National relic stand B (formerly stand A) of Bac Giang stadium in Ngo Quyen ward (Bac Giang CITY) is a place to mark historical events and preserve profound memories of Uncle Ho. Ho to the Party Committee and people of Bac Giang province. In order to promote the historical value of the monument, the Party Committee, provincial government and Bac Giang CITY pay a lot of attention to repair and embellishment work. Honor and pride After the Democratic Republic of Vietnam was born, from 1946 to 1963, despite being busy with many things, Uncle Ho visited and worked in Bac Giang province 5 times. During those visits, Bac Giang CITY was honored to welcome Uncle Ho four times. Including 2 times, Uncle Ho met and talked with officials and people of Bac Giang province at Stand A, Bac Giang Stadium. This is a great pride and honor that not every locality can have. Going back in time, on April 6, 1961, Uncle Ho visited and talked to more than 3.5 thousand officials and people of Bac Giang province at Bac Giang stadium. On Stand A, the leader of the Party, the Father of the Nation, is simply dressed in familiar brown clothes. He cordially asked his compatriots and officials; comrades of the army, police, militia, self-defense, and workers; old people, young people, teenagers, children and expatriates who have just returned to the country. He praised the achievements achieved during the years of resistance; the efforts and progress of the people and officials of Bac Giang province since the day peace was restored. At the same time, Uncle Ho emphasized important tasks, pointed out specific shortcomings that localities need to repair and overcome; Reminding the tasks of unions, each person at this time needs to focus their energy on developing production and fighting for national reunification. More than 2 years later, on October 17, 1963, Uncle Ho visited Bac Giang town. This is an important historical moment for the people of all ethnic groups in the province, since the two provinces of Bac Giang - Bac Ninh were merged into Ha Bac province. That was the first Hebei Provincial Party Congress. This time, also at Stand A of Bac Giang Stadium, Uncle Ho spoke to officials and people of all ethnic groups in the province. He advised his compatriots, officers and soldiers to unite, develop agricultural production, handicrafts, plant forests, improve cooperative management, improve techniques and practice thrift. , contributing to the struggle for national unification. It is Uncle Ho's concern and direction that has empowered him and become a source of great spiritual motivation to help officials, party members, and people overcome difficulties and strive to successfully complete assigned tasks. The Party and Uncle Ho assigned. With that great significance, on June 21, 1993, the Ministry of Culture and Information (now the Ministry of Culture, Sports and Tourism) decided to classify Stand B (former Stand A) as a historical relic. ), Bac Giang Stadium is a national monument. Worthy of its historical significance and value Stand A of Bac Giang Stadium was built between 1958 and 1960, over 10m high, iron frame and corrugated iron roof with two up and down stairs, two chicken wings on both sides, area of 350m2 in the East. stadium, facing National Highway 1A (now Provincial Highway 295B). This place was once chosen to hold many major events of the province such as: Celebrating the 110th anniversary of the founding of Bac Giang province (1895-2005); many sports conferences in Ha Bac and Bac Giang provinces; Provincial and national sports tournaments... Over time, the building deteriorated. In 2008, the People's Committee of Bac Giang City repaired and embellished the small-scale monument with a cost of 800 million VND, the total area of the entire grandstand area is about 1.4 thousand m2. However, up to now, some items of the relic site have deteriorated and are a place for practicing martial arts of the Center for Culture, Information and Sports of Bac Giang CITY. Through assessments of the government and functional agencies, in recent times, the management and promotion of the value of the grandstand relic site has been limited; There has been no interest in investing in large-scale, synchronous and worthy renovations and renovations. Setting landmarks, demarcating land protection, and erecting steles to mark historical events have not been done. The main documents and artifacts about the relic are images of Uncle Ho visiting and talking with the people of Bac Giang, currently displayed at the Provincial Museum. It is known that currently across the country there are very few works associated with his visits and working times in the provinces that are preserved intact like the stand B of Bac Giang Stadium, which is deeply imprinted in the heart. many generations of officials and people of Bac Giang ethnic groups. SOURCE ELECTRONIC INFORMATION PORTAL OF BAC GIANG PROVINCE
Bac Giang 12 view
Tu Vu is located on Bai Mo field (formerly) in Bui Ben village, Yen Lu commune, Yen Dung district, Bac Giang province, built by local people to remember the gratitude of the general Nguyen with the title Ngan Trung Hau. many achievements during the Le dynasty in the 18th century. The relic complex is divided into three parts: The first part is the exterior landscape including a lake, a festival yard... closely related to the interior and separated by 4 walls protecting the interior. The second part is the outdoor architectural cluster including architectural complexes and relics arranged as follows: Tu Vu gate with arched style, laterite walls. Through the Tu Vu gate along the Shinto path, there is a cylindrical stele carved in the 31st year of Canh Hung (1770). The stele has a unique shape, the conical roof is 1.42m high, the circumference is 2.12m, like a "big bell", the body is divided into 4 cells, engraved with Chinese - Nom characters. This unique stele is of interest to many researchers because of its strange design and content recording the merits of an official. On both left and right sides of the pillar stele are stone warrior statues standing as servants. The statue is carved in a serious stance, wearing a helmet, armor, and holding a weapon, facing each side. Behind the two rows of martial artists, there are two steles made of chicken liver stone dating back to the Nguyen Dynasty (19th century), recording the names of people who contributed to the field and money to repair and build the local martial arts temple. The worship architectural block includes a three-compartment front hall connected to the back hall by a strip of morning glory pipes. The newly renovated altar building is built with bricks in the style of a rectangular vase, with a floor paved with large, thick, square tiles. In the middle of the Shinto path is a stone incense burner. On opposite sides, there are two identical stone tables used to place offerings. In front of the stone table are two large stone incense burners and two oval green stone trays. The rear of the hall still has its original architectural appearance relatively intact: walls built of laterite, dome inside, and outside roof covered with 60cm thick bricks. “Our people are very proud, because this is a land of outstanding spiritual people with a complex of unique cultural relics, our generation always preserves, honors, and propagates and educates future generations. "I am proud of the great contributions of the Nguyen general in fighting foreign invaders to preserve the nation's land and rivers" - Mr. Linh shared. The back of the road is paved with square tiles, in the middle is a large blue stone stele engraved with Chinese and Nom characters on all four sides. This is a beautiful stele with historical and artistic value, the head of the stele is shaped like a dragon, embossed with tiger motifs and stylized leaves. The stele's border is embossed with stylized floral motifs. The delicate, engraved features have typical values of stone carving art of the 18th century Le Dynasty.
Bac Giang 13 view
(BGO) - The Ministry of Culture, Sports and Tourism (VHTTDL) has just ranked the historical relic site of Uncle Ho's visit to Cam Xuyen village, Xuan Cam commune, Hiep Hoa district (Bac Giang) as a national monument. family. In February 1955, the Land Reform Committee of the three provinces of Bac Giang - Bac Ninh - Thai Nguyen held a conference to summarize the second phase of land reform in Cam Xuyen village. More than 2 thousand reform officials came here to participate in training, and many high-ranking Party officials attended. It was an honor for Xuan Cam commune and Hiep Hoa district that on February 8, 1955, President Ho Chi Minh attended the conference, visited and encouraged the local people. This is a historical milestone, marking a great transformation of the Vietnamese revolution: Completing the national revolution, people's democracy, realizing the plowman has the field and the biggest goals set by the revolution. . In 2001, the souvenir relic of Uncle Ho's visit to Cam Xuyen village was ranked as a provincial historical and cultural relic. In 2019, Hiep Hoa district spent more than 3 billion VND to build and renovate the relic, such as: Reception area, yard, gate, entrance road, lighting system, drainage... The ranked relic contributes to creating a highlight in the journey back to the source, educating historical traditions for the young generation of Hiep Hoa district in particular, Bac Giang province in general, and at the same time associated with tourism development. SOURCE Bac Giang Newspaper
Bac Giang 13 view
Am communal house, located in the middle of Am village, Xuan Huong commune - Lang Giang district - Bac Giang province, is located on a campus with an area of 1,460m2. Based on the tablets still preserved at the communal house, it shows that Am communal house is a religious building of local people built to worship Princess Ngoc Khanh (Princess Thieu Duong - the 8th daughter of King Le Thanh Tong) has made many contributions to the nation. The communal house was built on a large scale, with the characteristics of an ancient Northern communal house, including: 3 rooms and 2 wings for the main house and 1 room and 2 wings for the harem, creating a Nhi-shaped architectural plan. Wooden architectural structures are carved with a variety of themes: Dragons are carved on the heads of the dragons with eye rolls and blunt lancet-shaped antennae; The porch line system is embossed with the theme of the four sacred animals (Dragon, lychee, tortoise, phoenix), especially interspersed with four sacred animals such as crabs, fish, deer, snails, and fire trays, which are characteristic of the artistic style. engravings during the Le Trung Hung period in the 18th century; On the 4 pillars, the 4 corners of the great communal house are mounted with 4 unique carved statues: a fairy riding a carp, a turtle in a lotus pond, a shepherd playing a flute sitting on the back of a phoenix, and a mandarin wearing a parasol sitting on his back. unicorn...soft, delicate carvings in the style of the Le Trung Hung period (18th century). The engravings on the hammock door of the great communal house and harem with the images of dragons and tigers, tiger faces... are embossed into large, fat blocks in many positions, with a rich and vivid appearance that is unique. Carving art of the Nguyen Dynasty in the 19th century. In the communal house, there are still many exquisitely carved and splendidly painted artifacts of high historical and artistic value such as: altars, tablets, hammock doors, parallel styles, ceramic incense bowls... dated from the 18th to 19th centuries. Through the Han Nom heritage currently preserved in the communal house and ancient documents in the locality, especially the Chinese characters on the first sentence of the grand communal house: "Canh Thinh eight years, five years Canh Than, seven moons, first eight days, "Hour of the Horse, the 8th day of the 7th month of the year Canh Than, the reign of the 8th King Canh Thinh (1800) was built in the Thuong Luong" (Ngo hour, the 8th day of the 7th month of the year Canh Than, the reign of King Canh Thinh the 8th (1800) was built in Thuong Luong) meaning that Am communal house was renovated and embellished in 1800. (8th Canh Thinh), late Tay Son dynasty - early Nguyen dynasty. Am Communal House was ranked a national architectural and artistic relic by the Ministry of Culture in 2014. SOURCE Explore Vietnam's natural & cultural heritage
Bac Giang 33 view
My Loc communal house is located in Ngoai village - My Ha Commune - Lang Giang District - Bac Giang Province. Built in the early 19th century. The communal house is located on a beautiful, large, open plot of land next to My Loc village next to the gentle, poetic Thuong river. The communal house consists of 5 compartments, 2 left, facing Southeast. The communal house is large-scale, majestic, and has ancient architecture imbued with ancient Vietnamese architectural style. My Loc Communal House worships two Thanh Hoangs, Cao Son and Quy Minh. These are two generals who have made great contributions to the people and the country during King Hung's reign. Old history records: During the reign of King Hung Due, Cao Son and Quy Minh were two talented generals named left and right generals who assisted the king and helped him crush the Thuc invaders. When the Thuc invaders were finally appeased, the two men asked the king to return to the place where they were stationed and set up their fortifications (which is the area of My Loc Village today). Since the two men were stationed here, the villagers have been able to do business in peace and have become more and more prosperous. The people on this land asked: First to make it a garrison, then please build a temple to commemorate the merits of the two men. . When the two men died, the king ordered the people in the village to build a temple to worship and organize sacrifices and ordained the two men. Gao Son was conferred with the title: Great King Thong Minh, bestowed the posthumous title of protecting the nation and protecting the people of the Phu Van Duong Vu Thanh Thanh with glorious scenes, honoring the original spirit, conferring the title of Linh Don Tinh, Heroic Strategy, Trac Vi, predicting the renaissance of the highest level. . The conferment for Quy Minh is: Hien respond to the king, bestow the title of brave and courageous father to protect the country and people, grant the king's honor to the king, honor the saint lang high magic dech sand, and bestow the good fortune of the Trung Hung Bao. Preparing the people in the Bac Kinh area to worship them forever after. From then on, the people of the village worshiped the two men with deep respect and infinite gratitude. To this day, the descendants of My Loc village always remember and remember the gratitude of the two Thanh Hoangs. Every year, every year when spring comes, people in the village eagerly prepare to organize the My Loc village communal house festival. The festival is held on the 14th and 15th of the first lunar month with many solemn rituals showing respect and gratitude to the two Gods. According to folk beliefs, the festival is an opportunity for people in the village to report on the results of the old year's labor, thank the two village tutelary gods for their kindness and protection in the past year, and pray for a new year. Peace and luck for the whole family. With such significance, My Loc village communal house festival not only attracts the attention of village members but also tourists from everywhere. In addition to the profound historical and humanistic values mentioned above, My Loc communal house is also known as an ancient architectural work full of art. In the communal house, from the roof to the pillars, there are intricately carved and sculpted motifs. According to research, these are sculptural motifs from the Le Dynasty. Through many ups and downs and historical events, My Loc communal house has changed due to the devastation of the war, but has since been restored and embellished by the people of the village and tourists from all over. Up to now, My Loc communal house still retains its original appearance, preserving its ancient dignity and long-standing architectural artistic values. In the communal house today, there are still many relics, ancient objects, and especially 15 ordinations from the Le and Nguyen dynasties for saints Cao Son and Quy Minh. My Loc village communal house is considered a museum of local history and culture. In 1995, My Loc communal house was recognized by the Ministry of Culture as a national historical relic. SOURCE Explore Vietnam's natural & cultural heritage
Bac Giang 24 view
