The flag tower, "Hanoi Flagpole" is located on Dien Bien Phu Street, Ba Dinh District, Hanoi, built in 1812, under the reign of King Gia Long of the Nguyen Dynasty on the southern part of Thang Long Imperial Citadel, where the building was built. Tam Mon citadel of Thang Long Imperial Citadel during the Le Dynasty. This is the reference point, marking the origin at the southern end of the main central axis of the citadel, from here follow the "fishing path", through Doan Mon and then to the most important point, the central point of the Imperial Citadel is Kinh Thien Palace. . Hanoi flagpole is now the most intact and majestic structure in the Thang Long Imperial Citadel complex. The Flag Pole is built with three base floors and a column body. The base floors are shaped like a truncated square pyramid, gradually getting smaller, overlapping each other, and surrounded by bricks. The first floor is each 42.5m long; 3.1m high with two brick stairs leading up. Second floor, each length is 27m; 3.7m high with 4 doors, the East door has two words "Nghanh Huc" (welcoming the morning light), the West door has the words "Hoi Quang" (reflected light), the South door has the words "Reflected light". “Huong Minh” (toward the light), the North door has no inscription. Third floor, each length is 12.8m; 5.1m high with a door to the stairs facing North. On this floor is the body of the Flag Pole, 18.2m high; Eight-sided cylindrical shape, tapering upward, each bottom side is about 2m. Inside the body is a staircase of 54 steps that spirals up to the top. The whole is illuminated (and ventilated) by 39 fan-shaped holes. The top of the Flag Pole is made up of an octagonal building, 3.3m high, with 8 windows corresponding to the eight sides. In the middle of the floor is a circular cylinder, 40cm in diameter, reaching the top of the floor, where the flagpole is placed (the flagpole is 8m high). The entire Flagpole is 33.4m high, if including the flagpole, it is 41.4m. "Hanoi Flagpole" is one of the few architectural works in the Hanoi citadel area that was lucky enough to escape destruction by the French colonial government in three years 1894-1897. On October 10, 1954, for the first time, the red flag with yellow star - the national flag - flew atop the "Hanoi Flagpole" and was recognized as a historical relic in 1989. On October 10, 1954, the whole of Hanoi was jubilantly excited to welcome the big festival, Victory Day, the capital Hanoi was completely liberated. The whole of Hanoi gathered at the "Hanoi Flagpole" waiting for the historic moment: The National Flag Hoisting Ceremony at the top of the "Hanoi Flagpole". At exactly 3:00 p.m., October 10, 1954, the City Theater's horn blew for a long time. The military band performed the National Anthem under the direction of comrade Dinh Ngoc Lien. The national flag was raised slowly to the rhythm of the military march. For the first time, the red flag with yellow star - the national flag - flew atop the "Hanoi Flagpole". From the date of construction until now, "Hanoi Flagpole" has been nearly two hundred years old. When the Democratic Republic of Vietnam was born, the image of the "Hanoi Flagpole" was solemnly printed on the currency of the State Bank of Vietnam issued for the first time. For more than half a century, mounted on the top of the "Hanoi Flagpole" is a red flag with a five-pointed yellow star flying majestically in the sky of the thousand-year-old capital of Thang Long - Hanoi, forever a symbol of glory. , is the pride of the nation, the independent and free country of Vietnam. According to research documents, since 1986, a red flag with a yellow star measuring 24 square meters has always flown on the Hanoi Flagpole. Today's Hanoi flagpole is located on Dien Bien Phu street, with ancient mother-of-pearl trees growing around it and at its foot is a luxuriant longan garden. According to some research documents, in a photo taken in 1890 by Louis Sadoul, a French military medical officer, the Lenin Monument flower garden area at the foot of the flagpole today is also Elephant Lake because it is a place to bathe elephants. of the Nguyen Dynasty. The ancient tree ranges of today were not yet planted at that time. In the photo, it can be seen that the French army has set up semi-permanent barracks on the ramparts of the Flagpole to station their troops. Also during this period, the Hanoi Flagpole was also used by the French army as an observation tower. During the US war of sabotage, the Flagpole was also an observation tower for Hanoi's air defense troops. At that time, from the top of the flagpole you can see both Hanoi and its suburbs. What's special is that during Hanoi's hottest days, the inside temperature of the Flagpole is always cool like it has air conditioning. The structure of the up and down doors of the Flagpole is also so scientific that no matter how heavy the rain, water does not flow into the tower. Source: Thang Long - Hanoi Heritage Conservation Center
Hanoi 333 view
Hoa Lo Prison was built in 1896, initially named Prison Centrale, but to avoid people's curiosity and excitement, it was changed to Maison Centrale and is now called Maison Centrale. The name is still on the main gate leading into the monument. This prison was built by the French in 1896 on the outskirts of the city with the purpose of serving as a central prison for both Central and Northern Vietnam. This place held mainly political prisoners and patriots who opposed the colonial government. Known as hell on earth, during its time of operation, Hoa Lo prison has become a detention place for many generations of Vietnamese revolutionary soldiers and activists with a prison architecture designed designed with extremely barbaric and cruel forms of torture and coercion. The most typical example is the guillotine machine, which has brought the prison to the top 10 most notorious prisons in the world. The total area of the entire former prison area was more than 12,000 square meters. However, today only 2,434 square meters remain to be preserved to become a relic. Also because it was built on the land of Phu Khanh village, Vinh Xuong canton (formerly) is a craft village specializing in producing ceramics, day and night the kiln is blazing, so the village is also called Hoa Lo. During the French colonial period, Hoa Lo prison was designed and built with a structure consisting of 4m high, 0.5m thick stone walls reinforced with electric steel wires. The entire prison area is divided into 4 zones A, B, C, D. In which: - Areas A and B: For prisoners under investigation, unimportant prisoners or prisoners who violate prison discipline. - Area C: For French or foreign prisoners. - Area D: For prisoners awaiting death penalty Hoa Lo Prison is known as Hell on Earth with the prison's construction design allowing Hoa Lo to accommodate about 500 prisoners. The prisons are designed with harsh and extremely brutal detention and coercion regimes. From a famous pottery craft village, the French colonialists turned the land of Hoa Lo into a place of physical and mental imprisonment and exile of thousands of patriotic soldiers. Living in an imperial prison with a harsh detention and torture regime, the soldiers still maintained their morale and turned the prison into a school, a place to disseminate revolutionary theory. Some typical torture tools such as guillotines, electric cameras, canes... The French colonialists paid great attention to the construction of all door designs, locks, and shackles here. Specially brought from France, very tightly managed. Before it was completed, in January 1899, Hoa Lo prison took over the detention of people. According to the original design, this place was only enough to hold 500 prisoners, but the prison has been expanded many times to accommodate more prisoners. In the years 1950-1953, Hoa Lo imprisoned up to 2,000 prisoners. Becoming a living hell that no one wants to enter. Dungeons are considered a terrifying obsession for any prisoner with fiery slaps, beatings, being shackled, being shackled, eating, sleeping or toileting all in just a narrow space. dark. Most people who are locked up here for a while will suffer from edema and scabies due to lack of hygiene and sunlight. Surrounding the prison is a wall of stone and steel reinforced by a system of barbed wire with high voltage current running through it. The four corners are watchtowers capable of observing every move of the entire prison. The iron door and lock system was brought from France. The cells, dark rooms, and cells are cramped, lacking air, and the notorious prison guards, with many years of experience in prison management, are ready to oppress and even take the lives of prisoners. On June 18, 1997, the Ministry of Culture, Sports and Tourism recognized the furnace prison as a national historical relic. Source: Hanoi People Magazine
Hanoi 325 view
Co Loa Citadel relics are located in Dong Anh district, Hanoi city. At this location, there are traces of the Son Vi culture, belonging to the late Paleolithic period, about 20,000 to 11,000 years ago. About 4,000 years ago, residents of the Phung Nguyen culture also settled on this land. Around 208 BC, after unifying the two tribes of Au Viet and Lac Viet, establishing the state of Au Lac, An Duong Vuong chose this land to establish the capital, building Co Loa citadel (Oc citadel, Tu citadel). Long citadel, Loa citadel)... Currently, the relic has a conservation planning scope of 830 hectares. According to statistics, in the Co Loa area there are currently about 60 relics (including 07 national relics), including types: architectural and artistic relics, historical relics, revolutionary relics, relics. archeology. Co Loa relics are also an archaeological site of outstanding value, associated with periods of Vietnamese archaeological culture, such as Son Vi culture, Phung Nguyen culture, Dong Dau culture, Go Mun culture , the pinnacle of which is Dong Son Culture, with many typical archaeological sites: Dong Vong, Bai Men, Dinh Chien, Dinh Trang, Ma Tre, Citadel, Ngoai Citadel, Thanh Trung, Xuan Kieu, Nhoi hamlet, temple Thuong, Tien Hoi, Duong May, Cau Vuc... In this area, archaeologists have discovered tens of thousands of working tools, musical instruments and bronze weapons, contributing to clarifying many issues about An Duong Vuong period and the history of this land. Co Loa Citadel: has an area of nearly 46 hectares, including 3 citadels (Inner citadel, Central citadel, Outer citadel) closed, covered with soil, with a total length of 15,820km. The citadel was built based on the natural terrain - connecting mounds, heaps and high strips of land along the river; Surrounding the citadel are moats connecting with the Yellow River. On the citadel's surface there are mounds of earth protruding outward, called "hoi ho"; The citadel has a place cut into a gate, and a temple to worship gods is built above. Thuong Temple (An Duong Vuong temple): built on a land area of 19,138.6 square meters. At the entrance to the middle door of the temple, there are a pair of stone dragons, bearing the artistic style of the late Le Dynasty. The temple also preserves 5 stone steles and 53 artifacts of unique historical, cultural and scientific value. Co Loa Communal House (Ngu Trieu Di Quy): has a floor plan shaped like the letter "Dinh", including a large communal house and a harem. The great communal house consists of 5 compartments, 2 wings, wooden frame structure, funny-shaped tiled roof, with 4 curved corners. The roof rafters are structured in the style of "gong rack, beam stacked", with 6 rows of pillars. The harem is connected to the main court through a set of doors below and a roof above. The decorative themes on this architecture are in the artistic style of the 18th century. In particular, the communal house still preserves 17 artifacts with quite typical historical, cultural and scientific value. My Chau Am (Ba Chua Am or My Chau Temple): located on an area of 925.4m2. The architectural layout is arranged in the form of "pre-Nhat, post-Dinh", including pre-sacrificial buildings, middle hall and rear palace. Co Loa Pagoda (Bao Son Pagoda): was built around the beginning of the 17th century, the ground layout is in the form of "internal Cong, foreign nationality", including items: front hall, incense burner, upper palace, harem , bell tower, tomb tower, back gate, Patriarch's house, nun's house, guest house. In particular, the pagoda also preserves 132 artifacts of unique historical, cultural and scientific value. Mach Trang Pagoda (Quang Linh Tu): built in the Later Le Dynasty, on an area of 4,922.4 m2. The pagoda faces south, including the following items: Three Jewels, front hall, upper palace, Mau house, dance floor, corridor... Mach Trang Communal House: located on a high plot of land, with an area of 6,198.4 square meters, including front altar items, grand communal house and harem. With the typical historical, cultural and scientific values of the monument, on September 27, 2012, the Prime Minister decided to classify Co Loa Citadel as a historical, architectural, artistic and archaeological relic. Special national monument. Source: Department of Cultural Heritage
Hanoi 324 view
Khuyen Luong Communal House formerly belonged to Tran Phu commune, Thanh Tri district, now Tran Phu ward, Hoang Mai district, Hanoi. Khuyen Luong is a very famous ancient village in the southeast of Thang Long citadel. At the end of the Tran dynasty, Khuyen Luong was located in the fiefdom of the famous god Tran Khat Chan, a great historical figure of the Tran dynasty, who had the merit of smashing the Champa army and killing King Che Bong Nga who invaded our country's borders. The beauty of the land that Lieutenant General Tran Khat Chan chose to build into a manor estate was praised by Nguyen Trai: In that area, the land is red and ripe with black and green colors, the fields are top-class, and the Kim Nguu river is moreover. Like a horizontal strip of silk, it is a gift from nature to this region. In 1399, general Tran Khat Chan was murdered after his plan to kill Ho Quy Ly failed, and the fief was also destroyed and destroyed. Although loyalist Tran Khat Chan only stayed with this land for a short time, his merits and career left a deep mark in the cultural life of the people in the region. To show their admiration and gratitude to him, the villages in the old manor area, including Khuyen Luong village, all worship Tran Khat Chan as the village God Emperor protecting community life. Located in a countryside rich in historical tradition, Khuyen Luong communal house relic has a long history of existence over time. The communal house has been restored and repaired many times. During his lifetime, Tran Khat Chan built a manor estate in this area. In the estate planning, Khuyen Luong was planned as a mulberry growing area and silkworm rearing, a traditional profession that stuck with the villagers forever. The image and career of the famous general Tran family are always imprinted in the memories and spirituality of generations of Khuyen Luong villagers. Over time, Khuyen Luong communal house used to be a revolutionary base during the resistance war against the French. In June 1945, two classes were established at Khuyen Luong communal house to propagate the national language. On August 19, 1945, the Viet Minh seized power in Hanoi. These two classes were the core factors that overthrew the old government, established a new government of the people and established the Self-Defense Team, Youth Union, and Association. women to participate in fighting to protect the government. By June 1946, the first cadre training class of the Vietnam Trade Union opened at the communal house. In 1947, the people of Khuyen Luong village built a base in the enemy area. The communal house was a place to mobilize people to buy resistance bonds and mobilize people to hide officers, soldiers and militia and guerrillas. From 1948 to 1949, the revolutionary movement was very strong, the enemy always terrorized and robbed the people, the enemy sent the West to set up camp at Khuyen Luong church to suppress the revolutionary movement here. At the communal house gate on October 21, 1949, they shot and killed comrade Nguyen Van Khang, a guerrilla. By June 1950, they set up camp right at the beginning of the village, surrounded and searched to sabotage the local revolutionary movement. Despite this, the people are still united in fighting, protecting officers, and defending their homeland. In 1961, doing well in animal husbandry and becoming the flagship of the Capital's agricultural movement, the people of Khuyen Luong were honored to welcome Uncle Ho, Prime Minister Pham Van Dong, Prince Souphanouvong and Uncle Ton Duc Thang to visit. . In 1964, when the US escalated its invasion of the North, Khuyen Luong Communal House was a place to store military supplies (pots, pans, dry food and medicine) for combat purposes. In particular, the communal house is a place to store anti-aircraft artillery shells from two artillery positions and one missile position to protect the Red River ferry bridge. Khuyen Luong communal house was ranked as a historical and architectural and artistic relic by the Ministry of Culture and Information in 1996. Source: Hanoi People Magazine
