Temple worshiping Trieu Da (during the reign of Emperor Trieu Vu), village 10, Xuan Quan commune, Van Giang district. The communal house was built a long time ago and restored during the Nguyen Dynasty in the 24th year of Tu Duc (1871). Currently, artifacts such as palanquins, stone stele, thrones, and worship statues are still preserved. The annual festival is from the 14th to 16th of the second lunar month. Trieu Da Communal House, Xuan Quan Commune, Van Giang District, Hung Yen Province, was called "Nam Viet Linh Tu". It was not until Ly Anh Tong's reign that it was renamed Long Hung Communal House. Trieu Da communal house has bold architectural features of the 17th - 18th centuries. The communal house's grounds are spacious and airy with an area of about 13,000 square meters. The communal house was built in a foreign domestic style, with construction items located on a straight road stretching from the communal house gate to the harem. The main items of the relic include: the outer gate, Nghi Mon, the great altar, the lower harem, the upper harem and two rows of Giai Vu. The front porch faces South, which is the direction of wisdom and life. The Nghi Mon gate at Trieu Da communal house is completely different from the Nghi Mon gate of many other relics. The ritual gate is made in the style of a two-story, eight-roofed pile of matches, the blades are covered with dragon heads and monkey heads raised high, the roof is tiled, and the banks are flanked by two dragons flanking the Buddha. The neck of the match is emblazoned with three Chinese characters: "Long Hung Dien" (Long Hung Palace). Nghi Mon's architectural structure is in the form of a pile of lotus mats, smooth planing, and sharp edges. The two sides next to it are placed two statues of Tuc Ve (gate guards), statues created in the solemn upright posture of a guard. On both sides of Nghi Mon, there are two side gates made in the style of two floors and eight roofs. Inside the side gate is a small road leading to the inner temple area. Trieu Da Communal House built a main gate and two side gates like today. It is possible that in the past, kings and mandarins in the court often came here to worship and pray for the blessing of the island. Through the yard is the inner temple area, the first building is the great worship hall with 3 compartments and 2 floors built in a matchbox style with 2 floors and 8 roofs. The dragon-head-shaped blades are raised high. At the top of the roof, there are two numbers flanking the monstrance in the middle of the roof. The great altar is made in a pine style, the two gables are closed, the bottom and back are left blank, creating ventilation for the monument. The altars are structured in the style of stacking lotus beams, the beams and 7 heads are all carved with stylized flowers and leaves. In the middle of the hall is the communal altar, the incense burner is made of wood and carved with four sacred animals and four precious animals. On the incense table are placed worshiping objects such as: incense bowl, copper top set, pair of water hyacinths... Trieu Da's rear palace consists of three rooms and two dishes, with a tiled roof. In the middle space, on the summer side, the porch is built forward to form a space. This space is made of four pillars with two floors and eight roofs. This is the place where the bowl of worship is placed. On both sides of the porch are two statues of Tuc Ve (gate guards). The statues pose in an upright position with a solemn face. Separating between the porch and the inside is a system of tables, each door is engraved with a theme such as: phoenix riding clouds, dragon horse rolling sewing... very sophisticated in the artistic style of the Nguyen Dynasty. The structure of the lower bow sets is a simple gong stand style, smoothed and sharpened. Supporting the roof is a system of two rows of main columns and two rows of military columns. In the center of the nave is the altar, above which is the throne containing the throne of the Village's Thanh Hoang Trieu Vu De. The throne and tablet are 2.1m high; 0.73m long; 0.7m deep. The throne's base is shaped like a fish-wound kneeling leg with a tiger-shaped face. Tablets; The other part is shaped like a fireball, inside the station are 6 dragons curled up; The body is decorated with four sacred lines, shaped like a fire knife; On the body of the tablet is engraved a text in Chinese characters praising the god's merits. In addition, the table is also decorated with a number of worship items such as: candlesticks, candlesticks, ... especially an ancient tamarind-colored incense bowl with a diameter of 0.3m; 0.32m high, decorated with water and mountain patterns, on both sides of the altar are two 1.76m high Eunuch statues; shoulder height 0.5m. The statue is in an upright position. On both sides of the lower palace are altars; The space on the left worships Trieu Da's children and grandchildren; The room on the right worships the queen and two princesses, Truong Trang and the second princess. Connected to the lower palace are three upper palace rooms with an architectural structure of rafters, smooth and sharp. The engravings in this building are concentrated mainly on the front door with themes: stylized flowers and leaves, two dragons flanking the moon, fire swords, phoenix holding a lotus flower..., carved very skillfully by the artist. passionate and full of creativity. In addition, on both sides of the inner temple there are two rows of Giai Vu, each row has 10 rooms, simple architectural structure, used as a place to receive guests and meet. The communal house is ranked "Artistic Architecture" according to Decision No. 49/2007/Decision - Ministry of Culture and Sports, dated August 3, 2007. Source Electronic information portal of Van Giang district, Hung Yen province
Hung Yen view
Comrade Le Van Luong - an excellent student of President Ho Chi Minh, the first generation of party members of the Communist Party of Vietnam, with 83 years of life, nearly 70 years of continuous revolutionary activities, he has made important contributions to the victory of the Vietnamese revolutionary cause. In recognition of those great merits and contributions, comrade Le Van Luong was awarded many noble titles by the Party and State: Gold Star Medal, 50-year Party badge and many noble orders and medals. other. Comrade Le Van Luong Memorial House was built in 2003 in Nghia Tru commune, Van Giang district, Hung Yen province. This is a project built by the Provincial Party Committee, People's Council, People's Committee of Hung Yen province and descendants of the Nguyen family to remember the comrade's great contributions and contributions to the Vietnamese revolution. This is also a place to display documents and images as well as worship comrade Le Van Luong - a typical senior leader of the Party, of the revolution, an outstanding son of the Vietnamese people. The memorial house has a Dinh (丁) character structure, including two altar buildings, a harem and other items such as: gate, reception house, Nguyen family church, stele building... The architectural items are Made in the traditional style and still relatively consistent. The altar is the place to display and introduce nearly 100 documents, images, and artifacts typical of comrade Le Van Luong's background, life, revolutionary career, and great contributions to his homeland. country. Connected to the Tieu Te is a Harem pavilion with simple architecture like a hitchhiking bridge truss with no decorative patterns. The harem is the most sacred and solemn place where the altar to worship comrade Le Van Luong is placed. On the altar is placed a statue of comrade Le Van Luong's portrait cast by Prime Minister Phan Van Khai on the occasion of the inauguration of the 1996 memorial house. 2003 shows the Party and State's concern for comrades. On the same campus as Comrade Le Van Luong Memorial House is the Nguyen family church built by Comrade Nguyen Thi Bich Thuan (comrade Le Van Luong's wife) in 2005. The church is simple but solemn, on the altar is placed The throne and tablet are titled "Nguyen family Liet To". Next to the Nguyen family church is a stele building built in a four-pillar style with four twisted curved roofs buried in spirals. Inside is a stone stele engraved with words praising the merits and steadfast heart for the Party and people of comrade Le Van Luong and his wife Nguyen Thi Bich Thuan. Every year, the death anniversary of comrade Le Van Luong is organized by the local government and family descendants on the 26th day of the third lunar month (comrade's death anniversary). This is also an opportunity for everyone to gather together to remember the gratitude of our predecessors who sacrificed for the independence, freedom, and happiness of our children and grandchildren today and tomorrow. To honor the great contributions of comrade Le Van Luong to the revolutionary cause of the Party and the nation, while affirming the cultural and historical value of the Comrade Le Van Luong Memorial House, Ministry of Culture , Sports and Tourism issued Decision No. 673/Decision - Ministry of Culture, Sports and Tourism on March 24, 2022, recognizing the ranking of Comrade Le Van Luong's memorial site as a "Historic Relic" National level family./. Source: Department of Culture, Sports and Tourism.
Hung Yen view
Da Nguu communal house in Da Nguu village, Tan Tien commune, Van Giang district (Hung Yen) said that, based on the vestiges of Ba Chua's mausoleum as well as the ordination of dynasties (including the ordination of King Quang Trung in the past Da Nguu communal house was built very early in 1520, two brothers, Cong Ca and Cong Hai, organized the construction of the communal house. When starting the construction, the village elders bought 101 ironwood trees using 100 ironwood trees as pillars, 1 split tree as a chisel handle and not using any iron nails. There are few communal houses or temples in the Northern Delta region that have a porch structure surrounded by columns Da Nguu communal house. According to the legend of the ancients: "Da Nguu is like a crouching ox, seventy-two stars" (meaning: "Da Nguu village has the shape of a lying buffalo, there are 72 earth gods"), in the middle of the village there is high terrain That beautiful, airy communal house was built with 100 columns. The communal house consists of 3 buildings: the front porch, the middle court and the back palace. The front of the communal house looks to the Northwest and has many large carved paintings The second court has rows of hammock doors carved with magnificent dragons and phoenixes and the great inscription "Long live the Holy Palace". The gilded, mother-of-pearl mosaics are hung on the columns and in front of the altar praising the merits of the three deities worshiped in the harem: Chu Dong Tu, Tien Dung and Princess Hong Van. In front and behind the communal house, there are two Ngoc wells planted with lotus. On summer days, lotus scent is fragrant. On the annual village festival (from the 10th to the 12th day of the second lunar month), the elders often hold a bathing ceremony for the thrones in the shrines at the two Ngoc wells. To the east of the communal house is the old man's house - a place to worship those who have contributed to the country, to the west is Khanh Van Tu. The ritual gate of Da Nguu communal house was built in the traditional style of communal houses and temples in the Northern Delta, including 4 pillars forming three gates. The pillar is built of bricks. The two pillars in the middle are tall and big; The two pillars on both sides are small and low. All four pillars have a top decorated with four phoenixes, the upper body of the pillar is decorated with lanterns, the middle is a box decorated with parallel sentences, and the base is tied in the form of a puffy neck. Between the two tall pillars is the main gate to the communal house. On both sides of the main gate are two side gates, above which there is a roof, in the form of 4 roofs. There is a wall surrounding the communal house. The communal house's yard is 20m wide, 32m long, paved with Bat Trang tiles. In the middle of the yard there is a path made of paved bricks that is higher than the surrounding yard. On the left side of the yard there is a Ta Vu court, where the offerings are placed. The Great Hall consists of two buildings: the Pre-District and the Main Hall, placed parallel to each other. The hall is 20m long, 7.7m wide, includes 5 compartments, 4 roofs, and a 1.4m wide corridor surrounding 3 sides. The electricity hall has the structure of a communal house. The middle space has a low floor called the boat's heart room, which is the place for ceremonies. The 4 compartments on both sides have high floors and are meeting places. The front hall has 40 columns, the main column is 4.2m high, 0.45m wide in diameter, the military column is 3.1m high, 0.35m wide in diameter. It is the column system arranged along the corridor that makes the communal house have more columns than other traditional communal houses. The front and both gables of the front hall have 2.25m high wooden doors with bars on top. Da Nguu Communal House is also a witness of historical events. Pho Duc Chinh (1907 - 1930) - one of the leaders of the Vietnam Nationalist Party, brought his organization here to build a base to prepare to fight against the French. In 1929 - 1930, Da Nguu communal house was the place where meetings took place to listen to Viet Minh cadres propagandize about the Russian October Revolution... With great values in cultural history and architecture, Da Nguu communal house was Ranked as a national monument since 1995. Source Electronic information portal of Van Giang district, Hung Yen province.
Hung Yen 14 view
Me So Pagoda is located in Me So village, Me So commune, Van Giang district, Hung Yen province. The pagoda belongs to the Northern sect. Me So Pagoda is located next to the Red River dyke, in the middle of a rich countryside that has long been famous for its thousand-eyed, thousand-armed Quan Am statue. The pagoda was built in the Later Le Dynasty and has been repaired many times. The remaining vestiges were mainly restored at the end of the 19th century. Only the thousand-eyed, thousand-armed Guan Yin statue remains relatively intact. Guan Yin or Avalokiteśvara means to hear the cries of suffering of living beings in life to save them. Guanyin can manifest into thousands of different forms to adapt to every situation to save every case of suffering. With boundless magical power and power, and absolute wisdom with thousands of hands and eyes, he saved all. The statue was created in a meditating position and is quite large in size. From the crown to the seat is 1.4m high, the pedestal is 0.53m high, the lotus flower is 0.23m high, with an elegant, pure face and slim body, creating a beautiful statue in both content and form. show. The statue has two main pairs of hands, the first pair clasped in front of the chest, bearing the "standard de" seal, the other pair of hands raised above to support the lotus stems and small Buddha statue. The large hands are more or less soft and flexible, the arms are round, the bare soles are clasped at the sides in different high and low positions. The opening of the arms is high enough without obscuring the statue. Right behind the big arm is a system of small arms with hundreds of arms and eyes formed into 10 layers growing in symmetrical pairs. These ten layers of hands and eyes are divided into 3 large parts, creating the feeling of a halo radiating from the statue's head. Above the statue's head, the halo is embossed with a cloud shape with small arms intertwined like bird wings in a flying position. This bird avoids the "ungainly" halo of the image, arousing the viewer's curiosity about Buddhism. The small hands of the statue are shown with long, slender arms, the eyes are placed in the palm of the hand to form the nectar seal, these arms vary in length according to the degree of opening gradually taking the statue's head as the center, making them as having a combined function to form an aura... Together with the lotus base and pedestal, all create a complete statue with meticulously skilled lines. The contemporary concept of beauty has been conveyed by artists into the statue with elegant, benevolent lines for the face and figure. This is one of the wooden statues that represent Vietnamese fine arts of the late 18th and early 19th centuries. The thousand-eyed, thousand-armed Guan Yin statue at Me So Pagoda is the pride of Vietnamese statue sculpture, bringing many creative features while still reflecting the compassionate spirit of Buddhism and the soul of Vietnam. Me So Pagoda was ranked as a national architectural and artistic relic by the Ministry of Culture and Information on November 16, 1988. Source Electronic information portal of Van Giang district, Hung Yen province.
