NAM LUONG FAMILY

NAM LUONG FAMILY

The story of the hundreds of years old communal house in Ngam Luong village, Lang Ngam commune, Gia Binh district, Bac Ninh province that we talk about below is an example to prove that. Ngam Luong village, Lang Ngam commune (formerly named Ngam Dien) is located adjacent to the Thien Thai mountain range, and is the meeting place of many transitional geo-cultural circuits. In the area, there is Duong River hugging the West and Northwest. Along with that is the ancient road route, now the Duong River dyke. That river route and ancient road form an East-West connection between the Thai Binh and Red River basins. Lang Ngam is also located on the western bank of the Luc Dau Giang area, where the high mountains and low hills in the North end; The place where the Thuong River, Cau River, and Luc Dau River converge, opening up the delta and down to the East Sea. Those river routes are important traffic arteries in transporting ancient Vietnamese residents along with the country's economic, historical and cultural elements back to Lang Ngam; And from here - thanks to these special bloodlines - it continues to spread out, integrating with the country in all fields. That has made Ngam Luong - Lang Ngam countryside - since ancient times - a place to both witness and directly contribute to the creation of many unique cultural histories of the homeland and the country. Located at the beginning of the village, looking to the Southeast, Ngam Luong village communal house is in a beautiful feng shui position. In front of the road is a lake with water, the village road curves around, and in the distance is fertile countryside. On both sides are villages and fields. Behind the communal house is a great dike and the Duong river like a strip of noise surrounding it. Perhaps the village and communal house are located by the river, but when the ancients built the communal house, they worshiped the three Water Gods as tutelary gods. The water gods are considered to be figures with a decisive role, directly influencing the thinking, daily life and production of agricultural residents who have grown wet rice since early times. Currently, their records in the locality have been lost for a long time, so it is unclear what their merits were. But in the pavilion, there are still Chinese characters recording their names: First Five Six Shows Improvising Linh Hon Than, Second Trung Thien heroically heroic and strategic Hon Than, and Third Chan Nhi Thong Rui Mat. attain godhood. Ngam Luong village communal house has quite a large scale, containing many unique values ​​​​of history, cultural beliefs and architecture - art. In particular, in the field of architecture and art, this is one of the last and outstanding representatives of Northern communal house sculpture art during the three golden centuries of folk culture. Because of that, the communal house was ranked as a Historical - Cultural relic by the People's Committee of Bac Ninh province in 2009. According to the chronology still recorded on the first sentence of the communal house in Ngam Luong village, the communal house was restored. created on a beautiful day in early summer in the year of Giap Than - Le Dynasty (around 1764). The overall construction at that time included: The communal house gate and the Tam Quan were built in the style of a 8-roof match stack, on both sides there were 2 dancers, elephants and painted four sacred animals. Inside are two Dance Strips, each side has 4 compartments. Next is the Great Court and the Harem. Over time and war, some works such as Tam Quan and Dai Vu of the relic site were demolished. In 1962, the wooden floor in Dai Dinh was also removed to make tables and chairs. Later, the villagers repaired the outer garden, built walls and gates, and redid the three gates; Gather enough remaining floorboards to fit the floor on one side of the house. Currently, when villages are gathered together, houses are spacious; The communal house, which was originally large and imposing compared to the people's houses in the past, is now somewhat less massive; But the spiritual value and historical and cultural value are multiplied over time. With the Ngam Luong communal house project, the architectural beauty over the centuries still exists through the ancient architectural structure that is still maintained. The great communal house consists of 3 compartments, 2 wings and 4 curved roofs, measuring 21m long and 11m wide, truly an architectural work with all the typical beauty of Northern village communal houses. The architecture of Ngam Luong village communal house has the same style as many Northern village communal houses. The system of ironwood columns, large and small, is solid, structured in the style of stacking beams and gong racks, with 6 rows of columns horizontally and 4 vertical rows. This sturdy column system lifts up the wide, tiled roof of the communal house, protecting the sacred inner space of the communal house, with many carved works of artistic value, imbued with the souls and emotions of the workers - Folk artists build communal houses. The main columns in the front and back horizontal rows of the three main halls all have column ears. That is the worker who sawed the top of the column into a wide frame, then brought the wooden slab down to spread out on both sides of the top of the column, below was the support arm, and on top was a dowel attached to support the upper beam. Thanks to this structure, the column ears are always in a stable position. It is these pillars that the craftsmen have turned into works of art with embossed techniques and rich themes, bringing the bustling breath of life. The rear palace is in the style of a mallet, consisting of 5 architectural compartments in the style of a row, surrounded by bricks, the axis is 11.5m long, 8m wide. Inside the Harem are arranged 3 thrones worshiping the tablets of the tutelary gods. In front are incense bowls, stands, candles, floating trays, altars... all placed on brick pedestals and square tables. Some of these artifacts date back to the Nguyen Dynasty, 19th century. In particular, the ancient communal house was bestowed with many titles by Vietnamese feudal dynasties. Over time, it was lost, and up to now, 7 ordinations are still preserved in the temple. The earliest religion was established in Canh Hung 28 (1767), the latest religion was established in Dong Khanh 2 (1886). Most of them acknowledged the merits of the village tutelary god for helping, eliminating disasters, and dispelling disasters for the people, so that the people could be prosperous and happy. SOURCE: LITERATURE AND ART ASSOCIATION OF BAC NINH PROVINCE

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