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Hanoi 3558 view
Update day : 21/02/2024
One Pillar Pagoda was started construction in the year Ky Suu 1049, under the reign of King Ly Thai Tong. According to folk legend, in a dream, King Ly Thai Tong dreamed of Guan Yin Buddha sitting on a lotus, radiating light and inviting the king to come with him. When the king woke up from his dream, he immediately told his servant. Monk Thien Tue advised the king to build a pagoda on a stone pillar just like in his dream, making a lotus throne for the Buddha to sit on. In history books, it is recorded that at the current location of the One Pillar Pagoda, there is a stone pillar above which there is a jade pagoda. In the jade pavilion, there is a statue of Guan Yin Buddha that was built in a square lake. The king often came here to chant Buddhist scriptures and pray. Later, the next prince repaired the pagoda and built a pagoda next to it 10 meters to the southwest. This cluster of relics was named Dien Huu Tu with the hope of "long-lasting blessings". In 1105, King Ly Nhan Tong repaired the pagoda and built two white porcelain-roofed towers in front of the yard. In 1108, Nguyen Phi Y Lan ordered someone to cast a large bell and named it "General Enlightenment" with the meaning of awakening the hearts of the world. During the war against the French, the One Pillar Pagoda was mined and destroyed by the French expeditionary force. After taking over the capital, the Ministry of Culture of the Democratic Republic of Vietnam researched and established a major restoration project to rebuild the One Pillar Pagoda exactly like the original architecture. In 1955, Hanoi's One Pillar Pagoda was restored and preserved until now. Next to it, there is still a pagoda with a three-entrance gate with a horizontal panel inscribed with the three words "Dien Huu Tu". In 1962, the One Pillar Pagoda complex in Hanoi was recognized as a National Historical Architectural and Artistic Monument. By 2012, the One Pillar Pagoda was honored by the Asian Records Organization to set the record for "The temple with the most unique architecture in Asia". The original structure of the One Pillar Pagoda is supported by wooden beams holding firmly to the stone pillars. The structure of the One Pillar Pagoda currently includes: Pillars, Lotus pedestal, and pagoda roof. The pillars of the one-pillar pagoda are built with two stone pillars overlapping each other, forming a vertical pillar with a height of 4 m, not including the sunken part below the base. The diameter of the stone column is 1.2 m wide, making the viewer feel "as solid as stone". The Lotus Palace has a square shape of 3 m on each side, blocking the surrounding balcony, supported by a system of solid military columns, underneath are large wooden beams securely attached directly to the stone pillars. The tenon joints are precisely chiseled to each inch and the joints fit tightly together, creating an extremely sturdy structure. Inside the Lien Hoa station is luxuriously decorated, with an altar above which is placed a gilded statue of Guan Yin Buddha with a thousand eyes and a thousand hands. Surrounded by many worship objects: a pair of ceramic water vases, a lotus flower vase, a set of altar tea and bowls, and a bronze incense burner. The altar is painted with gilded vermilion and decorated with many yellow cloud motifs. On the innermost ceiling, there is a small horizontal panel with three golden words "Lien Hoa Dai" written on it, painted red. The pagoda's roof is covered with traditional brick-red scale tiles covered with moss over time. Each tile is a manifestation of the skill and meticulousness of the craftsman. When roofing tiles, the most difficult step is to match the tiles at the corner of the gutter so that there are no gaps, because this is the junction between the four edges of the pagoda roof, which often have gaps. If you want to roof tiles in this location conveniently, right from the stage of making and joining the joints, the joints must be really tight and match each other. One Pillar Pagoda has four curved roofs with knife heads soaring into the sky, also known as "blade ships". The pagoda's roof is supported by a system of levers extending close to the bottom. On the top of the pagoda's roof is the image of "two dragons flanking the moon", this is a typical architectural feature in pagodas, temples, communal houses and shrines. The two dragons bend their bodies and turn their tails toward each other, but their heads are facing the moon. This architectural feature symbolizes fertility and harmony of yin and yang. The pair of dragons symbolizes positive energy, and the moon shape represents negative energy. The sum total is the number three of fertility, that's why when people go to temples, they often light 3 incense sticks to symbolize the 3 objects in "two dragons flanking the moon". This is an image imbued with humanity in the nation's spiritual artistic architecture. The lotus flower is considered a symbol in Buddhist culture, reminding people of the virtues of honesty, patience, innocence, direct action... Lotus Flower Dai is crafted in the image of a lotus placed on a high stone pillar. In the middle of Linh Chieu lake, it seems as if it is reaching up to escape the worldly world. An extremely elegant, pure and unique image. Linh Chieu Lake has a surrounding flower wall decorated with cubic motifs. Outside, another large lake is dug, called Bich Tri lake. Bich Tri Lake is located within the grounds of Dien Huu Pagoda, located to the right of One Pillar Pagoda. In front of the yard of Dien Huu pagoda is the Bach Tuynh stone tower. From the stone tower there is a small bridge leading to the One Pillar Pagoda. On the full moon day or the first day of every month, the administrators organize a cleaning ceremony and perform worshiping ceremonies in the temple. People also often come to visit and worship from afar. In the summer, the temple is open to welcome visitors every day of the week, in the winter it is closed every Monday and Friday of the week. There is no charge to visit the temple. Coming to One Pillar Pagoda, people often pray for perfect wisdom and full vitality. Through extremely beautiful artistic and humanistic architectural features such as the purity and serenity of lotus petals symbolizing perfect wisdom. Cylindrical pillar - positive energy located in the middle of Linh Chieu lake - negative energy combined to bring about continued longevity.
Hanoi 2596 view
From January to December
Ba Dinh Square is located right in the center of Hanoi capital at 2 Hung Vuong, Dien Ban, Ba Dinh district. Ba Dinh Square is where President Ho Chi Minh read the Declaration of Independence. The square is open for visitors to visit from 5:00 a.m. to 10:00 p.m. every day. The overall square is about 320 meters long and about 100 meters wide with 210 grass plots. In the center of the square there is a flagpole with a height of 25 meters. Around Ba Dinh Square, there are many important works such as: Uncle Ho's Mausoleum, Ho Chi Minh Museum, Presidential Palace, one-pillar pagoda, stilt houses and Uncle Ho's fish pond. The ideal time to visit Ba Dinh Square, Hanoi is from September to March every year. During these months, the weather in Hanoi is quite cool and not too hot. This makes visiting and exploring Ba Dinh Square as well as other locations in the capital more convenient. Besides, in the last months of the year, the scenery in Hanoi is extremely poetic. When traveling to Ba Dinh Square, you will see more typical flowers. The transition from autumn to winter to spring brings a very unique beauty to the capital. When you arrive at Ba Dinh Square, don't forget to take photos as souvenirs. No matter what time it is, the vast scenery here will bring beautiful frames. If you go in the morning or afternoon, you will get natural light. If you come to Ba Dinh Square at night, you can take advantage of the light from the light poles to make the photo more beautiful. Ho Chi Minh Mausoleum is one of the photo-taking views that many tourists love when coming here. In addition, you can also easily find other beautiful shooting angles. You should use devices with wide-angle lenses to capture the panoramic beauty of the square. Located right behind Ba Dinh Square, Ho Chi Minh Mausoleum is a place you should visit. The mausoleum is open every day of the week except Monday and Friday. Opening times of the day will vary between different times of the year. There will be no fee for Vietnamese citizens to enter the mausoleum, but for foreign tourists it will be 25,000 VND per visit. The overall architecture of Ho Chi Minh Mausoleum is built in a square shape with 3 layers, 21.6 meters high and 41.2 meters wide. With a solid structure, President Ho's mausoleum is able to withstand bombs, floods and earthquakes. Outside the mausoleum, there are stone-covered columns and the words "PRESIDENT HO - CHI - MINH" in prominent red. The Presidential Palace is where Uncle Ho lived, worked and many important events in history took place. Built in French neoclassical architecture in 1902, the presidential palace has a total of 30 rooms with symmetrical design. Besides the unique motifs and decorations, the yellow paint color is also a factor to help make the presidential palace more prominent. In the campus of Hanoi's presidential palace, there are many green spaces. Walking under the trees, visitors can feel peaceful in the heart of the vibrant capital. The interior of the presidential palace has been preserved almost intact from the time Uncle Ho used it until now. Mainly simple wooden items. Similar to Uncle Ho's mausoleum, the Presidential Palace also does not accept visitors on Mondays and Fridays. Ho Chi Minh Museum was built in 1990, this will be a very interesting attraction on your Ba Dinh Square travel itinerary. Coming to the museum, you will learn about the life and career of President Ho Chi Minh. This is the place where documents, images of statues and historical items related to Uncle Ho's life are kept. Exploring the Ho Chi Minh Museum, visitors will not only learn about a great historical figure of the country, but also visit and explore a special architectural work with bright exhibition areas. create, animate.