Hanoi 314 view
Kim Lien Communal House and Temple (also known as Cao Son Temple) is the southern town in the four towns of the ancient Thang Long citadel, including four temples: Quan Thanh Temple (guarding the north of the capital); Bach Ma Temple (guarding the east of the capital); Voi Phuc Temple (guarding the west of the capital); Kim Lien Temple (guarding the south of the capital). Compared to the other three temples, Kim Lien temple was built later (around the 16th - 17th centuries). Kim Lien Temple worships Cao Son Dai Vuong. At the relic, there is a stone stele with the title "The Merciful God of Cao Son" composed by historian Le Tung in 1510, talking about the merits of God Cao Son. The content said: When King Le Tuong Duc led the army to suppress the rebellion and restore King Le Thai To's fortune, there were three great ministers, Nguyen Ba Lan, Nguyen Hoang Du and Nguyen Van Lu, who together led troops to conquer. Coming to Phung Hoa district (now Lao Temple relic, Van Phuong commune, Nho Quan, Ninh Binh province), you will see a dense mountain and forest scene with an ancient temple inscribed with the four words "Cao Son Dai Vuong". Very surprised, the king and mandarins asked the gods for help. Sure enough, after ten days it was successful. Therefore, King Le Tuong Duc built a temple to worship Cao Son in Phung Hoa. After being grateful to the god for secretly helping to quell the rebellion in Dong Do, in 1509, the king rebuilt a bigger and more beautiful temple in Kim Hoa ward near Thang Long at that time (now Kim Lien). Later, Kim Lien villagers built a three-entrance gate in front of the temple gate, right next to Kim Lien lagoon and added some new architecture, creating Kim Lien communal house. In addition to Cao Son Dai Vuong, Kim Lien temple and communal house also worship Tam Phu, worship the Mother Goddess, and worship President Ho Chi Minh. The communal house was built on a high mound in the east of Kim Lien lagoon. The communal house gate and main hall door both face west, overlooking Kim Lien lagoon (this lagoon no longer exists because it was filled in to make ring road 1). The architecture of the communal house consists of two parts: the front part of the mound has a pillar gate, two rows of ceilings on both sides of a large brick yard, and the main architectural part of the monument is located on a high mound. Going to the end of the upper yard, you will pass through nine high brick steps built with large-sized bricks of the Le Trung Hung period connecting the two above architectural parts. The main communal house includes Nghi Mon, Dai Pagoda and Forbidden Palace. Nghi Mon is a three-compartment house, built in the style of a gable wall. On the architectural parts, decorative motifs are displayed vividly and elaborately in the artistic style of the Nguyen Dynasty. Dai Bai House consists of 5 new compartments renovated by the city on the occasion of the 990th anniversary of Thang Long-Hanoi, with traditional architectural style. The harem is a house with three vertical compartments, the last compartment is the place to worship Cao Son Dai Vuong and two goddesses of harmony (Dong Ho Trung Vuong (Princess daughter of King Le) and Princess Hue Minh). The communal house was renovated and restored in 2009. Important relics at Kim Lien communal house, in addition to the stone stele "The Compassionate God of Cao Son Dai Vuong", also have 39 ordinations for the god Cao Son Dai Vuong, including 26 ordinations under the Le Trung Hung dynasty, 13 ordinations under the Nguyen dynasty. , the earliest of which is the ordination dated to the second year of Vinh To (1620). Kim Lien temple and communal house festival is held on the 16th day of the third lunar month every year. During festivals, the atmosphere here is very jubilant. During the Kim Lien communal house and temple festival, there are also many traditional games such as bird fighting, human chess, table tennis, and martial arts competitions that attract a large number of people inside and outside the region to participate. In 1990, Kim Lien communal house and temple were ranked as National Historical and Cultural Monuments. Source: Hanoi Department of Tourism
Hanoi 304 view
Bach Ma Temple is in Ha Khau ward, Huu Tuc district, Tho Xuong district, Hoai Duc district, now at 76 Hang Buom street, Hoan Kiem district, Hanoi. The temple worships the god Long Do, titled Quang Loi Bach Ma Dai Vuong (god Long Do means the god of Long Do mountain, also called Nung mountain, the place that receives the sacred energy of the rivers and mountains of Thang Long citadel). Legend has it that when our country was dominated by the Northern Tang Dynasty, Cao Bien ordered his soldiers to build Dai La citadel. Suddenly, he saw the sky and earth being dark and dark, and a god riding a red dragon, sitting on a five-colored cloud, hovered above. city face. Cao Bien was scared and intended to use a magic spell to ward off the attack. That night, Bien dreamed that the god appeared and said: I am the elite of Long Do land. I heard that you ordered the construction of the citadel, so why do you intend to use magic charms to protect it? Bien woke up scared but still buried copper and iron in the dragon veins for protection. That night, there was heavy rain and strong winds, thunder and lightning. Waking up in the morning, Cao Bien went to see the places that had been secured and saw that copper and iron had been smashed to pieces. Cao Bien saw that it was the sacred god of the South. Bien could not do anything, so he ordered a temple to be built to ask for blessings. Legend has it that when Ly Cong Uan moved the capital to Dai La citadel, he ordered the citadel to be built but it was not completed. The king sent people to Bach Ma temple to pray to the gods. He saw a white horse coming out of the temple in a circle from east to west, leaving traces wherever it went, then returning to the temple and disappearing. The king sent his soldiers to follow the horse's footprints to build the citadel, and sure enough, the citadel was built. King Ly Thai To then repaired the temple and appointed the god Long Do as Quang Loi Bach Ma, the most sacred deity. Lifting the veil of divinity, we see that when the Ly dynasty's kings and mandarins moved the capital to Dai La, they planned the eastern capital as Bach Ma temple, in the west as Voi Phuc temple, in the north as Tran Vo temple, in the south as Cao Son temple ( Kim Lien family today). That is "Thang Long four towns". The ancients sanctified the capital's land and the king's deeds, the holy land was determined by the gods with the "magic circle" which was a belief from the tribal times. The temple has been repaired many times. The system of stone steles still present at the relic shows that the temple was expanded in the Chinh Hoa era of the Le Dynasty (1680 - 1705). At the end of the 19th century, the old foundation was enhanced and expanded. In 1781, Lord Trinh approved the 3 borders of Mat Thai, Bac Thuong, Bac Ha, and Ha Khau ward surrounding Bach Ma temple to be made "customary" by people (sam). offerings and sacrifices, not collections or other miscellaneous services). In 1829, it was repaired again to make it more magnificent. In 1839, additional writing was built on the left side of the temple, and the Phuong communal house (square communal house) was built to serve as a place for worshiping every week. The temple grounds have shrunk. On the occasion of the 990th anniversary of Thang Long - Hanoi (2000), the monument was majorly renovated on the basis of preserving the old architectural status quo. The temple faces south, currently including Tam Quan, Phuong Dinh, Dai Pagoda, Burning Incense, Forbidden Palace and the Council House in the back. The new communal house was built in 1839 under the Nguyen Dynasty, so it bears the architectural style of today. The cows on the cross beams and the lotus-shaped lanterns on the top of the four armpit beams are close to the communal house architecture in Hoi An. From the communal house to the great altar there is a dome shaped like a "crab shell". The "crab shell" connects the houses, creating a spacious space. Dai Bai has a wooden frame with four rows of legs, a set of rafters structured in the style of "stacking beams, gong racks", and a roof divided in the style of "upper third, lower fourth". On the wooden posts, armpit beams, and beams, there are many carved plaques. Decorative themes are fire clouds, flowers and leaves. Connecting the great altar to the incense burning house is a semicircular "crab shell" dome, decorated with flowers and leaves. In the Forbidden Palace, there is a high wooden floor with planks on three sides to serve as the seat of the god Bach Ma. The statue of the god Bach Ma (Long Do) sits in the cemetery, always covered. Both the statue and the tomb are products of the Nguyen Dynasty. The temple still retains 15 steles. The content of the steles refers to the history of temples and gods, worshiping rituals, and restorations. The temple has worshiping objects such as ceremonial sets including ancient weapons such as halberds, swords, spears, spears... painted with gilded vermilion and delicately carved. In the temple, in addition to bronze incense burners, bronze vases, and a large number of people, there is also a Buddha statue. This detail represents the folk concept of "three religions of the same religion". The temple also has a pair of high-legged, high-necked cranes and a pair of gongs in a solemn standing position. Among the relics of the "Four Towns", Bach Ma Temple in the eastern town was built the earliest. Existing in the heart of the old town with many colors, architectural artistic elements and a system of historical and philosophical legends about the worshiped deity, Bach Ma Temple forever retains its value as a sacred landmark of the ancient world. The capital city of Thang Long has a thousand years of culture. The temple was ranked as a historical and architectural and artistic relic by the Ministry of Culture and Information in 1986. Source: Hanoi People Magazine
Hanoi 306 view
Quan Thanh Temple, the literal name is Tran Vu Quan, dates back to the reign of Ly Thai To (1010 - 1028), worshiping Huyen Thien Tran Vu, one of the four gods whose temple was established to guard the four gates of Thang Long city in the past. (Thang Long four towns). Quan Thanh Temple in the north (Bach Ma Temple in the east, Voi Phuc Temple in the west and Kim Lien Temple in the south). Quan Thanh Temple is located in Quan Thanh ward - Ba Dinh - Hanoi. The temple is located at the corner of Thanh Nien Street and Quan Thanh Street, overlooking West Lake. At this temple, the national treasure - the black bronze statue of mandarin Tran Vu, weighing 4 tons, is currently being kept and worshiped. Huyen Thien Tran Vu, a god who many times helped the Vietnamese people fight against foreign invaders, helped An Duong Vuong eliminate ghosts when building Co Loa citadel. To remember his gratitude, the King had the temple built. According to Taoist theory, Huyen Thien is a God who is always worshiped in the North direction. Huyen Thien statue was first made of wood, but in the 2nd year of Vinh Tri during the reign of King Le Hy Tong (1677), it was cast in bronze, 3.96m high, weighing 4 tons, and the pedestal circumference was 8m. The statue sits majestically, with a square face, straight eyes, long beard, no hat on the head, hair flowing down the back, wearing a black Taoist robe and walking on the back of a turtle, the sword has a snake wrapped around it. Snakes and turtles symbolize the power and immortality of God. The massive, majestic, and heroic bronze statue of Huyen Thien worshiped in the North of Thang Long Citadel carries great significance for National self-defense, demonstrating the nation's resilient spirit through the struggles against foreign invaders. invaded many centuries ago. Regarding architecture, Quan Thanh Temple has gone through many renovations and the current architectural style is mostly from the Nguyen Dynasty in the 19th century, including: three gates, worshiping yard, pre-emperor, middle-emperor and harem. On the middle gate of the three gates, there is a statue of the god Rahu in Indian mythology, who swallowed the moon and sun, causing lunar and solar eclipses. This is the integration of Vietnamese beliefs. In addition, the wooden architectural details at the temple are carved very delicately, bearing the artistic style of the Le Dynasty. In the 19th century, King Minh Mang changed its name to Chan Vu Quan (this name was carved in Chinese characters on the roof of the three-entrance gate. The diaphragm in the worship hall still had the old name Tran Vu Quan). With typical historical, cultural and artistic values of the era and national stature. The statue of Tran Vu at Quan Thanh Temple was recognized as a National Treasure by the Prime Minister on December 22, 2016. In 2022, Quan Thanh Temple will be recognized as a special national monument. Every year, Quan Thanh Temple festival takes place on the 3rd day of the third lunar month. Source: Hanoi Department of Tourism
Hanoi 503 view