In 1527, Mac Dang Dung usurped the Le dynasty. The civil war between the forces of King Le - Lord Trinh and the Mac dynasty lasted, making people's lives miserable. When the Le Dynasty's soldiers and soldiers pursued the Mac Dynasty through the Kep - Can Tram area, they encountered dangerous mountains that made it difficult to advance. They were repeatedly counterattacked by the Mac Dynasty, causing significant wear and tear on the Le Dynasty's generals. When times were tough and weak, the Le Dynasty issued an edict to recruit militiamen "to help the Le destroy the Mac". Thanks to their understanding of the terrain and their willingness to be brave and clever, the two brothers Dang The Cong and Dang The Loc responded and joined the army. Made many great contributions to help the Le Dynasty defeat the Mac Dynasty. In the Year of the Horse, 1566, the court rewarded soldiers, rewarded generals, and treated people with meritorious services. Due to their great contributions in helping Le destroy Mac, King Le ordained two men, Dang The Cong, with the title: "Duong Vu is a mighty and brave man." , Thai treasure tea in Cong district, whose national name is Trinh Van An"; Dang The Loc - Conferred the title "Duong Vu Mighty Courageous Cong of the Left Admiral, Duke of Su Chew District, with national identity as Trinh Van Loc". In particular, Dang The Loc not only made great achievements in expelling the Mac Dynasty, but also knew how to rally and calm the people, bringing honor to the family, thanks to which his descendants later set an example and were all highly respected in the dynasties. King Le. The Royal Court also conferred on the father of the two men, Mr. Dang Chan Tinh - the title of "Admiral of the Than Vu, Military Quarter Guard, Lieutenant Marquis", Mr. Dang Chan Tinh died on January 14, 1547, his grave The burial was in Ni forest (in Tan residential group today). Remembering the contributions of Mr. Dang The Cong and Dang The Loc, local people built a temple to commemorate them in their homeland. The temple was built in the 16th century and consists of 7 tiled compartments, with two compartments on the left and right sides, a lobby, a back lobby, a warehouse for military provisions, and a weapons workshop. In the 80s of the 19th century, the Black Flag invaders invaded, burned villages and destroyed temples; In 1931, local people restored the temple on the land where their ancestor Dang Chan Tinh was buried in Ni forest hill. The current temple has a typical architectural plan consisting of 5 compartments built with bricks and tiled roofs. The middle compartment has a solemn incense burner and two stone tablets engraved with Chinese characters. On the incense burner, there are statues worshiping Dang Chan Tinh and Mr. two sons are Dang The Cong and Dang The Loc. Dang The Cong Temple preserves many heritages of historical value such as the title of Long Duc 2 (1630), Chinh Hoa 4 (1683), two stone tablets, and porcelain incense bowls of the Le Dynasty (18th century). , worship statues, incense burners... The temple is a center of cultural and religious activities, a place of worship and commemoration of military mandarins Dang The Cong and Dang The Loc who have made many contributions to the people and the country. Every year on January 14, local people hold a Festival to remember and pay tribute to their ancestors and those who have contributed to the people and the country. For many generations, Dang The Cong temple has been the center of cultural and religious activities of the community in the region. The Party Committee, government and people of Kep town always respect, take pride in and create all conditions for the Festival to take place solemnly, joyfully, safely and economically, truly becoming a place of rich cultural activities. national cultural identity, is the place to go home to many people and friends from all over the country. SOURCE OF BUSINESS AND BRAND ELECTRONIC MAGAZINE
Bac Giang 21 view
Located in the unique historical and cultural relic complex of Phuong Ky commune, Khanh Linh pagoda is in Tan Hop village (formerly Tu Ky Ha village) about 20km from the center of Hai Duong city, 5km from the center of Tu Ky district. Nam, has been classified as a national historical relic since 1999. There is a system of statues carved from jackfruit wood, painted with gold, dating back to the 18th century, and a system of finely sculpted stone steles. Crafty, Khanh Linh Pagoda is considered a work of artistic character with heroic historical value. According to the stele kept at the pagoda, Khanh Linh Pagoda was built during the reign of Thieu Long of the Tran Dynasty in 1258. At first, the pagoda was small, with a thatched grass roof. In the following dynasties, people contributed money to repair, roof tiles, buy statues, and cast bells, creating a spacious and splendid scene as the poem described: "Khanh Linh Pagoda is majestic and towering/Sacred land." Talented people / Long-lasting prosperity / Front hall built in front / Glorious high roof / Shocking sound / Venerable Buddha ceremony...". The stele recording the restoration and embellishment shows that people's contributions amounted to 1,838 mandarins, 27 stone pillars, 8 columns and wooden diaphragms. In particular, the person who contributed the least amount of money was 1 coin, the person who contributed a lot up to 120 coins and a stone pillar. Having gone through wars and harsh natural disasters, the pagoda now has 5 front halls and 3 back halls. The front hall has a structure in the style of a stack of 6 trusses, with floral motifs carved into the ridges. Supporting the entire rafters and roof are 12 ironwood columns, 32 cm in diameter. Stone military columns include two types: round and square. Square columns are arranged in front of the door, round columns are behind. The names of the donors are written on the stone pillars. The central compartment is connected to the 3 harem compartments by a truss for fighting cocks and husbands. The harem court has 6 ironwood columns, 29 cm in diameter and 6 stone columns. The altars placing the statues in the three back rooms are all built of bricks. The pagoda's system of Buddha statues, stele, and stone incense sticks is imbued with sculptural art that represents the truth, goodness, and beauty of Buddhism. The statue system here is all carved from jackfruit wood, lacquered and gilded, dating back to the 18th century. The ancient statues in the temple have many different styles, sitting and standing. The statue is balanced and majestic, reflecting the diligence and meticulousness in its creation. In the temple grounds, there are a number of other supporting architectural works, which are a 3-compartment ancestral house, including statues of two monks who practiced at the temple. In front of the temple door is an orchid garden with many species and sizes that has been cared for and cultivated by abbot Thich Nu Thong Nhan for nearly 10 years. That scene created tranquility for the temple. In particular, the pagoda also preserves the steles "Renovating the front hall on the upper floor" and "Khanh Linh Tu Biography"; "Epic of the Ten Directions of Merit" and a stone incense stick with sophisticated decorative motifs. In 1999, Khanh Linh Pagoda was ranked as a national monument by the Ministry of Culture and Information (now the Ministry of Culture, Sports and Tourism). Source: Electronic information portal of Phuong Ky commune, Tu Ky district, Hai Duong province.
Hai Duong 22 view
Dong Duong Tu is the Sino-Vietnamese name of Dong Duong Pagoda. People here often call Lam pagoda by name, because the pagoda is located in Phuc Lam village, Minh Duc commune. Local people also often call it by the name Trong pagoda, to distinguish it from another smaller pagoda behind the village, called Ngo pagoda. Trong Pagoda, also known as Dong Duong Tu, means the temple faces East, the direction of the rising sun. And the Outer Pagoda is called Man Nguyet Tu, the pagoda faces the moon, when the afternoon sun sets. Talking about its name, we can see that there is a balance and symmetry in the naming of the temple, in the harmonious architecture of the ancients. Like other temples in Vietnam, Dong Duong Tu is a temple worshiping Mahayana Buddhism. The pagoda was built during the Le Dynasty (around 1600) and with the contributions of money and merit from the Le Dynasty general Nguyen The My, who had the merit of engraving the merit stele at the pagoda. According to the stele engraved in the year of Duc Long (1632), it is said that Duke Nguyen The My's name was Van Phuc, and the king trusted and loved many important responsibilities in the inner government. When foreign invaders invaded, he was appointed marshal by the king to lead the army to defeat the enemy, bringing peace to the country and his homeland. He was greatly rewarded by the king. Although his fame was glorious everywhere, he still lived humbly and richly without being arrogant. He spent money to renovate Indochina Pagoda with 54 very spacious rooms. His merits were engraved on the stone stele, currently kept at the Hai Duong Museum, and he was enshrined in a statue at the Indochina pagoda area. Indochina Pagoda was recognized by the state as a cultural and historical relic in 1994. Source: Electronic information portal of Minh Duc commune, Tu Ky district, Hai Duong province.
Hai Duong 29 view
The person listed 89th in that golden book is Le Lieu (also known as Pham Van Lieu, documents say Pham Dinh Lieu), a famous general who from a young age followed his father to join the Lam Son insurgent army, participating in many battles. fought fiercely on the battlefields in the mountainous areas of Thanh Hoa, Nghe An, Tot Dong, Truc Dong... and especially had the first contribution in the siege of Xuong Giang citadel and destroyed the Ming dynasty's great reinforcements on the battlefield of Xuong Giang in the history of Xuong Giang. history. Pham Van Lieu is the son of Pham Van Thanh, and was once awarded the rank of Admiral of the same rank. Originally located in Nguyen Xa village, Lam Son village, Thuy Nguyen district, Thanh Hoa province. He followed Le Loi and the Lam Son insurgent army to build a resistance movement against the Ming army from the early days at the Lung Nhai oath festival. During the arduous resistance war against the Ming invaders, he made many great achievements on the battlefields of Nghe An and Thanh Hoa. During the great war to destroy the Ming Dynasty's reinforcements on the Xuong Giang battlefield, Pham Van Lieu was the general who commanded a secret army along the banks of the Thuong River (present-day Xuan Huong, My Thai, Lang Giang district). attacked, destroyed and captured more than 70,000 Ming reinforcements at the end of 1427. After destroying the invading reinforcements, Pham Van Lieu was appointed by Le Loi to stay in Kinh Bac to guard the northern region of Dong Do citadel. In 1428, the resistance war against the Ming invaders ended, he was promoted to the title of Ngan Thanh Vinh Loc Dai Phuc, Ta Xa Cav General with the title Khang Vu Marquis, and later promoted to the title Khang Quoc Cung. Due to his merits in the resistance war against the Ming, when considering awards, he was included in the "national founding meritorious" (a subject who has contributed to opening the country), was given national status (Le Van Lieu) and was awarded many titles in the country. Kinh Bac origin and settled in Chua hamlet, Xuan Huong commune, Lang Giang district today. In the year of the Rat (1456), Pham Van Lieu died in Kinh Bac. The grave is located in Forbidden Forest, Chua village, Xuan Man commune, Bao Loc district, Lang Giang district (now Chua village, Xuan Huong commune, Lang Giang district, Bac Giang province). 3. Pham Van Lieu has two children, a boy and a girl. The girl recruited into the palace was later appointed Minh Phi. In the book Dai Viet, historian Le Quy Don wrote about her as follows: "Pham Minh Phi (wife of King Le Thanh Tong) Minh Phi, surnamed Pham, was the niece of a mandarin who was awarded the rank of Admiral and co-trier, her name was Thanh, and she was the daughter of The mandarin was awarded General Tri Khang Vu, Pham Van Lieu. She was elected to the palace on the 7th month of Mau Ngo, the 2nd year of Quang Thuan (1461). In the 6th year of Quang Thuan (1465), he was promoted to Tu Vien. On Quy Suu in the 6th month of Hong Duc's 2nd year (1471), he was promoted to Chieu Vien in November 1477 and promoted to Minh Phi in Thuy Duc palace In 1497, King Thanh Tong died. In the first year of Canh Thong (1498), she was a concubine of the previous dynasty, so she served in Thien An palace not long before she fell ill on Giap Ngo day in September, at the age of 50 The consolation money was 270,000 and the mandarin ordered the deceased to be buried in Linh Hoa field in Lang Giang district. Pham Van Lieu's second son, Pham Duc Hoa, was honored with the title of Special Patriarch of Thuong Quoc, Tu Do reviewed, the title of Hoa Phong Uncle (later given the title Hoa Phong Marquis) was chosen to be his son-in-law. Pham Duc Hoa married the 8th daughter of King Thanh Tong Thuan Emperor, Thieu Duong, Princess Le Thi Ngoc Khanh. Thus, Pham Duc Hoa was originally the younger brother-in-law, then was chosen to be the son-in-law (son-in-law) of King Le Thanh Tong. His father, Pham Dinh Lieu, is both the father-in-law and in-laws of this wise king. When settling down on the assigned land, the Pham family became an influential family in Kinh Bac. 4. With the royal benefits and benefits of the 2,370 acres of assigned fields, the Pham family, especially Princess Thieu Duong Pham Thi Ngoc Khanh, donated merit to many localities in the country. Kinh Bac built and expanded welfare projects, so it was worshiped by many localities. According to the declaration of the local Chief Ly from 1942, in Bac Giang province there are 15 communal houses worshiping Pham Van Lieu and his son and Princess Thieu Duong as Phuc Than/Tutelary God. Particularly, Tri Le district, ancient Bao Loc district (now belonging to 4 communes: Duong Duc, Xuan Huong, Tri Le, Tan Thanh of Lang Giang district) has 8 villages/communes worshiping and still preserving the ordination and tablets worshiping three These are the communes: Chuyen My, Chi My, Dai Man, Xuan Man, Huong Man... Pham Van Lieu became the ancestor of the Pham family in Chua village, Xuan Huong commune, Lang Giang district. Currently in Chua village, there are still remains of graves and a family church, a place to worship and commemorate the famous historical general Pham Van Lieu. The relic has been decided by the Ministry of Culture and Sports to be ranked as a national historical and cultural relic. SOURCE ELECTRONIC INFORMATION PORTAL DEPARTMENT OF CULTURE - SPORTS - TOURISM OF BAC GIANG PROVINCE
Bac Giang 42 view
Located 20km northeast of Bac Giang city center, Tien Luc commune, Lang Giang district is famous for its clusters of historical and cultural relics. This is an ancient temple, established in 1723 under the reign of King Le Canh Hung, facing south, built by a monk whose hometown was Tien Luc, Lang Giang - he is the Patriarch sitting on the Three Jewels. . The pagoda has 35 compartments, designed in the "domestic and foreign" architectural style. The entire front hall, two corridors and bell tower are connected to form the letter Quoc, the remaining part is the incense burner connected to the upper palace to form the letter Cong. In the pagoda, the system of Buddha statues is arranged in order from the upper hall to the two corridors and below the large bell tower, in total there are about 90 precious ancient statues. If you stand in the middle of the pagoda to observe and admire the ancient statues, you will not be surprised and admired by the extremely skillful and sophisticated sculpting art of the ancestors. With these precious values, in 1989, Phuc Quang Pagoda was ranked by the Ministry of Culture and Information (now the Ministry of Culture, Sports and Tourism) as a National Historical and Cultural Monument. However, the people of Tien Luc commune still constantly wonder why the pagoda has such beautiful, majestic architecture and peaceful landscape without an owner, with the doors closed front and back. Mr. Nguyen Dinh Thuan, the long-time caretaker of the pagoda, said that there is a monk Thich Hue Cuu, whose birth name is Nguyen Thanh Chung (from Ninh Thuan), who has stayed for no more than three years at the longest (abbot since 2010). to 2013). Even though they cannot explain it, people believe in the sacredness of the temple. The evidence is that during the war years, although the surrounding area was bombarded to the point of ruin, Phuc Quang pagoda and Tien Luc commune were still safely protected. They believe that the more than 300-year-old pagoda has guarded this land, helping people settle down. At the end of 2014, the project to renovate and embellish Phuc Quang Pagoda relics was officially started, including 04 main items. On the morning of July 29, 2016, 02 completed items were handed over as planned, including the Main Pagoda (Three Jewels, Bell Tower, two Corridors), area of 884.5 m2 and Thao Xa House, area of 278.3 m2. The total settlement value from the national target funding source and local budget is estimated to be about 23.5 billion VND. SOURCE PROPAGANDA COMMITTEE OF BAC GIANG PROVINCIAL COMMITTEE