Hanoi 3150 view
September to March
Hoan Kiem Lake is located in the center of the capital, surrounded by 3 streets: Hang Khay - Le Thai To - Dinh Tien Hoang. Previously, the lake also had a number of other names such as Luc Thuy Lake (green lake) or Thuy Quan Lake (because the lake used to be a place to train naval soldiers to fight). In the 15th century, the lake was renamed Hoan Kiem Lake (returning the sword), associated with the story of returning the precious sword to the golden turtle of King Le Thai To. Hoan Kiem Lake is a gathering place, an ideal meeting point for four seasons: Brilliant in peach colors and traditional festivals in spring; The wind blows away the sultry heat of summer; Fall in love with the weeping willow branches in the magical mist of autumn; Gorgeous in the rain of yellow leaves and drizzling raindrops of winter. Not only is it a beautiful landscape that tourists cannot miss in the list of Hanoi tourist destinations, but it is also a place associated with the capital's historical and spiritual traditions. Hoan Kiem Lake has two floating islands: Ngoc Island is located in the north of the lake, with a curved The Huc bridge connecting to the island. In the middle of the lake is a smaller Turtle Island, above which is a hundred-year-old ancient Turtle tower, sitting quietly amid sparkling water waves. On 3 weekends, the streets around Hoan Kiem Lake will become walking streets with many attractive activities such as street music, folk games... attracts a lot of tourists. Located on Ngoc Island, Ngoc Son Temple is not only a historical relic and famous scenic spot of Hanoi but also a place to worship the god Van Xuong, the leading star of literature and examinations, and Saint Tran Hung Dao. Around the temple is a complex of architectural relics with many historical values and humane significance, including The Huc bridge, But tower, Nghien tower, Tran Ba communal house. The combination of the Ngoc Son temple complex and Hoan Kiem Lake has created an ancient architectural ensemble of harmony and balance between humans and nature. Next to Hoan Kiem Lake are old streets such as Hang Ngang, Hang Dao, Hang Duong,... where visitors can visit and explore the life, culture and people as well as the unique cuisine of Hanoi. Ly Thai To monument is located at Chi Linh flower garden on Dinh Tien Hoang street. This is a typical cultural architectural work at Hoan Kiem Lake to honor the king who publicly founded the capital city of Thang Long. Located on the shore of the lake, Hoa Phong tower is an ancient relic left over from Bao An pagoda after it was destroyed by the French to make way for a post office. Around the lake, there are countless items that you can buy as gifts for friends and relatives such as crafts, cute small gifts, clothes, shoes, and special dishes. Hanoi products such as green rice cake, apricot fruit... Hang Ngang, Hang Dao, Hang Bac, Hang Duong, Dong Xuan market... are some reputable and quality addresses for you to enjoy shopping. According to many people's experience, you should go shopping in the afternoon because the stores here are very strict about customers coming in the morning to ask for things but not buy anything.
Hanoi 2291 view
From January to December
Referring to the history of Hanoi's 36 streets or Hanoi's old quarter, we probably have to go back to the period from the Ly - Tran dynasties, when this residential and commercial area began to form, with residents from all over the villages. around the Northern Delta gathered and became the busiest area in the capital at that time. Not only that, this urban area also focuses on many handicraft and trade activities, from which the name "Hang" is formed, a call that refers to typical craft streets, imbued with traditional features. system. Experiencing many ups and downs of the capital, that neighborhood still goes through the years, lasting until now, preserved and preserved to become Hanoi's old town in the hearts of many Vietnamese people. In terms of area, according to regulations of the Ministry of Construction, the official scope of Hanoi's Old Quarter is determined as follows: to the north is Hang Dau street; To the west is Phung Hung street; In the south are Hang Bong, Hang Gai, Cau Go and Hang Thung streets; and on the east side Tran Quang Khai street and Tran Nhat Duat street. Hanoi's 36 streets, the name has entered the subconscious of many people with the most simple and rustic features from names such as Hang Mam, Hang Non, Hang Duong, Hang Muoi... representing the main items that are popular. Small businesses here trade. The old town has a very unique urban character, a prosperous and crowded place, always crowded with people but still retains the traditional cultural values from thousands of years ago of the capital. Each street gathers workers from famous craft villages around the ancient capital of Thang Long, turning each street here into a miniature craft village in the heart of Hanoi. Architecture is another unique feature that makes up the unique character of the old town, with the structure of tube houses, tilted tile roofs and facades of shops specializing in trading, built mainly in the 19th century. The 18th and 19th centuries. At first glance, the houses look shabby and small, but they are arranged very skillfully and reasonably by people, still fully serving the life needs of the people here. Hanoi's Old Quarter is beautiful with small roadside shops. Even though they are not luxury restaurants, the rich flavor attracts travelers, once they go they will never forget them. A session sitting by Hoan Kiem Lake, enjoying the wind, eating Thuy Ta ice cream, watching the flow of people passing by, or going to the street without enjoying Trang Tien ice cream is truly a mistake. Old Hanoi with its bustling street vendors weaving through each street with simple yet rustic dishes such as donuts, balut, or simply green rice, a hometown gift that pleases the people of Trang An. can captivate any picky diner. Old town cuisine is associated with traditional dishes such as bun cha, pho, fish vermicelli, tofu vermicelli with shrimp paste, snail vermicelli, vermicelli vermicelli,... from small roadside shops, or in old houses, there are dozens of them. five years old. "Hanoi's 36 streets" is not only famous as the most entertaining place in Hanoi, but also preserves many historical and cultural values of more than a thousand years of civilization. You definitely should not miss this destination when visiting Hanoi.
Hanoi 2403 view
From January to December
Temple of Literature is located in Dong Da district, Hanoi, right in the middle of 4 main streets including Nguyen Thai Hoc, Ton Duc Thang, Temple of Literature and Quoc Tu Giam. Traveling to Hanoi with thousands of years of culture, this is definitely a place you should visit. If starting from Hoan Kiem Lake, you follow Le Thai To street, turn right onto Trang Thi street, go towards Cua Nam street, Nguyen Khuyen street and then turn left onto Van Mieu street to arrive. Because Hanoi has many one-way streets, especially around the Temple of Literature area, remember to pay attention to avoid breaking traffic laws. The Temple of Literature was built in 1070 under the reign of King Ly Thanh Tong, as a place to worship Confucius, Cong Chu and Tu Phoi. In 1076, King Ly Nhan Tong established Quoc Tu Giam next to it, a university exclusively for the king's children and noble families. During the reign of King Tran Thai Tong, Quoc Tu Giam was renamed Quoc Tu Giam and accepted children of commoners with excellent academic ability. In the post-Le period, King Le Thanh Tong began to erect steles of those who passed the doctoral exam. During the Nguyen dynasty, Quoc Tu Giam established Hue. The Thang Long Temple of Literature was renovated and became only the Temple of Literature of Bac Thanh town, later changed to the Temple of Literature of Hanoi. The current Temple of Literature - Quoc Tu Giam relic complex is located on an area of 54,331 m2, including many different small architectural works. Surrounding the campus are brick walls. Having undergone many renovations, this relic complex includes Ho Van, Temple of Literature, Dai Trung Mon, Khue Van Cac, Thien Quang well, doctoral stele, Dai Thanh Mon, and Thai Hoc house. The teaching house on the east and west sides has 14 rooms. The students' classrooms in the three halls have three rows, each row has 25 rooms, and each room has 2 people. The entire current architecture of the Temple of Literature is from the early Nguyen Dynasty. The architectural complex of the Temple of Literature - Quoc Tu Giam is arranged symmetrically in each area, each layer along the North-South axis, simulating the overall planning of the Temple of Literature dedicated to Confucius in China. However, the scale here is simple. than and in the traditional way of national art. In front of the Temple of Literature there is a large lake called Van Chuong lake, its old name was Thai Ho. In the middle of the lake there is Kim Chau mound, which used to have a pavilion for sightseeing. Outside the main gate there are four pillars, on both left and right sides there is a stele "Ha Ma", around the area is built a high wall. The gate of the Temple of Literature was built in the style of Tam Quan, with three words "Temple of Literature" on it in ancient Chinese characters. The Temple of Literature is divided into 5 distinct areas, each area has a separating wall and a gate connecting with each other. The main gate of the Temple of Literature is built in the style of Tam Quan, with three words "Temple of Literature" on it in ancient Chinese characters. The Temple of Literature has a surrounding wall built of bricks. Inside there are also walls divided into 5 areas, each area has a dividing wall and a gate to each other. First area. Starting with the main gate of Van Mieu Mon, go to Dai Trung Mon gate, on both sides there are small gates, Thanh Duc Mon and Dat Tai Mon. Second area. From Dai Trung Mon to Khue Van Cac. Khue Van Cac is an architectural work that, although not massive, has harmonious and beautiful proportions. The architecture consists of 4 square brick pillars (85cm x 85cm) below supporting the upper floor, with very beautiful wooden structures. The upper floor has 4 circular doors, a convenient railing and a simple, rustic wooden roof support. The two-layer overlapping tile roof creates a structure with 8 roofs, ridges and a flat roof surface. The attic is a square floor with eight roofs, on all four sides of the attic are round windows shaped like the sun radiating rays of light. On the right and left sides of Khue Van Cac are Bi Van Mon and Suc Van Mon, leading to the two Doctor's stele houses. Khue Van Cac at the Temple of Literature - Quoc Tu Giam has been recognized as a symbol of Hanoi city. Third zone. Consists of Thien Quang Tinh lake (meaning well of sunlight), square in shape. On both sides of the lake are the doctor's stele houses. Each stele is made of stone, engraved with the names of those who passed the Poinsettia, Longan, Tham Hoa, Hoang Giap, and Doctoral exams. The stele is placed on the back of a stone turtle. There are still 82 steles of examinations from 1442 to 1779. These are the most precious relics of the relic. Fourth zone. Is the central area and main architecture of the Temple of Literature, consisting of two large works arranged parallel and consecutive to each other. The outer building is the Bai Duong, the inner building is the Upper Palace. This is the area worshiping Confucius and Tu Phoi (Nhan Tu, Tang Tu, Tu Tu, Mencius). Fifth zone. This is Thai Hoc's house. During the Nguyen Dynasty, the Quoc Tu Giam school in Hanoi was abolished, the Thai school was changed to the Khai Thanh house, worshiping Confucius's father and mother. However, this house was destroyed during the resistance war against the French. The new Thai Hoc building was rebuilt by Hanoi city in 1999. In this fifth area, there is also the Tien Duong - Hau Duong house, which is the place to worship kings Ly Thanh Tong, Ly Nhan Tong, Le Thanh Tong and private businesses. Quoc Tu Giam Chu Van An. Things to note when visiting the Temple of Literature. First, respect the monument and comply with the regulations of the monument management unit. Do not harm artifacts or relics. Do not pat the turtle's head, write, draw, stand, or sit on the Doctor's stele... Second, clothes when going to the Temple of Literature should be clean and neat. Do not wear skirts or pants that are too short, revealing clothing, or indoor clothing. Do not smoke, wear hats or hats in the Temple area, exhibition hall... Finally, Implement a civilized lifestyle in places of worship: Do not have uncultured behavior, profanity, or cause disorder and security; Have the right attitude when performing the ceremony, each person only lights one incense stick; Offer offerings and burn incense in the right place.