Hung Yen 17 view
Ngo Temple worships Hai Ba Trung, the first Vietnamese woman to raise the flag of insurrection to drive invaders out of the country and regain independence for the country. The temple was built by our ancestors right at the beginning of the village in a spacious campus, open to all four winds, with a harmonious, solemn and magnificent landscape. The front of the temple has a semicircular lotus pond, printed with a large screen with scroll shapes shaped like flags, swords, dragons, cups, and phoenixes. In front of the temple gate are two large, tall square pillars engraved with two lines of parallel sentences: - Phong District's veteran veteran is majestic and clear in the North. - The incense garden preserves the eternal relics of Tran Nam Bang. The idea is: (The victory of the Chau Phong insurgent army resounded to heaven and earth The fragrance of the two ladies is famous forever.) Next are two floors of statues, in which are carved images of a pair of war elephants - Two Ladies riding elephants into battle. Inside the Temple, there are horizontal panels, couplets, tablets, sacrificial objects... all painted in red and gilded, overwhelming the colors. The harem has two ancient altar thrones and statues of the Two Kings and Ladies sitting in the large coffin. The statue is about one meter high, with exquisite and unique sculpted lines. With a forward posture, the statue's two arms are raised to eye level, a sign of the word Trang Khoat, seducing the three armies, holding the mountains and rivers firmly. The statue of the Two Ladies is resplendent in pink attire, radiating a halo of shimmering candle lights. Ngo Temple still retains 18 ordinations passed through dynasties since the reign of Le Canh Hung. Those are extremely valuable documents. In August 1945, Ngo Temple was the place where a large rally took place after the Van Giang district government was seized, declaring the end of the old regime and the new government returning to the people. Many years have passed, after many restorations and embellishments, Ngo temple still retains its ancient appearance. In 1989, the Ministry of Culture recognized Ngo Temple as a national historical-cultural relic, protected by the State. The historical site of Ngo Temple is forever associated with the historical sites of Dong Chau, Gieng Da, and Bai Yen. Those places marked great feats of a historical period, recognizing the efforts of the Phung Cong people who followed the Hai Ba Trung uprising. Dinh Dau was built at the same time as Ngo Temple and worshiped Hai Ba Trung - National Heroes. Dinh Dau is big, beautiful, windy, rural, ancient, mossy, filled with colors over the years. The gate of the communal house is hung with hanging lanterns and two rows of parallel sentences reminding posterity to cherish order. The pavilion curves upward toward the three mountains in the style of four sacred animals adoring the moon, covering the pre-ceremony and harem areas. The middle of the ceremony area is filled with incense burners, has a crane top, an incense burner... Above is hung a gilded hammock door. Four large horizontal panels spread across the pavilion, bearing 4 lines of text: Thanh Vuong Palace Eternal heroic spirit Thang Long determines the peak Righteousness and light All have summarized the sacred and respectful appearance of the communal house. On both sides of the ceremony area are two majestic and solemn rows of Eight Treasures and golden swords. The harem has statues of the Two Kings carved from precious stones following the national model at Dong Nhan temple - Hanoi. Around the communal house, there are many ancient trees that are hundreds of years old, providing shade and the quiet communal house marks the mark of time. In the early years of peace and the years of resistance against America, Dau Communal House was the venue for many commune-level Party Congresses and many important conferences of Van Giang district. In 1970, also at Dinh Dau, the Ministry of Health of the Democratic Republic of Vietnam organized a conference of medical leaders in the entire North, chaired by Minister Pham Ngoc Thach, to decide on major medical policies during the period. period of building socialism and fighting against America to save the country. Dinh Dau had 18 conferments throughout the dynasties and also began in the Le Dynasty. In 1989, the Ministry of Culture issued a ranking certificate recognizing Dau communal house as a national historical and cultural relic. Source Electronic information portal of Van Giang district, Hung Yen province.
Hung Yen 27 view
Phu Thi Pagoda is located on a large campus, outside and close to the foot of the Red River dyke, in Me So commune, Van Giang district, Hung Yen province. The pagoda was built in the style of the character "Dinh" (丁), the door faces southwest and has the Chinese name Hung Phuc Tu. The pagoda was built during the Later Le period and followed the Northern sect. The pagoda has been restored many times and the most recent time was in 1991. When entering the pagoda, visitors will first go through the three gates - the gate outside the pagoda. From the outside, the three-entrance gate looks like three separate structures with three doors. The middle door is tall, built on two floors, and has a square floor plan. The upper and lower floors are equal. On the roof of the second floor is a tiled roof with four blades radiating out in four directions. On the left and right sides are two small symmetrical doors. Right behind these two small doors are steps leading to the second floor of the middle door. Passing through the three gates is the front hall (Upper Palace). Looking from the outside, the front street is built in a matchmaking style with two bell towers and drums on the roof top. The temple bell (Dai Hong Chung) was cast during the reign of King Minh Mang. Inside, visitors will see the front hall consisting of five rooms with large and airy space. Four rows of lim columns are regularly distributed in the middle of the front hall. On the central crossbeam of the front hall is a hammock embossed with the image of two dragons flanking a moon and painted with gilded vermilion. Adjacent to the inner wall are 6 statues: the statue of Khuyen Thien, the statue of Trung Evil, the statue of two holy monks, and the statue of two attendants. These statues add to the majesty of the front hall. Besides, the pagoda has many ancient statues made of wood or painted terracotta, such as Chuan De statue, Ksitigarbha statue (1.08m high); set of statues of Thap Dien Minh Vuong (0.90m high), statue of Anathapindika (1.07m high). The pagoda has been recognized by the Ministry of Culture and Information as a national historical and cultural relic. According to Decision No. 14 dated April 4, 1984. Source Electronic information portal of Van Giang district, Hung Yen province.
Hung Yen 31 view
Mai Vien communal house is located in Mai Vien village, Song Mai commune - a commune with a large area, dense population and development in many economic and social fields of Kim Dong district. Mai Vien is understood in that "Mai" village is as beautiful as an apricot garden, "Vien" village has many officials and employees. According to legends and ordinations and legends among the people, Mai Vien village communal house was built quite early in the Later Le dynasty on a small scale. The communal house is located on a high, airy mound with beautiful scenery, convenient for the people's cultural and religious activities. The facade faces Southeast, in front of the communal house is an ancient banyan tree with a water well dating back hundreds of years. The courtyard of the communal house is covered with cool canopy of almond and longan trees. Looking at the entire exterior, we feel a sense of majesty and respect because of the massive and ancient appearance of the village communal house. Mai Vien communal house relic was built in the style of the letter I (cong letter) but lost the harem and 2 tea houses. Now the remains are a massive pre-worship house that has just been repaired by the people, the roof is covered with flat tiles, the gables on both sides of the communal house are covered with two pliers crowned with unicorns. Stretching the roof, the artist embossed a pair of dragons flanking the moon, bending into 3 healthy and majestic sections. The architecture of Mai Vien communal house is tall and imposing, the structure of the roof trusses from the top to the roof is in the style of overlapping beams, the system of horizontal supporting beds is embossed with stylized leaf shapes. Due to historical and social upheavals, communal house architecture was no longer consistent and had to be renovated many times during the Nguyen Dynasty, so the architectural art bears strong Nguyen Dynasty characteristics. Like other communal houses in other communes, Mai Vien communal house is considered both a headquarters for people to meet and discuss village affairs as well as a place to worship the emperor. According to the ordination and legend, the communal house worships 5 village tutelary gods and 3 holy ancestors such as: Trung Thanh Dai Vuong, Linh Lang Dai Vuong, Cao Mang Dai Vuong, Dong Vinh Dai Vuong and the tutelary god who had meritorious services to the people. , taught villagers how to burn lime, make bricks, and become masons. During the resistance war against the French, Mai Vien communal house was a gathering place for veteran revolutionary comrades. In 1942, the revolutionary movement developed, revolutionary cadres came here to create a base. The communal house is also where the base district soldiers are stationed, printing resistance documents and digging secret tunnels in the rear to protect the guerrilla soldiers. During the years of anti-American resistance, the base was still facing difficulties. Song Mai Commune People's Committee temporarily borrowed Mai Vien Communal House to hold meetings here. It was not until 1988 that it was paid to the village. Today, Mai Vien communal house still preserves precious artifacts of historical and cultural value such as: at the communal house there is currently a throne worshiped by the Nguyen Dynasty, 3 incense bowls of the Nguyen Dynasty, 2 color boxes, 1 wishing shelf with 27 colors. styled through dynasties, resonators, wooden pedestals and some other late-dating altar items, 2 bronze tops, 2 pairs of bronze candles, 1 pair of water hyacinths. In 1998, Mai Vien communal house was recognized by the state as a national historical relic. Local people not only consider this a center for cultural and religious activities, but also a place for people to organize and review ancestral traditions, fine customs and community lifestyle. Through this, there is cultural exchange between regions and between members of the same community to create bonds of compassion and neighborliness. The communal house is the pride of the people in the village. Source Electronic information portal of Kim Dong district, Hung Yen province.
Hung Yen 44 view
Lady Mia (1580 - 1648) Her real name is Tran Thi Cu, born on May 5, Canh Thin year (1580) in Mua village, Thien Thi canton, former Khoai Chau district, now in Cong Vu village, Vu Xa commune, Kim Dong district, Hung Yen province. Legend has it that one day, Lord Trinh Trang's chariot passed through this area, bustling with thrones and palanquins, flags filling the sky, trumpets and drums resounding, and villagers excitedly went to see. A girl cutting grass next to the main road still wore it as if she didn't know anything. When the palanquin passed, she did not look up, her hands quickly pulled the sickle to gather grass, her mouth sang softly and clearly: The hand holds the half-moon One hundred herbs are in my hands The soldiers were surprised, the singing became louder and the palanquin slowly stopped. God raised the curtain and saw a girl with stunning beauty. She responded intelligently, knowing that this was a strange woman. God ordered her to be brought back to Thang Long capital, then given her national status and changed her name to Trinh Thi Ngoc Am. She helped the lord oversee the studies in the palace of the concubines and beauties, strengthening the solidarity between the lord and the Le court. She gave birth to a daughter, Trinh Thi Minh, who was given 4 gold plates and 1 silver plate by God. Not long after, Princess Thuy Minh passed away. She was so sad that she asked to become a monk at the village temple. The Lord loved his talented wife very much, so he opened a branch river from the Cuu An River to run through the Silk village to transport precious items to build the tower. Every day, she went up to the tower to pray for the lord's palace in Thang Long. She spent money to help people clear the land and open rivers to bring water to the fields. She is rich in virtue and helps people and prays to Buddha to bless the people. She herself asked to establish and repair pagodas around the area and popularize Buddhist offerings. Not only did she make a great contribution to restoring the pagoda, but she also spent money with the people of 13 villages to build communal houses. Ms. Trinh Thi Ngoc Am died at the age of 68, people worshiped her as a god and built a temple right in her hometown. Mua Temple was built in the 17th century and restored during the Nguyen Dynasty. The architecture is in the style of the letter "Nhi". The Tam Quan gate is quite massive, with two rows of parallel sentences: Talent and beauty are everywhere in the lord's palace Complete love for the homeland Next to it is a small office building with a green stone statue, with a pot-bellied figure worshiped by an incense bowl also made of green stone touching the kneeling feet, with three ears and a tiger face. In front of the temple door is a stele erected in 1634 with the inscription: Princess Mua Trinh Thi Ngoc Am, the first concubine of Lord Trinh Trang's palace. The second stele erected in 1650 recognized her contributions to the villagers in building pagodas, communal houses, temples, shrines... In the center of the main hall, there is a stone incense burner, carved into three reliefs: the middle one is embossed with a clear image, the two sides are carved with "Dragon water", the surrounding is carved with a stylized water wave pattern, carrying the style of the temple. Later Le distance. On the two pillars of the great altar, there are two parallel lines praising her virtues: Highly talented, dignified, and powerful in controlling the mountains and rivers Accumulating virtue as a monk, the lord also devotes himself to Buddhism The harem has a statue of Princess Mua. In 1634, Lord Trinh Trang had a statue of her carved in stone while she was alive. The life-sized statue sits on a lotus throne, with a crown on its head, embossed with the image of Buddha Tathagata, large flowers in its ears, and legs folded like a person meditating. In front of the princess statue is a stone statue of the Duke, sitting cross-legged and wearing a robe. The two temples on both sides worship statues of Thi Ve and Kim Dong worshiping the princess, their bodies embossed with folded clothes. Behind the harem is a nine-grade lotus court, with a lotus flower base and a statue of the princess in her old age. On June 8, 1963, while working on irrigation for the Ngang Cau River, the citizen dug up 4 gold plates and 1 silver plate from Lord Trinh Trang as a reward for his daughter. At the bottom of one plate was an inscription. "Princess Thuy Minh, golden princess, eight-star princess" (my father's silver cup given to me, Princess Thuy Minh). From the above values, Ba Chua Mua Temple was ranked by the Ministry of Culture and Information as a National "Art" relic No. 2233-Decision/Ministry of Culture and Sports on June 26, 1995. In particular, on December 31, 2020, the Prime Minister issued Decision No. 2283/Quyet Dinh - Prime Minister, recognizing the collection of Cong Vu lotus gold plates (Mua temple, Vu Xa commune) dating back to the century XI – XII are National Treasures. Source Electronic information portal of Kim Dong district, Hung Yen province.