Thanh Nhan Pagoda (Linh Son Tu) is the Party's secret revolutionary base, the Ancestral Church is the meeting place, printing of leaflets, and accommodation for revolutionary cadres active in the period before the August Revolution of 1945 and when France temporarily occupied Hanoi (1947- 1949). A number of officers who sacrificed heroically at the pagoda in March 1949 were buried at Mai Dich cemetery - Hanoi. Thanh Nhan Pagoda (Linh Son Tu) is the secret revolutionary base of the Party and the church. The group is a meeting place, printing leaflets, and accommodation for revolutionary cadres active in the period before the August Revolution of 1945 and when the French temporarily occupied Hanoi (1947- 1949). A number of officers who sacrificed heroically at the pagoda in March 1949 were buried at Mai Dich cemetery - Hanoi. Located to the south of the ancient Thang Long citadel, close to the O Cau Den area, there is a pagoda called Thanh Nhan Pagoda in its literal name, Linh Son Tu in its literal name. Thanh Nhan Pagoda is currently located at alley 331 Tran Khat Chan. Thanh Nhan Pagoda is located in a complex of relics including Lac Nghiep Communal House in the East, close to the pagoda, a little further away are An Cu Communal House, Luong Yen Communal House. Thanh Nhan Pagoda is located on a mound that people here used to call a mountain, engraved on the ancient stone stele "Linh Son Bao Tu" carved in the year Canh Hung 20 (1759), during the Le Dynasty. Monk Chinh Minh, the abbot of Linh Son pagoda at that time, wrote as follows: "Now in Ong Mac land, Thanh Nhan village in the capital, there is a land with a towering mountain of land. That mountain has a vein leading from West Lake, flowing to the To Lich River, on the right there is Bach Ho, on the left there is Thanh Long, in front is a robin, behind is a feathered bird, as far as the eye can see, it is truly a first-class quiet land. most of all". Thanh Nhan Pagoda has a large scale. The three-entrance structure is shown in the form of pillars, with a main gate. The main pagoda is located on the highest position compared to the supporting structures and faces south, overlooking the courtyard and lotus pond of the pagoda. The pagoda has a "Dinh" shaped structure, gabled walls, and tiled roof. The ridge and the embankment are raised high, decorated with rosettes on the top, and in the middle of the ridge is the great pagoda "Linh Son Tu". The decoration in the main pagoda's architecture is gentle, the themes and motifs are mainly in the artistic style of the Nguyen Dynasty, such as: apricot bamboo stems, seal patterns, concentrated on the mesmerizing parts. Along with the main temple architecture, there is an ancestral house with five compartments. The temple also has a model electric house. Currently, Thanh Nhan Pagoda still preserves a rich amount of relics in both quantity and artistic value. Typically, there are ancient stone steles (9 steles). The system of Buddha statues, Mother Goddess statues, and Patriarch statues includes 61 large and small statues. Two bronze bells were cast in the year of Tu Duc (1848). Other artifacts: horizontal boards, parallel sentences... are products of the Nguyen Dynasty. On May 28, 2003, Thanh Nhan Pagoda - Linh Son Tu was ranked by the Hanoi People's Committee as a historical architectural and artistic relic by Decision No. 2942/QD-UB. What we cannot mention is that in the early years of the resistance war against the French colonial invaders, Thanh Nhan Pagoda was a base for raising underground revolutionary comrades, a place where documents were printed and hidden. Party leaflets, in the fierce and persistent struggle, there were comrades who heroically sacrificed their lives at this pagoda. A number of other comrades later took on the responsibility of the Party and the State, they became heroes. witnesses of the historical period, and also witnesses affirming the positive contribution of Thanh Nhan Pagoda in the cause of fighting to protect Hanoi Capital, protecting the Fatherland, creating more motivation to promote the war. The revolution quickly led to brilliant victory. On August 5, 2005, Thanh Nhan Pagoda was labeled a revolutionary historical relic. Today, the pagoda is also an address for generous-hearted Buddhists to contribute and share with many difficult situations in society through very practical and humane charity works such as cooking rice. , charity porridge for cancer patients in difficult circumstances at two K hospitals (Addresses Quan Su and Thanh Tri). Organize gift distribution programs combined with medical examination and treatment for people in remote areas; eye surgery program for the poor; distribute wheelchairs to disabled people. Coordinate with the Health Department to organize charity clinics for the poor right at the temple. Source: Phuong Thanh Nhan website
Hanoi 1191 view
Lang Pagoda is located in Lang village. Lang or Ke Lang is the name of Yen Lang village, now in Lang Thuong ward, Dong Da district, Hanoi. Lang Pagoda has many unique characteristics, because this is a temple worshiping Buddha and Saints, associated with a famous figure of that era, Zen Master Tu Dao Hanh. During the Ly Dynasty (1010 - 1225), Buddhism flourished. Many temples were built and expanded. In Thang Long and Hanoi, during this period many pagodas were restored and built such as Tran Quoc, Hoe Nhai, One Pillar, Kim Lien and Lang pagodas. Among them, Lang Pagoda has many unique characteristics, because this is a temple worshiping Buddha and Saints, associated with a famous figure of that era, Zen Master Tu Dao Hanh. Lang Pagoda is located in Lang village. Lang or Ke Lang is the name of Yen Lang village, now in Lang Thuong ward, Dong Da district, Hanoi. Lang Pagoda is located right next to Lang Pagoda street in this ward. Lang Pagoda was built during the reign of King Ly Than Tong (1128 - 1138) right on the old house of Mr. and Mrs. Tu Vinh, who gave birth to the famous Zen master Tu Dao Hanh. Zen master Tu Dao Hanh once practiced at Phat Tich Pagoda (Sai Son - Hanoi) and according to the book Hoan Long district chi, Tu Dao Hanh once went to Tay Thien to study Buddhist magic, knew how to ride clouds, step on water, fly into the sky, and crawl down. Earth, immeasurable magic. After Tu Dao Hanh went to Sai Son mountain to practice, the reincarnation was reincarnated as the son of Sung Hien marquis, (Ly Nhan Tong's younger brother) and was passed down to the throne as Ly Than Tong.(1). Lang Pagoda, in addition to worshiping Buddha, also worships Tu Dao Hanh and Ly Than Tong. Lang Pagoda's literal name is Chieu Zen Tu. The stele creating the statue of Chieu Thien Pagoda (Chieu Thien creates the image of self-compassion) was engraved in the 4th year of Thinh Duc (1656) and still kept at the pagoda, explaining the name of the pagoda as follows: "The blessed land and the sacred world only have the best Chieu Thien pagoda." . Because it has a clear good omen, it is called "Chieu". This is the birthplace of Zen Master Dao Hanh, so it is called Zen. Researching pagodas and pagoda statues of the Ly Dynasty, Associate Professor. Tran Lam Bien wrote: "A third type of pagoda originated from the Ly dynasty, which is Lang pagoda. Like Thay Pagoda and 2 Keo Pagodas (Nam Dinh, Thai Binh), this is a pagoda with a "temple"-like architecture whose temple properties in ancient times were probably quite strong. In addition to worshiping Buddha with many precious statues, great attention has been given to worshiping Saint Tu Dao Hanh as a "Taoist" ancestor. Sometimes people forget that it is a pagoda, and Tu is a monk, so his successor was once Mr. Thong or Ms. Tu as a shaman with elements of witchcraft. That's why it's difficult to find ancient towers or ancestral houses here. The above explanations are completely reasonable when we explore this temple. The pagoda has 2 three-entrance gates, of which the outer three-entrance gate is believed by researchers to have the ceremonial gate of the royal palace of the Le Trung Hung period (1533-1789) with 4 large square pillars and three small curved roofs attached to it. column rib. This three-entrance gate is considered a model three-entrance gate for other cultural works restored later such as Voi Phuc temple gate, Tay Phuong pagoda gate and Kim Lien communal house gate (Hanoi). The custom stele of Chieu Thien pagoda praises the scenery of Lang pagoda: "This world is at the top of all three thousand worlds. This Zen realm surpasses the thirty-six realms of Zen. It is truly a most famous place, no temple in the world can compare to it. The good energy of Phuong Thanh on the right spreads everywhere, the To Lich river on the left circles around. Nhi Ha thousands of miles around the capital meanders like green dragons flocking back and forth, Tan Vien mountain range is full of beautiful air heading in, like white tigers playing lutes coming to meet. This is the most beautiful scene in the Son Nam region The sacred land molds wealth and talented people; Heaven gave birth to a Holy mother, a child of Buddha."
Hanoi 1047 view
Located on an island east of West Lake, Tran Quoc Pagoda has always been considered one of the most famous landscapes in the capital city of Thang Long, now in Tay Ho district. Legend has it that the pagoda was built during the reign of Ly Nam De (541-547) in Yen Hoa village, near the banks of the Red River with the name "Khai Quoc" (meaning opening the country). During the reign of King Ly Nhan Tong, Queen Mother Y Lan went to the pagoda many times to discuss with the monks. During the reign of King Le Thai Tong (1434-1442), the king changed the pagoda's name to An Quoc Pagoda. Every year, the Red River's water level rises and erodes, causing riverbanks to collapse. Therefore, in 1615 during the reign of King Le Kinh Tong, Yen Phu villagers moved the pagoda to the Kim Nguu (Golden Fish) mound, where during the Ly and Tran dynasties, many palaces were built here such as Thuy Hoa palace, Thuy Hoa palace, Pagoda palace. Ham Nguyen serves the king's rest and relaxation. Around the 17th century, Lord Trinh built Co Ngu dike (later called Co Ngu citadel, now Thanh Nien road), so there was a road connecting the dike with Golden Fish island. During the reign of King Le Hy Tong in the Chinh Hoa era (1681-1705), the pagoda was renamed Tran Quoc. The horizontal panel with the words "Tran Quoc Tu" hanging in the current worship hall was made from that time. In 1821, King Minh Mang visited the pagoda and gave 20 taels of silver to repair it. In 1842, King Thieu Tri visited the pagoda, gave a large gold coin and 200 francs, and renamed the pagoda Tran Bac. But the name Tran Quoc Pagoda dates back to the reign of King Le Hy Tong and has been known by people to this day. Due to many restorations and repairs, the pagoda's architecture is an adaptation of the architectural styles of periods such as: In the years 1624, 1628 and 1639 (Lord Trinh's reign), the pagoda was restored and expanded; During the Tay Son period, the pagoda fell into disrepair. At that time, local residents asked to be allowed to repair the pagoda. The largest restoration was in the year of At Hoi, Gia Long 14. In 2010, the renovation was to celebrate the 1000th Anniversary of Thang Long - Hanoi and the 6th World Buddhist Summit held in Vietnam. Nam in November 2010. Like most other temples in our country, the structure and interior of Tran Quoc Pagoda have an arrangement of many layers of houses with three main temples: the front hall, the incense burning house and the upper hall in the shape of the letter Cong. The front hall faces west, on both sides of the incense burning house and the upper palace are two corridors. Behind the upper palace is the bell tower. The pagoda's bell tower is a three-compartment temple with a match-stacked roof, located on the main hall axis. The layout of the bell tower behind the pagoda is similar to the layout at Keo Pagoda (Thai Binh). On the right is the ancestral house and on the left is the stele house. In the temple, there are currently 14 steles kept. The stele engraved in 1815 has an essay by Dr. Pham Quy Thich recording the repair of the pagoda after a long period of ruin. This work began in 1813 and ended in 1815. Behind the pagoda there are a number of ancient tower tombs from the Vinh Huu and Canh Hung dynasties (18th century). The pagoda campus has a six-degree lotus stupa built in 1998. The large stupa has 11 floors and is 15m high. Each floor of the tower has 6 arched doorways, in each of which is placed a precious stone statue of Amitabha Buddha. The top of the tower has a nine-storey lotus platform (called the Nine-Rank Lotus [1]) also made of precious stones. This stupa was built symmetrically with the large Bodhi tree given by the President of India when he visited Hanoi in 1959. Venerable Thich Thanh Nha, Member of the Executive Council of the Vietnam Buddhist Sangha, Abbot of Tran Pagoda Quoc, explained that symmetry as: "The lotus symbolizes the true Buddha nature, like the nature born in the mud without being contaminated. Bodhi is enlightenment, supreme wisdom. All have meanings. the essence and phenomena of dharmas". This ancient pagoda still preserves many valuable artifacts such as the set of worship statues in the upper palace. These are statues that are meticulously crafted, elaborate and have their own unique beauty. Most worth mentioning is the statue of Sakyamuni entering Nirvana which is considered one of the most beautiful Nirvana statues in Vietnam. Based on its architectural, landscape and historical values, in the past, the Institute of the Far East and the Ancients ranked Tran Quoc Pagoda as the 10th historical building in the entire Indochina region. In 1962, the pagoda was recognized at the National level in Decision No. 313VH-VP dated April 28, 1962. In the epitaph "Recreating Tran Quoc Pagoda" composed by Doctor of Ky Hoi Faculty in the 40th year of Canh Hung, Pham Lap Trai, praised: "Standing on high and admiring the pagoda's scenery, the clouds nest in the bottom of the water, the blue-green lake surface makes tourists are excited. The sound of the temple bell calls anyone to wake up from their mundane dreams..." Tran Quoc Pagoda was once praised by foreign tourists as one of the most beautiful religious works in the world. From a distance, it looks like a blooming lotus. Located in the landscape of West Lake, in each season, visitors come here to feel the different beauty of the meditation place. In spring, the pagoda is a highlight in the panorama of sparkling beautiful West Lake scenery. In the summer, cool breezes fill the space, making visitors clearly feel the change in space, as if being cooled by a meditation door. In the fall, when we come to the temple, the sunshine and wind make our minds calm down, thinking about and repenting of the mundane world. In winter, thin mist spreads across the lake, covering the landscape, making the pagoda dark and quiet. [1] Nine levels of lotus flowers - 9 levels of lotus flowers include: Upper level upper level, High level middle level, High level lower level; Upper middle class, middle class middle class, middle class lower birth; The lower class is born in the upper class, the lower class is born in the middle class, and the lower class is born in the lower class. Those are the nine levels of the Western realm of bliss that we dwell in when we fall. The nine-piece lotus flower is a unique Buddhist structure found only in our country. There are currently only 3 rotatable wooden buildings left, with high visual artistic value and the combined meaning of many lines of Buddhist thought. religion, combining Pure Land Buddhism in worshiping Maitreya, Zen Buddhism and Tantric Buddhism in experimenting with ideas whose meanings appear on carved panels... These towers were built in the 19th century. 17,18, at three pagodas: But Thap pagoda (Bac Ninh); Giam Pagoda and Dong Ngo Pagoda (Hai Duong). The nine-piece lotus flower not only carries the message of compassion, altruism, and charity of Buddhism but also represents the development of the Truc Lam Yen Tu Zen sect in our country. Source: Hanoi Department of Tourism
Hanoi 851 view
