira launched a major attack on the headquarters of the Can Vuong movement in Binh Dinh, the battle The fighting between the insurgent forces and the French enemy was extremely fierce, the fight was unequal, and in the end the insurgent force was pushed back. In March 1887, after a fierce battle in Bau Sau (An Nhon town, Binh Dinh province), Mai Xuan Thuong was seriously injured, the insurgents withdrew to Linh Dong secret area. On April 21, 1887, Tran Ba Loc surrounded and captured the Linh Dong secret base and captured a number of insurgents, including Mai Nguyen Soai's mother. On the night of April 30, 1887, Mai Xuan Thuong sent a suicide squad to break into Tran Ba Loc barracks, relieve the captured people, and he and a group of 50 subordinates crossed the mountain into Phu Yen and continued to resist. battle, but when she reached Phu Quy Pass (boundary between Binh Dinh and Phu Yen), she was captured by Tran Ba Loc's ambush and taken to be beheaded at Go Cham (East of Binh Dinh Citadel). The mausoleum of patriot Mai Xuan Thuong is located on a high hill of the Ngang mountain range (in Hoa Son village, Binh Tuong commune, Tay Son district, Binh Dinh province) about 50km northwest of Quy Nhon city; The mausoleum was built on a land area of 1988m2, inaugurated on January 22, 1961. Overall, the mausoleum is designed in the style of an ancient mausoleum, surrounded by low walls. The Lang gate (three gates) is made up of 4 square pillars, the top is tied in the style of a gourd and a vase, bearing the architectural appearance of a communal house or temple gate of the late 19th century. In the middle of the Mausoleum is Mai Xuan Thuong's tomb, rectangular in shape in the East - West direction; At the head of the grave is a stone stele engraved with an inscription recording the biography and career of Mai Xuan Thuong: The relic was ranked at the National level by the Ministry of Culture and Information on April 20, 1995. Source: People's Committee of Tay Son District, Binh Dinh Province
Binh Dinh 2230 view
Dien Khanh Temple of Literature is located in Phu Loc Tay cluster, Dien Khanh town, Dien Khanh district, Khanh Hoa province. The Temple of Literature is a place to worship Confucius, the founder of Confucianism, and the sages who were his students; At the same time, it is also a place for activities of local scholars and scholars, honoring those who successfully passed the examinations. In 1803, King Gia Long issued an edict to establish a Temple of Literature in Phu Loc commune, Hoa Chau district - Binh Hoa town, now in Phu Loc Tay cluster - Dien Khanh town - Khanh Hoa province. The Temple of Literature was built on a large scale in 1853 and by the following year it was basically completed: in front there was a pavilion, in the middle there was a high and wide front hall and main hall, made of wood and surrounded by brick walls. The rafters are carved with beautiful and majestic gilded lacquer. Dien Khanh Temple of Literature was built on a large, flat area of land, with a total area of 1,500 square meters. When it was first built, the Temple of Literature had the following architectural works: Chinh temple and Khai Thanh temple, roofed with thatched grass. In 1849, the Temple of Literature had its roof system renovated, replacing thatched roofs with tiled roofs and building Ta Vu, Huu Vu, Khai Mieu, Quan Cu, Tu Mieu... with a very large and solid scale. In 1959, the Temple of Literature was rebuilt on the old foundation in Phu Loc village, but on a smaller scale, including: the outer gate and city walls; Internal Nghi Mon; stele house (Thach Bi communal house); temple yard; flag pole; Eastern and Western houses (Ta Vu - Huu Vu); Worshiping the road; Chief of soaking. Basically, the structures of Chanh Tam and Bai Duong compartments were transferred from Van Chi Phuoc Dien, and Ta Vu and Huu Vu were built in the style of a four-level, three-compartment house. The walls are built of bricks, there are no wings. The roof is covered with yin and yang tiles, later restored and replaced with Western tiles; The wooden door system is built in a plank style, replacing the ancient style of upper and lower sides; Do not rebuild Khai Mieu, Quan Cu and Tu Temple. Currently, the Temple of Literature only retains two stone steles from the Tu Duc 11 period (1858), which help us better understand the history, culture, and activities of the people of Khanh Hoa and the process of completing the Temple of Literature area in 1854. There is also an article in Bai Duong that speaks more clearly about the achievements of literary and martial arts scholars, scholars, notables, dignitaries and local students from the beginning of the Nguyen Dynasty to the Tu Duc period. With a rich history, the Temple of Literature area carries great value in the process of learning, receiving knowledge and expressing respect for teachers, enriching the treasure of national cultural heritage. Dien Khanh Temple of Literature relic was ranked a National Monument by the Ministry of Culture, Sports and Tourism on October 15, 1998. Source: Department of Culture and Sports of Khanh Hoa province