Bac Giang 40 view
San Communal House worships saints Cao Son - Quy Minh and Minh Giang Do Thong, both generals of King Hung, who had meritorious achievements in fighting the enemy, defending the country, eliminating disasters and were bestowed with titles by the Le - Nguyen feudal dynasties. god. Currently, in the two coffins of San Communal House, many religious ordinations with era titles such as: Tu Duc Luc Nien; Tu Duc decade; Tu Duc thirty-three years; Khai Dinh is nine years old; Duy Tan's third year... Passing through the communal house gate, on the right is San Pagoda, going straight in is the Great Temple with 3 compartments, 2 compartments, 2 majestic, majestic wings with 4 curved blades. The roof's edge is covered with "Luong, dragon flanking the moon", both ends have pincers, the strip edge is covered with Nghe chau, dancing phoenix, extremely lively. All the roofs and banks are decorated with lemon flowers, running throughout, adding to the majesty, grand, and outstanding beauty, yet still gentle and elegant thanks to the sophisticated, harmonious combination of horizontal lines. Straight lines with soft, lively curves. The Communal House is made in the shape of the letter Cong (I) and includes three morning glory rooms connected to three harem rooms and the three harem rooms also have very beautiful cornered swords, making this entire massive communal house superior to other temples. Another family in Luc Nam. With the structure: Upper is the husband's head, gong price, lower is the husband's head, the long is strong and beautiful. In particular, this is a Le Dynasty communal house that is still quite intact, but the main pillar frame is much higher and the military column is completely lower, creating a high, wide and very airy interior of the communal house. With this "four rows of legs" structure of the column frame system, the communal house's roof has a large water slope and a wide roof, making the communal house both durable, strong, sturdy, massive, and tall and spacious inside. Spacious but still gentle and elegant. The "nine insects" hammock door is the most outstanding symbol of the art of carving, lacquer and gilding during the Nguyen Dynasty. With 4 monograms "Long live the Holy Palace". The middle space and the entire roof in front of the communal house are covered with ceilings, the well's well is painted with embossed "Four Spirits", "Four Quarters", "Long Ma", "Lac Thu" and a period pattern extending through the morning glory strip. to the harem. The shrine in the harem is bright and brilliant with 2 golden-painted dragon pavilions, 2 altar thrones, inside there are two splendid statues of gods, lacquered tablets of the Le Dynasty, palanquins and many other worship objects... In 1994, San communal house was recognized by the State as a national historical-cultural, architectural and artistic relic. SOURCE BAC GIANG DEPARTMENT OF CULTURE, SPORTS AND TOURISM CENTER FOR INFORMATION - TOURISM PROMOTION
Bac Giang 39 view
Phu Loc Pagoda, whose abbreviation is Ma Ha Pagoda, or Phu Loc Tu, is one of six relics of Cam Vu commune, Cam Giang district, about 12 km northwest of Hai Duong City. As a place with a convenient transportation location, since previous centuries, Phu Loc has soon become the center of economic and cultural exchange of the region, on that social basis, many traditional cultural institutions have been established. life and development. The pagoda was built in the early Le dynasty (15th century), which was also a period of brilliant economic and cultural development in local history. The pagoda was greatly restored in the 19th century (1898), with the relatively massive. Over the years of hardship, war and social events, the pagoda still has a nail-shaped (J) architecture including 5 front halls and 3 back halls, preserving the ancient architecture. Located on a spacious and flat piece of land in the center of Phu Loc village, in front there is a large pond, along the pond people plant many types of green fruit trees, the ancient pagoda roof is hidden in the groves of trees, creating a utopian landscape. quiet, solemn. The front hall is built with a dome, reinforced with pillars, has a frame structure with overlapping ridges, a chamfered roof top with a stylized "Tho" engraved on it, rectangular in shape, the husband's children are carved with fire swords, in the style of the Later Le and Late Dynasties. stylized lotus. The ends of the seven front halls touch the canal with dragon leaves wrapped around them, the swords and beards of the dragon's hair are shaped like clouds and fire blades. On the striped part is a system of dong leaves, decorated with "Dragon leaves" "Bamboo turning dragon" interspersed with playing weasels. In general, the monument has undergone many renovations, so the original architecture has been slightly changed, the two gables are in the style of gong stands interspersed with piles of beams, and the panels are carved with the theme of the four sacred animals. Connected to the front hall are 3 back rooms built with truss and pillars, with simple truss and buttress architecture. Phu Loc Pagoda worships Buddha according to the Mahayana sect. Before the August 1945 revolution, the pagoda had a very large scale, with up to 50 statues and many sacrificial offerings. Particularly, the system of worship statues in the upper hall has 6 layers and most The statue was created in the 18th - 19th centuries. In addition, in the side rooms there are statues of Quan Am To Son and Quan Am Tong Tu, according to Buddhist scriptures, these are the two forms of Avalokiteśvara. In the front hall, worship statues are arranged as follows: On the left side is the place to worship Saint Hien and the statue of Trung Evil, on the right side is the place to worship Duc Ong and the statue of Khuyen Thien. On both sides of the gable are worshiped the Vajra Prajnaparamita, Thai Thuong Lao Quan and Bodhidharma. The new Mother Goddess Church was built by the people in 1996, worshiping Mother Thoai, Mother Thien and Mother Thuong Ngan according to the belief of worshiping natural supernatural forces of the ancient Vietnamese people. With 35 statues of all kinds, most of which were created in the 18th - 19th centuries, Phu Loc Pagoda is not only a place for religious activities but also a place to store valuable works of folk sculpture. In addition to the Buddha statue system, Phu Loc Pagoda also retains many other antiques and worship objects such as parallel sentences, great characters, bronze bells, hammock doors, incense bowls... Worshiping Buddha for good luck is an indispensable activity for Buddhist people in Vietnam. On the full moon days and first days of the month, Phu Loc people go to the pagoda to worship Buddha. The offerings to Buddha are only hometown products but clearly show their sincere devotion. In addition, Phu Loc Pagoda also has a number of main holidays as follows: It is the 8th day of the 4th lunar month - Buddha's birthday. In Phu Loc, there is a custom of chanting sutras and holding Moc Duc ceremonies, bathing statues with fragrant leaf water and The statue is made of red silk, the silk is later torn into many small pieces for everyone to pray for good luck. On the 15th day of the 7th lunar month - Vu Lan holiday, a ceremony is held to worship the souls of Buddhists to help and forgive the sins of the dead. In recent years, local people have also held the "Buddha Return" ceremony for the deceased with the meaning of praying for the souls of the deceased to be liberated according to the concept of folk beliefs. Because Phu Loc communal house worships the Tutelary God, during festivals, people always go to the pagoda to worship Buddha and vice versa. Therefore, Phu Loc communal house and pagoda ceremonies have become an indispensable need of the people. here. Phu Loc Pagoda is a Buddhist relic built quite early on a land with a rich cultural history, an ancient architectural work imbued with the art of worshiping the Later Le Dynasty, with typical carvings of images. "Four Sacred Spirits" is incarnated with "Four Precious Elements". The lotus image with many different angles is stylized to create beautiful richness. The Buddha statue system is unique sculptures of the 18th - 19th centuries. The pagoda is also the revolutionary resistance base of Cam Giang district and Cam Vu commune. Researching and protecting relics has the value of demonstrating the revolutionary tradition of local officials and people and educating the younger generation in their responsibility to participate in building and protecting the homeland. With historical and cultural values as mentioned above, Phu Loc Pagoda was ranked at the national level according to Decision No. 04/2001/Quyet Dinh - Ministry of Culture and Sports, dated January 19, 2001. With that scientific and legal basis, along with the awareness of preserving the cultural heritage of the local people, Phu Loc Pagoda will be protected and promoted effectively to meet the aspirations of the local people. Source Electronic information portal of Cam Giang district, Hai Duong province.
Hai Duong 43 view
Long Dong Temple, Nam Tan commune, worships 3 famous academicians: valedictorian of Minh Kinh scholar Mac Hien Tich, who passed the exam in the 2nd year of Quang Huu (Binh Dan, 1086), equivalent to Poinsettia; was selected as an Academician of the Academy, later promoted to Minister of Ministry, was a person with exceptional political talent, and had been an ambassador to Champa in the 4th year of Hoi Phong (1094). Dr. Mac Kien Quan (younger brother of Poinsettia Mac Hien Tich) passed the matriculation exam (year of the Snake 1089) and became an official to the position of Minister of Public Works. Binational Poinsettia Mac Dinh Chi (5th generation of Poinsettia Mac Hien Tich) passed the Poinsettia exam in the year Giap Thin (1304), during the reign of King Tran Anh Tong. The lives of the sages Mac Hien Tich and Mac Kien Quan are rarely mentioned in history, but Mac Dinh Chi has been mentioned in many books and newspapers and also has many anecdotes. Accordingly, Mac Dinh Chi was an extremely diligent, intelligent, and talented man in business and economics. He was the head of the court, going through three generations of kings Tran Anh Tong, Tran Minh Tong and Tran Hien Tong. Legend has it that he was an ambassador twice. With his erudite knowledge, eloquence and skillful behavior of a talented diplomat, he was greatly admired by the kings and mandarins of the Yuan Dynasty and made him a Poinsettia of the Two Kingdoms; "The immortal name of the two countries, the immortal name of the three sages, the valley of eternal happiness".... With its historical and cultural values, in 1995, Long Dong Temple in Nam Tan commune was recognized as a national historical and cultural relic. In 2019, Long Dong Temple was recognized as a provincial tourist destination. Long Dong Temple Festival is held in the Spring (from the 9th to the 11th of the second lunar month) to commemorate the death of Mac Dinh Chi on February 10, the year of the Dog (1346). The festival is imbued with traditional cultural values of the nation, expressing the moral principle "When you drink water, remember its source", contributing to preserving and promoting the nation's cultural heritage. Source Electronic information portal of Nam Sach district, Hai Duong province.
Hai Duong 34 view
Bao An Pagoda (Minh Kinh Tu), located in Cuong Son commune, Luc Nam district (Bac Giang). Because it is located in the Western Yen Tu relic system, located near Luc Nam river wharf, next to road 293, the pagoda is an ideal stop for tourists on their travel journey to the land of Yen Tu Buddha. Bao An Pagoda was built during the Le Dynasty and was repaired in 1710. Over more than three hundred years, the building has been repaired and renovated many times. And now it basically has the architectural features of the 19th century Nguyen Dynasty, some Buddha statues and worship objects have the style of the 18th century Le Dynasty. As one of the ancient pagodas belonging to the Truc Lam Yen Tu sect, Bao An pagoda worships the Three Patriarchs of Truc Lam: Tran Nhan Tong, Phap Loa and Huyen Quang. History books say that, after leaving the throne, King Tran Nhan Tong founded the Truc Lam Zen sect. At that time, Tran Nhan Tong advocated converting Buddhism closer to the people, with the concept "Buddha is the Mind - The Mind is Buddha". In addition to the summer seasons, King Tran Nhan Tong also returned to many places to preach and travel around the zodiac. Along with affirming the position and role of the Truc Lam Zen sect, during the Tran dynasty and later periods, many ancient pagodas appeared on the high peaks of Bac Giang province such as: Am Vai, Binh Long, Ho Bac. , Ma Yen... Although Bao An Pagoda appeared later (Le Dynasty), it is a continuous continuation of the prosperity and development of the Truc Lam Zen sect in Bac Giang. This is an ancient pagoda with beautiful scenery. In front of the pagoda, two ancient brick towers, the resting place of the master, are shaded by the foliage of two ancient trees. The temple garden is covered with green leaves and the scent of flowers and grass spreads throughout the four seasons. Many ancient trees in the temple grounds are proof of the long existence and development of this ancient temple. Bao An Pagoda currently has the following construction items: Tam Bao Court, Patriarch House, Mother House, Guest House and 2 ancient brick towers, all located on a 10,700 square meter campus, surrounded by moss stone walls. ancient style. The Tien Duong and Buddha Hall have a continuous structure in the style of a nail. The 5-compartment frontage is built with a brick structure, the architectural structure is ironwood roof, linked in the style of upper and lower husband, lower and lower, and the carved floral and leaf-shaped structures are in the style of the Nguyen Dynasty in the 19th century. The Upper Palace has 3 compartments, the wooden frame has discolored over time, and is fully decorated with a system of Buddha statues. The Patriarch's house is behind the Tam Bao building, this is where the statue of the Tam To Truc Lam is arranged. All three statues are beautifully crafted according to standards, the statue of Tran Nhan Tong is meditating on a wooden pedestal in the middle, his knees wide open, and the statue is painted with pink powder. The statue of Phap Loa sits as an assistant on the left, the statue of Huyen Quang sits on the right. In addition to the system of beautiful Buddha statues and ancient architecture, Bao An Pagoda also preserves a number of worship objects and Sino-Nom heritage that have existed for hundreds of years such as: Incense burners, "Minh Kinh Tu Chung" bronze bells, stele. stone "Epic of the Late Buddha", ancient tower... Every year, pagoda festivals are held on the 18th, 19th, 20th of the third lunar month with many rituals and folk games imbued with national cultural identity. Along with many other relics on the slopes of West Yen Tu in Bac Giang, Bao An Pagoda will be an attractive destination for tourists from near and far. SOURCE: INFORMATION CENTER, OFFICE OF THE PEOPLE'S COMMITTEE OF BAC GIANG PROVINCE
Bac Giang 50 view