Hung Yen 41 view
Dao Xa village together with two villages Ngo Xa and Vinh Hau form Vinh Xa commune. Dao Xa is a large village with communal houses, pagodas, shrines, temples run by Buddhist residents and a Catholic church. Dao Xa Temple, formerly known as Suong Thien Temple or Tam Giao Dong, was built at the beginning of the village on a high, airy plot of land in the first decade of the 19th century. According to the elders in the village, around 1896, Mr. Tu, in charge of incense lamps, went to Bach Ma temple in Phu Xuyen district, former Ha Dong province to ask for a temple name to worship, naming the temple Suong Thien. Since then, people in the area have come here to worship, pray for good fortune, and ask for herbal medicine to treat their illnesses. The temple was built according to the sculptural architecture of the Nguyen Dynasty, with concrete arches and foreign internal structures. By 1929, people again contributed their efforts and money to renovate the temple to make it more grand and spacious. When the Three Saints Association was born, the temple worshiped Buddha - Immortals - Saints, three religious ancestors and worshiped national heroes who had the merit of leading troops against foreign invaders such as Tran Hung Dao and Pham Ngu Lao. The name of Suong Thien temple or Tam Giac Dong represents ideas and wishes about good things and actions according to good things. Later, the name of the temple was called after the name of the village: Dao Xa Temple. The word Dao is the name of a family whose people came to explore this land the earliest and was also the most prosperous family at that time. During the period 1939 - 1945, our Party campaigned for revolutionary struggle amid the terror and fierce search of the colonial government. Dao Xa Temple was one of the facilities to hide documents of the Hung Yen Party Committee. During the August General Uprising of 1945, many large meetings of the commune were held at the temple. When the resistance war against the French colonialists was fierce, this land was occupied by the enemy for a time, Dao Xa temple was a place where our cadres safely set foot to develop the movement, sometimes playing the role of outsiders. Temples to worship, sometimes people go to the temple to ask for medicinal leaves to treat their family members. In the temple there is a secret vault to hide officials. The rockery is raised in the middle of a lake on the campus for the purpose of hiding documents, so it is shaped like many caves and creeks deeply embedded in the middle of the faux-painted rock, looking strange and discreet. Entering the resistance war against the US, the Command of Military Region III came here to open a Military Conference to discuss combating the enemy's sabotage war and policies on measures to support the Southern battlefield. Next, the Ministry of Health chose Dao Xa temple as the evacuation location for the Pharmaceutical factory. Dao Xa Temple also preserves many precious artifacts, in addition to the elaborately built Rockery, including 24 statues, each with its own attractive look. Many sacrificial objects have sculptural value such as Ngoc Bo palanquins, thrones, hammock doors, parallel sentences along with many rare antiques such as vases, flower vases, chores, incense bowls... Dao Xa Temple, Vinh Xa commune, was ranked by the State as a National "Historical and Artistic" relic according to Decision No. 570, September 1998. Source Electronic information portal of Kim Dong district, Hung Yen province.
Hung Yen 61 view
Thanh Sam communal house is located on high, airy land in Thanh Sam village, Dong Thanh commune, Kim Dong district, Hung Yen province. According to feng shui theory, the communal house is located on the land in the shape of a "dragon's head", in front is a large lake, surrounding the communal house is a large road like the "back of a beam", creating a beautiful space for the ancient communal house. . With that location, Thanh Sam communal house is considered to be placed in a "favorable position", where children and grandchildren will enjoy long-term prosperity. Thanh Sam communal house is the place to worship the two village tutelary gods: Huong Thien Ninh Quoc Dai Vuong (Pham Thien) and Dao Quang Vinh Yen Dai Vuong (Pham Quang) during the reign of King Hung Vuong. The two were instrumental in helping kings and generals defeat enemies, establish order in the country, and bring a prosperous life to the people. Not only that, Thanh Sam communal house and the relics still preserved at the site are extremely valuable historical sources in studying the formation and development of Thanh Sam village. Thanh Sam Communal House has an overall floor plan layout of "First, later Dinh" style including: 05 Dai Bai spaces, 05 Trung Tu spaces and 02 Hau palace spaces. The architectural structures are all made entirely from synchronous, strong and durable wood materials with many beautiful carvings, imbued with the architectural and artistic style of the Nguyen Dynasty. The carved panels represent many decorative themes, extremely rich and diverse folk legends such as: Four sacred animals, four precious animals, pine locs, pheasants, flip leaves, twisted patterns, carp... All reflects the high aesthetics and creative talent of contemporary artisans. At the communal house, a number of typical and valuable relics are preserved such as: Ordination (Nguyen dynasty), miracles, great characters, parallel sentences, thrones and tablets, altar palanquins,... With particularly typical values, the architectural and artistic relic of Thanh Sam communal house has been ranked by the Minister of Culture, Sports and Tourism as a national architectural and artistic relic (in Decision No. 887/Quyet No. Dinh - Ministry of Culture, Sports and Tourism April 15, 2022). Source: Department of Culture, Sports and Tourism.
Hung Yen 48 view
Thien Hau Temple (Thien Hau Upper Street) is located on Trung Trac Street - Quang Trung Ward - Hung Yen Town. The temple was built in 1640 by 14 Chinese families in Guangdong, Guangxi and Fujian donating money to build it. Thien Hau Temple worships Mrs. Lam Tuc Mac, according to "Dai Nam Nhat Thong Chi", she is a sea god. Lam Tuc Mac was born on March 23 (lunar calendar) as the 6th daughter of Lam Nguyen, from Bo Dien, Fujian province (China). Legend has it that when Lam Tuc Mac was born, he had a sweet fragrance and a brilliant aura. Lam Tuc Mac is very smart. When he was 8 years old, he went to study immortality, trained to become righteous, could call rain and wind, and use magic to ride a flying mat on the sea. When the people had poor harvests and famine, she found seaweed to eat instead of rice, noodles, and barley, so the people were no longer hungry. She found a type of magnolia oil and sprayed it on the ground to grow plants to grow seeds to eat instead of rice... On the 9th day of the 9th lunar month, she was no longer sick but cured. After transforming, she often wore a red shirt and flew over the sea to help passing boats. Fujian people worship her as the god of navigation. Wherever there are Fujian people, there is a temple to worship her. When migrating to Pho Hien, Fujian people built a temple to worship her on Bac Hoa street (now Trung Trac street). Thien Hau Temple is a project with bold Chinese architectural colors in many items such as: ritual gate, incense burning house, roof, corner blades and truss structure. Legend has it that the temple was built in China and then brought to Pho Hien to build it. Nghi Mon is built like a house, with a tiled roof, the architecture of the pillars, and the door system engraved with images of civil and military mandarins and their followers. The terrace is paved with pebbles that have not worn away through wind and rain for hundreds of years. In front of the ritual gate, there is a pair of goats: the male holds a jade, the female holds a baby, made of marble, very vivid artifacts. The two stone pigs represent the Chinese concept of life: having wealth and having children is the greatest happiness in life. The inner temple area is built in the style of a Dinh letter, including an incense burning house and a harem. The match-stacked incense burning house has 2 floors and 8 roofs, the roof is tiled, the roof line is decorated with Buddha sitting on a lotus, surrounded by passersby. The entire system is structured in a special form with each theme and Chinese story such as: Three Kingdoms, Journey to the West... In addition, here are also decorated with various kinds of flower strings, bowls of horses, pantyhose, and scenes. four seasons: Spring, summer, autumn, winter. The harem consists of 3 rooms, the architecture is "stacked with wings", the ends are carved into the shape of a carp. The outer harem worships Lam Tuc Mac while the inner hall worships her parents, siblings and the Chinese families who contributed to building the temple. Every year, Thien Hau Temple holds festivals on March 23 and September 9 (lunar calendar) to celebrate the birth and transformation of Lam Tuc Mac. A large number of Chinese families in Pho Hien and Vietnamese people came to worship. During the festival, a grand palanquin procession is held, offerings include seaweed cakes, turtle cakes, To Chau cakes... which are traditional Chinese products. Thien Hau Temple is one of the very few ancient Chinese architectural works in Pho Hien still preserved today. With the purpose of preserving and promoting to the masses, Hung Yen province restored Thien Hau Temple to be spacious and clean and in 1992 it was recognized by the Ministry of Culture and Sports as a historical and architectural relic. Artistic architecture. Source: Hung Yen Electronic Newspaper
Hung Yen 681 view
Kim Dang Temple is located in the center of Kim Dang village, Lam Son ward, Hung Yen town, Hung Yen province today. In the past, this place was Dang Man site, An Tao district, Khoai Chau district, upper Son Nam town. Legend has it that the temple was built on the land Dinh Dien chose as its headquarters with the posture "The Thanh Dragon and the White Tiger are coming". The book "Dai Nam Nhat Thong Chi" records: General Dinh Dien is from Gia Phuong - Gia Vien - Ninh Binh, and is the adopted son of Dinh Cong Tru (father of Dinh Bo Linh). Since childhood, he was Dinh Bo Linh's "reed flag practice" friend. When he grew up, he formed a brotherhood with Nguyen Bac, Lu Co, Trinh Tu and Dinh Bo Linh. When the country was in turmoil among the 12 warlords, a few friends followed warlord Tran Lam to occupy the Bo Hai region (now Tien Hai - Thai Binh). When he became Van Thang Vuong, Dinh Bo Linh assigned Dinh Dien to command 10 armies to conquer other warlords. When he arrived at Dang Man site and saw the beautiful terrain, he immediately built a headquarters and chose three people named Phan, Pham and Nguyen from Dang Man site to be his generals and chose a girl from the Phan family named Moi Nuong to be his wife. . After suppressing the rebellion of 12 warlords, Dinh Bo Linh ascended the throne, proclaimed himself Dinh Tien Hoang, named the country Dai Co Viet, and established the capital in Hoa Lu - Ninh Binh. In the year of Ky Mao (979), Dinh Tien Hoang and his eldest son Dinh Lien were killed by the traitor Do Thich. Dinh Dien and his mandarins proclaimed Dinh Toan (then only 6 years old) to the throne and honored Duong Van. Russia as Queen Mother. When the Song army threatened to invade the northern border, the country faced the threat of foreign invasion, the soldiers proclaimed Thap Dao general Le Hoan to the throne, replacing Dinh Toan who was too young at that time. Not accepting that, Foreign Minister Dinh Dien and Dinh Quoc Cong Nguyen Bac, who was guarding Chau Ai, and Pham Hap raised troops and sent troops from Thanh Hoa to attack Hoa Lu but failed, Dinh Dien withdrew his troops to Dang Man camp. On November 17 (lunar calendar) in the year of Ky Mao (979), Dinh Dien and his wife passed away, the people of Dang Man camp built a temple on the base of the barracks, and 3 generals of Dinh Dien were also worshiped here. Over time, the temple has been restored many times. Currently, Kim Dang Temple still retains many architectural features of the Later Le and Nguyen dynasties. In 1997, the temple was classified as a historical relic by the Ministry of Culture and Information. The temple has a nail-shaped architecture, including 5 pre-worship spaces and 3 back palace spaces. The altar building is made of a 2-story, 8-roofed overlapping style; The blades are embossed with dragon heads; On the roof line, there is an image of two dragons flanking the sun, and two pincers are decorated with "two fish" (two carp); The roof is covered with dragon scale tiles, the neck frill is decorated with 4 words "Dinh Dai Linh Tu" in Chinese characters. The structure of the hitching trusses is simple, supported by a system of solid ironwood columns. Connected to the front altar are 3 back-rooms with tiled roofs. The truss structure is in the style of a husband and a lotus, and on the beams are embossed with stylized patterns of flowers and leaves. The central space houses the statues of General Dinh Dien and his wife Phan Thi Moi Nuong, created in a meditating posture... In addition, the relic also preserves a number of horizontal paintings and couplets praising their merits. God. Every year, the Kim Dang Temple festival is held from the 15th to the 17th of the 11th lunar month to commemorate the death of General Dinh Dien and his wife. During the days of the festival, in addition to the palanquin procession, there are also traditional folk games such as cockfighting, lion dancing, spoken singing, military drum singing, water puppetry... to contribute to building solidarity. build relationships with neighbors, educate the Vietnamese people about patriotic traditions, and remember the source when drinking water. Source: Hung Yen Newspaper
Hung Yen 1170 view