The pagoda was built in 1049, the first year of the reign of Sung Hung Dai Bao of King Thai Tong of the Ly Dynasty. Legend has it that at that time, King Thai Tong was old and his father had a son, so he often went to pray at pagodas. One night the king had a dream and saw Avalokiteshvara Buddha appearing on a lotus platform in a square lake in the west of the citadel, holding a baby boy and giving it to the king. Then, sure enough, the king gave birth to a son. Seeing the fulfillment, the king immediately ordered a pagoda to be built to worship Avalokiteśvara Buddha. One Pillar Pagoda is an architectural complex consisting of a pagoda and a tower in the middle of the lake, originally called Dien Huu pagoda and Lien Hoa tower. This monument has long been known as the One Pillar Pagoda. The far pagoda is located west of Thang Long citadel, in Ngoc Thanh village, Ngoc Ha, now the location behind Uncle Ho's Mausoleum. The pagoda was built on a square lake, in the middle of the lake there is a stone pillar, about two meters high, nine meters in circumference, at the top of the pillar is a small tiled pagoda, shaped like a lotus flower rising from the water, hence the name of the pagoda. Nhat Tru Pagoda or One Pillar Pagoda. The pagoda was built in 1049, the first year of the reign of Sung Hung Dai Bao of King Thai Tong of the Ly Dynasty. Legend has it that at that time, King Thai Tong was old but had no son yet, so he often went to pray at pagodas. One night the king had a dream and saw Avalokiteshvara Buddha appearing on a lotus platform in a square lake in the west of the citadel, holding a baby boy and giving it to the king. Then, sure enough, the king gave birth to a son. Seeing the fulfillment, the king immediately ordered a pagoda to be built to worship Avalokiteśvara Buddha. When the pagoda was finished, the king summoned all the Buddhist monks and nuns in the capital to stand around, chant sutras for seven days and nights, and build a large temple next to it to worship Buddha, called Dien Huu pagoda. In 1105, King Ly Nhan Tong repaired the pagoda and erected a white stone tower in front of Dien Huu pagoda called Bach Tuynh tower. The tower is 13 meters high. From the tower to the One Pillar Pagoda, go through a rainbow corridor. Every month, on the full moon day and the first day of the month, the king, his queens, concubines, concubines and courtiers go to the temple to worship Buddha. Especially on the 8th day of the fourth lunar month every year, the day Buddha was born, the king would go to the temple one night in advance, fasting to perform the Buddha-bathing ceremony the next day. On this day, many Buddhist monks, nuns and people from all over come to attend, creating a big festival in the capital. On this day, there is a life release ceremony at the temple. The freeing ceremony began right after the Buddha bathing ceremony. The king stood on a high platform, holding a bird in his hand and letting it fly away. Then the monks, nuns, and lay men and women raced to each release one bird, the shadow of the bird. flying through the sky. Old history records that in the eighth year of Long Phu (1108), the king ordered 12,000 pounds of bronze to be cast into a large bell called Giac The Chung (bell to awaken people), to hang at Dien Huu pagoda. A Phuong communal house was built with green stone eight meters high, and on the roof of the communal house were large iron bars to hang bells. But after the bell was cast, it didn't ring, so it had to be left in the field. For a long time forgotten, the bell became a turtle's nest, so the bell was called Quy Dien. In 1922, the Far East Uncle Ho School repaired the pagoda and kept it according to the old architecture. On the night of September 11, 1954, French colonial henchmen, before handing over the Capital to our Government and people, deliberately set mines to destroy the pagoda. After taking over the capital, the Government ordered it to follow the old format and repair it. In April 1955, the One Pillar Pagoda was restored to its original form. Until 1958, on the occasion of President Ho Chi Minh's visit to India, the Indian people gave him the Bodhi tree from the land of Buddha and was planted in the temple yard. Source: Ba Dinh District Electronic Information Portal
Hanoi 1048 view
Dai Lan communal house and pagoda relic cluster was ranked by the Ministry of Culture and Information (now the Ministry of Culture, Sports and Tourism) as a national architectural and artistic relic in 1989. This is the destination of many people. tourists from near and far because of the unique features of the architecture as well as the friendliness and hospitality of the people... Dai Lan communal house and pagoda (Dai Lan village, Duyen Ha commune, Thanh Tri district), were built around the 17th century. Previously, the cluster of relics was close to the riverbank. Over time, the riverbank eroded so the villagers moved to the current location. Dai Lan Communal House Dai Lan communal house, located close to the left of the three jewels of the village temple, has a "Dinh" shaped architecture including 3 vestibules and 2 back rooms. The Dai Lan communal house is divided into 3 compartments and 2 compartments with 4 curved roofs, the roof is covered with two dragons flanking a tiger holding a stylized sun, the two ends of the roof are two dragons holding the roof, the roofs are covered with swords. The dragon's head curves toward the communal house. Inside, the roof support beams are made in the style of upper gong and armpit beams, lower porches, seven porches, and seven backs on the surface with four rows of pillars. Architectural decorations at Dai Lan communal house mainly focus on the remaining heads, dragon-carved pillars, the four sacred animals, and the four precious gems, which are familiar themes in traditional folk belief architecture. Dai Lan Communal House worships 4 village Tutelary Gods (3 during the Hung King period, Linh Ho, Minh Chau and Cha Luc, who were instrumental in suppressing the enemy and Nguyen Nhu Do, a great mandarin of the Le Dynasty, who served as Minister and was an ambassador three times. China). Dai Lan communal house still retains many valuable artifacts including 11 ordinations of the Le and Nguyen dynasties, scrolls, hammock doors, dragon thrones, tablets, incense burners, cenotaphs, especially four palanquins set. Made from the 17th to 18th centuries. Notably, there is a large scroll-shaped horizontal scroll, below is a hammock door running throughout the house. These are two relics decorated with perforation and gilded lacquer techniques. Dragons flanking the sun, dragons rolling water, dragons and horses painting pearls...are decorated on the border of the horizontal panel. The upper part of the hammock door is a pair of large dragons flanking tiger faces, both sides are decorated with images of water-spewing dragons, phoenixes, dragon horses...beneath these two artifacts is a wooden plan meticulously decorated with embossed techniques. A stylized dragon with leaves flanking a tiger, in the middle are dragons and phoenixes, facing the sun in the middle... The main hall has a horizontal panel made in the form of a scroll hanging on a delicately carved hammock door. The decorations there all show traditional carving themes: two dragons in the Japanese dynasty, dragons rolling in the water, dragons and horses painting pearls, dancing phoenixes... Below is an incense burner with hidden sculptures around the border. The two side rooms have horizontal panels hanging above the entrance to the forbidden palace. In the harem, there is a large palace, where the dragon throne and the tablets of the four tutelary gods are placed. In the harem, there is also a large palace containing the dragon thrones and tablets of the four village tutelary gods. Dai Lan village festival takes place on three days, the 6th, 7th (main festival) and 8th of January. In the annual festival, stick fighting is indispensable to commemorate the merits of the gods, and at the same time to exercise strength and wisdom to keep the village peaceful. Dai Lan Pagoda Dai Lan Pagoda (Pho Hue Tu), originally the home of Dai Lan village, Duyen Ha commune. Because in the past, the pagoda had moved many times and the most recent time was in 1959 when the Red River changed its course and the pagoda's land collapsed, so the villagers moved the Buddha statue and worship items to the village to worship, since then the pagoda has been transformed into a temple. pagoda. In the past, the construction site had a large architectural scale with a "pre-Nhat and post-Dinh" structure, however, over time the monument has been seriously degraded. In 2010, the government and local people renovated the current Tam Bao Pagoda with a Dinh architectural structure located on a plot of land at the beginning of the village, close to the village communal house, including Tien Duong and Upper Palace. but still preserves some of the old works' stubs. In 2012, the Ancestor house and Mother house were built. In 2013, the Guest House was built. The front hall consists of five compartments and three Upper Palace compartments. The pagoda was built with a brick wall surrounding it, the gable wall was closed, at the end of the bank was a stepped throne, two tiled roofs, in the middle of the roof was a scroll, the inside was embossed with Chinese characters writing the name of the pagoda, on both ends. The roof is covered with two leaf dragons holding the roof, the two gable walls are built with mezzanine walls connected to two pillars, the top of the pillar is covered with four phoenixes with their tails together, down below is a lantern box with four sacred animals (dragon, glass) embossed inside. , turtle, phoenix), the body of the pillar is covered with embossed edges, inside are written pairs of Chinese characters praising the beautiful scenery of the pagoda and the compassion, joy, forgiveness and charity of Buddhism. Inside, the set of railings supporting the roof of the front hall is made in the following style: Upper gongs overlap the beams, lower floors, porches, seven rears on the surface with four rows of pillars. Decoration on the architecture of the Tien Duong house is concentrated on the pillars, beams, stripes and pillars with the main decorative themes being dragons, four sacred animals, four precious animals, chrysanthemums, eight precious objects of Confucianism... Worth it The most notable are the two armpit paintings on both sides of the gable representing cloud dragons using filigree techniques. The cloud dragon represents the traditional Confucian concept of the dragon and the dragon, the dragon and the tiger are symbols of the meeting of kings and subjects. The presence of two pillars decorated with dragon clouds is very appropriate in an architecture that worships former academicians. The harem of Dai Lan pagoda is built with pedestals gradually increasing from the outside to the inside, with statues placed on the pedestals. At the top is the Tam The statue. The second layer is the set of statues of Amitabha Tam Ton, with the statue of Amitabha sitting in the middle, flanked by the statue of Avalokiteshvara and Mahasthamaprapta. The next layer is the statue of Amitabha Tiep Mang, on both sides are the statues of Thi Gia. The fourth layer includes Quan Am Chuan De statues, flanked by Kim Dong and Ngoc Nu statues. Outside are the statues of the Jade Emperor and Brahma, De Thich, then the Kowloon throne and the statue of Sakyamuni Buddha. On both sides of the Upper Palace there are statues of Quan Am Tua Son, Tho Dia, Giam Trai, and a set of statues of Ten Dien Diem King. Outside the front hall are two altars worshiping the Monsignor, the Holy Monk and the statues of Ho Dharma Encouraging Goodness and Punishing Evil. Besides the Buddha statue system, Dai Lan Pagoda also preserves a number of valuable artifacts: hammock doors, incense burners, and incense bowls of the Le Dynasty; 1 pair of Qing Dynasty porcelain vases, 2 bells, 4 horizontal panels and 2 pairs of parallel sentences. In 1989, the Dai Lan communal house and pagoda relic complex was ranked by the Ministry of Culture and Information (now the Ministry of Culture, Sports and Tourism) as a national architectural and artistic relic. Source: Hanoi Department of Culture and Information
Hanoi 1335 view
Hoang Xa Communal House still retains the altar, the large throne altar, the altar, the palanquin and the precious bowl, the ordination (from the Quang Trung to Khai Dinh period) and parallel parallel panels; The carvings reached the highest peak of art during the Le Trung Hung period. Ung Hoa district possesses a rich system of relics and intangible cultural heritage, typical of the Red River civilization and the Northern Delta region. Among them, Hoang Xa communal house - a national historical and cultural relic - attracts a large number of tourists from near and far to visit. Hoang Xa communal house (Van Dinh town, Ung Hoa district) was built around the end of the 16th century, in the "Nhat" style, meaning there is only one rectangular building with three compartments and two large wings, worshiping in a horizontal way. The altar is worshiped on the mezzanine in the space between the two main columns and the two military columns at the back of the middle space, worshiping the village tutelary god Quy Minh - one of the Three Saints of Tan. Expression of fertility, happiness, prosperity. The communal house's name is taken from the name of Hoang Xa village (formerly in Lien Bat commune, now in Van Dinh town). In the 17th century, Hoang Xa communal house was repaired and the Central Palace and the Harem Palace were built in the architectural style of the letter "Cong". Hoang Xa communal house looks towards the West - Northwest. The ritual gate is designed in the style of a pillar. The head of the pillar is shaped like a lantern, the top is covered with two unicorns flanking each other. Nghi Mon has four pillars. The middle door is two large square pillars with two unicorns flanking each other at the top. Dai Bai (main communal house) is built on a rectangular foundation of 200m2, including 3 large rooms and 2 wings, uneven. The middle space is a place for ceremonies, the front rooms are paved with wood as a place for community activities, now there are 4 tiled pedestals built. The wooden frame is firmly built on rows of large, round columns. The main column of the two middle sets has a circumference of 1.85m, the military column has a circumference of 1.25m. The four main sets are made in two different ways. The two sets of structures are structured in the style of "Upper is stacked with a lower beam", the two main sets are structured in the style of "Upper is stacked with lower beams". Supporting the upper part of the two gable roofs is a system of rafters placed on large horizontal beams. The beam has one end that goes through the body of the main column with two side rafters, and the other end is placed on the military column on the gable side. The Harem Palace consists of 1 room and 2 compartments, built on a square foundation, with 4 roofs and curved corners. Between the four pillars is placed a large altar, above is a square box-shaped altar painted with red and gilded gold, inside the coffin is the dragon throne and tablet of Tutelary God Quy Minh. Located perpendicularly connecting the Hau Palace with the Great Temple is the Central Palace building consisting of 3 vertical compartments, forming 3 floors of hammock doors. Over time, Hoang Xa communal house still preserves artistic sculptures expressed on traps, stripes, planks, pillars, piles of beams, residual ends... Most of them are paintings. carved dragons with the themes of Doc Long, Long Van, Long O, Long Ly... Four pliers are carved into dragon shapes with slim heads, long tails hidden behind the column, horse faces with protruding foreheads, upturned noses, smiling mouths, beard and mane stretched back like long swords covering the neck, legs spread out firmly. Throughout the framework of the communal house, dragon images are created in different positions in the style of carving parasols and multi-layered bubbles of the art of the Le Trung Hung period. Interwoven with dragons are carvings with many themes of human and animal activities such as scenes of fairies dancing and singing, musicians playing drums, singing at communal houses, rowing boats, wrestling, cockfighting... scenes of elephants plowing and horses. or the scene of riding an elephant on a horse, burying a dragon's jaw... Besides, in Hoang Xa communal house, there is still an altar, a large altar, a throne, an altar, a palanquin and a precious bowl, ordaining (from the Quang Trung period to Khai Dinh) and Hoang Phi are parallel sentences. All combine to give Hoang Xa communal house a beauty as a complete artistic whole. Hoang Xa Communal House was ranked as a historical and cultural relic by the Ministry of Culture (now the Ministry of Culture, Sports and Tourism) in 1962. (Source: Hanoi Department of Tourism)