Than Communal House is a place of worship for famous gods who have made great contributions in the fight against foreign invaders and protecting the homeland; In the early days, this place worshiped the Thanh Hoang Thanh Cao Son and Quy Minh Dai Vuong, talented generals of the Hung King period, beautiful symbols of patriotism and the nation's spirit of fighting against foreign invaders. Through the content of documents still preserved here, such as: stories, ordinations, couplets, sacrificial writings... it has been confirmed that this place worships generals of the Hung Due Vuong period and princesses of the Ly Dynasty. Arranged in chronological order, the following gods are worshiped at Dinh Than: * During the reign of Hung Due Vuong, there were: - Cao Son Dai Vuong is a supreme God - Quy Minh Great Vuong is a supreme God - Phuong Dung - Goddess of Yin Phu * During the Ly period there were: - Binh Duong Princess - Princess Thien Thanh - Princess Thien Cuc In the modern historical period since the French colonial invasion, Than communal house has been the base of our army and people, the base of operations of revolutionary and resistance organizations. This place was the base for the activities of revolutionary soldiers in the pre-uprising period and later in the years of resistance against Japan and France. It was also here that in March 1943, the Communist Party in Luc Nam sent comrade Kien to build the party's base and enlighten the elite sons of the homeland who followed the revolution, namely you (Mr. Huyen, Mr. Tai, Mr. Tuy, Mr. Vuong, Mr. Thang, Mr. Moc, Mr. Man, Mr. Cam, Mr. Luu...). At the same time, it was also here that on July 25, 1945, the guerrilla team met to discuss and organize the people to overthrow the Japanese to build a Provisional Revolutionary Committee. During the anti-American period, Dinh Than was the gathering place to send off generations of hometown children who went to fight the enemy to save the country. On September 2, 1969, when President Ho Chi Minh passed away, the District Party Committee - People's Committee of Luc Nam district took this place as the place to hold a very solemn and solemn memorial ceremony for Uncle Ho. A large number of officials and people from all ethnic groups in the district came here to attend Uncle Ho's memorial service. In the period after 1975, when the South was liberated to unify the country, Dinh Than village, in addition to serving the religious culture and community activities of Than village, was also the place where the Party Committee and village authorities discussed and unified production methods. Intensive farming to increase crops, especially during the renovation period. The communal house is where the Board of Directors of Thanh Xuan Cooperative discusses and makes decisions on intensive farming to increase crops and improve efficiency in agricultural production; During the period 1986-1992, Thanh Xuan cooperative was the leading flag in good production and business of 04 mountainous districts of Ha Bac Province. For that achievement, the President awarded the Third Class Labor Medal in 1991. Through many ups and downs of history, the communal house still retains its ancient and unique majesty; With the above mentioned cultural and artistic values, Dinh Than has been ranked as a National Historical - Cultural Relic according to Decision No. 502-QD/BT, dated April 28, 1994 of the Ministry of Culture and Information. news (now the Ministry of Culture, Sports and Tourism). Developing national traditions, government committees and people of the village are now Than Binh, Than Phu, Thanh Tan residential groups, and businesses; Local children who are studying and working in all parts of the country every year make contributions and embellish the relic site to make it more spacious and beautiful. This place is also an annual place of traditional education for generations of young people and teenagers in the area. 2. Architecture Lang Than Communal House is also an ancient cultural and artistic architectural work of the Le Dynasty (17th-18th centuries) with unique and typical artistic value. Currently, the communal house has a Dinh-shaped layout including a Vestibule with 3 compartments and 2 left and a 2-room Harem building. The value of artistic architecture is mainly shown in the Vestibule with its massive architectural scale, unique long lines that give the communal house a steep slope, and sophisticated carvings on all ends. The top is embossed, embossed with leaf-shaped themes, vivid and harmonious animal shapes, carved lines, elegant and sophisticated altarpieces bold with the artistic architecture of the Le Dynasty. The history of building the Than Communal House on the first sentence of the communal house is still clearly inscribed with the inscription that reads: "The roof will be topped off in the first quarter of the year, two moons, two decades, and five days". That means the communal house was built on February 25, Quy Ty year (1713) under the reign of Le Du Tong, the 8th year of Vinh Thinh. The communal house has a unique ancient architecture, typical of art that has been over 300 years old. age, especially the carved lines shown at the ends of the muzzle depicting the four sacred animals (Dragon, Ly, Quy, Phuong) with twisted shapes and rich rolling clouds make the throne unique. The communal house is more sacred and artistic. SOURCE ELECTRONIC INFORMATION PORTAL OF DOI NGO TOWN - LUC NAM DISTRICT
Bac Giang 49 view
Historical-cultural relic area of Thuong Lam communal house and pagoda, located in Thuong Lam village, Thanh Lam commune, Luc Nam district, Bac Giang province, 20km northeast of Bac Giang city. The cultural and historical relic area of communal houses and pagodas in Thuong Lam village was built from the end of the Le dynasty to the beginning of the Nguyen dynasty, during the reign of King Le Hien Tong in the 42nd year of Canh Hung in 1781 as a place of worship and commemoration of the hero who had work with the people and the country. Because in the years 1516-1522, the insurgent army led by Tran Cao and Tran Cung, father and son, occupied a large area from north of Song Cau upwards. In addition to historical significance, this relic also has architectural and artistic significance - helping to educate all generations today and in the future about the tradition of building and defending the country of our ancestors. . The Thuong Lam Village Communal House - Pagoda historical relic site received the first deity ordination to worship the emperor, who contributed to helping the country. Over many dynasties, the relic complex has received many ordinations from kings. Lords of the Nguyen Dynasty, that shows the respect and worship of the local people for the heroic heroes who have made contributions to the country and the people. In the tablets that have been preserved until now, it is written (Chinh Minh, An Quoc, Thai Hoang, Duong Huong, Great Ceremony, Chi Than, Tien) along with the bronze bell, the inauguration of the dragon cot pagoda, the dragon palanquin, the god's hat, the god's hat, are still kept in the village communal house to this day. Precious relics that have been preserved over the centuries still retain their splendor and solemnity. The relic area includes: 1) Communal house: facing south, designed in 2 parts - The altar house is made of ironwood, roofed with funny-nosed tiles, made in the style of stacking beds, with five compartments, 6.87 m wide and 13 m long. - The rear palace consists of 1 room and 2 doors with long stripes, beams, materials made of ironwood, tiled roofs and brick walls, 8.35m long, 6.10m wide. 2) Thuong Lam Pagoda (Long cot pagoda) facing south includes: The old location of the pagoda was built on Long Cot Tu mountain, facing the North. In 1940, the pagoda was moved to its current location. For reason: to protect the temple. The old location now has only 3 towers remaining. - The altar house has a stacked-bed structure, 12.22m long, 7.65m wide. - The cathedral is structured in the style of a gong stand, ironwood, funny-nosed tiles, and square tiled floor. It is 7.5m long and 5.91m wide. In this relic, many rare documents and artifacts are still preserved, which have direct scientific research and traditional educational significance for many present and future generations. These are great paintings, parallel sentences, bells, inscriptions, incense burners, worshiping objects, a system of statues (including 21 Buddha statues), original artifacts of the Le and Nguyen dynasties that have economic value as well as both as art and as documents and artifacts serving scientific research and traditional education. These are rare collections of worship objects that represent a variety of types, ages, and construction materials. Thuong Lam communal house - temple - pagoda relic area is a typical cultural center of Thanh Lam commune in particular and Bac Giang province in general. It is meant to be a very important document that deeply reflects our people's tradition of love for homeland and country and deep hatred of the enemy. At the same time, it is a place of worship and commemoration of Tran Cao - Tran Cung, two leaders of the peasant uprising in the early 16th century against the oppression, exploitation, repression, and harshness of the Vietnamese feudal court in the later period. Pear. What is precious and respectful is that the restorations and repairs are all created by the skillful hands of local carpenters and bricklayers. It is also a reflection of the traditional handicraft tradition here that has existed for a long time and is constantly developing to beautify the village and make Thanh Lam commune prosperous. 7. Related cultural activities and rituals The traditional festival of the local people is held on January 13. During the festival, in addition to the sacrificial ceremony to the village deity and tutelary god, there are also many traditional folk games held such as Chinese chess, wrestling, cockfighting, pot beating, Quan ho singing under the boat... In addition, other rituals Other ceremonies are also held at the relic such as Village Work Day on April 11, Ceremony Day (August 10), Temple of the Soul Worship Day on November 15... Each ceremony has different regulations. SOURCE LUC NAM DISTRICT ELECTRONIC INFORMATION PORTAL
Bac Giang 57 view
Hundred Gian Pagoda is a historical and cultural relic in An Dong village, An Binh commune, Nam Sach district, Hai Duong province. The relic was formed about 1000 years ago, located in a peaceful countryside, near the romantic Kinh Thay river, pure space, moss tiled roof, ancient tower garden and was once a large pagoda. Buddhist center of the country, a school that teaches Buddhist scriptures to many Buddhists. The pagoda is called according to the scale and architecture of the monument. Up to now, it still retains its unique layout, architectural features and many antiques of scientific value. In addition to the name Tram Gian, the pagoda is also called An Ninh, named after the village's place name and the original name is Vinh Khanh pagoda. From Nam Sach town, go towards Binh bridge along Highway 37, reach the intersection turning into An Binh commune (next to the headquarters of the People's Committee of Quoc Tuan commune), visitors follow the commune's main road to An Dong village (away from the headquarters of the People's Committee of An commune). 400m) to reach the ruins. Like other temples, the Hundred Gian Pagoda was built to worship Buddha according to the Mahayana sect, with the idea of spreading Buddhism to everyone to aim for the good values of Truthfulness - Compassion - Beauty, people living together in harmony. peace, start the mind to do many good deeds, stay away from evil, love and care for each other. Mahayana is a "big vehicle" that can carry many Buddhists in practice and together to soon reach the shore of enlightenment. Hundred Gian Pagoda, in addition to worshiping Buddha according to the Mahayana sect, also worships the Zen sect of Truc Lam Tam To (Number of Giac Hoang Tran Nhan Tong (1st group), Venerable Phap Loa (2nd group) and Venerable Huyen Quang (3rd group). In addition, the pagoda also worships monks who took refuge and became abbots at the pagoda, who contributed to the restoration, embellishment and expansion of relics such as: Saint Patriarch Pham Thi Toan (Toan Nuong) who was abbot for 02 years (ordained in 1011, passed away in 1013), was a disciple of Zen master Tu Dao Hanh of the Bhikkhuni lineage. When the Tran dynasty reigned, she was bestowed the title "Trinh Khiet Doan Truc Trai Hoang Quy Phi, High Class Princess". "The next monk to be the abbot was a villager who studied according to the Truc Lam Zen sect, named Nguyen Dieu Quang, and was called To Rau (because he practiced the monkhood and only ate 1 piece of tofu and 2 bunches of vegetables every day). enter at noon). King Le Canh Hung conferred the title "Venerable Monk Luc Zen Elder". The next monk, Vien Giac, from the commune, took refuge and passed away at the pagoda on September 14. The next monk is Vien Tich, who first practiced at Bo Da Pagoda (Bac Giang), then became a disciple of Vien Giac and passed away on June 24, and a number of other monks now have tower tombs behind the pagoda. Not only is it a fairy tale landmark in the region, during the resistance war against the French colonialists and American imperialists, the pagoda was a revolutionary base, a training, meeting and shelter place for local guerrillas and soldiers. In 1965, the pagoda was the warehouse of the 7th branch and the military warehouse of Military Region III. After 1975, a part of the pagoda became the headquarters of the Commune People's Committee, library, radio station, commune traditional house... Currently, the pagoda has returned to being a cultural, religious and spiritual activity spot for the people in the area. . Legend has it that the Hundred Gian Pagoda dates back to the Ly Dynasty (around the 11th century). During the Tran dynasty, general Nguyen Huy Tinh stationed troops at the pagoda to block the Nguyen army from the direction of the Bach Dang River from attacking Thang Long. During the Le dynasty, in the year of Chinh Hoa (1691), King Le Hy Tong repaired the upper palace, in the year Vinh Thinh Nguyen (1705), the year of King Le Du Tong, the king continued to repair the upper palace; In 1740 and 1809, many works in the temple were repaired and renovated. In the 19th and 20th centuries, the Hundred Gian Pagoda was restored on a large scale and uniquely in the style of the Nguyen Dynasty. Currently, the entire campus of the monument is located on an area of 17,977m2, with main works such as: From the East, the bell tower (128m²) begins, with a large and unique scale. On the bell tower in the central space hangs a bronze bell cast in the 2nd year of Thanh Thai (1890), this is a rare bell in Hai Duong province. The bell tower consists of 05 compartments, of which 03 middle compartments have ancient architecture. The two gables are architecturally styled to create the shape of a pan handle. The roof of the match stack is two trusses and columns placed on the upper beams of the structure below. Above the match-stacked roof there are 4 knife heads with reliefs of a flanking dragon and dancing phoenix, and the roof is covered with a dragon at both ends. Roof-top system, soft flowing banks, decorated with stylized lemon flower umbrellas. Behind the bell tower, through a small yard is the main pagoda including: 07-compartment front hall, 16m long, 8m wide. The structure of the trusses is in the style of stacking lotus mats. Details such as main pillars, military columns, seven porches, armpit beams, main pillars, first sentences, pillars, rim pillars, and dou goi are meticulously crafted. The upper beams, lower beams, diaphragms, and rafters are all illuminated. The structure of the horizontal and vertical bracing system is reasonable and tight. The upper palace is 11m long and 8m wide. The carpentry part of the upper palace has the same structure and fabrication as the front hall, but the carpentry details are smaller. The walls are built of Bat Trang bricks, the inside is plastered, the outside is left to smooth woodwork, and the roof is tiled. On the left side of the upper palace are 7 compartments of the Mother Church, 14m long and 4m wide. The trusses are structured in a simple, bridge truss style. On the right are two Guest Houses connected together like a hallway. Behind the upper palace is the Tu An house, with a structure of lines overlapping the top, children-in-law, lotus lines, and intricately carved leaf paintings. The ancestral house is located behind the four graces house. The north of the pagoda has a yard of about 1,000m² with a number of buildings facing the yard such as: tower house, monk's house, inner temple, outer temple and many other auxiliary buildings. Behind the pagoda is a tower garden of 10 pagodas, of which 9 were built during the Le and Nguyen dynasties, one was built in 2003. Hundred Gian Pagoda is a pagoda belonging to the Truc Lam Zen sect, with many public works. The project and the most rooms still exist in Hai Duong province. Every year, the Hundred Gian Pagoda holds a festival on the 11th and 12th day of the 9th lunar month. With great historical, cultural, sculptural, and scientific values of relics and antiques being kept at the pagoda. On March 2, 1990, the relic was ranked as a national historical and cultural relic by the Ministry of Culture and Information (now the Ministry of Culture, Sports and Tourism) according to Decision No. 168/Decision - Ministry Sports Culture. Source Electronic information portal of Nam Sach district, Hai Duong province.