Hanoi 2501 view
From January to December
As one of the earliest Christian architectural works built in Hanoi, the Cathedral has experienced many ups and downs in the country's history, imbued with the lives and souls of many Hanoi people. The land on which the church was built was originally where Bao Thien Pagoda was located, existing since the Ly Dynasty. By the end of the 18th century, Bao Thien Pagoda was destroyed and became a small market before the first church was built. From 1884 - 1888, the Catholic Church built a brick church on the original wooden temporary church foundation. This is the largest church built in Hanoi, honored as the "Cathedral of Saint Joseph". The church was inaugurated at Christmas 1887. In 1890, Nha Chung Street was expanded and the Cathedral became a central place bustling with passersby. From Hoan Kiem Lake, following Nha Chung Street, visitors can easily find their way to the church. Standing out in the neighborhood with a large square with a statue of the Virgin Mary holding the baby Jesus. Visitors will have to enter the church through the side gate. Known as the oldest church and with the most beautiful architecture in Hanoi, the Cathedral has been meticulously designed by the hands of talented artisans. With European and Gothic design style, the Cathedral was built according to the motif of Notre Dame Cathedral in Paris. The church has a length of about 65m, a width of 21m and two bell towers of nearly 32m high, fixed by large stone pillars. The exquisitely designed stone cross attracts everyone's eyes from the moment they enter. The entire floor is made from terracotta tiles, and the four sides of the wall are plastered with sandpaper, creating an ancient and extremely beautiful space. Because it is hundreds of years old, the church wall is covered with moss, creating a wild and mysterious scene. The main doorways and doors all have pointed arches, typical of the Gothic style. The large dome curves upward, creating a lofty space. The highlight in the middle is the sophisticated, round flower-shaped window. With deep colors, mainly European style, mixed with many motifs bearing Vietnamese images, making the two sides of the church's walkway attractive, attracting tourists to look and admire the unique beauty. The church is divided into 3 spaces: the reception hall - a place for the choir and musicians, the ceremony area and the sanctuary for ceremonies. Right in the cathedral are hidden three tombs of Cardinal Trinh Nhu Khue, Cardinal Pham Dinh Tung and Cardinal Trinh Van Can. In the middle is a statue of the Virgin Mary, covering the entire church scene, creating an unusually warm feeling, like a mother is opening her arms to embrace her young children. The church usually has 2 masses on weekdays and 7 masses on Sunday. On March 19 every year, the procession of the Patron Saint of the Archdiocese of Hanoi will be held here. During ceremonies, people often hear music playing along with prayers in the Cathedral. This is also where absolution sessions for the congregation take place. Like other churches, Christmas and Easter are the two biggest ceremonies at the church, often holding lavish ceremonies, crowded with Catholics to celebrate the ceremony. Not only is it a famous religious site of the capital, Hanoi Cathedral is also a destination that attracts many young people and tourists to visit and take photos. Especially at Christmas time, the Cathedral is most splendidly decorated with elaborately decorated pine trees and colorful sparkling lights. However, you will need to come early because at dusk this place is already crowded with people. When talking about the Cathedral, of course we can't help but mention the "specialty" "smooth lemon tea" here. Cups of tea scented with jasmine flowers, sprinkled with a few slices of fresh lemon with a sour, sweet, and astringent taste have become a familiar drink to many Hanoians. Just a plastic chair on the sidewalk, sipping tea, chatting with friends or watching the traffic go by. Perhaps from such simple things, Church lemon tea always retains its unique charm for Hanoi people. In addition, it would be a mistake to come to Hanoi Cathedral and not enjoy all the dishes here. From Asian and European dishes to Hanoi snacks such as grilled spring rolls, pillow cakes, fried porridge... all will be found within just a few steps around the Cathedral.
Hanoi 3039 view
From January to December
Tran Quoc Pagoda was originally called Khai Quoc Pagoda, built in 541 during the Early Ly Dynasty. At that time, the pagoda was located near the banks of the Red River, so when the dyke collapsed in 1615 (during the reign of King Le Trung Hung), the pagoda was moved inside the Yen Phu dyke to the Kim Nguu mound area. Then, around the 17th century, Lord Trinh built Co Ngu dike (now Thanh Nien road) to connect with Kim Nguu island. The pagoda changed its name to Tran Quoc Pagoda during the reign of King Le Hy Tong (1681 - 1705) with the hope that this would be a place to help people ward off natural disasters and bring a peaceful life to all people. And that name is used to this day. In the past, Tran Quoc Pagoda was the Buddhist center of Thang Long capital. Kings Ly and Tran often visited sights and worshiped on holidays and Tet at the pagoda, so many palaces were built to serve the king's rest: Thuy Hoa palace, Ham Nguyen palace. The pagoda is located on an island east of West Lake, nestled quietly on busy Thanh Nien street. As an ancient pagoda built a long time ago, Tran Quoc Pagoda has undergone many restorations, its appearance has changed somewhat, the current scale and architecture of the pagoda is the result of a major restoration in 1815. The total area of the pagoda is about more than 3000m2, including the tower garden, ancestral house and upper palace. The pagoda belongs to the Northern sect with structure and architecture according to strict principles of Buddhism including 3 main temples: Front hall, incense burning house and Upper hall connected together to form the letter Cong (工). The Tien Duong house is facing west, behind is the Tam Bao house. Two corridors are located on both sides of the incense burning house and the Upper Palace. Behind the Upper Palace is the bell tower located on the main hall axis with a three-compartment architecture with a match roof. The ancestral house is located on the left of the Upper Palace and on the left is the stele house which still preserves 14 steles with many historical and cultural values. In 1998, the six-level lotus stupa was built, and in 2003, it was completed to form the pagoda's tower garden. The Stupa is 15m high and has 11 floors. On each floor of the tower, there is a white gemstone statue of Amitabha Buddha in each arched doorway. In particular, at the top there is a 9-storey lotus tower (Nine Lotus Flower) carved from precious stones, creating a majestic, sacred yet very soft beauty. The Stupa was built symmetrically with the Bodhi tree given by the President of India in 1959 during his visit to the capital Hanoi. This Bodhi tree is extracted from the Maha Bodhi tree in Dao Trang - where Buddha Shakyamuni sat and practiced more than 25 centuries ago. Currently, the pagoda still preserves many valuable Buddha and Bodhisattva statues located mainly in the Upper Palace. The most prominent among them is the statue of Shakyamuni Buddha entering Nirvana made from wood, lacquered with gold, and is a beautiful Nirvana statue in Vietnam. Through many ups and downs of time, Tran Quoc Pagoda still stands there majestically, bringing a peaceful yet ancient look in the heart of bustling Hanoi. Every year, the pagoda attracts many Buddhists from all over, domestic and foreign tourists to offer incense, worship Buddha as well as visit the pagoda.
Hanoi 2278 view
From January to December
Located at the center of No. 1 Trang Tien Street, Hoan Kiem District, Hanoi Opera House is a place that many tourists love to visit every time they have the opportunity to come to the capital. This is an architectural work built by the French in the years 1901 - 1911 (during the period of Vietnamese domination), at that time the theater was a place specializing in performing luxurious classical art performances such as Opera, chamber music, drama... for the mandarin class, the French elite and some Vietnamese bourgeoisie. Inspired by famous European architectural works such as the Paris Opera House, Tuylory Castle... so the "soul" of Europe permeates this place. A century has passed with many ups and downs, the Hanoi Opera House has deteriorated a lot and has recently been renovated, giving it a new look and vitality. Saying goodbye to the original pale yellow color, the theater now wears a coat of dark yellow mixed with white to create a majestic and beautiful look. Right from outside the theater, we can feel the "breath" of Europe with delicate lines and classic carved patterns. Entering the main lobby, visitors cannot help but feel overwhelmed by the splendor of this place. The entire room is paved with white stone imported from Italy and red carpet in the middle aisle, creating a luxurious and noble feeling like the British royal palace. The ceiling and surrounding walls are decorated with a system of small copper or gold-plated chandeliers in a vintage style that looks very noble. Next is the audience room where artistic performance activities take place for audiences today. The space here is delicately designed with a stage in the middle and the stands are designed in an arc inspired by the Roman arena, embracing the stage, helping to keep the audience's view unobstructed. the best possible sound quality. With 598 seats reasonably distributed across 3 floors, creating the most comfortable enjoyment space. Finally, there is the mirror room, where important ceremonies are held or high-ranking figures are welcomed... The space here is filled with classic looks from the design that combines many large windows combined with Mozaic technology, to the Hanging lamps and chandeliers are plated with gold or copper... all exude luxury and splendor. In addition, inside the Hanoi Opera House, there are also a few other auxiliary works such as: administration room, 18 makeup rooms, 2 vocal rehearsal rooms, library and meeting room. When coming to the theater, visitors can stop by and buy some small souvenirs at the showroom and souvenir sale room. Recently, Hanoi Opera House officially announced its opening for tourists with a fee of 400,000 VND/person, with students receiving a half discount. In addition, you can buy show tickets at the theater with prices ranging from 300,000 VND - 1,000,00 VND/person and take the opportunity to visit some beautiful architectural works here.