Cloud Temple is located in Dang Chau village - Lam Son ward - Hung Yen town - Hung Yen province. Cloud Temple worships general Pham Phong At, also known as Pham Bach Ho, a talented general of our country in the early period of the era of independence and self-reliance (early 10th century to early 11th century). According to "Dai Nam Nhat Thong Chi", Pham Bach Ho was born on January 10, the year of Canh Ngo (910), his father was Pham Lenh Cong from the Nam Sach Giang route (now Kim Thanh - Hai Duong). Lenh Cong had a large shop in Dang Chau - Kim Dong - Hung Yen (now Xich Dang - Lam Son - Hung Yen). Legend has it that his mother dreamed of Son Tinh and a White Tiger and got pregnant, so she named him White Tiger. When White Tiger grew up, he had a muscular body, strong like a tiger, smarter than others, and perfect in literature and martial arts. Pham Bach Ho used to be the chief of Dang Chau and was a talented general of Duong Dinh Nghe. In the year of Tan Mao 931, he helped the general to expel Ly Tien, governor of Giao Chau; Defeated Tran Bao sent by Duong Minh Tong to rescue him, then proclaimed himself a military governor. When Kieu Cong Tien, a general of Duong Dinh Nghe, killed the general, took the position and asked for help from the Southern Han army to invade our country. Pham Bach Ho coordinated with Ngo Quyen to bring troops to destroy Kieu Cong Tien and defeat the Southern Han army on the Bach Dang River in the year of Mau Tuat (938). When Ngo Quyen died, Duong Tam Kha usurped the throne, Pham Bach Ho and Do Canh Thac overthrew Duong Tam Kha and Ngo Xuong Van, Ngo Quyen's son, ascended the throne. This period was called Later Ngo Vuong. In 965, the King of Later Ngo died, and the country's heroes rose to fame in each region. Pham Bach Ho occupied Dang Chau and was one of the twelve warlords at that time. In 968, King Van Thang - Dinh Bo Linh was given full military authority by warlord Tran Lam and quelled the "12 Warlords' Rebellion". Pham Bach Ho led his troops to surrender and was appointed as the bodyguard of a Great General. On November 16, the year Nham Than (972), Pham Bach Ho died in his hometown, at the age of 62. Dinh Tien Hoang decreed for the people to build a temple, and all dynasties awarded him the title: "Khai Thien protects the country, the most sacred spirit". Legend has it that the god is very sacred. In the past, King Le Ngo Trieu (also known as Le Long Dinh), when he had not yet ascended the throne, had a hamlet in Dang Chau and often went boating. One day, when it rained heavily, Long Dinh sought shelter and saw a temple on the riverbank. He asked the villagers: "What god is the temple worshiping?" sacred?” said that "this is the support of a continent, the ceremony of praying for rain and stopping is very suitable". Vuong then said loudly: "If God can make wind and rain, then try to make this side of the river stop and the other side of the river rain. That would be truly sacred!" After saying that, it was true that half of the river on the other side was raining very heavily, and half of the river on the other side was very heavy. This is the only cool breeze. Long Dinh did not get wet, so it was surprising that he ordered the temple to be repaired. Over time, the Cloud Temple has been restored and remodeled many times. Today, the temple's architecture still features the carving art of the Later Le and Nguyen dynasties. The temple was built in the Tam style including: front altar, middle temple and back palace. The altar hall with 3 compartments is made in the style of gabled walls and the roof is covered with funny-shaped tiles. The altar is decorated with a system of hammock doors, grand letters, horizontal panels, and parallel sentences. In the middle of the altar hall hangs a grand pagoda inlaid with mother-of-pearl inscribed with words. "Thai Binh Royal Palace". The side rooms hang horizontal paintings. Connected to the altar are 5 central spaces made in parallel but with higher floors. On both sides of the column hang a pair of parallel sentences praising the general's merits. The harem consists of 3 compartments, with a simple structure and no carved patterns. In the temple, there are still 27 statues, most of which were created during the Le Dynasty, two palanquins and a very precious bronze incense burner. Every year, the Cloud Temple festival is held at two different times: January from the 8th to the 16th (lunar calendar) is the birthday celebration festival; From November 12 to 18 (lunar calendar) is the festival commemorating the transformation day of General Pham Bach Ho. In the festival, in addition to the previous ceremony, there was also a festival with many traditional games imbued with the culture of Northern residents such as: wrestling, lion dance, military drum singing, water puppetry, chess playing... In 1992 , the Ministry of Culture and Information has recognized the Cloud Temple as a historical and architectural artistic relic. Source: Hung Yen city electronic information portal
Hung Yen 1205 view
Ne Chau Pagoda's literal name is. "Thuy Ung Tu", associated with the name of Mrs. Nguyen Thi Ngoc Thanh, wife of King Le Dai Hanh. The pagoda is located in Ne Chau village, Hong Nam commune, Tien Lu district, Hung Yen province. Legend has it that Ne Chau Pagoda was built in the Early Le Dynasty (10th century) on a small initial scale. When the Le Hoan insurgent army stationed here to fight against foreign Song invaders, he built a new pagoda on the land of Phuong Cai village (today Ne Chau village), replacing the old ruined pagoda. When the pagoda was completed, Phuong Cai villagers could not afford to pay the workers. Le Hoan taught that "If any village has enough money to pay workers, the pagoda belongs to that village." At that time, the villagers of Ne Chau asked for help from Ms. Nguyen Thi Ngoc Thanh's family, so they were able to pay the workers, and the pagoda belonged to Ne Chau village from then on. Le Hoan loved the beautiful Ngoc Thanh so he married her. During this time, she contributed her efforts, helping the insurgents hide food and provisions, and taking care of logistics. Defeating the enemy, Le Hoan ascended the throne, but she did not follow the king to Hoa Lu but asked to stay in her homeland to take care of her elderly parents. After her death, the king built a temple opposite Ne Chau pagoda and ordained her as "Queen Ngoc Thanh". Through the dynasties, Ne Chau pagoda was embellished, the most recent time was during the Nguyen dynasty, Bao Dai Nguyen year (1926). By 1992, Ne Chau Pagoda was ranked as a national historical and cultural relic. In 2005, within the framework of the project to repair Pho Hien ancient relics phase II, Ne Chau pagoda continued to be restored according to the original. The pagoda was built in the style of "Foreign Internal Cong" with many items, of which 3 prominent items are: Front Hall, Upper Palace and two corridors. The Tien Duong House of Ne Chau Pagoda consists of 7 compartments, designed in a simple truss style. On both sides of the gable there are two tall bronze columns, on the top of the columns are two cows facing each other. Above, in the middle of the roof, there are three Chinese characters "Thuy Ung Tu" embossed. All decorative patterns in the Tien Duong house are carved with images of two dragons flanking the moon and stylized flowers and leaves, imbued with the culture of the Le Dynasty. The Upper Palace's architecture resembles Tien Duong. Inside the Upper Palace, there are beautiful worship statues with high sculptural artistic value, among which the Tam The and Tuyet Son statues stand out. The statue of Tam The is carved from wood, in a meditating position on a lotus flower, with a kindly smiling face. The lotus faces are engraved with images of flowers and some Buddhist stories. Notably, all three Tam The statues lean back on a wooden leaf shaped like a tablet. Unlike the Tam The statue, the Tuyet Son statue is carved in a contemplative sitting position, with both hands clasped on the knees. This is an ancient statue from the Le Dynasty, the embodiment of Shakyamuni Buddha during his cultivation period on Tuyet Son Mountain. The two corridors of Ne Chau Pagoda are located symmetrically, with hundreds of statues with different postures and facial expressions, fully depicting Buddhist stories. Particularly, the temple dedicated to Mrs. Nguyen Thi Ngoc Thanh (located opposite Ne Chau Pagoda) has a Dinh-style architecture including 3 pre-sacrificing rooms and 2 back palace rooms. The temple has a lotus-shaped architectural structure, carved with stylized patterns, bearing the architectural style of the Nguyen Dynasty. Every year, Ne Chau Pagoda often holds sacrifices on the 15th day of the first month and the 15th day of the 8th lunar month to commemorate the birth and death of Ms. Nguyen Thi Ngoc Thanh. Source: Hung Yen city electronic information portal
Hung Yen 1166 view
Chuong Pagoda has the literal name "Kim Chung Tu" located in Nhan Duc village, Hien Nam ward, Hung Yen town. Legend has it that in a year of great flood, a golden bell floated on a raft to the river bank in Nhan Duc village. Different places raced to ring the bell in their locality but could not. Only the elders of Nhan Duc village can ring the bell. The villagers thought that God was helping them, so they contributed to building the pagoda and building a bell tower. Every time the bell rings, the sound echoes thousands of miles away. Therefore, the pagoda is also called Kim Chung Tu (golden bell pagoda). Chuong Pagoda was built in the Le Dynasty (15th century) and underwent many restorations and embellishments later, but still retains the artistic architectural features of the Later Le Dynasty (17th century). In "Hung Yen province Nhat Thong Chi" by Trinh Nhu Tau, it is written "Chuong Pagoda - famous Hien street". In 1992, Chuong Pagoda was ranked as a national historical, cultural, architectural and artistic relic. The architectural complex of Chuong Pagoda has a harmonious layout, in the style of "Foreign Noi Cong", including items: Three gates, Front hall, Upper palace, To house, Mother house, bell tower and 2 corridors. .. The front of the pagoda faces South, which is the direction of "Prajna" and "Wisdom". The buildings of Chuong Pagoda are located symmetrically on the axis connecting Tam Quan to the Patriarch's house. The Tam Quan gate is built in the style of a two-story, eight-roofed stack of matches, with decorative motifs and patterns such as an embossed dragon image, a bas-relief of Tang Monk and his disciples going to get sutras at Tay Truc... Through the Tam Quan gate, you will reach the green stone bridge built in 1702, spanning the dragon eye pond. Next is the unique path paved with green stones leading straight to the Front Street, which according to Buddhist concept is the true path leading people out of the ocean of suffering. The front hall has a scale of 5 rooms and 2 wings, the architecture is in the style of husband and wife fighting lotus. Next is a small yard, in the middle of the yard there is a stone incense tree also known as "Thach pillar", on four sides there are Chinese characters engraved to record the merit of the people contributing to the repair of Chuong Pagoda. The Upper Palace also consists of 5 compartments and 2 wings, with the same structure as Tien Duong. Inside are decorated with many elaborately crafted statues such as: statues of Tam The, Bodhisattvas, Manjushri, Pho Hien, Jade Emperor, Nam Tao, Bac Dau, Shakyamuni Buddha, Amitabha Buddha... Through the Upper Palace, there are two symmetrical corridors with many statues arranged in order. The first is a group of statues sketching the "Ten Palaces of Hell" cave depicting the scenes of torture that people must experience in the underworld according to the Buddhist philosophy of cause and effect. Next is the Vajra Buddha statue, followed by the "Ten Eight Arhats" with 18 statues created with very expressive expressions on each face. At the end of the corridor is the statue of Monsignor, standing next to Gia Lan - Chan Te and the statue of Thanh Hien, standing next to Diem Nhien - Dai Sy. In Chuong Pagoda, there are still many valuable artifacts such as horizontal panels, parallel sentences... especially the stone stele "Kim Chung Tu Stone Biography" built in the 7th year of Vinh Thinh (1711). The stele lists names of meritorious people and describes Pho Hien in its heyday. On January 15, April 8, April 15, and July 15 of the lunar calendar every year, the Bell Pagoda Festival is held, attracting people in the region and tourists from all over. Source: Hung Yen city electronic information portal
Hung Yen 1123 view