Hai Duong 85 view
Quan Dao communal house in Quan Dao village, Tan Tien commune, Gia Loc district, Hai Duong province is a place to worship Thien Tac Dai Vuong Ly Canh Ton, a famous general of the Ly Dynasty who was instrumental in helping the Ly Dynasty defeat the invading Song army. . Quan Dao in the past was originally Quan Dao site, a commune of Tong My Xa - Phu Tu Ky. From 1925 to 1944, it was a commune of the General Association of Gia Loc district. From 1945 until now, Quan Dao has been a village of Tan Tien commune, Gia Loc district. Previously, every commune and village had communal houses and pagodas. The communal house belongs to Quan Dao village, so it is called: Dinh Quan Dao. The communal house was built in the center of Quan Dao village, located on a high mound called the elephant pile. In front of the communal house is a large pond, previously connected to the river, boats could enter the communal house, and around were village roads. To the west of the communal house, there is also a temple built on a mound also known as the Snake pile. North of the Communal House, there is also a high mound called King Procession Heap, located about 500m from the Communal House. Thus, the communal house was built in the middle of the mounds, creating a posture of the dragon flanking the tiger. Just like every Vietnamese communal house. Quan Dao Communal House was built to worship the tutelary god and is a meeting place for villagers whenever there is a big event. The communal house was built during the Ly dynasty. Originally, it was a place to worship Thien Tac, whose hometown was Cao Xa Cam Giang. Following orders from the afternoon, the communal house returned to Quan Dao to recruit troops to fight the Song invaders. When he won, he was awarded the title "Ton Canh Linh Ung" by the king, and when he died, he was honored by the people of Quan Dao as a tutelary god and worshiped at the village communal house. Before the August 1945 revolution, the village festival was opened from the 10th to the 20th day of the first lunar month. At the communal house, many forms were held such as processions, sacrifices, ceremonies, Cheo singing... Especially here there was a pig worship competition. One of each armor. Quan Dao Communal House is also a special place that marks historical events associated with the local resistance war against the French colonialists. The people of Quan Dao in particular and the people of Tan Tien in general were famous for their resilience and courage as guerrillas fighting the French, and were recorded in the history of the province and district. The communal house is the soul of the local resistance war against the French. Here the commanders always make the right decisions and win. In August 1945, Tan Tien people gathered at the communal house to go to the district to participate in seizing power. In the years 1946, the communal house was also a place for people to learn popular education and eliminate illiteracy for people in the commune. The communal house is also where people come to donate gold and silver during the golden week that Uncle Ho and the government called for. The communal house was also the place where Tan Tien commune was established, including three villages, Dong Can, Quan Dao, and Tam Luong in 1946. On January 6, 1946, the communal house was also the place to witness the first National Assembly election of democratic Vietnam. commune republic. In consecutive years from 1946 to 1947, the Communal House was also a place for guerrillas to practice martial arts, to prepare for the local resistance war against the French. On December 23, 1946, enemy soldiers landed on canoes at the ferry wharf (2 km from the commune) and opened fire on the commune. Immediately after that, about 40 Tan Tien people holding weapons rushed to Street 191 to fight back. The first military battle demonstrated the people's determination to fight the enemy and was praised by the district. February 23, 1947. The enemy invaded the commune, burned 2/3 of the houses, shot dead 4 people, and captured 20 people. Turn hatred into action. The Tan Tien cell met at Quan Dao communal house and issued a resolution: "Organize strict guerrilla army staff, military training, each comrade must have a weapon...Propagiate the people of the entire commune to prepare to fight the enemy." ”. From then on, at the guerrilla camp, where they practiced day and night, the people stepped up production and participated in popular education. Since 1947, the enemy increased their raids. During the first 3 years of the resistance from 1946 to 1948, Party cells continued to develop and the government was consolidated. Since 1950, enemy troops suffered defeat at the border and returned to the plains, and military posts sprang up like mushrooms. Around Tan Tien commune, there were many enemy posts such as Binh Di, Dong Quan, Xuan Ngo, Luy Duong... Faced with this situation, the cell meeting at Quan Dao communal house issued a resolution to stick close to the people, maintain the base, and fight with the enemy during this time. During this difficult time, Quan Dao children's communal house hid hundreds of district, provincial and some commune officials. During difficult times, the love of the village and the neighborhood became deeper and deeper, everyone gave their food and clothes. From 1952 to 1954, our main battlefield expanded, the commune was developed one step further, including 42 comrades with 6 rifles, a machine gun, a submachine gun and many mines and grenades, always active to harass the enemy. During the 8 years of resistance against the French, Tan Tien people and other communes participated in 105 large and small battles, destroying 241 enemies. For that achievement, the commune was awarded the First Class Resistance Medal. Quan Dao village alone was awarded the 2nd class resistance medal, and 4 guerrillas were awarded emulation soldiers. Previously, the relic had many sacrificial items such as Long Dinh, Luyen, Bat Bieu, Fan flags, Broken heart, Sacrificial clothes, Worship items... Over time and especially the fierce resistance war against the French took place. A lot of things have been destroyed on this land, and now there are only: 1 Nguyen Dynasty Peak, 1 lacquer painting, 1 porcelain incense bowl, 8 porcelain flower vases, 3 altar sets, 1 Y Mon painting, 1 throne. worship wooden, 2 wooden couplets, 1 lacquered wooden altar, 1 coffin, 1 miracle, 3 great paintings. With great historical, cultural, sculptural, and scientific values of relics and antiques being kept at the pagoda. In 1995, it was granted the title of national historical and cultural relic by the state. Source: Electronic information portal of Gia Loc district, Hai Duong province.
Hai Duong 64 view
Noi communal house, Viet Lap commune, Tan Yen district is one of the famous large-scale, beautiful and famous ancient communal houses of Tan Yen land, past and present. Based on Han Nom sources still inscribed on wooden pillars in the communal house, it is said that the Noi communal house was built during the reign of King Le Hien Tong, the 34th year of Canh Hung (1775), on a high, open mound in the middle of the temple. Ly village and Noi village. However, because the communal house was built by people of 3 borders: Western, American, and Domestic of Noi village, that's why the communal house is called Noi communal house. In addition, when the communal house was completed, the villagers also named the communal house "Tien Dinh". Those two words are embossed on the top of the communal house's roof for everyone to see. If you want to visit the relic, visitors can go from Bac Giang city along National Highway 1A (old), cross Song Thuong bridge, turn right along provincial road 398, Bac Giang - Cao Thuong route, pass kilometer 11, turn right. Go right along the inter-village gravel road for about 1km to Noi communal house. Going back in time to find the history of Noi Communal House's construction, it is known that when they had prepared enough materials, Noi villagers welcomed carpenters from Bac Ninh to build the communal house. The workers competed with each other to show off their talents, so they left behind many beautiful wood carvings at the Noi communal house. Among them, a typical carving with the theme "rowing a boat to catch a stork" is based on the classic story: "If you keep the fish alive, the fisherman will benefit", depicting the scene of a stork pecking at a boy, and a boy holding his shell tightly to the stork's beak. So the old fisherman rowed out to catch both of them. There is also a carving of two mandarins sitting and drinking together, but behind each mandarin are two sword-wielding warriors standing right next to them. People call this carving "fighting while talking". The artist seems to want to say that in anything, we need to be calm and discuss carefully, then we hope to succeed. Again, these are crude carvings, but all the meanings are clearly visible. There is another painting depicting the scene of cavalry going into battle in an extremely strong and sturdy posture. In addition, in the communal house there are many carvings with delicate lines, each of which the artist reflects a current social reality with another profound meaning. The Noi Communal House was built to worship Saint Cao Son and Quy Minh, who were generals from the time of Hung King who had many contributions in repelling foreign invaders and protecting the peace of the country. The communal house also fully preserves precious worship objects such as: Dragon throne, tablets, palanquin set, and wooden bowls in the artistic style of the Le Dynasty (18th century). Over time, the Noi communal house was also restored and embellished through historical periods. Especially in the late 19th century, the communal house received attention and direction from the leader of the Yen The insurgent army - De Tham. This story is told by the elders: The front communal house faces southwest, the roof points straight to the Noi hamlet. People see "the corner of the family pond" as an unfavorable thing, causing people in the village to often quarrel and lose unity. Therefore, the villagers asked Mr. De Tham to change direction when Hoang Hoa Tham led the army to fight the French, having a close relationship with Noi village. The insurgents often came back here to meet and discuss with Mr. Doc Tuan (Ly village); Chanh Hoach (Noi village), Tong Lo (Temple of Literature). Knowing that, De Tham, with his prestige, stood up and turned the direction of the communal house to Noi village. From there, the communal house rotates to the Southeast. Also after the shooting of this communal house, the people built in front of the communal house two buildings, left vu, right vu, and a majestic ceremonial gate. Seen from afar, Noi village communal house stands tall in the beautiful natural scenery of a countryside village with green bamboo, ancient trees growing in the rain and sun next to the communal house's yard, and a fragrant green lotus pond radiating a cool scent. from the family pond makes the love for the countryside even more passionate. Today, through the ups and downs of history, the Noi communal house is no longer as intact as it was originally. Some items of the old building have been lost such as: The dance hall, the ceremonial gate, the entire wooden floor system of the communal house and many parallel sentences and horizontal panels are also gone. But basically, Noi Communal House still retains the appearance of an ancient communal house. The communal house currently has a linear layout including a large communal house with 5 compartments and 2 wings. In front of the communal house is a row of 3 rooms. Inside, the wooden frame system is linked in the way of stacking beams and gong stands. The communal house still preserves some traditional architectural features shown in the patterns carved on wooden structures, with the art of embossing, sinking, and carving channels that are very elaborate and meticulous. Decorative themes are presented in a variety of ways such as: Themes of four sacred animals, four precious animals, rowing boats to catch storks, storks,... typical of the style of the Le-Nguyen dynasties. The remaining system of precious worship objects in the communal house is: 1 set of palanquins, 2 altar thrones, 2 incense bowls of the Le Dynasty, 2 altar fruits, 1 mail tube... These artifacts are all very valuable original artifacts. in researching the history of monuments as well as the human land here. Every year, on January 10 and 11, Noi Lai villagers organize a big festival at the center of Noi communal house. During the festival, villagers organize sacrifices and solemn processions of books; There are poetry feasts, five trays of sticky rice made with the four words "peaceful world", there are rituals of singing ca tru to worship the Saints, singing tuong, singing cheo... to welcome people to dance at Lang Cao to come and enjoy the festival. At the same time, the association organizes many unique folk games such as: playing bridge, swing, cockfighting, wrestling... attracting many people from all over to attend. Therefore, the people of Noi village still have a song that says: "Dinh Noi has a festival to rob the bridge. Every November, every January comes." With typical architectural, artistic, historical and cultural values, it is also a place closely related to the Yen The uprising led by Hoang Hoa Tham (late 19th century - early 19th century). XX), Noi communal house was honored to be included in the list of 23 relics and historical relic clusters of Yen The uprising sites signed by the Prime Minister in Decision No. 548/QD-TTg dated May 10, 2012. recognized as a special national monument. This decision affirms the role and value of the monument and is a tribute from the state to the great contributions of our ancestors in creating a peaceful life for today's descendants. SOURCE Bac Giang Tourism Information & Promotion Center
Bac Giang 58 view
Ha Temple in dual village 2B, Hong Giang commune, Luc Ngan district is an important relic with high historical, architectural and artistic value. The temple located in the middle of Ky Son hill has always been called Ha and Tu Ha temples. Along Highway 31, from the Bac Giang expressway intersection, turn right about 40km to the Kep and Hong Giang junction, turn right for more than a mile to reach the relic. Ha Temple worships Than Canh Phuc (ie Vu Thanh, Canh Nguyen, Canh Long or Than Dao Nguyen) who was the son-in-law of the Ly Dynasty and married to Princess Thien Thanh. In addition, Temple Ha from ancient times up to now not only worships one general of Vu Thanh, but also worships 6 other people who are all concubines and princesses of the Ly dynasty; Minister of the country Vu Tinh; National mother Thien Thanh Vu Thi Canh; Thuy Nhien, Princess Ly Thi Duoc; Binh Duong Princess Ly Thi Giam; Princess Yen Hoa Ly Thi Kien and Thanh Concubine Giap Thi Tuan. Ha Temple in Hong Giang commune is a type of famous memorial relic to commemorate not only one famous person, general Vu Thanh, but also 6 other famous people of the Ly dynasty. Ha temple is located in the southeast of Ho Ho village, on a large hill, arranged in the style of the letter Tam, including three not very large buildings: the lower temple, the middle temple and the upper temple. Next to it is the temple of the same name. All form an architectural unity located on the Luc Nam bank about half a kilometer. These three temples are located parallel to each other, but the middle and upper temples are connected to the temple by a tube. The house is simple, the structure between the rafters is in the style of single pillars. Ha Temple's architecture consists of 3 compartments, 2 grilles with 6 trusses and 24 large and small columns irregularly spaced between compartments. Behind the Lower temple is the middle temple consisting of 3 compartments and 2 compartments and finally the upper temple is also built with 3 compartments and 2 compartments. Located in the overall architecture of the temple is Tu Ha Pagoda. The pagoda's architecture is in the style of a nail. Around the temple area are a number of other relics associated with the temple and annual festivals including puppet ponds, drum mountains, gong mountains, flag fields, Duoc beach... which have made the relics richer and more lively. SOURCE ELECTRONIC INFORMATION PORTAL LUC NGAN DISTRICT, BAC GIANG PROVINCE
Bac Giang 189 view
Khanh Van Temple is located next to the bank of Luc Nam river, on Tan Da hill, Ha Thi village, now Tran Hung Dao residential group, Chu town, Luc Ngan district. From Bac Giang, follow Highway 31 through Luc Nam district into Luc Ngan, a distance of nearly 40km to Chu town (district center). From here turn right about 500m to reach the temple. Khanh Van Temple is the name of the word (Sino-Vietnamese) engraved on the current temple roof, this is the main name of the temple. The name Quan Quan temple is the folk name after the character worshiped at the temple. The temple worships Vi Hung Thang of Luc Ngan, a general of the Tran Dynasty who helped Tran Trieu fight the Yuan-Mongol invaders in the 13th century. Vi Hung Thang is the son of Mr. Phuc Tinh and Mrs. Tu Duyen of the Vi family in Kim Son fabric village, Luc district. Ngan. He was compared with Yet Kieu, Da Tuong, Pham Ngu Lao and other generals. After being honored with the title of Duke, the people called it Quan Quan Temple. Khanh Van Temple is a type of memorial to famous people to recognize Vi Hung Thang, Luc Ngan's outstanding son, for killing the enemy and saving the country. The original Khanh Van Temple no longer exists. The current temple has just been rebuilt on the old ground, according to the elders, this is the land where he was buried, his grave. The temple is arranged in a nail style, in the middle of the temple there is a statue of Vi Hung Thang in a sitting position. In addition, the temple also worships generals of his time such as Yet Kieu, Da Tuong, Pham Ngu Lao... Next to the temple on the right hand side is Khanh Van Pagoda and other structures serving activities, festivals, worship... SOURCE ELECTRONIC INFORMATION PORTAL LUC NGAN DISTRICT, BAC GIANG PROVINCE