Hanoi 2485 view
From January to December
Hoa Lo Prison is located at 1 Hoa Lo Street, Hoan Kiem, Hanoi. The relic still stands the test of time until today, a clear testament to a period of hardship and hardship, symbolizing the indomitable and resilient spirit of the Vietnamese people. Men love their country. Hoa Lo Prison, also known as Hoa Lo Prison, formerly known in French as Maison Centrale, meaning central prison, and in Vietnamese as Hanoi Prison, is an old prison located on Hoa Lo Street. , Hoan Kiem district, Hanoi. This prison was built by the French in 1896 in an area that was still on the outskirts of the city at that time, with the purpose of being a central prison for both Central and Northern regions, detaining mainly political prisoners. and patriots who opposed the colonial government. During the French colonial period, Hoa Lo prison was designed and built with a structure consisting of 4m high, 0.5m thick stone walls reinforced with electric steel wires. The entire prison area is divided into 4 zones: A, B, C, D, of which: Areas A and B: for prisoners under investigation, unimportant prisoners or prisoners who violate prison discipline. Area C: for French or foreign prisoners. Area D: for prisoners awaiting death penalty. The total area of the entire former prison area was more than 12,000 square meters. However, today only 2,434 square meters are retained and preserved to become a relic site, serving the purpose of sightseeing and tourism for those who want to come and witness firsthand the scenery of what a colonial prison looks like. how. Dubbed the "hell on earth" and the scariest prison in Southeast Asia, during its time of operation, Hoa Lo prison has become a place of detention for many generations of soldiers and activists. Vietnam's revolutionary activities with prison architecture designed with extremely barbaric and cruel forms of torture and forced confessions, the most typical being the guillotine machine, have brought the prison to be listed in the top 10. The most notorious prison in the world. After liberating the capital in 1954, Hoa Lo prison was once used to detain American pilot prisoners of war until 1973. With its historical role, Hoa Lo prison has now become a place to detain American pilot prisoners of war. Interesting attractions in Hanoi attract many domestic and foreign tourists. This place is open to everyone who needs and wishes to visit with an extremely affordable ticket price of 30,000 VND/person, 50% discount for pupils, students, people with disabilities, and the elderly. or those who belong to social policy. In addition, children under 15 years old, people with severe disabilities or people with meritorious services to the Revolution will be completely exempt from ticket prices.
Hanoi 2770 view
From January to December
Thang Long Imperial Citadel is a complex of relics associated with the history of Thang Long - Dong Kinh capital city and Hanoi province. This archaeological site is a living testament to the Red River Delta civilization throughout 13 centuries: starting from the pre-Thang Long period around the 7th century, going through the Dinh and pre-Le dynasties, and developing strongly under the Ly, Tran, post-Le, came to the Nguyen Dynasty and existed until today. The highlight of Thang Long Imperial Citadel was formed in 1010, when King Ly Thai To issued a decree to move the capital from Hoa Lu to Dai La and built the Imperial Citadel as well as a series of palaces and palaces, including the Thang Long Imperial Citadel. According to history books and archaeological documents, Thang Long Citadel was built according to the model of three overlapping citadels, including: the outermost ring is La Thanh or Imperial Citadel - where the residents live, the middle ring is the Imperial Citadel. – the main court area, the living and working place of court mandarins, and the innermost circle is the Forbidden City or Long Phuong Citadel – a place for the king, queen, and other royal family members. What we still see today in the capital Hanoi is the Thang Long Imperial Citadel Central Relic Area with an area of about 20 hectares (out of the total area of 140 hectares of the Imperial Citadel), including two areas: Archaeological Area 18 Hoang Dieu and Hanoi Ancient Citadel Relics. Except for Bac Mon and Ky Dai, the remaining buildings are only reconstructions and archaeological relics found over the years. The central relic site of Thang Long Imperial Citadel is located at 19C Hoang Dieu, Dien Bien ward, Ba Dinh district, Hanoi city. In fact, the entire relic complex is surrounded by four roads: the North is Phan Dinh Phung Street, the South is Dien Bien Phu Street, the East is Nguyen Tri Phuong Street and the West is Hoang Dieu Street, within the area. Dien Bien and Quan Thanh wards, Ba Dinh district, Hanoi city. The first stop in the Imperial Citadel relic complex is Ky Dai, commonly known as the Hanoi Flagpole. This is a monument with a tower-like structure, built under the Nguyen Dynasty from 1805 to 1812, at the same time as Thang Long Imperial Citadel. The flagpole architecture includes three levels of base, body, and watchtower, with a total height of about 33.4m. Inside the building, there is a spiral staircase design leading to the top - where you can enjoy a panoramic view of Thang Long Imperial Citadel. The Hanoi Flagpole project still stands firmly and solidly today, and has become one of the symbols of the capital Hanoi. Leaving Hanoi Flagpole, you go a little further and you will reach Doan Mon, the main gate leading to the Imperial Citadel. Doan Mon has appeared since the Ly dynasty, but the architecture we see today was built by the Le dynasty in the 15th century and renovated by the Nguyen dynasty in the 19th century. Doan Mon is the southern city wall, built in an arched architectural style that is almost perfectly symmetrical across the "divine axis", with 5 city gates: the largest middle gate is for the king, the remaining 4 gates are for mandarins. , prince, prince. This is the most checked-in location because of the grandeur and majesty of the building. Starting from Doan Mon, you cross a large courtyard called Long Tri, then reach Kinh Thien Palace - the main nucleus in the overall Imperial Citadel relics. Kinh Thien Palace was built in 1428, where King Le Thai To was crowned, and later became the place to celebrate solemn royal ceremonies, hold court meetings and welcome foreign envoys. Currently, this project only retains the foundation and two stone dragon steps. However, the vestiges found here and the pair of flanking dragons partly recall the magnificence and splendor of Kinh Thien Palace in the past. Hau Lau, also known as Tinh Bac Lau, is a building built behind Kinh Thien Palace, in the past it was a harem - a living place for queens, princesses, concubines, and beautiful women. Hau Lau appeared after the late Le dynasty, built in a box-shaped architecture with three floors, combining traditional Vietnamese and French architecture. The most characteristic feature of Hau Lau is the thickness of the walls, making the rooms always cool in the summer and warm in the winter. At the end of the 19th century, Hau Lau was seriously damaged, and was renovated and rebuilt by the French as it is today. Bac Mon, or Cua Bac, is one of the five gates of the ancient citadel of Hanoi under the Nguyen Dynasty, and is also the only remaining gate. North Gate was completed in 1805, following the gazebo style: above is the floor, below is the citadel. Upstairs is currently the place to worship two Governors Nguyen Tri Phuong and Hoang Dieu - who together with the people of Hanoi fought to protect the citadel to the death. The palace gate is a guard place for soldiers, to keep the king and royal family safe. Each palace gate is a structure with sophisticated and sturdy design, enhancing the magnificence of the palace. In the Hanoi Ancient Citadel Relic Area, eight such palace gates still exist. Thanks to these palace gates, the work of determining the coordinates of the palaces and walls is more accurate. In addition to archaeological works, in the Hanoi Ancient Citadel Relics Area, there is also a system of French architectural works built in the late 19th and early 20th centuries, now requisitioned as headquarters and agencies of the Government. State of Vietnam.
Hanoi 2519 view
From January to December
Historical and archaeological relics of Thang Long Imperial Citadel Central Area - Hanoi with a core conservation planning area of 18,395 hectares (including Hanoi Ancient Citadel Relics Area and 18 Hoang Dieu Archaeological Relics Area) and the buffer zone area is 108 hectares. In 1009, Ly Cong Uan ascended the throne and established the Ly dynasty. In 1010, Ly Thai To moved the capital from Hoa Lu to Dai La citadel, renamed the new capital Thang Long and built it into the country's largest economic, political and cultural center. Through the Ly, Tran, Le So, Mac and Le Trung Hung dynasties, Thang Long citadel always held the position of "National Capital", the residence and working place of the King and Royal Family. This area is also where important ceremonies of the country are held. After the Nguyen Dynasty established the capital in Hue (1802), the capital role of Thang Long was dissolved... After 1954, the Thang Long citadel area became the headquarters of the Ministry of National Defense. It was in this area that many important decisions of the Party and State were made, contributing to great victories in the resistance war against the US to save the country, win national independence, and unify the country. Through time and historical events, Thang Long citadel has had many changes and deformations..., but up to now a number of historical and archaeological relics are still preserved, typically: Flagpole (Hanoi Flagpole): built in 1812, under the reign of King Gia Long, 33.4m high, including three floors: base, column body and lookout. Doan Mon: is the southern gate, built in a rolling arch style. Doan Mon is arranged horizontally, including the middle door reserved for the king, on both sides there are 4 smaller doors, for mandarins and royal families. Kinh Thien Palace: located in the center of the imperial citadel (early Le Dynasty), built in 1428, right on the old foundation of Can Nguyen Palace under the Ly Dynasty (later renamed Thien An Palace). In 1886, this palace was destroyed by the French colonialists to build the French Army Artillery Command. Currently, only traces of the foundation of Kinh Thien Palace remain. In particular, this area still preserves two stone dragon steps, dating back to the 15th century. Hau Lau (Princess's Floor): built in 1821, used as a resting place for the maids in the convoy escorting the Nguyen Kings when traveling to the North. At the end of the 19th century, Hau Lau was seriously damaged, the French colonialists renovated and rebuilt it as it is today. Bac Mon (North Gate): is the northern city gate, built in 1805, consisting of two floors, eight roofs, with a curved blade head, in the traditional style. Surrounding walls and 8 palace gates of the Nguyen Dynasty: In 1805, the Nguyen Dynasty built a wall from the Doan Mon gate around the inner palace, creating a palace for the king to work and rest every time the North patrolled. Currently, in the ancient citadel there are still 8 city gates along with a system of walls surrounding the palace made of bricks. Relics of house and bunker D67: built in 