Khanh Hoa 2183 view
Hoc Mon District Palace is located at No. 1, Ly Nam De Street, Hoc Mon Town, (next to the District People's Committee headquarters) and is the place where many outstanding fighting events have been recorded throughout the long history from 1885 to the Southern days. Complete liberation of the People of 18 Betel Garden Villages. After defeating Chi Hoa Fort, the French colonialists built a 3-storey wooden house here to use as a military post. When Tran Tu Ca took office as Governor of the Palace, he used the Station as the Palace of Binh Long district. Originally a cunning drunkard of the French colonialists, Tran Tu Ca was led by a group led by Mr. Phan Van Hon (Quan Hon) and Nguyen Van Qua (Chanh Lanh Binh) of nearly 1,000 insurgents who came to burn the District Palace, captured and head cut off in the middle of the market. That was February 8, 1885, At Dau Tet. Afterwards, Hoc Mon District Palace was rebuilt with a blue stone foundation, brick walls, and a defense system from the upper floors to the fence. The architecture is similar to the Military Fort, so the locals call it Hoc Mon Fort. Tran took over from Tran Tu Ca as Governor of Ngon district, moving to Tra District and then Tho District. This was a long period of time when the people of the Hoc Mon region suffered from many cruel and despicable scenes from the French colonialists and their oligarchic henchmen mentioned above. With the indomitable tradition of Hoc Mon people. On June 4, 1930, around 6 a.m. in front of the District Palace, hundreds of Hoc Mon people protested demanding "abolition of poll tax, reduction of license and market taxes, and granting land to poor farmers." Tra District invited the leaders into the Palace to negotiate, but they cunningly arrested them, including Mr. Le Van Uoi (Secretary of Tan Thoi Nhi Commune), who was the leader of the protest. People were undaunted and fiercely demanded that Tea District release those detained. The protest group became more and more crowded, the fighting spirit spread somewhat, causing Tra District to give in. On the one hand, they released the detained people, on the other hand, they called the officials in Saigon for help. 2 hours later, the struggle was led by two men, Blachole and Nobbot, who opened fire on the protest group, causing many casualties. But the most impressive historical event at Hoc Mon District Palace was the Southern Uprising on November 23, 1940. Hoc Mon Fort is very solid, built of green stone like a fortress, about 15 meters high, has a gun emplacement and a defense system with battlements guarded by a platoon of green soldiers. On November 22, 1940, France reinforced one more platoon to deal with the situation. On the afternoon of November 22, 1940, Mr. Do Van Coi's army broke into the town, disguised as civilians, ambushed behind the Station waiting for orders to rob the Station. Another army wing has the task of destroying bridges, cutting down trees blocking roads, and occupying offices and houses... The army wing from Phuoc Vinh An, Tan Thong, Tan An Hoi, Tan Phu Trung is led by Mr. Pham Van Sang and Dang Cong Binh commanded, started from Ben Do hamlet, attacked the house, killed 1 person, collected 4 guns, and took control of the situation here (Tan Phu Trung). Immediately this army was ordered to pull back to Hoc Mon. The Long Tuy Thuong army was commanded by Mr. Bui Van Hoat. The army of General Long Tuy Trung was commanded by Mr. Do Van Day and Le Binh Dang. At around 24:00 on the night of November 22, 1940, the sound of artillery fire had not yet been heard in Saigon. After consulting, the army commanders united to attack the enemy's post. Immediately the troops headed straight to Fort Hoc Mon, where District Chief Bui Ngoc Tho resided. Two insurgents named Nghe and Kinh volunteered to enter the front gate and sacrificed their lives. Insurgents from all directions rushed into the Fort like water bursting its banks. Faced with the power of the insurgents and the masses, the soldiers in the Station no longer had the spirit to resist and fled in disarray. The insurgents completely occupied the inside of the station, but upstairs, the enemy still stubbornly used guns to shoot sporadically, at the same time calling Saigon and Thu Dau Mot for emergency help. Because he was eager to capture the name of Tho District, comrade Do Van Day climbed up to the upper floor of the Station by clinging to the gutter. Halfway up, he was hit by bullets, the comrade fell and died later. The battle was at a standstill when enemy reinforcements arrived. Unable to hold out, the insurgents withdrew from