Bac Giang 74 view
Before 1945, Dong Tai was the name of the commune, the commune had enough communal houses, pagodas and temples. In 1946, Dong Tai was a village of Thong Kenh commune (Gia Loc), Dong Tai communal house has since been associated with the village's name. Dong Tai Communal House was built in the center of the village, on a high, wide area of land, facing southwest, overlooking Nhi Ha River (now Thua River). According to the remaining genealogical records and through the words of the elders in the village, Dong Tai communal house worships 3 sisters of the Dao family: Dao Thi An, Dao Cong Hai and Dao Cong Thong, who had the merit of supporting King Due Vuong. The Thuc and Luong invaders defended the country... In the later years of resistance, Dong Tai communal house was a place associated with many important historical events of the locality and the province. In April 1995, Dong Tai communal house was recognized by the Ministry of Culture, Sports and Tourism as a national historical relic. "... Legend has it that Dao Cong Bot, from An Bang, Hai Dong district, was a deputy mandarin during the 18th Hung King's reign, held the position of minister of Chau Hoan (Thanh Hoa), and was later assigned by the king to the palace. Thuong Hong (Hai Duong town) was a minister. During his time in Thuong Hong, he married a female scholar named Nguyen, daughter of a famous family in Kenh Trieu, Gia Phu district (now known as Thuong Hong). Gia Loc). About 3 years Then Thuong Hong suddenly had a big flood, the Minister and the people had to build high huts to avoid the water. During the flood, suddenly 3 eggs floated to the front of the minister's hut. Seeing that it was strange, he picked them up Those 3 eggs were then taken away. Not long after, there was a heavy rain, thunder and lightning, the 3 eggs exploded like thunder and the flood water suddenly drained away, half happy, half worried, thinking that the 3 eggs were gone That egg is unusual, please order The soldiers held a ceremony to sacrifice the three magical eggs. That night, the minister dreamed of a man with a majestic appearance, riding on a Hoang Long (golden dragon) who gave him a brocade with a poem. available. Waking up, he saw the brocade placed next to him and was very happy. From then on, his wife became pregnant and gave birth to Dao Thi An, Dao Cong Hai and Dao Cong Thong. All three sisters are handsome, handsome, with unusual appearances, gentle personalities, and excellent martial arts skills. In particular, Dao Cong Hai and Dao Cong Thong have the power and strength to be able to scale mountains, block rivers, and walk on water waves like walking on land. People here consider three saints to come to earth. After their parents passed away, the three Dao sisters built a restaurant at the beginning of Kenh Trieu village to make a living. At this time, the Thuc dynasty sent a large army to invade Van Lang country. King Due Vuong and his officials directly went out to fight the enemy, but because of that and their forces were not balanced, they both fought and retreated. Arriving at Hau Bong commune, Gia Loc district, it was late afternoon, and the king issued an edict for his soldiers and officials to set up camp to rest. That night, the king sat down at Quang Minh pagoda, Hau Bong general. In his sleep, the king saw a tall man with neat clothes and hat approaching and saying: "I have obeyed the Emperor's orders and told the army to meet talented people to destroy the enemy." When I suddenly woke up, it was a dream and next to me was a brocade with a few verses written on it: The Emperor came down to help the army/ Went to Kenh Trieu to meet the Saint/ Dao Thi's brother was the one who helped save the country. people". The king immediately sent his troops to Kenh Trieu, invited the three Dao sisters back for an audience, and then appointed Dao Cong Hai as the acting head of international China; Dao Cong Thong is the General of the Army. The two men accepted the position, commanded a total of 300,000 soldiers and horses, divided into many columns to attack the enemy station. In just one battle, the Thuc enemy was defeated, and the survivors scrambled to escape. The country returned to peace, all people lived peacefully... Five years later, the Shu enemy's dream of invasion resurfaced, and they sent large troops to invade our country again. Dao Cong Thong and Dao Cong Hai asked the king to send troops to destroy the enemy. Grasping the enemy's weak point, the two generals arranged a covert attack at night, sending divers down to drill holes in the enemy's boat. Passive, the boat sank, the Shu army was once again defeated, and they fled back to the country in terror. After the complete victory, Dao Cong Thong and Dao Cong Hai did not stay at the court to enjoy the glory and wealth, but asked to return to Kenh Trieu to reside. On the way back, dark clouds suddenly appeared from somewhere, thunder and lightning were fierce, and in just a moment the two generals transformed into clouds and water. The king mourned the talented people and ordered the people here to build a temple and worship..." From the early days of the French colonialists invading our country, Dong Tai communal house was the headquarters of the Thong Kenh insurgent army, leading the people in the region to heroically resist the invasion of the French colonialists. The Thong Kenh insurgent army thrived, operating widely throughout the regions of Tu Loc, Kim Mon, Chi Linh, Chau Giang, and Hai Duong town, many times terrifying the French colonialists. In the years 1930 - 1945, when the revolutionary movement was rising and preparing for the uprising, Dong Tai communal house was the gathering place for representatives in the region, electing government agencies from provisional to official. The communal house is also the place where the commune's Party cell is established, and is the place for the cell to meet and direct resistance organizations and unions. Also at Dong Tai communal house, army units such as Tay Son, Bao Loc, B42, and 075 of the province came to practice. Later, Dong Tai Communal House was honored to be the place where the provincial and central leaders met, launched anti-American movements to save the country throughout the province and was the place to store important documents at that time... After many ups and downs of history, especially the years of resistance against the Dong Tai Court, which was much destroyed, the remaining offerings and harem remained. In the communal house, many artifacts of historical and artistic value from the Nguyen Dynasty are preserved such as: Long communal house, coffin, throne, hammock door, grand pagoda, scroll, sword worship... Continuing the heroic tradition of His father, today, the people of Dong Tai, in addition to being of one mind and working together to protect the relics, are also constantly studying, enthusiastically working and producing, contributing to building an increasingly rich, beautiful and civilized village. Source Electronic information portal of Gia Loc district, Hai Duong province.
Hai Duong 82 view
Dau Pagoda has the Chinese name Sung Thien pagoda in Thi Duc village, Nhat Tan commune (Gia Loc). From afar, we saw a majestic pagoda appearing in the middle of a field along with a luxuriant area of trees. The pagoda is located on a high land, with unique architecture, bearing a strong Buddhist imprint. Around the pagoda there are lotus ponds and the winding Han River. According to the family tree, Dau Pagoda worships the saintly lady Pham Trinh Hien with the name Tien Dung, a princess who had the merit of helping Hai Ba Trung fight against the Eastern Han invaders. In the year 40, the Trung sisters raised a flag to rebel against the Han Dynasty. Once marching to this land, the two women stationed a military camp here. At night, they dreamed that someone called Princess Tien Dung, vowing to fight the enemy. The next day, the two women led their troops to battle on the Han River and won a resounding victory. The Trung sisters let the generals and local people celebrate and then issued a decree for the villagers to build a temple to worship Tien Dung, with the beautiful title Dieu Quang Hue Tinh Y Pham Trinh Hien, wife of Thuong class god. Over time, people built this place into a majestic pagoda that both worships Buddha and saints. The ancient Dau Pagoda had a scale of more than 100 rooms. The date of the pagoda's construction has not been determined, but based on the traces of bricks and tiles found, it can be determined that the pagoda was built at the end of the Ly dynasty and the beginning of the Tran dynasty. However, due to war and natural disasters, up to now, Dau Pagoda has lost many ancient architectural items. Currently, the pagoda has a nail-style architecture including 5 front halls and 3 back halls. The pagoda's roof has many reliefs with beautiful patterns of clouds, sun, and moon. In the pagoda there are 12 statues, made of wood, lacquered and gilded. In addition to the system of ancient Buddha statues, the harem also has a large temple, made of wood, exquisitely carved, and inside there is a statue of Princess Tien Dung. The statue is carved in a sitting position, calm and with a kind face. According to local elders, the entire statue system in the temple is carved from mulberry wood. Legend has it that the Han River next to the pagoda often floods. One time, the water was high, the flood came from upstream, carrying a large raft of mulberry wood with golden fibers like silk. Everyone thought it was a good omen so they picked it up and used wood to carve it into a statue. From then on, the pagoda was called Dau Pagoda. When visiting Dau Pagoda, we see that this place still preserves many valuable artifacts such as 2 steles of the Le Dynasty, some pieces of terracotta towers, terracotta pieces with phoenix heads, terracotta dragon heads, and patterned bricks and tiles. dating from the 13th-14th centuries. The most unique and special is the Tran Dynasty stele arranged right in front of the pagoda yard. The stele was created in 1331. The content of the stele was composed by Venerable Hue Van, a monk here, with about 1,180 words. This is a unique work of sculpture art. The stele is about 1.5m high, placed on the back of a rather large stone turtle. The stele's roof is moderately curved, and the stele's body has a border carved with dragons and vine flowers. The stele's forehead is decorated with many vivid leaves and lotus flowers, close to nature. Prominent on the front of the stele is a large cursive engraving of Buddha. Below the word Buddha are carved two images, on one side is a crane standing with a burning candle on its head. On one side is a humanoid demon wearing an incense burner. At the foot of the stele are carved patterns of water waves and mountains. On the back of the stele are engraved three Chinese characters "Sung Thien Pagoda", below are written the full names of those who donated fields and money to repair the pagoda. Not only unique in architecture and festivals, Dau Pagoda is also one of the important "red addresses". Dau Pagoda is a place that marks many revolutionary events. Before the August Revolution of 1945, the Viet Minh Front had a meeting at the pagoda to discuss seizing power and destroying the rice warehouses of the Japanese enemy in Thanh Mien district to give to the poor. In 1945, when the French invaded Hai Duong town, the Provincial Lien Viet Association chose the pagoda as the place to evacuate. In 1945-1950, Tay Son soldiers of Gia Loc district chose the pagoda as the location to open training classes. From here, our troops spread out towards Route 17 and Route 20 to conduct ambushes against the enemy during the resistance war against the French during the period 1949-1953. In the years 1951-1952, cadres, guerrillas of Pham Kha and Lam Son communes and soldiers chose the pagoda as a base to cling to the people to destroy the enemy, and destroyed the villains in Chuong and Ba Dong markets. Currently in the temple there is still a secret vault from the previous period. Dau Pagoda is a place to worship both Buddha and saints. The pagoda's traditional festival is held on the 8th to 10th day of the 8th lunar month. On this occasion, people and tourists from all over come to attend in large numbers. With its unique architecture and value, the pagoda was ranked as a national monument in 1992. Source: Electronic information portal of Gia Loc district, Hai Duong province.
Hai Duong 85 view
In the cultural space of Bac Giang province, Kham Lang Pagoda is an ancient relic that currently preserves many historical cultural values and artistic architectural values, the most typical being the lotus stone incense burner of the Early Le Dynasty. Kham Lang Pagoda, Kham Lang commune, Luc Nam district, is ranked as a national architectural and artistic relic according to Decision No. 53/QD-BVHTT dated August 2, 1999 of the Minister of Culture and Information (now is the Ministry of Culture, Sports and Tourism). The pagoda is located in Ben village overlooking Luc Nam river and the majestic Huyen Dinh mountain range. This is an ancient pagoda that still preserves many historical, cultural and artistic architectural values. Currently, Kham Lang pagoda also preserves some documents and artifacts with the most typical historical and cultural value. is a lotus stone incense burner of the Early Le Dynasty. On the incense burner is engraved the words "Thuan Thien five years - Nham Ty year" (ie year of the Rat, the fifth year of Thuan Thien (King Le Thai To's reign - 1432). Overall, the surface of the incense altar's base looks like a court). In Bac Giang, besides Cao Pagoda, there is no place with such a unique incense burner. With its historical and cultural value, aesthetic value and uniqueness, the lotus stone incense burner at Kham Lang Pagoda has been recognized by the Prime Minister as a National Treasure in Decision No. 2382/QD-TTg dated December 25, 2015. It is known that Cao Pagoda is an artistic architectural work of the Tran Dynasty. In 1999, it was ranked as a national architectural and artistic relic. In 2013, the Vietnam Institute of Archeology coordinated with the Provincial Museum to organize an excavation and discovered many relics such as: Single lotus-nosed tiles, leaf-nosed tiles, cow tiles... dating from the Ly and Tran dynasties. to the Le and Nguyen dynasties. SOURCE: Bac Giang Tourism Information & Promotion Center
Bac Giang 65 view