Mother Temple, also known as Hoa Duong Linh Tu, is located on Bai Say Street, Quang Trung Ward, Hung Yen City. Mother Temple worships Duong Quy Phi, also known as Duong Thien Hau. According to history books and Ngoc Pha, she was the wife of King Song De Binh. In 1279, the Yuan army invaded the Song state, and the king and royal family boarded boats and fled to the South. On the way, they were captured by Yuan general Truong Hoang Pham. King Song and a number of concubines who refused to surrender jumped into the sea to die. Duong Quy Phi's body floated to the sand, and the people carefully buried him and built a temple. According to "Dai Nam Nhat Thong Chi", Mau Temple was built during the reign of Tran Nhan Tong, in the reign of Thieu Bao (1279). Over the dynasties, the Temple was restored and conferred many times. By the 8th year of Thanh Thai (1896), the Temple was largely restored and had the same architectural scale as today. The temple was built on the "Crouching Dragon" land overlooking Crescent Lake with spacious space, creating the "Son Dieu Thuy" position. The Nghi Mon Gate of Hung Yen Mau Temple is quite imposing, with a match-style architecture of two floors and eight roofs, with curved knife-heads. The door is built with a rolling arch, has one main door and two side doors, two pillars on top have 2 crocodiles flanking the door. On the arch, there is a large inscription in Trien script "Duong Thien Hau - Song Trieu" and a Chinese script "Thien Ha Mau Nghi". Through Nghi Mon is the temple yard. In the middle of the yard is an old tree with an age of more than 700 years, combined by 3 trees of banyan, banyan, and sapphire firmly entwined together, casting luxuriant shadows around Hung Yen Mother Temple, increasing even more. solemn, secluded appearance. This is one of the oldest trees in the North. The Great Pagoda of Hung Yen Mau Temple consists of 3 compartments, the architecture is in the style of eight dragon-scale tiled roofs, the roofs are curved like a flanking dragon. The beams, lotuses, and pillars are carved in the shape of leaves, flowers, dragons, phoenixes, and the traps are carved in the shape of dragon heads. On both sides of the Great Pagoda are Luu Ly Palace and Quang Han Palace. The Tien Duong court also consists of 3 compartments, the architecture is in the style of stacking lotus mats, splendid with horizontal panels, parallel sentences, sacrificial objects, canopies, flags, robes, weapon racks, palanquins, bowls, and dragon communal houses. painted bright yellow lipstick. The roof is decorated with the image of "Two dragons flanking the moon", a dragon blade flanking a dragon, and a sophisticated phoenix dancing. The harem consists of 5 compartments, architecturally styled with 12 main columns, 6 military columns, soft floral and leaf-engraved panels, and a set of table doors carved with chrysanthemums. Inside there is a statue of Duong Quy Phi with a kind face, along with two servants, Kim Thi and Lieu Thi, dating from the 17th-18th centuries. In addition, in the Hung Yen Mau Temple, many precious relics are preserved such as dragon sieves, dragon robes dating from the 18th-19th centuries and 15 ordinations from the Le to Nguyen dynasties, praising the faithful example of Duong Quy Phi. . Every year, the Mau Temple Festival in Hung Yen is held from the 10th to the 15th of the third lunar month, attracting a large number of people in the region and tourists from all over to attend, worship, and pray for good things. happy. The ceremony took place solemnly. The festival includes folk games and singing songs. In particular, during the festival there will be two exciting processions. The sickle procession from Dinh Hien to Hung Yen Mother Temple, led by flags, drums, gongs, dragons, bowls, and lo bo, with lion and dragon dance teams. The procession goes around the streets, the golden dragon curves from the beginning to the end of the procession, there is a dance "The child goes to the float"... In 1990, Hung Yen Mother Temple was ranked as a national historical, cultural, architectural and artistic relic. Source: Hung Yen city electronic information portal
Hung Yen 1177 view
Thai Lac Pagoda, Lac Hong commune, Van Lam district is also called Phap Van Tu. Lac Hong commune has 4 pagodas worshiping 4 gods in the Four Dharmas: Phap Van, Phap Vu, Phap Loi, Phap Dien, i.e. the gods of clouds, rain, thunder, and lightning. Among them, Thai Lac pagoda worships the god Phap Van. Thai Lac Pagoda was built during the Tran Dynasty and underwent 4 renovations in the early 17th and 18th centuries. The pagoda was built in the style of interior and exterior, through the three-entrance gate is the main worship area. The pagoda was built on a high mound, often called the turtle's back. The pagoda still retains 3 ancient steles recording the restoration and embellishment processes. Up to now, there are only 3 wooden constructions from the Tran Dynasty remaining in the country, namely Dau Pagoda in Bac Ninh, Boi Khe Pagoda in Hanoi and Thai Lac Pagoda. On the dunes, the pillars of the rafters, and on the pillars, there are many large carvings bearing the artistic imprint of the Tran Dynasty. The upper palace of Thai Lac pagoda is considered one of the oldest wooden structures in Vietnam from the 14th century. Thai Lac Pagoda previously had about 20 carved reliefs, also known as dunes, but now only 16 remain relatively intact. 16 carved paintings are mounted between the upper and lower vertical beams to cover the decorative border. 16 carved paintings are arranged from the outer space to the inner space. The paintings depict many themes with the floating technique. Chisel carvings and wood grain create a soft, flexible, fanciful look like paintings. It can be said that these 16 reliefs are one-of-a-kind carvings. Not only that, each column, rafter, and inscription preserved to this day also speaks of the antiquity and value of time, history, and sacredness of Thai Lac Pagoda. People in the area tell each other that Thai Lac pagoda is very sacred. If anyone passes by without removing their hat to show respect, they will fall, or if they do not get off their horse when passing the pagoda, they will also fall from their horse. Thai Lac Pagoda is decorated in the style of before God and later Buddha, meaning that the statue of the Four Dharmas is placed in front of the Buddha statue. The statue of Phap Van is placed in the center of the three jewels palace, an ancient statue dating from the Later Le period. The pagoda still retains two statues of the Three Buddhas, representing the past, present and future. These are statues of Nguyen Dynasty sculpture style. With its historical value, time, and sacredness of the ancient pagoda, Thai Lac pagoda has become an outstanding spiritual destination of Hung Yen. Therefore, the pagoda was recognized as a special national monument in 2018. Source: Hung Yen Newspaper
Hung Yen 1197 view
Huong Lang Pagoda, also known as Lang Pagoda or Giac Vien Pagoda, is located in Huong Lang village, Minh Hai commune, Van Lam district, Hung Yen province. In addition to worshiping Buddha, Huong Lang Pagoda also worships Queen Mother Ỷ Lan - a woman who was good at public affairs and housework during the Ly Dynasty. This is a beautiful artistic architectural work with historical, cultural and scientific value. Legend has it that the pagoda was built by Queen Mother Ỷ Lan during the Ly Dynasty, around 1115. The pagoda is large-scale, covering an area of nearly one hectare, including many buildings, with an architectural layout of "foreign internal work". Including a three-entrance gate with three entrances and steps leading up to a flat platform. The pagoda is divided into three levels, from this level to the second level there are also three entrances, the third level is the main area. This is an area including monk's house, council house, and Buddha hall. During the resistance war against the French, the pagoda was destroyed, and it was only restored in 1955. The pagoda faces the main direction to the Lang River. The front hall is arranged on high steps with carved stone steps. The building has a lotus-shaped truss-style architecture with four rows of columns. All columns are placed on stone platforms decorated with lotus petal patterns, in the style of the Ly Dynasty. The trusses are made of ironwood with carved patterns of floral themes. The blocks floating on the statue's surface have almost no rough edges, all are smooth, smooth and elaborate, with no sudden breaks in rhythm. It can be said that this is the most massive statue pedestal of the Ly Dynasty still preserved at the monument. In addition, the pagoda also has ten pairs of stone handrails, carved with phoenix, fox and chrysanthemum; 4 perpendicular stone columns support the stone beams of the building, many of the stone pillars are carved with lotus and chrysanthemum petals very meticulously and sophisticatedly. These are priceless works of the Ly Dynasty that are still preserved. The great worship hall faces the main pagoda overlooking the Lang River, near the village road, restored in 2005, with a scale of 7 rooms. If you want to enter the front hall, you have to go through the steps. Here, the steps are separated into 5 paths by 6 steps carved in the shape of a stone crocodile facing the front. The front hall has a lotus-shaped truss architecture with four rows of column bases, all columns are placed on stone platforms decorated with lotus petal patterns, in the Ly Dynasty style. The rafters are made of ironwood and carved with stylized floral motifs. The harem court is a space away from the front court building. The harem has a frill-style architecture with two floors and eight roofs. In the middle of the harem is the "mascot" of a lion wearing a lotus crown, forming a large stone pedestal. Huong Lang Pagoda still preserves many very special and unique relics of the Ly Dynasty. Also here, people discovered a site named Lang Pagoda Site, including a lion statue also known as Mr. Sam. The pagoda has ten pairs of stone handrails, carved with phoenix and fox, string chrysanthemums, four square stone pillars at four corners supporting the stone beams of the previous building and many stone pillars carved with lotus petals and chrysanthemums. Because of its cultural - historical, artistic, and architectural values, Huong Lang Pagoda was ranked by the Ministry of Culture, Sports and Tourism as a national historical, cultural, architectural and artistic relic on September 11. March 13, 1974. Source: Hung Yen province electronic information portal
Hung Yen 1177 view
An Xa Temple (also known as Dau An Temple), written name is Thuy Ung Quan, located in An Xa village (also known as An village), An Vien commune, Tien Lu district, Hung Yen province. Based on the documents and artifacts still preserved at the site and the stories of the elders in the village, An Xa temple is the place to worship the Jade Emperor, Ngu Lao Tien Ong (gods of Taoist culture). religion), along with the Heavenly Immortals and Earth Immortals - those who have publicly cleared the wild swamps, eliminated wild animals, taught people to cultivate, established Cha village, and built "Thuy Ung Quan", to pray for rain. Favorable weather, good wind, good harvest. Based on legends, stories of the village elders and valuable ancient relics still preserved at the site, An Xa temple was built quite early, around the 16th century at the latest. – XVII, up to now it has been restored and embellished many times. An Xa Temple was built on high land shaped like a dragon's head in the west outside An Xa village. In front of the temple are luxuriant ancient trees that shine into the clear blue lake, considered the village's "water gathering and blessing" place. Surrounding the outer ring are moats and rich fields. The front of the temple faces south, with an architectural plan in Cong style including: 5 Pre-Teacher rooms, 3 Ong Sang rooms and 3 Hau palace rooms. In addition, located inside and outside the relic grounds, there are still a number of architectural works associated with the formation and stories related to the figures worshiping at the relic: Ha Temple, Ky Niem Temple located on two sides. side of the main temple. Opposite both sides of the temple yard are two rows of Giai Vu houses. On both sides of the Three Entrances are Mother Temple and Thien Quan Temple. Outside the relic grounds to the East are two communal houses Vo and Can communal house. Three gates: built on a square plan, including 3 doors and two roof floors. Around the four corners, there are four large bronze pillars. Tam Quan's roof is covered with funny-nosed tiles. The three gates of An Xa temple have a bronze bell cast in the Later Le Dynasty, the 34th year of Canh Hung, and a drum. The Pre-Saint Court: is a 5-compartment building, made in the style of a gable wall. The structure is in the style of 4 rows of columns. The altar is where the altar to worship the Jade Emperor (middle space) is placed, and the two side rooms are where the altars to worship Thien Tien and Dia Tien are placed, along with horizontal paintings, parallel sentences and valuable worship objects. Sculptures decorating the Tien Te court mainly include three main themes: mascots, flipped leaves and twisted patterns in the artistic style of the 19th and 20th centuries. Morning glory pipe: this item is made entirely of monolithic green stone. The entire system of pillars, parallel sentences, diaphragms, and hammock doors here are made of stone with panels weighing up to tens of tons, carved with dragon shapes by contemporary artists and craftsmen, and carved with dragons on the outside. The couplets in Chinese characters are extremely sophisticated and unique, rarely seen in Vietnamese religious buildings. The harem: consists of 3 rooms, in the style of a gable wall that covers the throne. This is where the altar to worship Tam Thanh Luc Ngu is located. Above the lower roof is the match neck made of stone divided into different cells decorated with images of phoenix, dragon, and lotus, with three Chinese characters "Thuy Ung Quan" engraved in the middle. The roof is covered with traditional tiles, the ridge is left plain without decoration. The front wall is built of monolithic green stone. The middle space is built into a row of pillars to form an altar, the door is carved with motifs: Bats holding money (phu ham tien), cranes standing on the back of turtles to express wishes for happiness, fortune and wishes. Let the villagers of An Xa live long and forever. In the center of the Harem is a terracotta incense altar in the shape of a rectangular box. Other construction items include: Ha Temple: Thien Quan Temple. Mau Temple. Temple of Remembrance. Dinh Vo. Dinh Can. Regarding historical value: An Xa Temple is a typical cultural center, a typical example of the transformation and integration between Taoist temples and temples. An Xa Temple Festival takes place from April 1 to 12 (lunar calendar) every year. With the above special value, the historical cultural, architectural and artistic relic An Xa Temple was ranked a special national monument by the Prime Minister on December 31, 2020. Source: Department of Cultural Heritage
Hung Yen 1094 view