Hanoi 1118 view
Phap Van Pagoda still preserves many precious relics such as the book "Nam Thien Nhi Phap, The Legend of the Phung Luc Sutra" dated in the year of Canh Ty, during the reign of King Thanh Thai (1900), including 8 silver leaves measuring 13cm x 22.5cm; pair of gilded wooden peacocks… If they have the opportunity to return to Van Binh commune, Thuong Tin district, many people go to Phap Van Pagoda, a pagoda following the Four Dharma beliefs, to learn and admire the beauty of architecture and landscape and immerse themselves in the space. sacred place of Buddha. Phap Van Pagoda is located in Van Giap village, designed in the style of "foreign internal work", including a bell tower, front hall, and harem. Entering from the pagoda gate is a large yard paved with Bat Trang tiles, on top is a stone stele "Phap Van Tu Biography" built in 1616. The content on the stele talks about repairing the pagoda, renovating the back hall and corridor by the monk himself. Descendant Nguyen Tiem stood up with local people and a number of mandarins, admirals, dukes and wives from places inside and outside the region to contribute to repairing the pagoda. Next to it are two stone dragons carved in the art style of the post-Le period. Next is the great worship hall. This architectural item is 21m long and 9m wide, above it hangs a bronze bell, so some people also call it a bell tower. The architecture is made in the style of two floors and eight roofs. The internal structure is in the form of 4 rows of wooden legs. From 16 main columns with armpit beams, there are 16 military columns. The armpit beams are also supports, forming a corridor as high as the neck of the match, 0.5m wide, covered with planks that can be walked on. The steeple hangs a bell 1.9m high and 1.05m in diameter. This is the largest bell in the region, cast in 1954. At the corners there is a knife head embossed with a dragon image. Past the great altar is the front hall consisting of 3 rooms. The front hall is connected to the upper hall by a "waterpipe" system, creating a public knowledge for the entire temple. The upper hall consists of 3 compartments, on the altar in the middle there is a large wooden box. The shrine has a boat-style roof, surrounded by 3 elaborately made, lacquered, mother-of-pearl inlaid panels with the decorative theme "dragon and cloud gathering", inside the shrine is a 1.3m high wooden statue of Phap Van. , simulates the shape of a woman sitting in a "static" position with her legs crossed and her hands facing forward. The statue sits on a throne, covered with brocade. His face was solemn and kind. The statue (both face and body) has cockroach wing paint made according to the traditional method of Van Giap village. According to the elderly, to get this paint color, the artist mixed the paint according to the ratio: Three parts live paint, one part live resin, reduced black alum, boiled and then painted over the statue in many layers according to the technique of skillful staff. Phap Van Pagoda still preserves many precious relics: The book "Nam Thien Nhi Phap, The Legend of the Phung Luc Sutra" dated in the year of Canh Ty, during the reign of King Thanh Thai (1900), includes 8 silver leaves measuring 13cm x 22.5cm. The book's title is inlaid with ten gold letters. The two covers are made of bronze embossed with a dragon image; A pair of peacocks made of wood lacquered and gilded, 2.20m high, carved together with legs, body and beaked beak. The feather pattern on the bird's neck is stylized like a dragon's beard. The two dragon palanquins are exquisitely carved, painted and gilded. These are relics of the 18th century.. Phap Van Pagoda Festival is held on the 8th day of the 4th lunar month with a palanquin procession ceremony attracting a large number of tourists from near and far. In 1991, Phap Van Pagoda was ranked as a national historical and cultural relic. Source: Hanoi Department of Culture and Sports
Hanoi 1025 view
The Temple of Literature - Quoc Tu Giam relic site is located south of the ancient Thang Long citadel. The Temple of Literature - Quoc Tu Giam has now been recognized by the Prime Minister as a special national relic in Decision No. 548/QD-TTg dated May 12, 2012. Khue Van Cac at Van Mieu - Quoc Tu Giam was chosen as a symbol of the Capital according to the Capital Law, 82 Doctoral steles at Van Mieu - Quoc Tu Giam were recognized by UNESCO as a Documentary Heritage and recorded in the list. Global world memory. These things show that the Temple of Literature - Quoc Tu Giam is not only a valuable asset of the Capital and of Vietnam, but it has become an asset and cultural heritage of humanity. In recent years, the Temple of Literature - Quoc Tu Giam, a spiritual relic, symbol of wisdom and studious tradition, has received special attention from authorities at all levels, creating many conditions to become a monument. Attractive and attractive address for domestic and foreign tourists. The Van Mieu - Quoc Tu Giam architectural complex includes: Van lake, Van Mieu - Quoc Tu Giam area and Giam garden with the main architecture being the Temple of Literature - a place to worship Confucius and Quoc Tu Giam - the first university of Vietnam. Vietnam. The Temple of Literature - Quoc Tu Giam area is surrounded by brick walls, the inside is divided into 5 layers of space with different architecture. Each layer of space is limited by brick walls with 3 doors connecting to each other (including the middle door and two side doors on both sides). From outside to inside, there are gates: Van Mieu gate, Dai Trung gate, Dai Thanh gate and Thai Hoc gate. With more than 700 years of operation and training thousands of talented people for the country, up to now, the Temple of Literature is a place to visit for domestic and foreign tourists, a place to reward excellent students and also a place to visit. organizes an annual poetry festival on the full moon day of the first lunar month, where many cultural and scientific exchange activities are held. Also here, every Lunar New Year or before every exam, scholars often come to ask for spring letters from their disciples and pray for good luck in exams and studies. Source: Hanoi Department of Tourism
Hanoi 510 view
In Dong Nhan temple, there are still many valuable gold-plated offerings such as: precious bowls, horizontal boards, and parallel sentences dating from the 19th and early 20th centuries. Dong Nhan Temple also has a stele "The Tragic Story of Trung Vuong" placed in the front yard of the worship hall... Ancient Dong Nhan Temple (another name is Hai Ba Trung Temple) is located at 12 Huong Vien Street (Dong Nhan Ward, Hai Ba Trung District, Hanoi). This is one of the sacred temples worshiping Ms. Trung Trac and Trung Nhi. With unique cultural, historical and architectural values, Dong Nhan Temple along with communal houses and pagodas is a relic complex that has been ranked a Special National Monument (2020). The two women are from Phong Chau, Me Linh. I'm Trung Trac, you're Trung Nhi. At that time, the Han dynasty's governor, To Dinh, brutally murdered Thi Sach, the husband of Mrs. Trung Trac. The two ladies raised the flag of rebellion and received support from people everywhere to expel To Dinh's army, took 65 citadels in Linh Nam, and proclaimed themselves kings. Later, the Han dynasty sent general Ma Vien to suppress the situation. The two women could not resist and had to retreat to Cam Khe land. Finally, they went to Thuong Son mountain and committed suicide. Another theory says that the two women jumped into the Hat Giang River to commit suicide, then transformed into two white rocks floating on the Red River to Dong Nhan wharf, often glowing brightly at night. The villagers saw that, so they took red cloth to process her statue and set up a temple to worship them at Dong Nhan beach along the river. According to historical data, Hai Ba Trung Temple was built during the reign of King Ly Anh Tong, the third Dai Dinh era (1142), in the riverbank area of Dong Nhan village. Later, because this land was eroded, the villagers moved the temple to Huong Vien village (current location). The temple is the center of the relic complex: Vien Minh Pagoda, a communal house worshiping the gods Cao Son Dai Vuong, the King Thien Tu, the god Do Ho Dai Vuong and the water gods who have helped the people living along the river. The temple was built on a 4,000 square meter campus, following the "foreign domestic" architectural style. In front of the gate there is a semicircular lake. Through a road, you will reach a large yard with a ritual gate consisting of 4 pillars. On the left is a large stele riding on a turtle's back, on the right is a two-story, eight-roof communal house. Going inside is the 7-room altar house with statues of two black painted wooden elephants, attached with real tusks. These are two elephants symbolizing the elephants of the Two Ladies leading the army into battle. The altar house is connected to the harem by an incense burner, inside is placed an altar throne and a mosaic of Hai Ba Trung riding elephants to fight the enemy. The harem contains the statue of the Hai Ba, placed on a stone pedestal about 1 meter high. Statue made of tempered clay, sitting posture. Ms. Trung Trac wears a yellow shirt, Ms. Trung Nhi wears a red shirt, her head is covered with a witch hat, her statue is larger than life, her hands are raised high in front of her face as if summoning the crowd. On both sides are statues of female generals who followed the Hai Ba in their uprising to expel To Dinh, wash away the dishonor of the country, and take revenge on their husbands: General Le Chan, Hoa Hoang, Thien Nga, Nguyen Dao Nuong, Phung Thi Chinh, and Princess Pham Thi. Con. The altar has a throne and a mosaic depicting the image of Two Ladies riding elephants to fight the enemy. In Dong Nhan temple, there are still many valuable gold-plated offerings such as: precious bowls, horizontal boards, and parallel sentences dating from the 19th and early 20th centuries. Dong Nhan Temple also has a stele "The Tragic Story of Trung Vuong" placed in the front yard of the worship hall, composed by Dr. Vu Tong Phan in 1840 with the content of praising the Hai Ba as "the fiercest of the Southern state". To show gratitude to the Hai Ba, every year, people here organize the Dong Nhan temple festival from the 4th to the 7th of February. The 6th is the main festival with a special feature of an art performance recreating the scene of Hai Ba Trung riding elephants to fight the enemy. The festival is lively with folk games. Exactly at 12:00 noon is the ceremony to process the boss's feast and worship the council of 4 communes joining together to worship Hai Ba Trung, including Phung Cong village (Phung Cong commune, Van Giang district, Hung Yen province), Ha Loi village (Me Linh commune, Hung Yen province). Me Linh, Hanoi city) and Hat Mon village (Hat Mon commune, Phuc Tho district, Hanoi city). The festival at Dong Nhan temple demonstrates the moral principle "when drinking water, remember its source", paying tribute to national heroes and those who have contributed to the country and the people. There are many places where temples are built to worship Hai Ba Trung: Hat Mon (Phuc Tho district), Phung Cong (Hung Yen), in Me Linh (Me Linh district)... and there are more than four hundred places to worship the generals of the Hai Ba but the temple Dong Nhan is still a destination for many tourists from near and far. Department of Culture and Sports of Hanoi City
Hanoi 952 view
Ha Hiep communal house is located in Lien Hiep commune, Phuc Tho district, Hanoi city, worshiping the tutelary god General Hoang Dao. Based on the artistic style of the architecture, along with the deifications, it can be determined that Ha Hiep communal house dates from the Le dynasty or earlier (around the beginning of the 17th century or before). According to recent research documents, the Great Court was built in the 30s of the 17th century, the Harem was built in the second half of the 17th century, remodeled and expanded in the 19th century; The front altar was built in 1856 and the two Nghi Mon gates were built in the early twentieth century. Through the process of existence, in the years Canh Hung 12 (1751), Canh Hung 20 (1759), Canh Hung 32 (1771), people in the village gathered together to raise money to repair the communal house. The incident is recorded in the stele "At the bi communal house" currently standing on the left side of the Great Pavilion (the date of the stele is Canh Hung 32 (1771). In 1816, the communal house continued to be renovated, two more stone water tanks were built. , a number of coffins, other worship objects... In recent years (1996, 2004, 2005), the communal house continues to be repaired and preserved by the government and people. Architecturally, Ha Hiep village communal house includes many construction items, located on a land area of about 3,000 square meters. In addition to the two front and back gates, lake, yard... the current main architecture of Ha Hiep village communal house consists of 3 parts: Pre-Target, Great Pavilion, Rear Palace, creating a main building plan in the form of a Nhat front. , after the word Dinh. The overall architectural plan of Ha Hiep communal house includes the following items: Nghi Mon Ha Hiep village communal house has two Ritual Gate: the first Ritual Gate is located in front of the Temple Temple, on the Shinto axis and now only has symbolic meaning because the road from this side has been sealed... The second Ritual Gate is located on the left side of the Great Temple, close to the inter-village road. The size of the pillars at this Nghi Mon is smaller than the first Nghi Mon. Sacrifice money The altar is a rectangular building with three compartments and two wings, two floors and eight match-stack roofs, built on a foundation level 0.17m higher than the front yard. The floor is tiled with red bricks, following the peacock pattern. The wooden frame of Ha Hiep village's altar hall is built on 4 rows of square-shaped pillars: 2 rows of main columns (made of wood) and 2 rows of military columns (made of stone). Great family The great communal house consists of three rooms and two wings, but each wing is almost as large as a room. This entire structure is built on a rectangular base, surrounded by cut stones. Ancient communal houses originally had floors. According to the elders in the village, the communal house's floor was demolished between 1968 and 1970. The Great communal house's frame was built on six rows of ironwood pillars. Harem The harem, where the altar to worship the Tutelary God is placed, consists of 02 compartments, built perpendicular to the outer court, with two layers of roof, front and back, built in the style of a gable wall and built perpendicular to the Great Court in the middle compartment. The harem consists of 3 sets of roofs. The outermost roof is supported by a pillar placed on both ends of the military column on the right and left of the middle of the Great Hall. The second set of roofs for the Harem Palace is made of plank style. The two sets of roof rafters, the outside and the inside, are made in a variation of a gong stand, stacked with two bamboo sticks. The connection is because the Harem harem is the type that uses guys. As a forbidden palace and a solemn place, Ha Hiep village's Hau Palace was built with a discreet wall, in the style of a wall blocking the throne's arms. Not including the upper salary and roof ships, each Harem roof also has 8 horizontal panels. Decorations on the architecture of Ha Hiep communal house: concentrated outside, on the roof system at Nghi Mon, are mainly mythical and conventional animals such as dragons, unicorns, phoenixes, elephants, horses, and Trien script patterns. Ha Hiep is one of the few communal houses built in the first half of the 17th century that still preserves its architectural style. The carved decorative panels dating from the 17th Century to the early 20th Century are extremely lively and harmonious, creating unique characteristics. With hundreds of sculptures and decorations of the Later Le period, Nguyen has demonstrated the talent and ingenuity of contemporary artisans. The decorative carvings in Ha Hiep village communal house show profound folk character with many rich themes. Ha Hiep is one of the few ancient communal houses that still fully preserves valuable relics spanning many centuries. The palanquins, coffins, ordinations, stone steles, ornamental tanks... have created a collection of unique worship objects with high historical and cultural value. Artifacts considered unique have become the pride not only of Ha Hiep villagers but also show the sustainable vitality of the monument over nearly 4 centuries of existence. In particular, Ha Hiep village communal house still retains two stone ornamental tanks with similar designs. The size of each tank is 95*45*30cm. On the body of the tank are embossed images of rolling water dragons, lotus flowers, water waves... Notably, on the body of each of these tanks, the date of creation is clearly recorded as the year Gia Long 15 (1816). These are two quite unique artifacts, recorded with a specific date, very rare in relics of the same type. With the above special value, the architectural and artistic relic of Dinh Ha Hiep communal house, Phuc Tho district, Hanoi city has been ranked a special national monument by the Prime Minister (according to Decision No. 2280/QD -TTg December 31, 2020). (According to relic records kept at the Department of Cultural Heritage)