1967, in area A. This is where the Politburo, Central Military Party Committee, and the General Command made many historical decisions, marking important achievements. Milestones of the Vietnamese revolution: The 1968 Tet Offensive, the 1972 campaign, the 1975 General Offensive and the climax of the Ho Chi Minh Campaign... French architectural works: built from the late 19th century to the early 20th century in the Vauban style, including the French Army Artillery Command building; a 2-story building, built in 1897, now used as the headquarters of the Department of Operations; two one-story buildings, built in 1897. East of the Operations Department building is a guest house, built in 1930. Trees in the relic area: planted at high density and diverse in types, have contributed to creating a fresh environment and harmonious landscape for the relic area. Archaeological relics at 18 Hoang Dieu: located about 100m west of Kinh Thien Palace, with an area of 4,530 hectares, excavations began in December 2002, divided into 4 zones (A, B, C, D). While excavating here, archaeologists discovered traces of the foundations of ancient architectural works of Thang Long Imperial Citadel and many valuable artifacts, such as terracotta architectural decorative materials. , wooden columns, ceramics of Vietnamese feudal dynasties and many foreign utensils and objects, such as porcelain from West Asia, China, Japan... Thang Long - Hanoi Ancient Citadel is a typical historical and archaeological relic, material evidence reflecting high technical level, containing historical, architectural and artistic values. At the same time, it reflects the cultural interference with countries in the region and around the world in a long historical process, shown through many historical artifacts, architectural works, and urban landscapes with unique appearance. thousands of years of history. With the special historical, cultural and scientific values of the monument, the Prime Minister has decided to classify the Thang Long - Hanoi Imperial Citadel Central Area historical and archaeological site as a special national monument. farewell on August 12, 2009. Source: Department of Cultural Heritage
Hanoi 2661 view
Dai Lan communal house and pagoda relic cluster was ranked by the Ministry of Culture and Information (now the Ministry of Culture, Sports and Tourism) as a national architectural and artistic relic in 1989. This is the destination of many people. tourists from near and far because of the unique features of the architecture as well as the friendliness and hospitality of the people... Dai Lan communal house and pagoda (Dai Lan village, Duyen Ha commune, Thanh Tri district), were built around the 17th century. Previously, the cluster of relics was close to the riverbank. Over time, the riverbank eroded so the villagers moved to the current location. Dai Lan Communal House Dai Lan communal house, located close to the left of the three jewels of the village temple, has a "Dinh" shaped architecture including 3 vestibules and 2 back rooms. The Dai Lan communal house is divided into 3 compartments and 2 compartments with 4 curved roofs, the roof is covered with two dragons flanking a tiger holding a stylized sun, the two ends of the roof are two dragons holding the roof, the roofs are covered with swords. The dragon's head curves toward the communal house. Inside, the roof support beams are made in the style of upper gong and armpit beams, lower porches, seven porches, and seven backs on the surface with four rows of pillars. Architectural decorations at Dai Lan communal house mainly focus on the remaining heads, dragon-carved pillars, the four sacred animals, and the four precious gems, which are familiar themes in traditional folk belief architecture. Dai Lan Communal House worships 4 village Tutelary Gods (3 during the Hung King period, Linh Ho, Minh Chau and Cha Luc, who were instrumental in suppressing the enemy and Nguyen Nhu Do, a great mandarin of the Le Dynasty, who served as Minister and was an ambassador three times. China). Dai Lan communal house still retains many valuable artifacts including 11 ordinations of the Le and Nguyen dynasties, scrolls, hammock doors, dragon thrones, tablets, incense burners, cenotaphs, especially four palanquins set. Made from the 17th to 18th centuries. Notably, there is a large scroll-shaped horizontal scroll, below is a hammock door running throughout the house. These are two relics decorated with perforation and gilded lacquer techniques. Dragons flanking the sun, dragons rolling water, dragons and horses painting pearls...are decorated on the border of the horizontal panel. The upper part of the hammock door is a pair of large dragons flanking tiger faces, both sides are decorated with images of water-spewing dragons, phoenixes, dragon horses...beneath these two artifacts is a wooden plan meticulously decorated with embossed techniques. A stylized dragon with leaves flanking a tiger, in the middle are dragons and phoenixes, facing the sun in the middle... The main hall has a horizontal panel made in the form of a scroll hanging on a delicately carved hammock door. The decorations there all show traditional carving themes: two dragons in the Japanese dynasty, dragons rolling in the water, dragons and horses painting pearls, dancing phoenixes... Below is an incense burner with hidden sculptures around the border. The two side rooms have horizontal panels hanging above the entrance to the forbidden palace. In the harem, there is a large palace, where the dragon throne and the tablets of the four tutelary gods are placed. In the harem, there is also a large palace containing the dragon thrones and tablets of the four village tutelary gods. Dai Lan village festival takes place on three days, the 6th, 7th (main festival) and 8th of January. In the annual festival, stick fighting is indispensable to commemorate the merits of the gods, and at the same time to exercise strength and wisdom to keep the village peaceful. Dai Lan Pagoda Dai Lan Pagoda (Pho Hue Tu), originally the home of Dai Lan village, Duyen Ha commune. Because in the past, the pagoda had moved many times and the most recent time was in 1959 when the Red River changed its course and the pagoda's land collapsed, so the villagers moved the Buddha statue and worship items to the village to worship, since then the pagoda has been transformed into a temple. pagoda. In the past, the construction site had a large architectural scale with a "pre-Nhat and post-Dinh" structure, however, over time the monument has been seriously degraded. In 2010, the government and local people renovated the current Tam Bao Pagoda with a Dinh architectural structure located on a plot of land at the beginning of the village, close to the village communal house, including Tien Duong and Upper Palace. but still preserves some of the old works' stubs. In 2012, the Ancestor house and Mother house were built. In 2013, the Guest House was built. The front hall consists of five compartments and three Upper Palace compartments. The pagoda was built with a brick wall surrounding it, the gable wall was closed, at the end of the bank was a stepped throne, two tiled roofs, in the middle of the roof was a scroll, the inside was embossed with Chinese characters writing the name of the pagoda, on both ends. The roof is covered with two leaf dragons holding the roof, the two gable walls are built with mezzanine walls connected to two pillars, the top of the pillar is covered with four phoenixes with their tails together, down below is a lantern box with four sacred animals (dragon, glass) embossed inside. , turtle, phoenix), the body of the pillar is covered with embossed edges, inside are written pairs of Chinese characters praising the beautiful scenery of the pagoda and the compassion, joy, forgiveness and charity of Buddhism. Inside, the set of railings supporting the roof of the front hall is made in the following style: Upper gongs overlap the beams, lower floors, porches, seven rears on the surface with four rows of pillars. Decoration on the architecture of the Tien Duong house is concentrated on the pillars, beams, stripes and pillars with the main decorative themes being dragons, four sacred animals, four precious animals, chrysanthemums, eight precious objects of Confucianism... Worth it The most notable are the two armpit paintings on both sides of the gable representing cloud dragons using filigree techniques. The cloud dragon represents the traditional Confucian concept of the dragon and the dragon, the dragon and the tiger are symbols of the meeting of kings and subjects. The presence of two pillars decorated with dragon clouds is very appropriate in an architecture that worships former academicians. The harem of Dai Lan pagoda is built with pedestals gradually increasing from the outside to the inside, with statues placed on the pedestals. At the top is the Tam The statue. The second layer is the set of statues of Amitabha Tam Ton, with the statue of Amitabha sitting in the middle, flanked by the statue of Avalokiteshvara and Mahasthamaprapta. The next layer is the statue of Amitabha Tiep Mang, on both sides are the statues of Thi Gia. The fourth layer includes Quan Am Chuan De statues, flanked by Kim Dong and Ngoc Nu statues. Outside are the statues of the Jade Emperor and Brahma, De Thich, then the Kowloon throne and the statue of Sakyamuni Buddha. On both sides of the Upper Palace there are statues of Quan Am Tua Son, Tho Dia, Giam Trai, and a set of statues of Ten Dien Diem King. Outside the front hall are two altars worshiping the Monsignor, the Holy Monk and the statues of Ho Dharma Encouraging Goodness and Punishing Evil. Besides the Buddha statue system, Dai Lan Pagoda also preserves a number of valuable artifacts: hammock doors, incense burners, and incense bowls of the Le Dynasty; 1 pair of Qing Dynasty porcelain vases, 2 bells, 4 horizontal panels and 2 pairs of parallel sentences. In 1989, the Dai Lan communal house and pagoda relic complex was ranked by the Ministry of Culture and Information (now the Ministry of Culture, Sports and Tourism) as a national architectural and artistic relic. Source: Hanoi Department of Culture and Information
Hanoi 2537 view