Da Hoa Temple is also called Chinh Da Hoa Temple, located in Da Hoa village, Binh Minh commune, Khoai Chau district, Hung Yen province. Temple of Chu Dong Tu - Tien Dung - Princess Hong Van. The temple overlooks the Red River and Tu Nhien beach, and is said to be the place where the love affair between Chu Dong Tu and Tien Dung formed. Da Hoa Temple was built a long time ago, the current project was built at the end of the 19th century, from 1884 to 1886 by Chu Manh Trinh, a native of Phu Thi village, general of Me So, police officer of Hung Yen province. The project is famous for its massive scale and unique architectural ideas, in harmony with the natural landscape. The temple area includes 18 large and small projects: stele house, bell tower, banh ward, noon gate, altar house, incense burning building, second palace, third palace, harem and hermitage houses, tarpaulin houses, and houses. horses, artillery houses. The temple roofs have a stylized dragon boat shape. If you look down from above, you will see the temple roofs, combined together to look like a group of boats bobbing on the river. Chu Manh Trinh intended to shape the temple area to look like the yacht of eighteen-year-old Tien Dung, daughter of the 18th Hung King, traveling on the river. Da Hoa Temple still retains many precious relics. Statue of Saint Chu Dong Tu and his two wives cast in bronze, life-sized. Three thrones worship Chu Dong Tu and his two wives, made of wood, balanced layout, the top of the throne is carved with a dragon in the facing position. The throne dates back to the late 16th and early 17th centuries, and is considered the oldest of its kind still found in our country. Da Hoa Temple Festival is held from February 10-12 of the lunar calendar. The main day of the festival begins with a procession of tutelary gods from 8 villages of the ancient Me district to the main temple (including Me So, Da Hoa, Bang Nha, Phu Thi, Phu Trach, Thiet Tru, Nhan Thap villages). Each procession has flags, gongs and drums, precious bowls, lo bos, bowls of sounds, palanquins, bowls of tribute, dances of life, dragons, and lions. The procession of 8 villages meets each other with gongs and drums resounding, golden dragons winding from beginning to end of the procession. The next day is the water procession. The procession includes water palanquins and palanquins of 8 ancient Mexican villages taking boats to the middle of the Red River to hold a ceremony to bring water to the temple. The whole river section is filled with the bustling sounds of drums and gongs, and bustling bowl music. Da Hoa Festival organizes dragon dance, wrestling, and human flags. Dragon dance, there are 6-8 dragons. The dragon's dance movements are controlled by the person holding the ball and the sound of the mouth drum. The dragon dances around, winding rhythmically. When the drums beat slowly, the dancing is slow; when the drums beat fast, the dancing is fast and exciting. Dragons dance singly, in pairs, or all dragons in villages dance, demonstrating the skillful movements of their village's dragons. Participating in wrestling are 70-80 year old men, dressed in festival clothes, with scarlet turbans, blue shirts, yellow shirts, red and yellow belts, performing symbolic wrestling movements. This performance reminded everyone of the gratitude of Chu Dong Tu - Tien Dung for saving many people from illness and to prove that they were completely healthy, they took each other to the yard to wrestle and perform tricks for their grandparents to see. . Human flag, held at the temple yard. There are 32 troops divided into 2 factions, one male and one female. The people playing the roles of generals and chess pieces are both unmarried men and unmarried women. The most beautiful are the roles of grandfather and grandmother. Chess players from all over come to compete high and low. In 1962, Da Hoa Temple was ranked by the state as a National Historical Architectural and Artistic Monument. Source: Hung Yen province electronic information portal
Hung Yen 1216 view
Xich Dang Temple of Literature is located next to the Red River, which is red and heavy with silt all year round, in Lam Son ward, Hung Yen city, Hung Yen province. The reason why the Temple of Literature has such a name is because it was built on the land of Xich Dang village in the 17th century (Late Le Dynasty) on a small initial scale, until the 20th year of Minh Menh (1839), Nguyen Dynasty, was built. It has the current scale on the foundation of Nguyet Duong Pagoda (Xich Dang Pagoda). With more than 400 years of existence, enrolling 161 great scholars, Xich Dang Temple of Literature has demonstrated the studious spirit of people on this land. "First Kinh period, second Pho Hien". In the 17th century, under the reign of King Le Thanh Tong, to revive Confucianism, the court established many schools outside Quoc Tu Giam school in the towns. In Son Nam town (including the provinces of Ha Nam, Nam Dinh, Ninh Binh, Thai Binh and part of Hanoi and Hung Yen) there is Xich Dang literary temple (also known as Son Nam literary temple) built recently. as a place to worship the sages, as well as a place to organize the town's exams. After many changes in the geographical division of the towns under the Later Le, Tay Son, and Nguyen dynasties, Xich Dang literary temple became the literary temple of Upper Son Nam town and later of Hung Yen province. In front of the gate of Xich Dang Temple of Literature are two rice trees that are hundreds of years old, and statues of two large stone pigs carved in the 18th century. The three gates (also known as Nghi Mon gate) of Xich Dang Temple of Literature is one of the works that still retains unique architectural features among the remaining temples in Vietnam. Built in a frilly architecture, two floors with eight roofs and an attic. On both sides of the Tam Quan there are two loudspeaker platforms, used to announce the names of candidates and announce the regulations in the examinations. Instead of the drum tower like in the Quoc Tu Giam and Mao Dien literature temples, in the Xich Dang literature temple, the drum tower is replaced by a bell tower. The sound of the bell and the bell ringing is the signal that the exam has begun and ended, and it is also a call to express gratitude and gratitude to the wise men during each festival. The two bells and bells of the Temple of Literature are also ancient relics cast and created in the 18th century. The inner temple area is structured in the style of Tam: including Tieu Tu, Trung Tu and Hau palace. The roof system is structured in a "real estate" style. The main side faces south. The inside of the inner temple shines with a system of great letters, parallel sentences, hammock doors and a system of pillars and rafters completely painted with gold and covered with metal. The most valuable artifacts in the temple of literature still preserved today are 9 stone steles engraved with the names, hometowns, and positions of 161 people who passed the university entrance exam in the ancient Upper Son Nam town. Of which 138 are in Hung Yen and 23 are in Thai Binh. From the first exams under the Tran Dynasty to the last exams at the end of the Nguyen Dynasty, Hung Yen province had people passing high scores. Every time, there are talented people from Hung Yen who pass the exam to help the country and the people. At Xich Dang Temple of Literature, there are currently two statues of Confucius and Confucian scholars worshiping. Along with that is the statue of the prominent teacher, the first principal of the Quoc Tu Giam Temple of Literature Chu Van An. In 1992, Xich Dang Temple of Literature was ranked as a national historical and cultural relic by the Ministry of Culture, Sports and Tourism. Every year, on the 4th and 5th days of the Lunar New Year, the Temple of Literature holds a festival with activities such as writing the first words of spring, holding ceremonies, offering incense, calligraphy exhibitions, singing ca tru, and gradually restoring old festival again. In addition, during exam season, teenagers and students go to the temple to learn about the studious tradition of their ancestors and burn incense to pray for further development in their studies. Source: Vietnam National Tourism Administration
Hung Yen 1176 view
Lang Le Bau Co relic site is located in Tan Nhut commune, Binh Chanh district, Ho Chi Minh City. Lang Le Bau Co is associated with the resistance war against the French invasion in 1948 with major battles that went down in history. Lang Le Bau Co relic was recognized as a city-level historical relic in 2003. The reason it is called Lang Le Bau Co relic area is because the name of Lang Le Bau Co relic area was given by local people. The hamlet was established next to the interlaced canals and rivers. Lang Le Bau Co is located inside a large field with many shrimp, crabs, and fish. Along with many species of birds such as mallards, storks, teal, nuthatches, gongs, partridges, herons, and red armpits come to feed here. Therefore, Tan Nhut people call it by the familiar and rustic name Lang Le Bau Co. Lang Le Bau Co relic is considered the gateway to move to the center of Vuon Thom base and attack the enemy headquarters in Saigon. Previously, Lang Le Bau Co relic area was originally a field of overgrown reeds. On April 15, 1948, the French colonialists sent 3 thousand soldiers and many modern weapons to simultaneously attack the Lang Le Bau Co area to destroy the Vuon Thom base. At that time, the revolutionary armed forces in Lang Le - Bau, because of their small force and rudimentary weapons, had the help of local people along with the advantage of terrain. After just over half a day of fighting, it turned to attack, causing the French army to suffer a large number of casualties. The victory at Lang Le Bau Co killed 300 enemies, captured 30 mercenaries, and destroyed many machines, military vehicles, and guns of all kinds of the enemy. However, on our side, there are many officers and soldiers who heroically sacrificed their lives at a very young age. On October 14, 1966, in Lang Le, the Republic of Vietnam Army Ranger Battalion was destroyed by tourist militia. Lang Le Bau Co relic site has great historical significance for the people of Saigon in particular and the whole country in general. Faced with hatred for the French colonialists, Lang Le Bau Co's army and people fought a war of great historical significance that opened the door for our side and the enemy. For our side, the battle opened the door to heroism in a strong resistance position. As for the enemy, they had to retreat into a strategic position and were destroyed. The French colonialists could no longer form a strategy to defeat the Viet Minh. Moreover, at Vuon Thom base, Lang Le Bau Co also took place a determined battle to protect our base and destroy all sabotage plans of the enemy. Lang Le Bau Co relic area, after the Dong Khoi movement in 1960, was also a logistics and springboard for the armed forces to liberate Long An - Saigon - Gia Dinh. To commemorate the sacrifices of our compatriots and soldiers, in 1988 Binh Chanh district built a historical building in Lang Le Bau Co land with an area of 1000m2. Source: Ho Chi Minh City Electronic Information Newspaper
Ho Chi Minh City 3771 view
The US Embassy relics, also known as the "White House of the East", are the origin of sinister military and political plots aimed at long-term annexation of Vietnam. The relic site is a 5-storey building built Built in modern architecture, located at the corner of Mac Dinh Chi - Le Duan Street, Ben Nghe Ward, District 1, Ho Chi Minh City, on a plot of land nearly 5,000 square meters. Previously, the US embassy was located at 39 Ham Nghi Street. At around 10:00 a.m. on March 30, 1963, the US embassy on Ham Nghi Street was hit with explosives by the F21 Commando team, collapsing three floors: 1, 2, 3, so the US decided to rebuild it. Construction began on the building in 1965, most of the materials and construction machinery were transported from the US, under the control of American engineers. According to the design, the building is surrounded by 7,800 Taredo stones that can withstand mines and artillery shells. The main door is equipped with thick steel, the other doors are blocked by a special thick bulletproof layer. All doors use automatic systems, including iron doors blocking the way to the upper floors. Inside the building there are 140 rooms with 200 staff serving day and night. In addition, next to the building is also built an additional row of houses called the "Norodom" area exclusively for C.I.A. employees. When inaugurated, the building had only 3 floors. At the end of 1966, two more floors and a terrace were built to serve as a landing place for helicopters. Surrounding the building is a 3m high wall, at both ends of the wall close to Le Duan Street, 2 high blockhouses are built, guarded day and night. The Embassy was completed in September 1967 with a defense system such as a fortress with 60 guards, a bomb shelter, and a radar screen system to control the facade. Immediately after the building was completed, on September 24, 1967, thousands of students flocked to the gate of the US Embassy to fight for "America to stop bombing the North", "America to go home" and issued a notice denouncing the US for "trampling and seriously violating the right to self-determination of the Southern people". But the outstanding event that happened at the US Embassy was the battle of the City Rangers during the General Offensive and Uprising in the Spring of 1968. The target of attacking the US Embassy was added on January 24, 1968 by Ngo Thanh. Van is in charge of general affairs. Ranger Team 11 took on this important mission, including captain Ut Nho (military region reconnaissance captain) and soldiers: Bay Truyen, Tuoc, Thanh, Chuc, Tran The Ninh, Chinh, Tai, Van, Duc, Cao Hoai Vinh, Mang, Sau and 2 drivers: Tran Si Hung and Ngo Van Thuan. Another equally humiliating event for the US Embassy was the chaotic escape that occurred on April 29 and 30, 1975 by the US and its accomplices. Faced with the rapid attack of the Vietnamese army and people in the historic Ho Chi Minh campaign, over 1,000 Americans and more than 5,000 pro-American Vietnamese jostled, pushed, and kicked each other to compete for a place on the terrace of the building. building to be rescued by helicopter. This relic was granted a certificate of recognition by the Ministry of Culture on June 25, 1976. Currently, the US Embassy building has been demolished and a new consulate in Ho Chi Minh City has been built, but next to it is a memorial stele forever remembering the achievements of the special forces soldiers who died in the battle. . Source: Ho Chi Minh City Youth Union
Ho Chi Minh City 3125 view