Cao Thuong communal house is located in the southeast of Yen Ngua mountain, Cao Thuong village, Cao Thuong commune, Tan Yen district (Bac Giang). It is a large, beautiful and splendid ancient communal house, the most majestic in the Tan Yen region. This place has imprinted the footprints of national hero Hoang Hoa Tham during the Yen The uprising 130 years ago. Cao Thuong Communal House consists of a 5-compartment, 2-room main house and 3-storey harem. This is a typical architectural work, characterized by the artistic style of the Le Dynasty in the 17th century. The communal house has an architectural style: the upper part of the house is the gong stand, the lower part of the house is the gong stand, and the lower part of the house is the 5-compartment and 2-compartment hall, which is tall, wide, majestic, and solemn. The middle space is up to 4.50 wide, the side space is nearly 4 meters wide, the main column has a circumference of more than 2 meters, a diameter of more than 70cm, enough to see the massive architectural scale of the communal house. The length of the communal house is more than 24m, the width is more than 14m, the area of the communal house is exactly one kilometer wide in the North, it is truly the largest wooden architectural work in this region. With 4 wide roofs, 4 curved blades, the roof is decorated with lemon flowers. Particularly, the gable is covered with a tiger face, originally from the communal house's renovations during the Nguyen Dynasty. As for the load-bearing frame structure, it includes 6 rows of column bases, a total of 48 columns with 8 extremely large columns, hardly seen in any communal houses in Bac Giang province today. This is the most outstanding architectural feature of Cao Thuong communal house, which is the many columns and large columns. All 8 main columns have 8 extra ends, these 8 columns are over 5m high, the military column is 3.5m high, and the porch column is also 2.7m high. The entire communal house floor is tiled with large bowls 40 x 40 x 5cm, 45cm higher than the communal house's yard surface. The bundle is full of bricks, 4 corners have 4 brick columns supporting the roof spreading out to nearly 2m. Creates a gentle, elegant look for the entire communal house's roof, which is inherently formal and majestic. Normally, village communal houses are built in the Dinh style, but Cao Thuong Communal House is built in the Nhi style with a two-room harem, 4 curved roofs, 4 rows of sturdy iron columns, and a strictly forbidden door. adjacent to the front and back roofs of the large communal house. This unique wooden architectural style has made the communal house both sustainable, strong, and massive while inside being tall and spacious while still being gentle, elegant, and beautiful. Currently, the communal house still preserves a number of ordinations with different dates, the two Cao Son - Quy Minh ordinations are: Superior God. The worship of the gods is held very solemnly and solemnly by the villagers. solemn with all the rituals: spring and autumn two periods: January 12 and August 20 (lunar calendar) both have book processions and jubilant sacrifices. From January 12 to 14, the two villages Cao Thuong and Dau Cau come to hold a big festival to process saints from Chanh communal house and Tren communal house to Cho communal house (Cao Thuong communal house is near the market so it is also called Cho communal house). The two villages held huge ceremonies and sang ca tru to worship the saint. Outside the communal house, there are many fun games: wrestling, chess, cockfighting, drum dancing... The festival includes tuong and cheo singing. People from far and near come to the festival and it has become a very sacred festival. During the years of fighting against the French colonialists, Hoang Hoa Tham often attended the Cao Thuong communal house and entertained the insurgents. When the French invaders burned Ton communal house, De Tham spent public funds and let the insurgents and people rebuild a new communal house. The communal house not only has architectural value but also carries a strong historical mark when the De Tham rebel army, our main force during the fight against the French colonialists, was stationed at this communal house. Especially during the Yen The uprising, the insurgent army led by Hoang Hoa Tham had a very close connection with Cao Thuong village and Cao Thuong communal house. Therefore, De Tham established a base on Yen Ngua mountain in the Cao Thuong communal house area. In 1890, the French colonialists learned that there were Mr. De's troops at Yen Ngua Mountain, so they organized a force to attack the insurgents. Defeated, they frantically burned down communal houses, pagodas and Yen Ngua mountain. During the second peace period between France and De Tham (1897-1909), De Tham helped people repair the communal house and rebuild the pagoda on the old pagoda's foundation. The historical evidence and heroic past of Cao Thuong communal house relics have been the pride of officials and people here. In addition to the unique architectural features and historical evidence, Cao Thuong Communal House is also known for its special market on the 2nd day of Tet every year, "Yin and Yang Market". According to the people of Cao Thuong village, Cao Thuong commune. (Tan Yen) is said to be special because the "Yin and Yang Market" only meets once a year, fixed on the 2nd day of Tet. People who go to the market are happy and mentally comfortable. They believe that it is an opportunity to do good and good deeds for the dead and their spiritual life will be more peaceful. With typical and unique values, Cao Thuong communal house was honored to be recognized by the Government as a special National Monument in 2012. SOURCE: Bac Giang Tourism Information & Promotion Center
Bac Giang 63 view
Lang Le Bau Co relic site is located in Tan Nhut commune, Binh Chanh district, Ho Chi Minh City. Lang Le Bau Co is associated with the resistance war against the French invasion in 1948 with major battles that went down in history. Lang Le Bau Co relic was recognized as a city-level historical relic in 2003. The reason it is called Lang Le Bau Co relic area is because the name of Lang Le Bau Co relic area was given by local people. The hamlet was established next to the interlaced canals and rivers. Lang Le Bau Co is located inside a large field with many shrimp, crabs, and fish. Along with many species of birds such as mallards, storks, teal, nuthatches, gongs, partridges, herons, and red armpits come to feed here. Therefore, Tan Nhut people call it by the familiar and rustic name Lang Le Bau Co. Lang Le Bau Co relic is considered the gateway to move to the center of Vuon Thom base and attack the enemy headquarters in Saigon. Previously, Lang Le Bau Co relic area was originally a field of overgrown reeds. On April 15, 1948, the French colonialists sent 3 thousand soldiers and many modern weapons to simultaneously attack the Lang Le Bau Co area to destroy the Vuon Thom base. At that time, the revolutionary armed forces in Lang Le - Bau, because of their small force and rudimentary weapons, had the help of local people along with the advantage of terrain. After just over half a day of fighting, it turned to attack, causing the French army to suffer a large number of casualties. The victory at Lang Le Bau Co killed 300 enemies, captured 30 mercenaries, and destroyed many machines, military vehicles, and guns of all kinds of the enemy. However, on our side, there are many officers and soldiers who heroically sacrificed their lives at a very young age. On October 14, 1966, in Lang Le, the Republic of Vietnam Army Ranger Battalion was destroyed by tourist militia. Lang Le Bau Co relic site has great historical significance for the people of Saigon in particular and the whole country in general. Faced with hatred for the French colonialists, Lang Le Bau Co's army and people fought a war of great historical significance that opened the door for our side and the enemy. For our side, the battle opened the door to heroism in a strong resistance position. As for the enemy, they had to retreat into a strategic position and were destroyed. The French colonialists could no longer form a strategy to defeat the Viet Minh. Moreover, at Vuon Thom base, Lang Le Bau Co also took place a determined battle to protect our base and destroy all sabotage plans of the enemy. Lang Le Bau Co relic area, after the Dong Khoi movement in 1960, was also a logistics and springboard for the armed forces to liberate Long An - Saigon - Gia Dinh. To commemorate the sacrifices of our compatriots and soldiers, in 1988 Binh Chanh district built a historical building in Lang Le Bau Co land with an area of 1000m2. Source: Ho Chi Minh City Electronic Information Newspaper
Ho Chi Minh City 3425 view
The US Embassy relics, also known as the "White House of the East", are the origin of sinister military and political plots aimed at long-term annexation of Vietnam. The relic site is a 5-storey building built Built in modern architecture, located at the corner of Mac Dinh Chi - Le Duan Street, Ben Nghe Ward, District 1, Ho Chi Minh City, on a plot of land nearly 5,000 square meters. Previously, the US embassy was located at 39 Ham Nghi Street. At around 10:00 a.m. on March 30, 1963, the US embassy on Ham Nghi Street was hit with explosives by the F21 Commando team, collapsing three floors: 1, 2, 3, so the US decided to rebuild it. Construction began on the building in 1965, most of the materials and construction machinery were transported from the US, under the control of American engineers. According to the design, the building is surrounded by 7,800 Taredo stones that can withstand mines and artillery shells. The main door is equipped with thick steel, the other doors are blocked by a special thick bulletproof layer. All doors use automatic systems, including iron doors blocking the way to the upper floors. Inside the building there are 140 rooms with 200 staff serving day and night. In addition, next to the building is also built an additional row of houses called the "Norodom" area exclusively for C.I.A. employees. When inaugurated, the building had only 3 floors. At the end of 1966, two more floors and a terrace were built to serve as a landing place for helicopters. Surrounding the building is a 3m high wall, at both ends of the wall close to Le Duan Street, 2 high blockhouses are built, guarded day and night. The Embassy was completed in September 1967 with a defense system such as a fortress with 60 guards, a bomb shelter, and a radar screen system to control the facade. Immediately after the building was completed, on September 24, 1967, thousands of students flocked to the gate of the US Embassy to fight for "America to stop bombing the North", "America to go home" and issued a notice denouncing the US for "trampling and seriously violating the right to self-determination of the Southern people". But the outstanding event that happened at the US Embassy was the battle of the City Rangers during the General Offensive and Uprising in the Spring of 1968. The target of attacking the US Embassy was added on January 24, 1968 by Ngo Thanh. Van is in charge of general affairs. Ranger Team 11 took on this important mission, including captain Ut Nho (military region reconnaissance captain) and soldiers: Bay Truyen, Tuoc, Thanh, Chuc, Tran The Ninh, Chinh, Tai, Van, Duc, Cao Hoai Vinh, Mang, Sau and 2 drivers: Tran Si Hung and Ngo Van Thuan. Another equally humiliating event for the US Embassy was the chaotic escape that occurred on April 29 and 30, 1975 by the US and its accomplices. Faced with the rapid attack of the Vietnamese army and people in the historic Ho Chi Minh campaign, over 1,000 Americans and more than 5,000 pro-American Vietnamese jostled, pushed, and kicked each other to compete for a place on the terrace of the building. building to be rescued by helicopter. This relic was granted a certificate of recognition by the Ministry of Culture on June 25, 1976. Currently, the US Embassy building has been demolished and a new consulate in Ho Chi Minh City has been built, but next to it is a memorial stele forever remembering the achievements of the special forces soldiers who died in the battle. . Source: Ho Chi Minh City Youth Union
Ho Chi Minh City 3017 view
Chot Mat Tower Historical-Cultural Relic, located in Xom Thap hamlet, Tan Phong commune, Tan Bien district, Tay Ninh province, was recognized by the Ministry of Culture and Information (now the Ministry of Culture, Sports and Tourism) as historical - cultural relic on July 23, 1993. Also one of the last three ancient towers remaining in the South of our country. Having undergone many restorations in 1938, 2003 and most recently in 2013. Despite undergoing restorations, the Chot Mat ancient tower relic site has given itself a new look but still remains retains the spirit of ancient architecture. The entire Tower is built of brick and slate with the top of the tower tapering upward, from the ground to the highest point of the tower is estimated to be 10m. In addition, this ancient tower is located on a high mound in the middle of the field, so from a distance it looks like a pen rising gradually. In 2003, the People's Committee of Tay Ninh province decided to approve the investment project to restore, embellish and preserve Chot Mat tower relics and carried out the restoration, restoration, display and opening of the excavation pit in 2003. into use. On November 27, 2019, the Provincial People's Committee issued a Decision regulating the decentralization of management, protection and promotion of the value of historical and cultural relics and scenic spots in Tay Ninh province. Decision to assign the People's Committee of Tan Bien district to directly manage 4 relics, including the National Historical-Cultural relic Thap Chot Mat. In particular, the Chot Mat Tower Historical-Cultural Relic in Tan Phong commune, Tan Bien district was chosen to be part of the tourism development link of Tay Ninh Province. This is a tourist destination worth exploring, contributing to tourism development in Tan Phong commune in particular and Tan Bien district in general. Source: Tay Ninh province electronic information portal
Tay Ninh 2408 view
Bac Cung Temple (literally known as Thinh Temple) in Tam Hong commune, Yen Lac district is one of four large temples around the Ba Vi mountain region and the Red River Delta worshiping Saint Tan Vien. The temples: Tay Cung, Nam Cung, and Dong Cung are on the other side of the Red River in Son Tay territory. These are four temples that were built and preserved relatively carefully by the people. The temple is located in the middle of fertile fields on a 10,000 square meter plot of land next to winding canals, surrounded by rich and densely populated villages. On both sides, the left desert and the right desert stand majestically and silently, covering a large brick yard, looking up to a unique architectural work. Thinh Temple was built 20 centuries ago on the foundation of a small temple worshiping Saint Tan, where he had previously let his troops stay during a mission to help people clear land and manage water. The divine genealogy passes down that: Saint Tan (still called Son Tinh), whose name is Nguyen Tuan, was born on January 15, Dinh Hoi year in Lang Xuong cave, Trung Nghia commune, Thanh Thuy district, Phu Tho province. He lost his father at a young age and lived with his mother and two cousins, Nhuy Hien and Nguyen Sung. Every day, the three brothers crossed the Da River and went to the Ba Vi mountains to clear fields and farm, looking for a living. Here, Nguyen Tuan met Princess Thuong Ngan, was adopted by her, and gave her a walking stick and many magic spells to save humanity. After defeating Thuy Tinh and marrying Princess Ngoc Hoa, he refused the throne that King Hung wanted to give him, and with his two younger siblings traveled everywhere, helping people clear land and water, and was respected by people everywhere. When passing through the Tam Hong area, he let the troops rest and taught the people to grow rice and fish... After he left, the villagers came to the place where the Holy One rested and saw that there were still some packets of hearing left there, so after This temple is called Thinh temple. There is also a story that: when letting the army stay here, Saint Tan taught the people to butcher Thinh, so the people called the temple that name. From a small temple, during the reign of King Ly Than Tong (1072-1128), the temple was rebuilt into a large temple. This is where the king came to pray for longevity. During the reign of King Minh Mang (1820-1840), the temple was repaired many times. During the reign of King Thanh Thai, the Tri of Yen Lac district appointed monk Thanh At to restore the temple. The project lasted until the 6th reign of Khai Dinh (1900-1921). Through many ups and downs, the temple continues to be preserved and preserved by local people. On January 21, 1992, the temple was recognized by the Ministry of Culture and Information as a cultural and historical relic. Every year, the Thinh Temple festival is held from the 6th of the first lunar month to the 20th of the first lunar month. The festival includes sacrifices, palanquin processions from villages inside and outside the commune and many folk games will be held. Source: Vinh Phuc province electronic information portal
Vinh Phuc 2336 view
Tan Hiep Prison, also known as "Tan Hiep Correctional Center", is located in Quarter 6, Tan Tien Ward, Bien Hoa City. Tan Hiep Prison Relic was ranked as a national relic by the Ministry of Culture and Sports on January 15, 1994. Tan Hiep Prison is one of the six largest prisons in South Vietnam and the largest prison in the Southeast region, built in an important military position, northeast of Bien Hoa town. Ahead is National Highway 1; Behind is the North - South railway line. This is an isolated location, convenient for transportation, easy for protecting, guarding, receiving prisoners from other places and transferring prisoners to Con Dao, Phu Quoc... Tan Hiep Prison has an area of 46,520 square meters with 8 prisons, including 5 prisons for communist prisoners and patriots. The prison is surrounded by 4 layers of barbed wire with 9 bunkers, 3 watchtowers with a team of guards and a modern alarm system. It's called "Correctional Center" but inside is actually a gun warehouse, an interrogation and torture room with the most modern tools. Each prison only has an area of nearly 200 square meters but holds 300-400 people, sometimes up to a thousand people. In particular, there are "repentance" rooms and "tiger cages" that are very small and narrow and living conditions are extremely harsh, prisoners live like in a crematorium. The diet was extremely unhygienic. The prison guards bought rotten rice and rotten fish to fertilize the fields, and fried them in oil to feed the prisoners, leading to many people being poisoned. With the determination to escape the imperial prison, return to the Party and the people to continue fighting and liberating the nation, on December 2, 1956, with the agreement of the Eastern Inter-Provincial Party Committee, the soldiers Communists were "detained" in Tan Hiep prison under the direct direction of comrade Nguyen Trong Tam (Bat Tam) - in charge of the prison Party Committee and a number of other comrades who suddenly broke the shackles. was able to free nearly 500 comrades and patriots. This event caused a stir in the Pentagon. America - Diem hastily mobilized both main forces and security forces, civil guards defending the three provinces of Bien Hoa, Ba Ria, Thu Dau Mot and two special forces to encircle and capture the prisoners, but all were defeated. failure. Our comrades and compatriots who escaped from Tan Hiep prison received help and protection from local facilities and returned safely to base. Among the escaped prisoners were comrades: Bay Tam, Hai Thong, Ly Van Sam... who became the core nucleus of the Dong Khoi movement later. In 2001, to partly recreate the crimes of the US - Diem against our comrades and compatriots imprisoned at Tan Hiep prison and describe the entire Tan Hiep uprising on December 2, 1956. , Dong Nai Museum has collected images, documents, and artifacts displayed at the relic and made a model to serve the research and sightseeing needs of all classes of people. Every day, the monument is open to visitors. Source: Dong Nai Electronic Newspaper