Thanh Nhan Pagoda (Linh Son Tu) is the Party's secret revolutionary base, the Ancestral Church is the meeting place, printing of leaflets, and accommodation for revolutionary cadres active in the period before the August Revolution of 1945 and when France temporarily occupied Hanoi (1947- 1949). A number of officers who sacrificed heroically at the pagoda in March 1949 were buried at Mai Dich cemetery - Hanoi. Thanh Nhan Pagoda (Linh Son Tu) is the secret revolutionary base of the Party and the church. The group is a meeting place, printing leaflets, and accommodation for revolutionary cadres active in the period before the August Revolution of 1945 and when the French temporarily occupied Hanoi (1947- 1949). A number of officers who sacrificed heroically at the pagoda in March 1949 were buried at Mai Dich cemetery - Hanoi. Located to the south of the ancient Thang Long citadel, close to the O Cau Den area, there is a pagoda called Thanh Nhan Pagoda in its literal name, Linh Son Tu in its literal name. Thanh Nhan Pagoda is currently located at alley 331 Tran Khat Chan. Thanh Nhan Pagoda is located in a complex of relics including Lac Nghiep Communal House in the East, close to the pagoda, a little further away are An Cu Communal House, Luong Yen Communal House. Thanh Nhan Pagoda is located on a mound that people here used to call a mountain, engraved on the ancient stone stele "Linh Son Bao Tu" carved in the year Canh Hung 20 (1759), during the Le Dynasty. Monk Chinh Minh, the abbot of Linh Son pagoda at that time, wrote as follows: "Now in Ong Mac land, Thanh Nhan village in the capital, there is a land with a towering mountain of land. That mountain has a vein leading from West Lake, flowing to the To Lich River, on the right there is Bach Ho, on the left there is Thanh Long, in front is a robin, behind is a feathered bird, as far as the eye can see, it is truly a first-class quiet land. most of all". Thanh Nhan Pagoda has a large scale. The three-entrance structure is shown in the form of pillars, with a main gate. The main pagoda is located on the highest position compared to the supporting structures and faces south, overlooking the courtyard and lotus pond of the pagoda. The pagoda has a "Dinh" shaped structure, gabled walls, and tiled roof. The ridge and the embankment are raised high, decorated with rosettes on the top, and in the middle of the ridge is the great pagoda "Linh Son Tu". The decoration in the main pagoda's architecture is gentle, the themes and motifs are mainly in the artistic style of the Nguyen Dynasty, such as: apricot bamboo stems, seal patterns, concentrated on the mesmerizing parts. Along with the main temple architecture, there is an ancestral house with five compartments. The temple also has a model electric house. Currently, Thanh Nhan Pagoda still preserves a rich amount of relics in both quantity and artistic value. Typically, there are ancient stone steles (9 steles). The system of Buddha statues, Mother Goddess statues, and Patriarch statues includes 61 large and small statues. Two bronze bells were cast in the year of Tu Duc (1848). Other artifacts: horizontal boards, parallel sentences... are products of the Nguyen Dynasty. On May 28, 2003, Thanh Nhan Pagoda - Linh Son Tu was ranked by the Hanoi People's Committee as a historical architectural and artistic relic by Decision No. 2942/QD-UB. What we cannot mention is that in the early years of the resistance war against the French colonial invaders, Thanh Nhan Pagoda was a base for raising underground revolutionary comrades, a place where documents were printed and hidden. Party leaflets, in the fierce and persistent struggle, there were comrades who heroically sacrificed their lives at this pagoda. A number of other comrades later took on the responsibility of the Party and the State, they became heroes. witnesses of the historical period, and also witnesses affirming the positive contribution of Thanh Nhan Pagoda in the cause of fighting to protect Hanoi Capital, protecting the Fatherland, creating more motivation to promote the war. The revolution quickly led to brilliant victory. On August 5, 2005, Thanh Nhan Pagoda was labeled a revolutionary historical relic. Today, the pagoda is also an address for generous-hearted Buddhists to contribute and share with many difficult situations in society through very practical and humane charity works such as cooking rice. , charity porridge for cancer patients in difficult circumstances at two K hospitals (Addresses Quan Su and Thanh Tri). Organize gift distribution programs combined with medical examination and treatment for people in remote areas; eye surgery program for the poor; distribute wheelchairs to disabled people. Coordinate with the Health Department to organize charity clinics for the poor right at the temple. Source: Phuong Thanh Nhan website
Hanoi 2458 view
Hoang Xa Communal House still retains the altar, the large throne altar, the altar, the palanquin and the precious bowl, the ordination (from the Quang Trung to Khai Dinh period) and parallel parallel panels; The carvings reached the highest peak of art during the Le Trung Hung period. Ung Hoa district possesses a rich system of relics and intangible cultural heritage, typical of the Red River civilization and the Northern Delta region. Among them, Hoang Xa communal house - a national historical and cultural relic - attracts a large number of tourists from near and far to visit. Hoang Xa communal house (Van Dinh town, Ung Hoa district) was built around the end of the 16th century, in the "Nhat" style, meaning there is only one rectangular building with three compartments and two large wings, worshiping in a horizontal way. The altar is worshiped on the mezzanine in the space between the two main columns and the two military columns at the back of the middle space, worshiping the village tutelary god Quy Minh - one of the Three Saints of Tan. Expression of fertility, happiness, prosperity. The communal house's name is taken from the name of Hoang Xa village (formerly in Lien Bat commune, now in Van Dinh town). In the 17th century, Hoang Xa communal house was repaired and the Central Palace and the Harem Palace were built in the architectural style of the letter "Cong". Hoang Xa communal house looks towards the West - Northwest. The ritual gate is designed in the style of a pillar. The head of the pillar is shaped like a lantern, the top is covered with two unicorns flanking each other. Nghi Mon has four pillars. The middle door is two large square pillars with two unicorns flanking each other at the top. Dai Bai (main communal house) is built on a rectangular foundation of 200m2, including 3 large rooms and 2 wings, uneven. The middle space is a place for ceremonies, the front rooms are paved with wood as a place for community activities, now there are 4 tiled pedestals built. The wooden frame is firmly built on rows of large, round columns. The main column of the two middle sets has a circumference of 1.85m, the military column has a circumference of 1.25m. The four main sets are made in two different ways. The two sets of structures are structured in the style of "Upper is stacked with a lower beam", the two main sets are structured in the style of "Upper is stacked with lower beams". Supporting the upper part of the two gable roofs is a system of rafters placed on large horizontal beams. The beam has one end that goes through the body of the main column with two side rafters, and the other end is placed on the military column on the gable side. The Harem Palace consists of 1 room and 2 compartments, built on a square foundation, with 4 roofs and curved corners. Between the four pillars is placed a large altar, above is a square box-shaped altar painted with red and gilded gold, inside the coffin is the dragon throne and tablet of Tutelary God Quy Minh. Located perpendicularly connecting the Hau Palace with the Great Temple is the Central Palace building consisting of 3 vertical compartments, forming 3 floors of hammock doors. Over time, Hoang Xa communal house still preserves artistic sculptures expressed on traps, stripes, planks, pillars, piles of beams, residual ends... Most of them are paintings. carved dragons with the themes of Doc Long, Long Van, Long O, Long Ly... Four pliers are carved into dragon shapes with slim heads, long tails hidden behind the column, horse faces with protruding foreheads, upturned noses, smiling mouths, beard and mane stretched back like long swords covering the neck, legs spread out firmly. Throughout the framework of the communal house, dragon images are created in different positions in the style of carving parasols and multi-layered bubbles of the art of the Le Trung Hung period. Interwoven with dragons are carvings with many themes of human and animal activities such as scenes of fairies dancing and singing, musicians playing drums, singing at communal houses, rowing boats, wrestling, cockfighting... scenes of elephants plowing and horses. or the scene of riding an elephant on a horse, burying a dragon's jaw... Besides, in Hoang Xa communal house, there is still an altar, a large altar, a throne, an altar, a palanquin and a precious bowl, ordaining (from the Quang Trung period to Khai Dinh) and Hoang Phi are parallel sentences. All combine to give Hoang Xa communal house a beauty as a complete artistic whole. Hoang Xa Communal House was ranked as a historical and cultural relic by the Ministry of Culture (now the Ministry of Culture, Sports and Tourism) in 1962. (Source: Hanoi Department of Tourism)
Hanoi 2424 view
The temple was established during the reign of Ly Thai Tong (1028-1054) in the southwest corner of the old Thang Long citadel in the territory of Thu Le village, now Thu Le park. Worshiping Prince Linh Lang, son of King Ly Thai Tong, and his 9th concubine Duong Thi Quang, but it is said that he was originally the son of Long Quan, whose name was Hoang Chau, waterfall, who had meritorious service in the resistance war against Vietnam. Song Dynasty invaders. After his death, the people of Thu Le built a temple and was ordained by the king as Linh Lang Great Vuong, the supreme blessed god. The god has many times conspired to help the Tran dynasty in the war against the Yuan-Mongol invaders, and the Le dynasty in the revival. Because in front of the temple door there are two kneeling elephants, it is commonly called Voi Phuc Temple and because the temple is in the west of the capital, it is also called Tay Town or Doai Town (Doai, according to the Western eight trigrams). Voi Phuc Temple is currently located in Ngoc Khanh ward, Ba Dinh district, Hanoi. The temple is also called Phuc Thu Le Elephant Temple to distinguish it from Phuc Thuy Khue Elephant Temple at 251 Thuy Khue Street, Tay Ho District, Hanoi. Previously, the temple was located in the Tu Tran system, "keeping" the west of the capital. This place was originally a land full of lakes, ponds, and marshes, and was one of the Thirteen camps dating back to the Ly Dynasty. At that time, it belonged to the general cabinet, Quang Duc district, Phung Thien district. Legend has it that Voi Phuc Temple was built in the 7th year of Chuong Thanh Gia Khanh (1065) under King Ly Thanh Tong on a high mound in the land of Thu Le camp - one of 13 camp villages in the west of Thang Long capital. . The temple's opening is currently a four-pillar gate, like cosmic axes that bring vitality from the upper floors down to earth (this is a product of the 19th and 20th centuries). On both sides of the gate are steles of a horse and a pair of elephants. adoration ceremony (currently a new four-pillar ritual gate has been built, close to the main road). It is also because of this that the temple is named Voi Phuc. New
Hanoi 2384 view