Tan Hiep Prison, also known as "Tan Hiep Correctional Center", is located in Quarter 6, Tan Tien Ward, Bien Hoa City. Tan Hiep Prison Relic was ranked as a national relic by the Ministry of Culture and Sports on January 15, 1994. Tan Hiep Prison is one of the six largest prisons in South Vietnam and the largest prison in the Southeast region, built in an important military position, northeast of Bien Hoa town. Ahead is National Highway 1; Behind is the North - South railway line. This is an isolated location, convenient for transportation, easy for protecting, guarding, receiving prisoners from other places and transferring prisoners to Con Dao, Phu Quoc... Tan Hiep Prison has an area of 46,520 square meters with 8 prisons, including 5 prisons for communist prisoners and patriots. The prison is surrounded by 4 layers of barbed wire with 9 bunkers, 3 watchtowers with a team of guards and a modern alarm system. It's called "Correctional Center" but inside is actually a gun warehouse, an interrogation and torture room with the most modern tools. Each prison only has an area of nearly 200 square meters but holds 300-400 people, sometimes up to a thousand people. In particular, there are "repentance" rooms and "tiger cages" that are very small and narrow and living conditions are extremely harsh, prisoners live like in a crematorium. The diet was extremely unhygienic. The prison guards bought rotten rice and rotten fish to fertilize the fields, and fried them in oil to feed the prisoners, leading to many people being poisoned. With the determination to escape the imperial prison, return to the Party and the people to continue fighting and liberating the nation, on December 2, 1956, with the agreement of the Eastern Inter-Provincial Party Committee, the soldiers Communists were "detained" in Tan Hiep prison under the direct direction of comrade Nguyen Trong Tam (Bat Tam) - in charge of the prison Party Committee and a number of other comrades who suddenly broke the shackles. was able to free nearly 500 comrades and patriots. This event caused a stir in the Pentagon. America - Diem hastily mobilized both main forces and security forces, civil guards defending the three provinces of Bien Hoa, Ba Ria, Thu Dau Mot and two special forces to encircle and capture the prisoners, but all were defeated. failure. Our comrades and compatriots who escaped from Tan Hiep prison received help and protection from local facilities and returned safely to base. Among the escaped prisoners were comrades: Bay Tam, Hai Thong, Ly Van Sam... who became the core nucleus of the Dong Khoi movement later. In 2001, to partly recreate the crimes of the US - Diem against our comrades and compatriots imprisoned at Tan Hiep prison and describe the entire Tan Hiep uprising on December 2, 1956. , Dong Nai Museum has collected images, documents, and artifacts displayed at the relic and made a model to serve the research and sightseeing needs of all classes of people. Every day, the monument is open to visitors. Source: Dong Nai Electronic Newspaper
Dong Nai 2827 view
Chot Mat Tower Historical-Cultural Relic, located in Xom Thap hamlet, Tan Phong commune, Tan Bien district, Tay Ninh province, was recognized by the Ministry of Culture and Information (now the Ministry of Culture, Sports and Tourism) as historical - cultural relic on July 23, 1993. Also one of the last three ancient towers remaining in the South of our country. Having undergone many restorations in 1938, 2003 and most recently in 2013. Despite undergoing restorations, the Chot Mat ancient tower relic site has given itself a new look but still remains retains the spirit of ancient architecture. The entire Tower is built of brick and slate with the top of the tower tapering upward, from the ground to the highest point of the tower is estimated to be 10m. In addition, this ancient tower is located on a high mound in the middle of the field, so from a distance it looks like a pen rising gradually. In 2003, the People's Committee of Tay Ninh province decided to approve the investment project to restore, embellish and preserve Chot Mat tower relics and carried out the restoration, restoration, display and opening of the excavation pit in 2003. into use. On November 27, 2019, the Provincial People's Committee issued a Decision regulating the decentralization of management, protection and promotion of the value of historical and cultural relics and scenic spots in Tay Ninh province. Decision to assign the People's Committee of Tan Bien district to directly manage 4 relics, including the National Historical-Cultural relic Thap Chot Mat. In particular, the Chot Mat Tower Historical-Cultural Relic in Tan Phong commune, Tan Bien district was chosen to be part of the tourism development link of Tay Ninh Province. This is a tourist destination worth exploring, contributing to tourism development in Tan Phong commune in particular and Tan Bien district in general. Source: Tay Ninh province electronic information portal
Tay Ninh 2575 view
Bac Cung Temple (literally known as Thinh Temple) in Tam Hong commune, Yen Lac district is one of four large temples around the Ba Vi mountain region and the Red River Delta worshiping Saint Tan Vien. The temples: Tay Cung, Nam Cung, and Dong Cung are on the other side of the Red River in Son Tay territory. These are four temples that were built and preserved relatively carefully by the people. The temple is located in the middle of fertile fields on a 10,000 square meter plot of land next to winding canals, surrounded by rich and densely populated villages. On both sides, the left desert and the right desert stand majestically and silently, covering a large brick yard, looking up to a unique architectural work. Thinh Temple was built 20 centuries ago on the foundation of a small temple worshiping Saint Tan, where he had previously let his troops stay during a mission to help people clear land and manage water. The divine genealogy passes down that: Saint Tan (still called Son Tinh), whose name is Nguyen Tuan, was born on January 15, Dinh Hoi year in Lang Xuong cave, Trung Nghia commune, Thanh Thuy district, Phu Tho province. He lost his father at a young age and lived with his mother and two cousins, Nhuy Hien and Nguyen Sung. Every day, the three brothers crossed the Da River and went to the Ba Vi mountains to clear fields and farm, looking for a living. Here, Nguyen Tuan met Princess Thuong Ngan, was adopted by her, and gave her a walking stick and many magic spells to save humanity. After defeating Thuy Tinh and marrying Princess Ngoc Hoa, he refused the throne that King Hung wanted to give him, and with his two younger siblings traveled everywhere, helping people clear land and water, and was respected by people everywhere. When passing through the Tam Hong area, he let the troops rest and taught the people to grow rice and fish... After he left, the villagers came to the place where the Holy One rested and saw that there were still some packets of hearing left there, so after This temple is called Thinh temple. There is also a story that: when letting the army stay here, Saint Tan taught the people to butcher Thinh, so the people called the temple that name. From a small temple, during the reign of King Ly Than Tong (1072-1128), the temple was rebuilt into a large temple. This is where the king came to pray for longevity. During the reign of King Minh Mang (1820-1840), the temple was repaired many times. During the reign of King Thanh Thai, the Tri of Yen Lac district appointed monk Thanh At to restore the temple. The project lasted until the 6th reign of Khai Dinh (1900-1921). Through many ups and downs, the temple continues to be preserved and preserved by local people. On January 21, 1992, the temple was recognized by the Ministry of Culture and Information as a cultural and historical relic. Every year, the Thinh Temple festival is held from the 6th of the first lunar month to the 20th of the first lunar month. The festival includes sacrifices, palanquin processions from villages inside and outside the commune and many folk games will be held. Source: Vinh Phuc province electronic information portal
Vinh Phuc 2442 view
During the period when the Mac dynasty had its capital in Cao Bang, in order to prevent the Le dynasty from attacking, the Mac dynasty restored and repaired Na Lu citadel (now in Hoang Tung commune, Hoa An) and Ban Phu citadel (now in Hung Dao commune). ), Phuc Hoa citadel, in addition to building many other citadels in Cao Bang, making Cao Bang a political and military center in the far Northeast border region at that time. Na Lu citadel and Phuc Hoa citadel are two citadels built before. According to the records of Be Huu Cung in Cao Bang Thuc Luc, Na Lu citadel and Phuc Hoa citadel began in the reign of Tang Y Tong in the year Giap Than, the 5th Ham Thong era (874). Based on the presence of many ancient tombs with stone inscriptions containing the names, addresses, and hometowns of the citadel builders who died here during the Ham Thong Dynasty, it can be confirmed that these two citadels were built during the Tang Dynasty. Na Lu Citadel was built over many different dynasties. When the Mac dynasty came to Cao Bang, it was rebuilt with bricks. Na Lu citadel has a nearly rectangular shape, has a total area of about 37.5 hectares, a length of about 800 m, a width of about 600 m, the citadel has 4 gates. Ban Phu citadel in the capital of Nam Binh, Nam Cuong country of Thuc Phan in the past in Cao Binh (Cao Bang), the Mac dynasty renovated the royal palace in the inner circle of the old capital of Nam Binh and called it Ban Phu citadel or Royal Palace. In the ancient capital of Nam Binh of the Nam Cuong country and the Mac dynasty, Ban Phu citadel still has clear traces. The capital city of Nam Binh consists of two citadels, to protect the citadel, the outer ring has a circumference of about 5 km, including a low hillock area, around the foot of the hill is covered with vertical canvas like a wall, convenient for navigation. Build defense lines. The western wall of the citadel runs parallel to the bank of the Bang River to the beginning of Bo Ma village, connecting the southeast wall of the citadel, flowing in front of Ban Phu, following the foot of the hill to meet National Highway 4, the northeastern side running along the foot of the hill close to the outside of National Highway 4. , up to the top of the mound is the northwest side, continue running along the foot of the hill, out to the river bank and meet the west wall, forming a closed citadel. When the Mac Dynasty established the capital, it repaired and built a number of additional works, in which Ban Phu Citadel (inner citadel - the king's working place) was built higher on the old citadel walls from the Thuc Phan period. The citadel is located on a flat land. Along with rebuilding the capital, the Mac dynasty also built a system of posts and ramparts quite thick around the capital and a number of important border points, forming a system of protecting the capital and protecting the border. gender. Phuc Hoa citadel (Phuc Hoa district) was built in a square style, about 400 m in each direction, including two citadel rings, the distance between the two rings is 80 m. Currently, the southern wall has been completely destroyed. Phuc Hoa Citadel has 2 main gates: The North Gate is open to the national highway to Ta Lung Border Gate today, people often call it Pac Gate, this gate is built in a rectangular style, 8 m wide, 5 m high. , including two gates made of thick, very sturdy wood; The second gate is in the south, opening to the river bank. Both gates were flattened long ago, and now there are no traces left. Near the citadel, in the northwest suburbs along the riverbank, there are many traces of brick kilns. People said that during the process of labor and exploration, many intact brick kilns were found in this area. Through research and surveys, it has been shown that in Cao Bang, the Mac dynasty renovated, embellished and built many citadels and fortresses, including repairing, embellishing and rebuilding Ban Phu citadel, Na Lu citadel, and Phuc citadel. Hoa. These fortifications have formed a quite solid system of protecting the capital. Up to now, of the ancient citadels built by the Mac Dynasty during the capital period in Cao Bang, some of the citadels built of earth only have traces left, but the citadels built of stone are still very clear. Source: Cao Bang Electronic Newspaper
Cao Bang 2354 view
Mai Xuan Thuong was the leader of the Can Vuong movement against the French at the end of the 19th century in Binh Dinh. Mai Xuan Thuong was born in the year of Canh Than, 1860, died in the year of the Pig, 1887, from Phu Lac village, Phu Phong district, Tuy Vien district, Binh Dinh province (now Phu Lac village, Binh Thanh commune, Tay Son district, Binh Dinh province). His father, Mai Xuan Tin, was the chief father in Cao Bang. His mother, Huynh Thi Nguyet, was the daughter of a noble family in the village. Mai Xuan Thuong is inherently intelligent and eager to learn. At the age of 18 (1878), he passed the Baccalaureate at Binh Dinh Examination School. At the age of 25 (1885), he passed the bachelor's exam. Responding to King Ham Nghi's Can Vuong edict, Mai Xuan Thuong returned to his hometown of Phu Lac, recruited insurgents, set up a base on Sung island to raise the Can Vuong flag against the French, then Mai Xuan Thuong brought his forces to join the army. The insurgent army was led by Dao Doan Dich and was appointed by Dao Doan Dich to the position of Military Salary Officer (in charge of food for the insurgent army). From then until 1887, the Can Vuong movement in Binh Dinh developed strongly and spread to Quang Ngai, Phu Yen... attracting tens of thousands of people from all walks of life to participate. On September 20, 1885, Dao Doan Dich died and assigned all his forces to Mai Xuan Thuong. He chose the Loc Dong mountain area (now in Binh Tuong commune, Tay Son district) as his headquarters and organized a flag worshiping ceremony, calling on scholars, literati, and people to join the movement to fight against the French. During that ceremony, insurgents from many regions in Binh Dinh province agreed to honor him as the Marshal leading the uprising and raised the slogan: "First to kill the left, later to attack the West". In early 1887, the French army under the command of Lieutenant Colonel Cherrean and the royal army led by Tran Ba Loc along with Minister Trira launched a major attack on the headquarters of the Can Vuong movement in Binh Dinh, the battle The fighting between the insurgent forces and the French enemy was extremely fierce, the fight was unequal, and in the end the insurgent force was pushed back. In March 1887, after a fierce battle in Bau Sau (An Nhon town, Binh Dinh province), Mai Xuan Thuong was seriously injured, the insurgents withdrew to Linh Dong secret area. On April 21, 1887, Tran Ba Loc surrounded and captured the Linh Dong secret base and captured a number of insurgents, including Mai Nguyen Soai's mother. On the night of April 30, 1887, Mai Xuan Thuong sent a suicide squad to break into Tran Ba Loc barracks, relieve the captured people, and he and a group of 50 subordinates crossed the mountain into Phu Yen and continued to resist. battle, but when she reached Phu Quy Pass (boundary between Binh Dinh and Phu Yen), she was captured by Tran Ba Loc's ambush and taken to be beheaded at Go Cham (East of Binh Dinh Citadel). The mausoleum of patriot Mai Xuan Thuong is located on a high hill of the Ngang mountain range (in Hoa Son village, Binh Tuong commune, Tay Son district, Binh Dinh province) about 50km northwest of Quy Nhon city; The mausoleum was built on a land area of 1988m2, inaugurated on January 22, 1961. Overall, the mausoleum is designed in the style of an ancient mausoleum, surrounded by low walls. The Lang gate (three gates) is made up of 4 square pillars, the top is tied in the style of a gourd and a vase, bearing the architectural appearance of a communal house or temple gate of the late 19th century. In the middle of the Mausoleum is Mai Xuan Thuong's tomb, rectangular in shape in the East - West direction; At the head of the grave is a stone stele engraved with an inscription recording the biography and career of Mai Xuan Thuong: The relic was ranked at the National level by the Ministry of Culture and Information on April 20, 1995. Source: People's Committee of Tay Son District, Binh Dinh Province