Hanoi 1031 view
Historical and archaeological relics of Thang Long Imperial Citadel Central Area - Hanoi with a core conservation planning area of 18,395 hectares (including Hanoi Ancient Citadel Relics Area and 18 Hoang Dieu Archaeological Relics Area) and the buffer zone area is 108 hectares. In 1009, Ly Cong Uan ascended the throne and established the Ly dynasty. In 1010, Ly Thai To moved the capital from Hoa Lu to Dai La citadel, renamed the new capital Thang Long and built it into the country's largest economic, political and cultural center. Through the Ly, Tran, Le So, Mac and Le Trung Hung dynasties, Thang Long citadel always held the position of "National Capital", the residence and working place of the King and Royal Family. This area is also where important ceremonies of the country are held. After the Nguyen Dynasty established the capital in Hue (1802), the capital role of Thang Long was dissolved... After 1954, the Thang Long citadel area became the headquarters of the Ministry of National Defense. It was in this area that many important decisions of the Party and State were made, contributing to great victories in the resistance war against the US to save the country, win national independence, and unify the country. Through time and historical events, Thang Long citadel has had many changes and deformations..., but up to now a number of historical and archaeological relics are still preserved, typically: Flagpole (Hanoi Flagpole): built in 1812, under the reign of King Gia Long, 33.4m high, including three floors: base, column body and lookout. Doan Mon: is the southern gate, built in a rolling arch style. Doan Mon is arranged horizontally, including the middle door reserved for the king, on both sides there are 4 smaller doors, for mandarins and royal families. Kinh Thien Palace: located in the center of the imperial citadel (early Le Dynasty), built in 1428, right on the old foundation of Can Nguyen Palace under the Ly Dynasty (later renamed Thien An Palace). In 1886, this palace was destroyed by the French colonialists to build the French Army Artillery Command. Currently, only traces of the foundation of Kinh Thien Palace remain. In particular, this area still preserves two stone dragon steps, dating back to the 15th century. Hau Lau (Princess's Floor): built in 1821, used as a resting place for the maids in the convoy escorting the Nguyen Kings when traveling to the North. At the end of the 19th century, Hau Lau was seriously damaged, the French colonialists renovated and rebuilt it as it is today. Bac Mon (North Gate): is the northern city gate, built in 1805, consisting of two floors, eight roofs, with a curved blade head, in the traditional style. Surrounding walls and 8 palace gates of the Nguyen Dynasty: In 1805, the Nguyen Dynasty built a wall from the Doan Mon gate around the inner palace, creating a palace for the king to work and rest every time the North patrolled. Currently, in the ancient citadel there are still 8 city gates along with a system of walls surrounding the palace made of bricks. Relics of house and bunker D67: built in 1967, in area A. This is where the Politburo, Central Military Party Committee, and the General Command made many historical decisions, marking important achievements. Milestones of the Vietnamese revolution: The 1968 Tet Offensive, the 1972 campaign, the 1975 General Offensive and the climax of the Ho Chi Minh Campaign... French architectural works: built from the late 19th century to the early 20th century in the Vauban style, including the French Army Artillery Command building; a 2-story building, built in 1897, now used as the headquarters of the Department of Operations; two one-story buildings, built in 1897. East of the Operations Department building is a guest house, built in 1930. Trees in the relic area: planted at high density and diverse in types, have contributed to creating a fresh environment and harmonious landscape for the relic area. Archaeological relics at 18 Hoang Dieu: located about 100m west of Kinh Thien Palace, with an area of 4,530 hectares, excavations began in December 2002, divided into 4 zones (A, B, C, D). While excavating here, archaeologists discovered traces of the foundations of ancient architectural works of Thang Long Imperial Citadel and many valuable artifacts, such as terracotta architectural decorative materials. , wooden columns, ceramics of Vietnamese feudal dynasties and many foreign utensils and objects, such as porcelain from West Asia, China, Japan... Thang Long - Hanoi Ancient Citadel is a typical historical and archaeological relic, material evidence reflecting high technical level, containing historical, architectural and artistic values. At the same time, it reflects the cultural interference with countries in the region and around the world in a long historical process, shown through many historical artifacts, architectural works, and urban landscapes with unique appearance. thousands of years of history. With the special historical, cultural and scientific values of the monument, the Prime Minister has decided to classify the Thang Long - Hanoi Imperial Citadel Central Area historical and archaeological site as a special national monument. farewell on August 12, 2009. Source: Department of Cultural Heritage
Hanoi 1541 view
The temple was established during the reign of Ly Thai Tong (1028-1054) in the southwest corner of the old Thang Long citadel in the territory of Thu Le village, now Thu Le park. Worshiping Prince Linh Lang, son of King Ly Thai Tong, and his 9th concubine Duong Thi Quang, but it is said that he was originally the son of Long Quan, whose name was Hoang Chau, waterfall, who had meritorious service in the resistance war against Vietnam. Song Dynasty invaders. After his death, the people of Thu Le built a temple and was ordained by the king as Linh Lang Great Vuong, the supreme blessed god. The god has many times conspired to help the Tran dynasty in the war against the Yuan-Mongol invaders, and the Le dynasty in the revival. Because in front of the temple door there are two kneeling elephants, it is commonly called Voi Phuc Temple and because the temple is in the west of the capital, it is also called Tay Town or Doai Town (Doai, according to the Western eight trigrams). Voi Phuc Temple is currently located in Ngoc Khanh ward, Ba Dinh district, Hanoi. The temple is also called Phuc Thu Le Elephant Temple to distinguish it from Phuc Thuy Khue Elephant Temple at 251 Thuy Khue Street, Tay Ho District, Hanoi. Previously, the temple was located in the Tu Tran system, "keeping" the west of the capital. This place was originally a land full of lakes, ponds, and marshes, and was one of the Thirteen camps dating back to the Ly Dynasty. At that time, it belonged to the general cabinet, Quang Duc district, Phung Thien district. Legend has it that Voi Phuc Temple was built in the 7th year of Chuong Thanh Gia Khanh (1065) under King Ly Thanh Tong on a high mound in the land of Thu Le camp - one of 13 camp villages in the west of Thang Long capital. . The temple's opening is currently a four-pillar gate, like cosmic axes that bring vitality from the upper floors down to earth (this is a product of the 19th and 20th centuries). On both sides of the gate are steles of a horse and a pair of elephants. adoration ceremony (currently a new four-pillar ritual gate has been built, close to the main road). It is also because of this that the temple is named Voi Phuc. New
Hanoi 1319 view
The US Embassy relics, also known as the "White House of the East", are the origin of sinister military and political plots aimed at long-term annexation of Vietnam. The relic site is a 5-storey building built Built in modern architecture, located at the corner of Mac Dinh Chi - Le Duan Street, Ben Nghe Ward, District 1, Ho Chi Minh City, on a plot of land nearly 5,000 square meters. Previously, the US embassy was located at 39 Ham Nghi Street. At around 10:00 a.m. on March 30, 1963, the US embassy on Ham Nghi Street was hit with explosives by the F21 Commando team, collapsing three floors: 1, 2, 3, so the US decided to rebuild it. Construction began on the building in 1965, most of the materials and construction machinery were transported from the US, under the control of American engineers. According to the design, the building is surrounded by 7,800 Taredo stones that can withstand mines and artillery shells. The main door is equipped with thick steel, the other doors are blocked by a special thick bulletproof layer. All doors use automatic systems, including iron doors blocking the way to the upper floors. Inside the building there are 140 rooms with 200 staff serving day and night. In addition, next to the building is also built an additional row of houses called the "Norodom" area exclusively for C.I.A. employees. When inaugurated, the building had only 3 floors. At the end of 1966, two more floors and a terrace were built to serve as a landing place for helicopters. Surrounding the building is a 3m high wall, at both ends of the wall close to Le Duan Street, 2 high blockhouses are built, guarded day and night. The Embassy was completed in September 1967 with a defense system such as a fortress with 60 guards, a bomb shelter, and a radar screen system to control the facade. Immediately after the building was completed, on September 24, 1967, thousands of students flocked to the gate of the US Embassy to fight for "America to stop bombing the North", "America to go home" and issued a notice denouncing the US for "trampling and seriously violating the right to self-determination of the Southern people". But the outstanding event that happened at the US Embassy was the battle of the City Rangers during the General Offensive and Uprising in the Spring of 1968. The target of attacking the US Embassy was added on January 24, 1968 by Ngo Thanh. Van is in charge of general affairs. Ranger Team 11 took on this important mission, including captain Ut Nho (military region reconnaissance captain) and soldiers: Bay Truyen, Tuoc, Thanh, Chuc, Tran The Ninh, Chinh, Tai, Van, Duc, Cao Hoai Vinh, Mang, Sau and 2 drivers: Tran Si Hung and Ngo Van Thuan. Another equally humiliating event for the US Embassy was the chaotic escape that occurred on April 29 and 30, 1975 by the US and its accomplices. Faced with the rapid attack of the Vietnamese army and people in the historic Ho Chi Minh campaign, over 1,000 Americans and more than 5,000 pro-American Vietnamese jostled, pushed, and kicked each other to compete for a place on the terrace of the building. building to be rescued by helicopter. This relic was granted a certificate of recognition by the Ministry of Culture on June 25, 1976. Currently, the US Embassy building has been demolished and a new consulate in Ho Chi Minh City has been built, but next to it is a memorial stele forever remembering the achievements of the special forces soldiers who died in the battle. . Source: Ho Chi Minh City Youth Union
Ho Chi Minh City 2372 view
Lang Le Bau Co relic site is located in Tan Nhut commune, Binh Chanh district, Ho Chi Minh City. Lang Le Bau Co is associated with the resistance war against the French invasion in 1948 with major battles that went down in history. Lang Le Bau Co relic was recognized as a city-level historical relic in 2003. The reason it is called Lang Le Bau Co relic area is because the name of Lang Le Bau Co relic area was given by local people. The hamlet was established next to the interlaced canals and rivers. Lang Le Bau Co is located inside a large field with many shrimp, crabs, and fish. Along with many species of birds such as mallards, storks, teal, nuthatches, gongs, partridges, herons, and red armpits come to feed here. Therefore, Tan Nhut people call it by the familiar and rustic name Lang Le Bau Co. Lang Le Bau Co relic is considered the gateway to move to the center of Vuon Thom base and attack the enemy headquarters in Saigon. Previously, Lang Le Bau Co relic area was originally a field of overgrown reeds. On April 15, 1948, the French colonialists sent 3 thousand soldiers and many modern weapons to simultaneously attack the Lang Le Bau Co area to destroy the Vuon Thom base. At that time, the revolutionary armed forces in Lang Le - Bau, because of their small force and rudimentary weapons, had the help of local people along with the advantage of terrain. After just over half a day of fighting, it turned to attack, causing the French army to suffer a large number of casualties. The victory at Lang Le Bau Co killed 300 enemies, captured 30 mercenaries, and destroyed many machines, military vehicles, and guns of all kinds of the enemy. However, on our side, there are many officers and soldiers who heroically sacrificed their lives at a very young age. On October 14, 1966, in Lang Le, the Republic of Vietnam Army Ranger Battalion was destroyed by tourist militia. Lang Le Bau Co relic site has great historical significance for the people of Saigon in particular and the whole country in general. Faced with hatred for the French colonialists, Lang Le Bau Co's army and people fought a war of great historical significance that opened the door for our side and the enemy. For our side, the battle opened the door to heroism in a strong resistance position. As for the enemy, they had to retreat into a strategic position and were destroyed. The French colonialists could no longer form a strategy to defeat the Viet Minh. Moreover, at Vuon Thom base, Lang Le Bau Co also took place a determined battle to protect our base and destroy all sabotage plans of the enemy. Lang Le Bau Co relic area, after the Dong Khoi movement in 1960, was also a logistics and springboard for the armed forces to liberate Long An - Saigon - Gia Dinh. To commemorate the sacrifices of our compatriots and soldiers, in 1988 Binh Chanh district built a historical building in Lang Le Bau Co land with an area of 1000m2. Source: Ho Chi Minh City Electronic Information Newspaper
Ho Chi Minh City 2255 view