The pagoda was built in 1049, the first year of the reign of Sung Hung Dai Bao of King Thai Tong of the Ly Dynasty. Legend has it that at that time, King Thai Tong was old and his father had a son, so he often went to pray at pagodas. One night the king had a dream and saw Avalokiteshvara Buddha appearing on a lotus platform in a square lake in the west of the citadel, holding a baby boy and giving it to the king. Then, sure enough, the king gave birth to a son. Seeing the fulfillment, the king immediately ordered a pagoda to be built to worship Avalokiteśvara Buddha. One Pillar Pagoda is an architectural complex consisting of a pagoda and a tower in the middle of the lake, originally called Dien Huu pagoda and Lien Hoa tower. This monument has long been known as the One Pillar Pagoda. The far pagoda is located west of Thang Long citadel, in Ngoc Thanh village, Ngoc Ha, now the location behind Uncle Ho's Mausoleum. The pagoda was built on a square lake, in the middle of the lake there is a stone pillar, about two meters high, nine meters in circumference, at the top of the pillar is a small tiled pagoda, shaped like a lotus flower rising from the water, hence the name of the pagoda. Nhat Tru Pagoda or One Pillar Pagoda. The pagoda was built in 1049, the first year of the reign of Sung Hung Dai Bao of King Thai Tong of the Ly Dynasty. Legend has it that at that time, King Thai Tong was old but had no son yet, so he often went to pray at pagodas. One night the king had a dream and saw Avalokiteshvara Buddha appearing on a lotus platform in a square lake in the west of the citadel, holding a baby boy and giving it to the king. Then, sure enough, the king gave birth to a son. Seeing the fulfillment, the king immediately ordered a pagoda to be built to worship Avalokiteśvara Buddha. When the pagoda was finished, the king summoned all the Buddhist monks and nuns in the capital to stand around, chant sutras for seven days and nights, and build a large temple next to it to worship Buddha, called Dien Huu pagoda. In 1105, King Ly Nhan Tong repaired the pagoda and erected a white stone tower in front of Dien Huu pagoda called Bach Tuynh tower. The tower is 13 meters high. From the tower to the One Pillar Pagoda, go through a rainbow corridor. Every month, on the full moon day and the first day of the month, the king, his queens, concubines, concubines and courtiers go to the temple to worship Buddha. Especially on the 8th day of the fourth lunar month every year, the day Buddha was born, the king would go to the temple one night in advance, fasting to perform the Buddha-bathing ceremony the next day. On this day, many Buddhist monks, nuns and people from all over come to attend, creating a big festival in the capital. On this day, there is a life release ceremony at the temple. The freeing ceremony began right after the Buddha bathing ceremony. The king stood on a high platform, holding a bird in his hand and letting it fly away. Then the monks, nuns, and lay men and women raced to each release one bird, the shadow of the bird. flying through the sky. Old history records that in the eighth year of Long Phu (1108), the king ordered 12,000 pounds of bronze to be cast into a large bell called Giac The Chung (bell to awaken people), to hang at Dien Huu pagoda. A Phuong communal house was built with green stone eight meters high, and on the roof of the communal house were large iron bars to hang bells. But after the bell was cast, it didn't ring, so it had to be left in the field. For a long time forgotten, the bell became a turtle's nest, so the bell was called Quy Dien. In 1922, the Far East Uncle Ho School repaired the pagoda and kept it according to the old architecture. On the night of September 11, 1954, French colonial henchmen, before handing over the Capital to our Government and people, deliberately set mines to destroy the pagoda. After taking over the capital, the Government ordered it to follow the old format and repair it. In April 1955, the One Pillar Pagoda was restored to its original form. Until 1958, on the occasion of President Ho Chi Minh's visit to India, the Indian people gave him the Bodhi tree from the land of Buddha and was planted in the temple yard. Source: Ba Dinh District Electronic Information Portal
Hanoi 2163 view
Phap Van Pagoda still preserves many precious relics such as the book "Nam Thien Nhi Phap, The Legend of the Phung Luc Sutra" dated in the year of Canh Ty, during the reign of King Thanh Thai (1900), including 8 silver leaves measuring 13cm x 22.5cm; pair of gilded wooden peacocks… If they have the opportunity to return to Van Binh commune, Thuong Tin district, many people go to Phap Van Pagoda, a pagoda following the Four Dharma beliefs, to learn and admire the beauty of architecture and landscape and immerse themselves in the space. sacred place of Buddha. Phap Van Pagoda is located in Van Giap village, designed in the style of "foreign internal work", including a bell tower, front hall, and harem. Entering from the pagoda gate is a large yard paved with Bat Trang tiles, on top is a stone stele "Phap Van Tu Biography" built in 1616. The content on the stele talks about repairing the pagoda, renovating the back hall and corridor by the monk himself. Descendant Nguyen Tiem stood up with local people and a number of mandarins, admirals, dukes and wives from places inside and outside the region to contribute to repairing the pagoda. Next to it are two stone dragons carved in the art style of the post-Le period. Next is the great worship hall. This architectural item is 21m long and 9m wide, above it hangs a bronze bell, so some people also call it a bell tower. The architecture is made in the style of two floors and eight roofs. The internal structure is in the form of 4 rows of wooden legs. From 16 main columns with armpit beams, there are 16 military columns. The armpit beams are also supports, forming a corridor as high as the neck of the match, 0.5m wide, covered with planks that can be walked on. The steeple hangs a bell 1.9m high and 1.05m in diameter. This is the largest bell in the region, cast in 1954. At the corners there is a knife head embossed with a dragon image. Past the great altar is the front hall consisting of 3 rooms. The front hall is connected to the upper hall by a "waterpipe" system, creating a public knowledge for the entire temple. The upper hall consists of 3 compartments, on the altar in the middle there is a large wooden box. The shrine has a boat-style roof, surrounded by 3 elaborately made, lacquered, mother-of-pearl inlaid panels with the decorative theme "dragon and cloud gathering", inside the shrine is a 1.3m high wooden statue of Phap Van. , simulates the shape of a woman sitting in a "static" position with her legs crossed and her hands facing forward. The statue sits on a throne, covered with brocade. His face was solemn and kind. The statue (both face and body) has cockroach wing paint made according to the traditional method of Van Giap village. According to the elderly, to get this paint color, the artist mixed the paint according to the ratio: Three parts live paint, one part live resin, reduced black alum, boiled and then painted over the statue in many layers according to the technique of skillful staff. Phap Van Pagoda still preserves many precious relics: The book "Nam Thien Nhi Phap, The Legend of the Phung Luc Sutra" dated in the year of Canh Ty, during the reign of King Thanh Thai (1900), includes 8 silver leaves measuring 13cm x 22.5cm. The book's title is inlaid with ten gold letters. The two covers are made of bronze embossed with a dragon image; A pair of peacocks made of wood lacquered and gilded, 2.20m high, carved together with legs, body and beaked beak. The feather pattern on the bird's neck is stylized like a dragon's beard. The two dragon palanquins are exquisitely carved, painted and gilded. These are relics of the 18th century.. Phap Van Pagoda Festival is held on the 8th day of the 4th lunar month with a palanquin procession ceremony attracting a large number of tourists from near and far. In 1991, Phap Van Pagoda was ranked as a national historical and cultural relic. Source: Hanoi Department of Culture and Sports
Hanoi 1992 view
In Dong Nhan temple, there are still many valuable gold-plated offerings such as: precious bowls, horizontal boards, and parallel sentences dating from the 19th and early 20th centuries. Dong Nhan Temple also has a stele "The Tragic Story of Trung Vuong" placed in the front yard of the worship hall... Ancient Dong Nhan Temple (another name is Hai Ba Trung Temple) is located at 12 Huong Vien Street (Dong Nhan Ward, Hai Ba Trung District, Hanoi). This is one of the sacred temples worshiping Ms. Trung Trac and Trung Nhi. With unique cultural, historical and architectural values, Dong Nhan Temple along with communal houses and pagodas is a relic complex that has been ranked a Special National Monument (2020). The two women are from Phong Chau, Me Linh. I'm Trung Trac, you're Trung Nhi. At that time, the Han dynasty's governor, To Dinh, brutally murdered Thi Sach, the husband of Mrs. Trung Trac. The two ladies raised the flag of rebellion and received support from people everywhere to expel To Dinh's army, took 65 citadels in Linh Nam, and proclaimed themselves kings. Later, the Han dynasty sent general Ma Vien to suppress the situation. The two women could not resist and had to retreat to Cam Khe land. Finally, they went to Thuong Son mountain and committed suicide. Another theory says that the two women jumped into the Hat Giang River to commit suicide, then transformed into two white rocks floating on the Red River to Dong Nhan wharf, often glowing brightly at night. The villagers saw that, so they took red cloth to process her statue and set up a temple to worship them at Dong Nhan beach along the river. According to historical data, Hai Ba Trung Temple was built during the reign of King Ly Anh Tong, the third Dai Dinh era (1142), in the riverbank area of Dong Nhan village. Later, because this land was eroded, the villagers moved the temple to Huong Vien village (current location). The temple is the center of the relic complex: Vien Minh Pagoda, a communal house worshiping the gods Cao Son Dai Vuong, the King Thien Tu, the god Do Ho Dai Vuong and the water gods who have helped the people living along the river. The temple was built on a 4,000 square meter campus, following the "foreign domestic" architectural style. In front of the gate there is a semicircular lake. Through a road, you will reach a large yard with a ritual gate consisting of 4 pillars. On the left is a large stele riding on a turtle's back, on the right is a two-story, eight-roof communal house. Going inside is the 7-room altar house with statues of two black painted wooden elephants, attached with real tusks. These are two elephants symbolizing the elephants of the Two Ladies leading the army into battle. The altar house is connected to the harem by an incense burner, inside is placed an altar throne and a mosaic of Hai Ba Trung riding elephants to fight the enemy. The harem contains the statue of the Hai Ba, placed on a stone pedestal about 1 meter high. Statue made of tempered clay, sitting posture. Ms. Trung Trac wears a yellow shirt, Ms. Trung Nhi wears a red shirt, her head is covered with a witch hat, her statue is larger than life, her hands are raised high in front of her face as if summoning the crowd. On both sides are statues of female generals who followed the Hai Ba in their uprising to expel To Dinh, wash away the dishonor of the country, and take revenge on their husbands: General Le Chan, Hoa Hoang, Thien Nga, Nguyen Dao Nuong, Phung Thi Chinh, and Princess Pham Thi. Con. The altar has a throne and a mosaic depicting the image of Two Ladies riding elephants to fight the enemy. In Dong Nhan temple, there are still many valuable gold-plated offerings such as: precious bowls, horizontal boards, and parallel sentences dating from the 19th and early 20th centuries. Dong Nhan Temple also has a stele "The Tragic Story of Trung Vuong" placed in the front yard of the worship hall, composed by Dr. Vu Tong Phan in 1840 with the content of praising the Hai Ba as "the fiercest of the Southern state". To show gratitude to the Hai Ba, every year, people here organize the Dong Nhan temple festival from the 4th to the 7th of February. The 6th is the main festival with a special feature of an art performance recreating the scene of Hai Ba Trung riding elephants to fight the enemy. The festival is lively with folk games. Exactly at 12:00 noon is the ceremony to process the boss's feast and worship the council of 4 communes joining together to worship Hai Ba Trung, including Phung Cong village (Phung Cong commune, Van Giang district, Hung Yen province), Ha Loi village (Me Linh commune, Hung Yen province). Me Linh, Hanoi city) and Hat Mon village (Hat Mon commune, Phuc Tho district, Hanoi city). The festival at Dong Nhan temple demonstrates the moral principle "when drinking water, remember its source", paying tribute to national heroes and those who have contributed to the country and the people. There are many places where temples are built to worship Hai Ba Trung: Hat Mon (Phuc Tho district), Phung Cong (Hung Yen), in Me Linh (Me Linh district)... and there are more than four hundred places to worship the generals of the Hai Ba but the temple Dong Nhan is still a destination for many tourists from near and far. Department of Culture and Sports of Hanoi City