Binh Dinh 2266 view
Hoc Mon District Palace is located at No. 1, Ly Nam De Street, Hoc Mon Town, (next to the District People's Committee headquarters) and is the place where many outstanding fighting events have been recorded throughout the long history from 1885 to the Southern days. Complete liberation of the People of 18 Betel Garden Villages. After defeating Chi Hoa Fort, the French colonialists built a 3-storey wooden house here to use as a military post. When Tran Tu Ca took office as Governor of the Palace, he used the Station as the Palace of Binh Long district. Originally a cunning drunkard of the French colonialists, Tran Tu Ca was led by a group led by Mr. Phan Van Hon (Quan Hon) and Nguyen Van Qua (Chanh Lanh Binh) of nearly 1,000 insurgents who came to burn the District Palace, captured and head cut off in the middle of the market. That was February 8, 1885, At Dau Tet. Afterwards, Hoc Mon District Palace was rebuilt with a blue stone foundation, brick walls, and a defense system from the upper floors to the fence. The architecture is similar to the Military Fort, so the locals call it Hoc Mon Fort. Tran took over from Tran Tu Ca as Governor of Ngon district, moving to Tra District and then Tho District. This was a long period of time when the people of the Hoc Mon region suffered from many cruel and despicable scenes from the French colonialists and their oligarchic henchmen mentioned above. With the indomitable tradition of Hoc Mon people. On June 4, 1930, around 6 a.m. in front of the District Palace, hundreds of Hoc Mon people protested demanding "abolition of poll tax, reduction of license and market taxes, and granting land to poor farmers." Tra District invited the leaders into the Palace to negotiate, but they cunningly arrested them, including Mr. Le Van Uoi (Secretary of Tan Thoi Nhi Commune), who was the leader of the protest. People were undaunted and fiercely demanded that Tea District release those detained. The protest group became more and more crowded, the fighting spirit spread somewhat, causing Tra District to give in. On the one hand, they released the detained people, on the other hand, they called the officials in Saigon for help. 2 hours later, the struggle was led by two men, Blachole and Nobbot, who opened fire on the protest group, causing many casualties. But the most impressive historical event at Hoc Mon District Palace was the Southern Uprising on November 23, 1940. Hoc Mon Fort is very solid, built of green stone like a fortress, about 15 meters high, has a gun emplacement and a defense system with battlements guarded by a platoon of green soldiers. On November 22, 1940, France reinforced one more platoon to deal with the situation. On the afternoon of November 22, 1940, Mr. Do Van Coi's army broke into the town, disguised as civilians, ambushed behind the Station waiting for orders to rob the Station. Another army wing has the task of destroying bridges, cutting down trees blocking roads, and occupying offices and houses... The army wing from Phuoc Vinh An, Tan Thong, Tan An Hoi, Tan Phu Trung is led by Mr. Pham Van Sang and Dang Cong Binh commanded, started from Ben Do hamlet, attacked the house, killed 1 person, collected 4 guns, and took control of the situation here (Tan Phu Trung). Immediately this army was ordered to pull back to Hoc Mon. The Long Tuy Thuong army was commanded by Mr. Bui Van Hoat. The army of General Long Tuy Trung was commanded by Mr. Do Van Day and Le Binh Dang. At around 24:00 on the night of November 22, 1940, the sound of artillery fire had not yet been heard in Saigon. After consulting, the army commanders united to attack the enemy's post. Immediately the troops headed straight to Fort Hoc Mon, where District Chief Bui Ngoc Tho resided. Two insurgents named Nghe and Kinh volunteered to enter the front gate and sacrificed their lives. Insurgents from all directions rushed into the Fort like water bursting its banks. Faced with the power of the insurgents and the masses, the soldiers in the Station no longer had the spirit to resist and fled in disarray. The insurgents completely occupied the inside of the station, but upstairs, the enemy still stubbornly used guns to shoot sporadically, at the same time calling Saigon and Thu Dau Mot for emergency help. Because he was eager to capture the name of Tho District, comrade Do Van Day climbed up to the upper floor of the Station by clinging to the gutter. Halfway up, he was hit by bullets, the comrade fell and died later. The battle was at a standstill when enemy reinforcements arrived. Unable to hold out, the insurgents withdrew from the town, dispersed to the villages, the armed forces withdrew to Ben Do hamlet (Tan Phu Trung) and then moved to My Hanh hamlet (Duc Hoa). Although the attack on Hoc Mon Fort (later called Hoc Mon District Palace) failed, it left a deep impression in the hearts of all civilians admiring the courage of revolutionary soldiers in the fight against colonialism. steal the country. During the historic Ho Chi Minh campaign, at 7:00 a.m. on April 30, 1975, Hoc Mon town was completely liberated, the National flag fluttered above the District Palace, where District Chief Nguyen Nhu Sang and his gang sai has been running away since last night. Today, Hoc Mon District Palace is chosen as the District Museum, where many documents are displayed, illustrating the ups and downs of historical periods as well as the revolutionary fighting spirit of the army and people in Hoc Mon district over the past two years. resistance war against French colonialism and American imperialism. A monument placed in front of the Hoc Mon District Palace relic represents the indomitable sacrifice of the army and people of 18 Betel Garden Villages, recognized as a national historical and cultural relic. Source: Hoc Mon District People's Committee
Ho Chi Minh City 2198 view
Dien Khanh Temple of Literature is located in Phu Loc Tay cluster, Dien Khanh town, Dien Khanh district, Khanh Hoa province. The Temple of Literature is a place to worship Confucius, the founder of Confucianism, and the sages who were his students; At the same time, it is also a place for activities of local scholars and scholars, honoring those who successfully passed the examinations. In 1803, King Gia Long issued an edict to establish a Temple of Literature in Phu Loc commune, Hoa Chau district - Binh Hoa town, now in Phu Loc Tay cluster - Dien Khanh town - Khanh Hoa province. The Temple of Literature was built on a large scale in 1853 and by the following year it was basically completed: in front there was a pavilion, in the middle there was a high and wide front hall and main hall, made of wood and surrounded by brick walls. The rafters are carved with beautiful and majestic gilded lacquer. Dien Khanh Temple of Literature was built on a large, flat area of land, with a total area of 1,500 square meters. When it was first built, the Temple of Literature had the following architectural works: Chinh temple and Khai Thanh temple, roofed with thatched grass. In 1849, the Temple of Literature had its roof system renovated, replacing thatched roofs with tiled roofs and building Ta Vu, Huu Vu, Khai Mieu, Quan Cu, Tu Mieu... with a very large and solid scale. In 1959, the Temple of Literature was rebuilt on the old foundation in Phu Loc village, but on a smaller scale, including: the outer gate and city walls; Internal Nghi Mon; stele house (Thach Bi communal house); temple yard; flag pole; Eastern and Western houses (Ta Vu - Huu Vu); Worshiping the road; Chief of soaking. Basically, the structures of Chanh Tam and Bai Duong compartments were transferred from Van Chi Phuoc Dien, and Ta Vu and Huu Vu were built in the style of a four-level, three-compartment house. The walls are built of bricks, there are no wings. The roof is covered with yin and yang tiles, later restored and replaced with Western tiles; The wooden door system is built in a plank style, replacing the ancient style of upper and lower sides; Do not rebuild Khai Mieu, Quan Cu and Tu Temple. Currently, the Temple of Literature only retains two stone steles from the Tu Duc 11 period (1858), which help us better understand the history, culture, and activities of the people of Khanh Hoa and the process of completing the Temple of Literature area in 1854. There is also an article in Bai Duong that speaks more clearly about the achievements of literary and martial arts scholars, scholars, notables, dignitaries and local students from the beginning of the Nguyen Dynasty to the Tu Duc period. With a rich history, the Temple of Literature area carries great value in the process of learning, receiving knowledge and expressing respect for teachers, enriching the treasure of national cultural heritage. Dien Khanh Temple of Literature relic was ranked a National Monument by the Ministry of Culture, Sports and Tourism on October 15, 1998. Source: Department of Culture and Sports of Khanh Hoa province
Khanh Hoa 2198 view
Hang Temple at the foot of Voi Mountain, An Lao district, Hai Phong city has long been a place to worship Female General Le Chan - who had meritorious contributions with people in the area to establish An Bien village during the Eastern Han Dynasty. After leaving her hometown of Quang Ninh to avoid being forced to become a concubine of the governor To Dinh. Le Chan set foot in the land of Hai An, Hai Phong, recruited soldiers to join them in farming, building a hamlet named An Bien site (today's inner city). Great ambition did not stop there. Disgruntled over the crimes committed by the enemy, causing the people's lives to be miserable and miserable, Le Chan silently prepared his forces, waiting for the day of the uprising. She went to the present-day Elephant Mountain area, gathered soldiers, actively practiced, stored food and herbs, and took advantage of the rugged terrain of the mountains and forests to hide from the enemy. Afterwards, receiving news of Hai Ba Trung's uprising, from the mountains and forests of An Lao, Le Chan contacted and officially brought his army to join the uprising. Due to its good fortified terrain, along with the commanding talent of a talented female general, the Elephant Mountain base quickly developed its forces, in a short time becoming an important base in the Northeast region. During that time, the surrounding area also had many insurgent troops, typically the insurgent army of Mrs. Tran Thi Trinh and her son Ngu Dao in Dai Dien, Tong Thuong Cau, An Lao district, (6km from Elephant Mountain), heard News of Le Chan's reputation contacted the Elephant Mountain base and became a general under her command. Although the uprising later failed and female general Le Chan had to commit suicide to preserve her reputation in the mountainous areas of Lat Son - Ha Nam, An Lao people still remembered her merits and kindness, so after hearing News of the female general's death, people in the area took her to worship in Hang Pagoda. Therefore, Hang Pagoda is also known as Hang Temple - which represents a wonderful combination of Buddhist religion and national hero worship. In the temple, King Thanh Thai still retains the title of female general as "Hoang Ba Long Hoi, Great King, Middle-Class Minister". On the basis of the old Hang Temple, in 2011 the government restored a new temple commemorating the Female General. The Temple of Female General Le Chan is located in the Hang Temple area, where the Buddha, the Holy Mother, the Monsignor and the Princess Thanh Chan were formerly worshiped in An Tien commune, An Lao district, on a large closed campus. more than 4000m2. The main temple has a Dinh-shaped structure with an area of 190 square meters, including five pre-sacrificing rooms and one back room. The front of the temple faces south, looking straight at Highway No. 10, beyond are undulating hills and mountains, the back side is based on a cliff creating a sustainable position. The temple is surrounded by city walls. The ritual gate is made up of 4 large pillars, the 2 tall central pillars at the top are converging purple phoenixes, the 2 slightly lower columns on both sides and at the top are 2 unicorns facing the center. The outside of the ritual wall is embossed with a white horse on the left and a large statue on the right. The renovation and embellishment of the Temple of General Le Chan was completed and put into use, not only meeting the visiting needs of people and tourists while also contributing to preserving the values of the monument for generations to come. next system. Source: Hai Phong Youth Union
Hai Phong 2153 view
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