the town, dispersed to the villages, the armed forces withdrew to Ben Do hamlet (Tan Phu Trung) and then moved to My Hanh hamlet (Duc Hoa). Although the attack on Hoc Mon Fort (later called Hoc Mon District Palace) failed, it left a deep impression in the hearts of all civilians admiring the courage of revolutionary soldiers in the fight against colonialism. steal the country. During the historic Ho Chi Minh campaign, at 7:00 a.m. on April 30, 1975, Hoc Mon town was completely liberated, the National flag fluttered above the District Palace, where District Chief Nguyen Nhu Sang and his gang sai has been running away since last night. Today, Hoc Mon District Palace is chosen as the District Museum, where many documents are displayed, illustrating the ups and downs of historical periods as well as the revolutionary fighting spirit of the army and people in Hoc Mon district over the past two years. resistance war against French colonialism and American imperialism. A monument placed in front of the Hoc Mon District Palace relic represents the indomitable sacrifice of the army and people of 18 Betel Garden Villages, recognized as a national historical and cultural relic. Source: Hoc Mon District People's Committee
Ho Chi Minh City 2170 view
Hang Temple at the foot of Voi Mountain, An Lao district, Hai Phong city has long been a place to worship Female General Le Chan - who had meritorious contributions with people in the area to establish An Bien village during the Eastern Han Dynasty. After leaving her hometown of Quang Ninh to avoid being forced to become a concubine of the governor To Dinh. Le Chan set foot in the land of Hai An, Hai Phong, recruited soldiers to join them in farming, building a hamlet named An Bien site (today's inner city). Great ambition did not stop there. Disgruntled over the crimes committed by the enemy, causing the people's lives to be miserable and miserable, Le Chan silently prepared his forces, waiting for the day of the uprising. She went to the present-day Elephant Mountain area, gathered soldiers, actively practiced, stored food and herbs, and took advantage of the rugged terrain of the mountains and forests to hide from the enemy. Afterwards, receiving news of Hai Ba Trung's uprising, from the mountains and forests of An Lao, Le Chan contacted and officially brought his army to join the uprising. Due to its good fortified terrain, along with the commanding talent of a talented female general, the Elephant Mountain base quickly developed its forces, in a short time becoming an important base in the Northeast region. During that time, the surrounding area also had many insurgent troops, typically the insurgent army of Mrs. Tran Thi Trinh and her son Ngu Dao in Dai Dien, Tong Thuong Cau, An Lao district, (6km from Elephant Mountain), heard News of Le Chan's reputation contacted the Elephant Mountain base and became a general under her command. Although the uprising later failed and female general Le Chan had to commit suicide to preserve her reputation in the mountainous areas of Lat Son - Ha Nam, An Lao people still remembered her merits and kindness, so after hearing News of the female general's death, people in the area took her to worship in Hang Pagoda. Therefore, Hang Pagoda is also known as Hang Temple - which represents a wonderful combination of Buddhist religion and national hero worship. In the temple, King Thanh Thai still retains the title of female general as "Hoang Ba Long Hoi, Great King, Middle-Class Minister". On the basis of the old Hang Temple, in 2011 the government restored a new temple commemorating the Female General. The Temple of Female General Le Chan is located in the Hang Temple area, where the Buddha, the Holy Mother, the Monsignor and the Princess Thanh Chan were formerly worshiped in An Tien commune, An Lao district, on a large closed campus. more than 4000m2. The main temple has a Dinh-shaped structure with an area of 190 square meters, including five pre-sacrificing rooms and one back room. The front of the temple faces south, looking straight at Highway No. 10, beyond are undulating hills and mountains, the back side is based on a cliff creating a sustainable position. The temple is surrounded by city walls. The ritual gate is made up of 4 large pillars, the 2 tall central pillars at the top are converging purple phoenixes, the 2 slightly lower columns on both sides and at the top are 2 unicorns facing the center. The outside of the ritual wall is embossed with a white horse on the left and a large statue on the right. The renovation and embellishment of the Temple of General Le Chan was completed and put into use, not only meeting the visiting needs of people and tourists while also contributing to preserving the values of the monument for generations to come. next system. Source: Hai Phong Youth Union
Hai Phong 2135 view
vn
en
ja
ko
zh