Bac Cung Temple (literally known as Thinh Temple) in Tam Hong commune, Yen Lac district is one of four large temples around the Ba Vi mountain region and the Red River Delta worshiping Saint Tan Vien. The temples: Tay Cung, Nam Cung, and Dong Cung are on the other side of the Red River in Son Tay territory. These are four temples that were built and preserved relatively carefully by the people. The temple is located in the middle of fertile fields on a 10,000 square meter plot of land next to winding canals, surrounded by rich and densely populated villages. On both sides, the left desert and the right desert stand majestically and silently, covering a large brick yard, looking up to a unique architectural work. Thinh Temple was built 20 centuries ago on the foundation of a small temple worshiping Saint Tan, where he had previously let his troops stay during a mission to help people clear land and manage water. The divine genealogy passes down that: Saint Tan (still called Son Tinh), whose name is Nguyen Tuan, was born on January 15, Dinh Hoi year in Lang Xuong cave, Trung Nghia commune, Thanh Thuy district, Phu Tho province. He lost his father at a young age and lived with his mother and two cousins, Nhuy Hien and Nguyen Sung. Every day, the three brothers crossed the Da River and went to the Ba Vi mountains to clear fields and farm, looking for a living. Here, Nguyen Tuan met Princess Thuong Ngan, was adopted by her, and gave her a walking stick and many magic spells to save humanity. After defeating Thuy Tinh and marrying Princess Ngoc Hoa, he refused the throne that King Hung wanted to give him, and with his two younger siblings traveled everywhere, helping people clear land and water, and was respected by people everywhere. When passing through the Tam Hong area, he let the troops rest and taught the people to grow rice and fish... After he left, the villagers came to the place where the Holy One rested and saw that there were still some packets of hearing left there, so after This temple is called Thinh temple. There is also a story that: when letting the army stay here, Saint Tan taught the people to butcher Thinh, so the people called the temple that name. From a small temple, during the reign of King Ly Than Tong (1072-1128), the temple was rebuilt into a large temple. This is where the king came to pray for longevity. During the reign of King Minh Mang (1820-1840), the temple was repaired many times. During the reign of King Thanh Thai, the Tri of Yen Lac district appointed monk Thanh At to restore the temple. The project lasted until the 6th reign of Khai Dinh (1900-1921). Through many ups and downs, the temple continues to be preserved and preserved by local people. On January 21, 1992, the temple was recognized by the Ministry of Culture and Information as a cultural and historical relic. Every year, the Thinh Temple festival is held from the 6th of the first lunar month to the 20th of the first lunar month. The festival includes sacrifices, palanquin processions from villages inside and outside the commune and many folk games will be held. Source: Vinh Phuc province electronic information portal
Vinh Phuc 1898 view
Dien Khanh Temple of Literature is located in Phu Loc Tay cluster, Dien Khanh town, Dien Khanh district, Khanh Hoa province. The Temple of Literature is a place to worship Confucius, the founder of Confucianism, and the sages who were his students; At the same time, it is also a place for activities of local scholars and scholars, honoring those who successfully passed the examinations. In 1803, King Gia Long issued an edict to establish a Temple of Literature in Phu Loc commune, Hoa Chau district - Binh Hoa town, now in Phu Loc Tay cluster - Dien Khanh town - Khanh Hoa province. The Temple of Literature was built on a large scale in 1853 and by the following year it was basically completed: in front there was a pavilion, in the middle there was a high and wide front hall and main hall, made of wood and surrounded by brick walls. The rafters are carved with beautiful and majestic gilded lacquer. Dien Khanh Temple of Literature was built on a large, flat area of land, with a total area of 1,500 square meters. When it was first built, the Temple of Literature had the following architectural works: Chinh temple and Khai Thanh temple, roofed with thatched grass. In 1849, the Temple of Literature had its roof system renovated, replacing thatched roofs with tiled roofs and building Ta Vu, Huu Vu, Khai Mieu, Quan Cu, Tu Mieu... with a very large and solid scale. In 1959, the Temple of Literature was rebuilt on the old foundation in Phu Loc village, but on a smaller scale, including: the outer gate and city walls; Internal Nghi Mon; stele house (Thach Bi communal house); temple yard; flag pole; Eastern and Western houses (Ta Vu - Huu Vu); Worshiping the road; Chief of soaking. Basically, the structures of Chanh Tam and Bai Duong compartments were transferred from Van Chi Phuoc Dien, and Ta Vu and Huu Vu were built in the style of a four-level, three-compartment house. The walls are built of bricks, there are no wings. The roof is covered with yin and yang tiles, later restored and replaced with Western tiles; The wooden door system is built in a plank style, replacing the ancient style of upper and lower sides; Do not rebuild Khai Mieu, Quan Cu and Tu Temple. Currently, the Temple of Literature only retains two stone steles from the Tu Duc 11 period (1858), which help us better understand the history, culture, and activities of the people of Khanh Hoa and the process of completing the Temple of Literature area in 1854. There is also an article in Bai Duong that speaks more clearly about the achievements of literary and martial arts scholars, scholars, notables, dignitaries and local students from the beginning of the Nguyen Dynasty to the Tu Duc period. With a rich history, the Temple of Literature area carries great value in the process of learning, receiving knowledge and expressing respect for teachers, enriching the treasure of national cultural heritage. Dien Khanh Temple of Literature relic was ranked a National Monument by the Ministry of Culture, Sports and Tourism on October 15, 1998. Source: Department of Culture and Sports of Khanh Hoa province
Khanh Hoa 1790 view
Chot Mat Tower Historical-Cultural Relic, located in Xom Thap hamlet, Tan Phong commune, Tan Bien district, Tay Ninh province, was recognized by the Ministry of Culture and Information (now the Ministry of Culture, Sports and Tourism) as historical - cultural relic on July 23, 1993. Also one of the last three ancient towers remaining in the South of our country. Having undergone many restorations in 1938, 2003 and most recently in 2013. Despite undergoing restorations, the Chot Mat ancient tower relic site has given itself a new look but still remains retains the spirit of ancient architecture. The entire Tower is built of brick and slate with the top of the tower tapering upward, from the ground to the highest point of the tower is estimated to be 10m. In addition, this ancient tower is located on a high mound in the middle of the field, so from a distance it looks like a pen rising gradually. In 2003, the People's Committee of Tay Ninh province decided to approve the investment project to restore, embellish and preserve Chot Mat tower relics and carried out the restoration, restoration, display and opening of the excavation pit in 2003. into use. On November 27, 2019, the Provincial People's Committee issued a Decision regulating the decentralization of management, protection and promotion of the value of historical and cultural relics and scenic spots in Tay Ninh province. Decision to assign the People's Committee of Tan Bien district to directly manage 4 relics, including the National Historical-Cultural relic Thap Chot Mat. In particular, the Chot Mat Tower Historical-Cultural Relic in Tan Phong commune, Tan Bien district was chosen to be part of the tourism development link of Tay Ninh Province. This is a tourist destination worth exploring, contributing to tourism development in Tan Phong commune in particular and Tan Bien district in general. Source: Tay Ninh province electronic information portal
Tay Ninh 1629 view
Bao An Pagoda, the full name in ancient documents is Bao An Thien Tu or Tu Gia Bao An, the popular name is Cam Pagoda, formerly belonging to Thap Mieu commune, Bach Tru canton, Yen Lang district, Phuc Yen province, Now belongs to Trung Nhi ward, Phuc Yen city, Vinh Phuc province. The pagoda was built in the 12th century during the reign of King Ly Cao Tong (1176-1210). This is one of the few pagodas dating back to the Ly Dynasty until today. The pagoda is built on a high hill, with luxuriant trees, windy on all four sides, beautiful scenery, quiet, full of solitude, a place of meditation. In the past, this area was called Tieu Dao Mountain, and is commonly called Cam Forest, perhaps that's why the pagoda is famous as Cam Pagoda. According to inscriptions and genealogies, the pagoda has existed for a long time. In the 12th century, the crown prince, son of King Ly Cao Tong, donated more than a hundred acres of fields, two thousand francs of money to repair the pagoda, and 700 francs of merit for a banquet. worship easily. Assign martial general Nguyen to directly direct and mobilize donations to repair the pagoda. As a result, the pagoda was restored with "seven newly built closely spaced rooms, columns painted with bright flowers, bright jade colors, a high and precious palace, bright sunlight and moonlight, a splendid Buddha statue, and a poised lotus throne." , the big bell towers over the phoenix, the noble king holds the dragon, the splendor and majesty are clear...". The military general of the Nguyen family also had the merit of a thousand francs to buy more than a hundred acres of fields to donate to the pagoda for farming. In the 14th century under the reign of King Tran Anh Tong, Bao An Pagoda was given a lot of money to repair and embellish by Princess Hung Nuong. To remember his merits, like many other pagodas in the area, people built a shrine to Princess Hung Nuong in the pagoda. Having gone through the ups and downs of thousands of years of history, Bao An Pagoda is still at the old campus but has had many changes. Ancient architectural buildings such as the front hall, incense burner, upper palace, ancestral house, Hung Nuong princess shrine and mother shrine were demolished due to deterioration. Currently, the pagoda has been renovated and rebuilt on a large scale, with reinforced concrete architecture and tiled roof. The pagoda also preserves valuable relics and antiques such as: Dharma statues, altars, bronze bells, and stone stele. Among them, the most typical is the stone stele "Bao An Zen Tu Bi Bi Ky" (inscription of Bao An Pagoda's stele). Up to now, according to review, survey and statistical data, this is the only Ly Dynasty stele remaining in the province. The stele was engraved in December of the year Tri Binh Long Ung (1209) and re-engraved later, probably at the end of the 18th century, placed at Bao An pagoda. The stele was mentioned and published by many researchers in Ly Tran Poetry (Social Sciences Publishing House, H.1977) and Ly Dynasty Epitaph (VNU Publishing House, H.2010). This is the oldest stele in Vinh Phuc and one of the 18 Ly Dynasty stelae remaining in our country today. The stele is 1.4m high, 0.85m wide, 0.14m thick, placed on the back of a smooth-shelled stone turtle, its head protruding, its four-clawed feet spread out in all four directions. The stele is engraved on both sides with 50 lines including 1498 Chinese - Nom characters, sharp handwriting in the style of Ly Dynasty script, very beautiful. The content of the memoir was composed by Wei Tu Hien in a parallel, parallel, and concise writing style. At the end of the memoir is an essay written in the style of Buddhist verse. The content of the stele describes the splendid and splendid scene of Bao An Pagoda in the 12th century, recording the merits of repairing the pagoda of Prince Sam, son of King Ly Cao Tong, military generals of the Nguyen family, along with Buddhists and people there. This. According to Nguyen Huu Mui (Research on Vinh Phuc Inscriptions, 2013), although the epitaph is still full of exaggeration, the image of a Ly Dynasty pagoda is clearly shown: the pagoda was restored by just one person. , the scale of the pagoda is large, inside the pagoda there are Buddha statues and lotus flowers, outside the pagoda there are bells and openings; The pagoda owns a lot of land and has a Thich Giao Zen Association (a type of Buddhist association, offering temple protection) to manage the meditation area. Based on this stele, it can be seen that the construction and restoration of pagodas took place on Vinh Phuc land since the Ly dynasty. The construction and restoration of pagodas was encouraged, not prohibited, by the royal court and assigned to the mandarins and aristocracy to preside and organize. The construction and restoration of pagodas is also considered an important event in the spiritual life of the people, attracting the whole region and even the whole country to join in the merit. This proves that during the peak development of Buddhism during the Ly Dynasty, Vinh Phuc area was also a popular center of this religion. The special thing is that among the nearly 1,500 words on the stele, there are mixed Nom words, these Nom words are used to write people's names and land names. It is said that this is one of the oldest evidences of Nom script found in Vietnam. Before this stele, traces of a few Nom characters were only found in two places: on the bell of Van Ban pagoda, Hai Phong (year 1076), and in an inscription at the pagoda of Huong Non commune, Tam Nong district, Phu Tho province. (year 1173). Bao An Pagoda was ranked as a provincial historical-cultural relic in 1995. In the period 2021 - 2025, Vinh Phuc province plans to build a scientific dossier to request recognition of the National Treasure for the pagoda steles. Bao An and upgrading the national monument ranking for Bao An Pagoda relics, these are activities to further strengthen the management, conservation and promotion of heritage values. Source: Bao An Pagoda Vinh Phuc
Vinh Phuc 1626 view