Hanoi 1967 view
Ha Hiep communal house is located in Lien Hiep commune, Phuc Tho district, Hanoi city, worshiping the tutelary god General Hoang Dao. Based on the artistic style of the architecture, along with the deifications, it can be determined that Ha Hiep communal house dates from the Le dynasty or earlier (around the beginning of the 17th century or before). According to recent research documents, the Great Court was built in the 30s of the 17th century, the Harem was built in the second half of the 17th century, remodeled and expanded in the 19th century; The front altar was built in 1856 and the two Nghi Mon gates were built in the early twentieth century. Through the process of existence, in the years Canh Hung 12 (1751), Canh Hung 20 (1759), Canh Hung 32 (1771), people in the village gathered together to raise money to repair the communal house. The incident is recorded in the stele "At the bi communal house" currently standing on the left side of the Great Pavilion (the date of the stele is Canh Hung 32 (1771). In 1816, the communal house continued to be renovated, two more stone water tanks were built. , a number of coffins, other worship objects... In recent years (1996, 2004, 2005), the communal house continues to be repaired and preserved by the government and people. Architecturally, Ha Hiep village communal house includes many construction items, located on a land area of about 3,000 square meters. In addition to the two front and back gates, lake, yard... the current main architecture of Ha Hiep village communal house consists of 3 parts: Pre-Target, Great Pavilion, Rear Palace, creating a main building plan in the form of a Nhat front. , after the word Dinh. The overall architectural plan of Ha Hiep communal house includes the following items: Nghi Mon Ha Hiep village communal house has two Ritual Gate: the first Ritual Gate is located in front of the Temple Temple, on the Shinto axis and now only has symbolic meaning because the road from this side has been sealed... The second Ritual Gate is located on the left side of the Great Temple, close to the inter-village road. The size of the pillars at this Nghi Mon is smaller than the first Nghi Mon. Sacrifice money The altar is a rectangular building with three compartments and two wings, two floors and eight match-stack roofs, built on a foundation level 0.17m higher than the front yard. The floor is tiled with red bricks, following the peacock pattern. The wooden frame of Ha Hiep village's altar hall is built on 4 rows of square-shaped pillars: 2 rows of main columns (made of wood) and 2 rows of military columns (made of stone). Great family The great communal house consists of three rooms and two wings, but each wing is almost as large as a room. This entire structure is built on a rectangular base, surrounded by cut stones. Ancient communal houses originally had floors. According to the elders in the village, the communal house's floor was demolished between 1968 and 1970. The Great communal house's frame was built on six rows of ironwood pillars. Harem The harem, where the altar to worship the Tutelary God is placed, consists of 02 compartments, built perpendicular to the outer court, with two layers of roof, front and back, built in the style of a gable wall and built perpendicular to the Great Court in the middle compartment. The harem consists of 3 sets of roofs. The outermost roof is supported by a pillar placed on both ends of the military column on the right and left of the middle of the Great Hall. The second set of roofs for the Harem Palace is made of plank style. The two sets of roof rafters, the outside and the inside, are made in a variation of a gong stand, stacked with two bamboo sticks. The connection is because the Harem harem is the type that uses guys. As a forbidden palace and a solemn place, Ha Hiep village's Hau Palace was built with a discreet wall, in the style of a wall blocking the throne's arms. Not including the upper salary and roof ships, each Harem roof also has 8 horizontal panels. Decorations on the architecture of Ha Hiep communal house: concentrated outside, on the roof system at Nghi Mon, are mainly mythical and conventional animals such as dragons, unicorns, phoenixes, elephants, horses, and Trien script patterns. Ha Hiep is one of the few communal houses built in the first half of the 17th century that still preserves its architectural style. The carved decorative panels dating from the 17th Century to the early 20th Century are extremely lively and harmonious, creating unique characteristics. With hundreds of sculptures and decorations of the Later Le period, Nguyen has demonstrated the talent and ingenuity of contemporary artisans. The decorative carvings in Ha Hiep village communal house show profound folk character with many rich themes. Ha Hiep is one of the few ancient communal houses that still fully preserves valuable relics spanning many centuries. The palanquins, coffins, ordinations, stone steles, ornamental tanks... have created a collection of unique worship objects with high historical and cultural value. Artifacts considered unique have become the pride not only of Ha Hiep villagers but also show the sustainable vitality of the monument over nearly 4 centuries of existence. In particular, Ha Hiep village communal house still retains two stone ornamental tanks with similar designs. The size of each tank is 95*45*30cm. On the body of the tank are embossed images of rolling water dragons, lotus flowers, water waves... Notably, on the body of each of these tanks, the date of creation is clearly recorded as the year Gia Long 15 (1816). These are two quite unique artifacts, recorded with a specific date, very rare in relics of the same type. With the above special value, the architectural and artistic relic of Dinh Ha Hiep communal house, Phuc Tho district, Hanoi city has been ranked a special national monument by the Prime Minister (according to Decision No. 2280/QD -TTg December 31, 2020). (According to relic records kept at the Department of Cultural Heritage)
Hanoi 1947 view
Lang Pagoda is located in Lang village. Lang or Ke Lang is the name of Yen Lang village, now in Lang Thuong ward, Dong Da district, Hanoi. Lang Pagoda has many unique characteristics, because this is a temple worshiping Buddha and Saints, associated with a famous figure of that era, Zen Master Tu Dao Hanh. During the Ly Dynasty (1010 - 1225), Buddhism flourished. Many temples were built and expanded. In Thang Long and Hanoi, during this period many pagodas were restored and built such as Tran Quoc, Hoe Nhai, One Pillar, Kim Lien and Lang pagodas. Among them, Lang Pagoda has many unique characteristics, because this is a temple worshiping Buddha and Saints, associated with a famous figure of that era, Zen Master Tu Dao Hanh. Lang Pagoda is located in Lang village. Lang or Ke Lang is the name of Yen Lang village, now in Lang Thuong ward, Dong Da district, Hanoi. Lang Pagoda is located right next to Lang Pagoda street in this ward. Lang Pagoda was built during the reign of King Ly Than Tong (1128 - 1138) right on the old house of Mr. and Mrs. Tu Vinh, who gave birth to the famous Zen master Tu Dao Hanh. Zen master Tu Dao Hanh once practiced at Phat Tich Pagoda (Sai Son - Hanoi) and according to the book Hoan Long district chi, Tu Dao Hanh once went to Tay Thien to study Buddhist magic, knew how to ride clouds, step on water, fly into the sky, and crawl down. Earth, immeasurable magic. After Tu Dao Hanh went to Sai Son mountain to practice, the reincarnation was reincarnated as the son of Sung Hien marquis, (Ly Nhan Tong's younger brother) and was passed down to the throne as Ly Than Tong.(1). Lang Pagoda, in addition to worshiping Buddha, also worships Tu Dao Hanh and Ly Than Tong. Lang Pagoda's literal name is Chieu Zen Tu. The stele creating the statue of Chieu Thien Pagoda (Chieu Thien creates the image of self-compassion) was engraved in the 4th year of Thinh Duc (1656) and still kept at the pagoda, explaining the name of the pagoda as follows: "The blessed land and the sacred world only have the best Chieu Thien pagoda." . Because it has a clear good omen, it is called "Chieu". This is the birthplace of Zen Master Dao Hanh, so it is called Zen. Researching pagodas and pagoda statues of the Ly Dynasty, Associate Professor. Tran Lam Bien wrote: "A third type of pagoda originated from the Ly dynasty, which is Lang pagoda. Like Thay Pagoda and 2 Keo Pagodas (Nam Dinh, Thai Binh), this is a pagoda with a "temple"-like architecture whose temple properties in ancient times were probably quite strong. In addition to worshiping Buddha with many precious statues, great attention has been given to worshiping Saint Tu Dao Hanh as a "Taoist" ancestor. Sometimes people forget that it is a pagoda, and Tu is a monk, so his successor was once Mr. Thong or Ms. Tu as a shaman with elements of witchcraft. That's why it's difficult to find ancient towers or ancestral houses here. The above explanations are completely reasonable when we explore this temple. The pagoda has 2 three-entrance gates, of which the outer three-entrance gate is believed by researchers to have the ceremonial gate of the royal palace of the Le Trung Hung period (1533-1789) with 4 large square pillars and three small curved roofs attached to it. column rib. This three-entrance gate is considered a model three-entrance gate for other cultural works restored later such as Voi Phuc temple gate, Tay Phuong pagoda gate and Kim Lien communal house gate (Hanoi). The custom stele of Chieu Thien pagoda praises the scenery of Lang pagoda: "This world is at the top of all three thousand worlds. This Zen realm surpasses the thirty-six realms of Zen. It is truly a most famous place, no temple in the world can compare to it. The good energy of Phuong Thanh on the right spreads everywhere, the To Lich river on the left circles around. Nhi Ha thousands of miles around the capital meanders like green dragons flocking back and forth, Tan Vien mountain range is full of beautiful air heading in, like white tigers playing lutes coming to meet. This is the most beautiful scene in the Son Nam region The sacred land molds wealth and talented people; Heaven gave birth to a Holy mother, a child of Buddha."
Hanoi 1938 view
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