Hoc Mon District Palace is located at No. 1, Ly Nam De Street, Hoc Mon Town, (next to the District People's Committee headquarters) and is the place where many outstanding fighting events have been recorded throughout the long history from 1885 to the Southern days. Complete liberation of the People of 18 Betel Garden Villages. After defeating Chi Hoa Fort, the French colonialists built a 3-storey wooden house here to use as a military post. When Tran Tu Ca took office as Governor of the Palace, he used the Station as the Palace of Binh Long district. Originally a cunning drunkard of the French colonialists, Tran Tu Ca was led by a group led by Mr. Phan Van Hon (Quan Hon) and Nguyen Van Qua (Chanh Lanh Binh) of nearly 1,000 insurgents who came to burn the District Palace, captured and head cut off in the middle of the market. That was February 8, 1885, At Dau Tet. Afterwards, Hoc Mon District Palace was rebuilt with a blue stone foundation, brick walls, and a defense system from the upper floors to the fence. The architecture is similar to the Military Fort, so the locals call it Hoc Mon Fort. Tran took over from Tran Tu Ca as Governor of Ngon district, moving to Tra District and then Tho District. This was a long period of time when the people of the Hoc Mon region suffered from many cruel and despicable scenes from the French colonialists and their oligarchic henchmen mentioned above. With the indomitable tradition of Hoc Mon people. On June 4, 1930, around 6 a.m. in front of the District Palace, hundreds of Hoc Mon people protested demanding "abolition of poll tax, reduction of license and market taxes, and granting land to poor farmers." Tra District invited the leaders into the Palace to negotiate, but they cunningly arrested them, including Mr. Le Van Uoi (Secretary of Tan Thoi Nhi Commune), who was the leader of the protest. People were undaunted and fiercely demanded that Tea District release those detained. The protest group became more and more crowded, the fighting spirit spread somewhat, causing Tra District to give in. On the one hand, they released the detained people, on the other hand, they called the officials in Saigon for help. 2 hours later, the struggle was led by two men, Blachole and Nobbot, who opened fire on the protest group, causing many casualties. But the most impressive historical event at Hoc Mon District Palace was the Southern Uprising on November 23, 1940. Hoc Mon Fort is very solid, built of green stone like a fortress, about 15 meters high, has a gun emplacement and a defense system with battlements guarded by a platoon of green soldiers. On November 22, 1940, France reinforced one more platoon to deal with the situation. On the afternoon of November 22, 1940, Mr. Do Van Coi's army broke into the town, disguised as civilians, ambushed behind the Station waiting for orders to rob the Station. Another army wing has the task of destroying bridges, cutting down trees blocking roads, and occupying offices and houses... The army wing from Phuoc Vinh An, Tan Thong, Tan An Hoi, Tan Phu Trung is led by Mr. Pham Van Sang and Dang Cong Binh commanded, started from Ben Do hamlet, attacked the house, killed 1 person, collected 4 guns, and took control of the situation here (Tan Phu Trung). Immediately this army was ordered to pull back to Hoc Mon. The Long Tuy Thuong army was commanded by Mr. Bui Van Hoat. The army of General Long Tuy Trung was commanded by Mr. Do Van Day and Le Binh Dang. At around 24:00 on the night of November 22, 1940, the sound of artillery fire had not yet been heard in Saigon. After consulting, the army commanders united to attack the enemy's post. Immediately the troops headed straight to Fort Hoc Mon, where District Chief Bui Ngoc Tho resided. Two insurgents named Nghe and Kinh volunteered to enter the front gate and sacrificed their lives. Insurgents from all directions rushed into the Fort like water bursting its banks. Faced with the power of the insurgents and the masses, the soldiers in the Station no longer had the spirit to resist and fled in disarray. The insurgents completely occupied the inside of the station, but upstairs, the enemy still stubbornly used guns to shoot sporadically, at the same time calling Saigon and Thu Dau Mot for emergency help. Because he was eager to capture the name of Tho District, comrade Do Van Day climbed up to the upper floor of the Station by clinging to the gutter. Halfway up, he was hit by bullets, the comrade fell and died later. The battle was at a standstill when enemy reinforcements arrived. Unable to hold out, the insurgents withdrew from the town, dispersed to the villages, the armed forces withdrew to Ben Do hamlet (Tan Phu Trung) and then moved to My Hanh hamlet (Duc Hoa). Although the attack on Hoc Mon Fort (later called Hoc Mon District Palace) failed, it left a deep impression in the hearts of all civilians admiring the courage of revolutionary soldiers in the fight against colonialism. steal the country. During the historic Ho Chi Minh campaign, at 7:00 a.m. on April 30, 1975, Hoc Mon town was completely liberated, the National flag fluttered above the District Palace, where District Chief Nguyen Nhu Sang and his gang sai has been running away since last night. Today, Hoc Mon District Palace is chosen as the District Museum, where many documents are displayed, illustrating the ups and downs of historical periods as well as the revolutionary fighting spirit of the army and people in Hoc Mon district over the past two years. resistance war against French colonialism and American imperialism. A monument placed in front of the Hoc Mon District Palace relic represents the indomitable sacrifice of the army and people of 18 Betel Garden Villages, recognized as a national historical and cultural relic. Source: Hoc Mon District People's Committee
Ho Chi Minh City 1581 view
Nga Ba Giong relic is a revolutionary historical relic located in Hamlet 5, Xuan Thoi Thuong commune, Hoc Mon district. Surrounded by three roads: Phan Van Hon, Nguyen Van Bua and Provincial Road 19. Nga Ba Giong relic site is a memorial site for historical events in two wars against foreign invaders. Recognized as a national historical site in 2002. Giong Junction (also fully known as Giong Bang Lang Junction) is located in Xuan Thoi Tay village, part of 18 old betel garden villages formed from 1698 to 1731. For a long time, Giong Junction is a place with a folk name that has entered the history of the hometown of 18 betel garden villages of Hoc Mon - Ba Diem. Legend has it that in the past, this place was a relatively high land and a place where many linden trees grew, so this place got its name from there. After the Southern Uprising (November 23, 1940) failed, the French colonialists increased their repression and fierce terror against the revolutionary movement in the Hoc Mon - Ba Diem region. They set up three shooting ranges in Hoc Mon to kill Party leaders and patriotic comrades from their hometown of Hoc Mon and surrounding areas. Giong intersection is the third shooting range to record the heinous crimes of the French enemy and his henchmen against the people of Hoc Mon. Learning from the experience of 2 previous shooting ranges (1 at the old theater in the center of Hoc Mon District, 1 next to the well behind Hoc Mon Hospital today), they executed public shootings, forcing people to come and watch for the purpose of intimidation. revolutionary spirit of Hoc Mon people. But that firing squad backfired. The Hoc Mon people witnessed with their own eyes the cruelty of the French colonialists and the noble sacrifices of the communist soldiers, so their patriotic fire flared up even more fiercely. . For this third shooting range, they did not dare to build it near the center of the District anymore, but moved it to the Giong Junction area as a desolate, sparsely populated area to avoid people's resistance. Here, they built a shooting range with a solid mound of land 12m long, 2.2m high, in front of which were planted 6 shooting posts, each 1.7m high, the shooting direction facing the field (Ba Tram Lac). In 1941, here they secretly executed many times without letting the people see, hundreds of communist soldiers and patriots were killed by them. With the extremely sacred historical significance of Giong Junction, the place that marked the barbaric crimes of the French invaders, the place that demonstrated the indomitable fighting will and noble sacrifices of our comrades and compatriots later on. the Southern Uprising (November 23, 1940); After the complete liberation of the South (April 30, 1975), Hoc Mon district quickly restored and embellished the Nga Giong Junction revolutionary historical relic site to educate traditional generations of youth. This place has become a tourist attraction and a place to organize traditional festivals during major annual holidays of Hoc Mon district and the city, especially the anniversary of Southern Uprising Day (November 23). Currently, with the consent of the city, the district is renovating and building Giong Junction into "Giong Junction Martyrs' Memorial Area". Source: Hoc Mon electronic information portal
Ho Chi Minh City 1579 view
Historical and archaeological relics of Thang Long Imperial Citadel Central Area - Hanoi with a core conservation planning area of 18,395 hectares (including Hanoi Ancient Citadel Relics Area and 18 Hoang Dieu Archaeological Relics Area) and the buffer zone area is 108 hectares. In 1009, Ly Cong Uan ascended the throne and established the Ly dynasty. In 1010, Ly Thai To moved the capital from Hoa Lu to Dai La citadel, renamed the new capital Thang Long and built it into the country's largest economic, political and cultural center. Through the Ly, Tran, Le So, Mac and Le Trung Hung dynasties, Thang Long citadel always held the position of "National Capital", the residence and working place of the King and Royal Family. This area is also where important ceremonies of the country are held. After the Nguyen Dynasty established the capital in Hue (1802), the capital role of Thang Long was dissolved... After 1954, the Thang Long citadel area became the headquarters of the Ministry of National Defense. It was in this area that many important decisions of the Party and State were made, contributing to great victories in the resistance war against the US to save the country, win national independence, and unify the country. Through time and historical events, Thang Long citadel has had many changes and deformations..., but up to now a number of historical and archaeological relics are still preserved, typically: Flagpole (Hanoi Flagpole): built in 1812, under the reign of King Gia Long, 33.4m high, including three floors: base, column body and lookout. Doan Mon: is the southern gate, built in a rolling arch style. Doan Mon is arranged horizontally, including the middle door reserved for the king, on both sides there are 4 smaller doors, for mandarins and royal families. Kinh Thien Palace: located in the center of the imperial citadel (early Le Dynasty), built in 1428, right on the old foundation of Can Nguyen Palace under the Ly Dynasty (later renamed Thien An Palace). In 1886, this palace was destroyed by the French colonialists to build the French Army Artillery Command. Currently, only traces of the foundation of Kinh Thien Palace remain. In particular, this area still preserves two stone dragon steps, dating back to the 15th century. Hau Lau (Princess's Floor): built in 1821, used as a resting place for the maids in the convoy escorting the Nguyen Kings when traveling to the North. At the end of the 19th century, Hau Lau was seriously damaged, the French colonialists renovated and rebuilt it as it is today. Bac Mon (North Gate): is the northern city gate, built in 1805, consisting of two floors, eight roofs, with a curved blade head, in the traditional style. Surrounding walls and 8 palace gates of the Nguyen Dynasty: In 1805, the Nguyen Dynasty built a wall from the Doan Mon gate around the inner palace, creating a palace for the king to work and rest every time the North patrolled. Currently, in the ancient citadel there are still 8 city gates along with a system of walls surrounding the palace made of bricks. Relics of house and bunker D67: built in 1967, in area A. This is where the Politburo, Central Military Party Committee, and the General Command made many historical decisions, marking important achievements. Milestones of the Vietnamese revolution: The 1968 Tet Offensive, the 1972 campaign, the 1975 General Offensive and the climax of the Ho Chi Minh Campaign... French architectural works: built from the late 19th century to the early 20th century in the Vauban style, including the French Army Artillery Command building; a 2-story building, built in 1897, now used as the headquarters of the Department of Operations; two one-story buildings, built in 1897. East of the Operations Department building is a guest house, built in 1930. Trees in the relic area: planted at high density and diverse in types, have contributed to creating a fresh environment and harmonious landscape for the relic area. Archaeological relics at 18 Hoang Dieu: located about 100m west of Kinh Thien Palace, with an area of 4,530 hectares, excavations began in December 2002, divided into 4 zones (A, B, C, D). While excavating here, archaeologists discovered traces of the foundations of ancient architectural works of Thang Long Imperial Citadel and many valuable artifacts, such as terracotta architectural decorative materials. , wooden columns, ceramics of Vietnamese feudal dynasties and many foreign utensils and objects, such as porcelain from West Asia, China, Japan... Thang Long - Hanoi Ancient Citadel is a typical historical and archaeological relic, material evidence reflecting high technical level, containing historical, architectural and artistic values. At the same time, it reflects the cultural interference with countries in the region and around the world in a long historical process, shown through many historical artifacts, architectural works, and urban landscapes with unique appearance. thousands of years of history. With the special historical, cultural and scientific values of the monument, the Prime Minister has decided to classify the Thang Long - Hanoi Imperial Citadel Central Area historical and archaeological site as a special national monument. farewell on August 12, 2009. Source: Department of Cultural Heritage
Hanoi 1541 view
Ong Ich Khiem's grave is located at Hoa Tho commune cemetery, Hoa Vang district, Da Nang city, 10km southwest of the city center. Mr. Ich Khiem, nicknamed Muc Chi, was born on December 21, 1829 in Phong Le Bac village, Hoa Tho commune, Hoa Vang district. He passed the bachelor's degree exam in the 7th year of Thieu Tri (1847) and became a mandarin under the reign of King Tu Duc. Famous for being intelligent, upright, and an assertive and strategic general, he was instrumental in leading troops to defend Da Nang when the French colonialists opened fire to attack and invade our country. Coming from a farming family, Mr. Ich Khiem soon showed his superior intelligence. After passing his bachelor's degree at the age of 15, he became a mandarin under the reign of King Tu Duc, held the position of Minor Phu Su, and was appointed Tri of Kim Thanh district, Hai Duong province. During his career as a mandarin, he achieved the highest title of Ta Thi lang of Infantry. With a straightforward, bold and somewhat hot-tempered personality, and born in a turbulent political era, Mr. Ich Khiem's career path encountered many storms and obstacles. He often confronted the tyrants and tyrants directly, and was forced to be dismissed from his position. At that time, he returned to his hometown to develop agriculture, buy and allocate land for people to farm, and instruct people to build roads, dig canals, and bring water for irrigation. In 1858, when the French colonialists attacked Da Nang and violated our country's sovereignty, the king called him to take up a new position, leading the army to pacify the country. Although he was originally a literary mandarin, the times made Mr. Ich Khiem become a martial mandarin. During his career as a general, he was dismissed many times, then made great achievements and was reinstated thanks to his undeniable military talent. However, in 1884, when he heard that King Tu Duc had passed away, he was imprisoned in Binh Thuan prison, the court was in chaos, and the scholar committed suicide at the age of 55. In early 1885, he was awarded the rank of Thi Doc. Up to now, Mr. Ich Khiem's talent, dignity and merit are still preserved in history books and are remembered and praised by people. Mr. Ich Khiem died on July 19, 1884 in Binh Thuan. His son, Ong Ich Thien, brought his body back to his hometown and buried it in Phong Le village. The tomb is built in an octagonal shape, with a length of 13.8m from the entrance gate; width 6.1m; The wall surrounding the tomb is 0.72m high. The tomb is 4.75m long; 3.5m wide; 0.35m high. In front of the tomb there is a stele house, inside is placed a 0.83m high marble stele; 0.54m wide decorated with dragons, phoenixes and flowers. Ong Ich Khiem's grave was recognized by the Ministry of Culture and Information (now the Ministry of Culture, Sports and Tourism) as a national monument on July 12, 2001. Source: Tourist Information Center
Da Nang 1527 view
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