Dong Nai 2315 view
During the period when the Mac dynasty had its capital in Cao Bang, in order to prevent the Le dynasty from attacking, the Mac dynasty restored and repaired Na Lu citadel (now in Hoang Tung commune, Hoa An) and Ban Phu citadel (now in Hung Dao commune). ), Phuc Hoa citadel, in addition to building many other citadels in Cao Bang, making Cao Bang a political and military center in the far Northeast border region at that time. Na Lu citadel and Phuc Hoa citadel are two citadels built before. According to the records of Be Huu Cung in Cao Bang Thuc Luc, Na Lu citadel and Phuc Hoa citadel began in the reign of Tang Y Tong in the year Giap Than, the 5th Ham Thong era (874). Based on the presence of many ancient tombs with stone inscriptions containing the names, addresses, and hometowns of the citadel builders who died here during the Ham Thong Dynasty, it can be confirmed that these two citadels were built during the Tang Dynasty. Na Lu Citadel was built over many different dynasties. When the Mac dynasty came to Cao Bang, it was rebuilt with bricks. Na Lu citadel has a nearly rectangular shape, has a total area of about 37.5 hectares, a length of about 800 m, a width of about 600 m, the citadel has 4 gates. Ban Phu citadel in the capital of Nam Binh, Nam Cuong country of Thuc Phan in the past in Cao Binh (Cao Bang), the Mac dynasty renovated the royal palace in the inner circle of the old capital of Nam Binh and called it Ban Phu citadel or Royal Palace. In the ancient capital of Nam Binh of the Nam Cuong country and the Mac dynasty, Ban Phu citadel still has clear traces. The capital city of Nam Binh consists of two citadels, to protect the citadel, the outer ring has a circumference of about 5 km, including a low hillock area, around the foot of the hill is covered with vertical canvas like a wall, convenient for navigation. Build defense lines. The western wall of the citadel runs parallel to the bank of the Bang River to the beginning of Bo Ma village, connecting the southeast wall of the citadel, flowing in front of Ban Phu, following the foot of the hill to meet National Highway 4, the northeastern side running along the foot of the hill close to the outside of National Highway 4. , up to the top of the mound is the northwest side, continue running along the foot of the hill, out to the river bank and meet the west wall, forming a closed citadel. When the Mac Dynasty established the capital, it repaired and built a number of additional works, in which Ban Phu Citadel (inner citadel - the king's working place) was built higher on the old citadel walls from the Thuc Phan period. The citadel is located on a flat land. Along with rebuilding the capital, the Mac dynasty also built a system of posts and ramparts quite thick around the capital and a number of important border points, forming a system of protecting the capital and protecting the border. gender. Phuc Hoa citadel (Phuc Hoa district) was built in a square style, about 400 m in each direction, including two citadel rings, the distance between the two rings is 80 m. Currently, the southern wall has been completely destroyed. Phuc Hoa Citadel has 2 main gates: The North Gate is open to the national highway to Ta Lung Border Gate today, people often call it Pac Gate, this gate is built in a rectangular style, 8 m wide, 5 m high. , including two gates made of thick, very sturdy wood; The second gate is in the south, opening to the river bank. Both gates were flattened long ago, and now there are no traces left. Near the citadel, in the northwest suburbs along the riverbank, there are many traces of brick kilns. People said that during the process of labor and exploration, many intact brick kilns were found in this area. Through research and surveys, it has been shown that in Cao Bang, the Mac dynasty renovated, embellished and built many citadels and fortresses, including repairing, embellishing and rebuilding Ban Phu citadel, Na Lu citadel, and Phuc citadel. Hoa. These fortifications have formed a quite solid system of protecting the capital. Up to now, of the ancient citadels built by the Mac Dynasty during the capital period in Cao Bang, some of the citadels built of earth only have traces left, but the citadels built of stone are still very clear. Source: Cao Bang Electronic Newspaper
Cao Bang 2196 view
Dien Khanh Temple of Literature is located in Phu Loc Tay cluster, Dien Khanh town, Dien Khanh district, Khanh Hoa province. The Temple of Literature is a place to worship Confucius, the founder of Confucianism, and the sages who were his students; At the same time, it is also a place for activities of local scholars and scholars, honoring those who successfully passed the examinations. In 1803, King Gia Long issued an edict to establish a Temple of Literature in Phu Loc commune, Hoa Chau district - Binh Hoa town, now in Phu Loc Tay cluster - Dien Khanh town - Khanh Hoa province. The Temple of Literature was built on a large scale in 1853 and by the following year it was basically completed: in front there was a pavilion, in the middle there was a high and wide front hall and main hall, made of wood and surrounded by brick walls. The rafters are carved with beautiful and majestic gilded lacquer. Dien Khanh Temple of Literature was built on a large, flat area of land, with a total area of 1,500 square meters. When it was first built, the Temple of Literature had the following architectural works: Chinh temple and Khai Thanh temple, roofed with thatched grass. In 1849, the Temple of Literature had its roof system renovated, replacing thatched roofs with tiled roofs and building Ta Vu, Huu Vu, Khai Mieu, Quan Cu, Tu Mieu... with a very large and solid scale. In 1959, the Temple of Literature was rebuilt on the old foundation in Phu Loc village, but on a smaller scale, including: the outer gate and city walls; Internal Nghi Mon; stele house (Thach Bi communal house); temple yard; flag pole; Eastern and Western houses (Ta Vu - Huu Vu); Worshiping the road; Chief of soaking. Basically, the structures of Chanh Tam and Bai Duong compartments were transferred from Van Chi Phuoc Dien, and Ta Vu and Huu Vu were built in the style of a four-level, three-compartment house. The walls are built of bricks, there are no wings. The roof is covered with yin and yang tiles, later restored and replaced with Western tiles; The wooden door system is built in a plank style, replacing the ancient style of upper and lower sides; Do not rebuild Khai Mieu, Quan Cu and Tu Temple. Currently, the Temple of Literature only retains two stone steles from the Tu Duc 11 period (1858), which help us better understand the history, culture, and activities of the people of Khanh Hoa and the process of completing the Temple of Literature area in 1854. There is also an article in Bai Duong that speaks more clearly about the achievements of literary and martial arts scholars, scholars, notables, dignitaries and local students from the beginning of the Nguyen Dynasty to the Tu Duc period. With a rich history, the Temple of Literature area carries great value in the process of learning, receiving knowledge and expressing respect for teachers, enriching the treasure of national cultural heritage. Dien Khanh Temple of Literature relic was ranked a National Monument by the Ministry of Culture, Sports and Tourism on October 15, 1998. Source: Department of Culture and Sports of Khanh Hoa province
Khanh Hoa 2112 view
Mai Xuan Thuong was the leader of the Can Vuong movement against the French at the end of the 19th century in Binh Dinh. Mai Xuan Thuong was born in the year of Canh Than, 1860, died in the year of the Pig, 1887, from Phu Lac village, Phu Phong district, Tuy Vien district, Binh Dinh province (now Phu Lac village, Binh Thanh commune, Tay Son district, Binh Dinh province). His father, Mai Xuan Tin, was the chief father in Cao Bang. His mother, Huynh Thi Nguyet, was the daughter of a noble family in the village. Mai Xuan Thuong is inherently intelligent and eager to learn. At the age of 18 (1878), he passed the Baccalaureate at Binh Dinh Examination School. At the age of 25 (1885), he passed the bachelor's exam. Responding to King Ham Nghi's Can Vuong edict, Mai Xuan Thuong returned to his hometown of Phu Lac, recruited insurgents, set up a base on Sung island to raise the Can Vuong flag against the French, then Mai Xuan Thuong brought his forces to join the army. The insurgent army was led by Dao Doan Dich and was appointed by Dao Doan Dich to the position of Military Salary Officer (in charge of food for the insurgent army). From then until 1887, the Can Vuong movement in Binh Dinh developed strongly and spread to Quang Ngai, Phu Yen... attracting tens of thousands of people from all walks of life to participate. On September 20, 1885, Dao Doan Dich died and assigned all his forces to Mai Xuan Thuong. He chose the Loc Dong mountain area (now in Binh Tuong commune, Tay Son district) as his headquarters and organized a flag worshiping ceremony, calling on scholars, literati, and people to join the movement to fight against the French. During that ceremony, insurgents from many regions in Binh Dinh province agreed to honor him as the Marshal leading the uprising and raised the slogan: "First to kill the left, later to attack the West". In early 1887, the French army under the command of Lieutenant Colonel Cherrean and the royal army led by Tran Ba Loc along with Minister Trira launched a major attack on the headquarters of the Can Vuong movement in Binh Dinh, the battle The fighting between the insurgent forces and the French enemy was extremely fierce, the fight was unequal, and in the end the insurgent force was pushed back. In March 1887, after a fierce battle in Bau Sau (An Nhon town, Binh Dinh province), Mai Xuan Thuong was seriously injured, the insurgents withdrew to Linh Dong secret area. On April 21, 1887, Tran Ba Loc surrounded and captured the Linh Dong secret base and captured a number of insurgents, including Mai Nguyen Soai's mother. On the night of April 30, 1887, Mai Xuan Thuong sent a suicide squad to break into Tran Ba Loc barracks, relieve the captured people, and he and a group of 50 subordinates crossed the mountain into Phu Yen and continued to resist. battle, but when she reached Phu Quy Pass (boundary between Binh Dinh and Phu Yen), she was captured by Tran Ba Loc's ambush and taken to be beheaded at Go Cham (East of Binh Dinh Citadel). The mausoleum of patriot Mai Xuan Thuong is located on a high hill of the Ngang mountain range (in Hoa Son village, Binh Tuong commune, Tay Son district, Binh Dinh province) about 50km northwest of Quy Nhon city; The mausoleum was built on a land area of 1988m2, inaugurated on January 22, 1961. Overall, the mausoleum is designed in the style of an ancient mausoleum, surrounded by low walls. The Lang gate (three gates) is made up of 4 square pillars, the top is tied in the style of a gourd and a vase, bearing the architectural appearance of a communal house or temple gate of the late 19th century. In the middle of the Mausoleum is Mai Xuan Thuong's tomb, rectangular in shape in the East - West direction; At the head of the grave is a stone stele engraved with an inscription recording the biography and career of Mai Xuan Thuong: The relic was ranked at the National level by the Ministry of Culture and Information on April 20, 1995. Source: People's Committee of Tay Son District, Binh Dinh Province
Binh Dinh 2074 view
Hoc Mon District Palace is located at No. 1, Ly Nam De Street, Hoc Mon Town, (next to the District People's Committee headquarters) and is the place where many outstanding fighting events have been recorded throughout the long history from 1885 to the Southern days. Complete liberation of the People of 18 Betel Garden Villages. After defeating Chi Hoa Fort, the French colonialists built a 3-storey wooden house here to use as a military post. When Tran Tu Ca took office as Governor of the Palace, he used the Station as the Palace of Binh Long district. Originally a cunning drunkard of the French colonialists, Tran Tu Ca was led by a group led by Mr. Phan Van Hon (Quan Hon) and Nguyen Van Qua (Chanh Lanh Binh) of nearly 1,000 insurgents who came to burn the District Palace, captured and head cut off in the middle of the market. That was February 8, 1885, At Dau Tet. Afterwards, Hoc Mon District Palace was rebuilt with a blue stone foundation, brick walls, and a defense system from the upper floors to the fence. The architecture is similar to the Military Fort, so the locals call it Hoc Mon Fort. Tran took over from Tran Tu Ca as Governor of Ngon district, moving to Tra District and then Tho District. This was a long period of time when the people of the Hoc Mon region suffered from many cruel and despicable scenes from the French colonialists and their oligarchic henchmen mentioned above. With the indomitable tradition of Hoc Mon people. On June 4, 1930, around 6 a.m. in front of the District Palace, hundreds of Hoc Mon people protested demanding "abolition of poll tax, reduction of license and market taxes, and granting land to poor farmers." Tra District invited the leaders into the Palace to negotiate, but they cunningly arrested them, including Mr. Le Van Uoi (Secretary of Tan Thoi Nhi Commune), who was the leader of the protest. People were undaunted and fiercely demanded that Tea District release those detained. The protest group became more and more crowded, the fighting spirit spread somewhat, causing Tra District to give in. On the one hand, they released the detained people, on the other hand, they called the officials in Saigon for help. 2 hours later, the struggle was led by two men, Blachole and Nobbot, who opened fire on the protest group, causing many casualties. But the most impressive historical event at Hoc Mon District Palace was the Southern Uprising on November 23, 1940. Hoc Mon Fort is very solid, built of green stone like a fortress, about 15 meters high, has a gun emplacement and a defense system with battlements guarded by a platoon of green soldiers. On November 22, 1940, France reinforced one more platoon to deal with the situation. On the afternoon of November 22, 1940, Mr. Do Van Coi's army broke into the town, disguised as civilians, ambushed behind the Station waiting for orders to rob the Station. Another army wing has the task of destroying bridges, cutting down trees blocking roads, and occupying offices and houses... The army wing from Phuoc Vinh An, Tan Thong, Tan An Hoi, Tan Phu Trung is led by Mr. Pham Van Sang and Dang Cong Binh commanded, started from Ben Do hamlet, attacked the house, killed 1 person, collected 4 guns, and took control of the situation here (Tan Phu Trung). Immediately this army was ordered to pull back to Hoc Mon. The Long Tuy Thuong army was commanded by Mr. Bui Van Hoat. The army of General Long Tuy Trung was commanded by Mr. Do Van Day and Le Binh Dang. At around 24:00 on the night of November 22, 1940, the sound of artillery fire had not yet been heard in Saigon. After consulting, the army commanders united to attack the enemy's post. Immediately the troops headed straight to Fort Hoc Mon, where District Chief Bui Ngoc Tho resided. Two insurgents named Nghe and Kinh volunteered to enter the front gate and sacrificed their lives. Insurgents from all directions rushed into the Fort like water bursting its banks. Faced with the power of the insurgents and the masses, the soldiers in the Station no longer had the spirit to resist and fled in disarray. The insurgents completely occupied the inside of the station, but upstairs, the enemy still stubbornly used guns to shoot sporadically, at the same time calling Saigon and Thu Dau Mot for emergency help. Because he was eager to capture the name of Tho District, comrade Do Van Day climbed up to the upper floor of the Station by clinging to the gutter. Halfway up, he was hit by bullets, the comrade fell and died later. The battle was at a standstill when enemy reinforcements arrived. Unable to hold out, the insurgents withdrew from the town, dispersed to the villages, the armed forces withdrew to Ben Do hamlet (Tan Phu Trung) and then moved to My Hanh hamlet (Duc Hoa). Although the attack on Hoc Mon Fort (later called Hoc Mon District Palace) failed, it left a deep impression in the hearts of all civilians admiring the courage of revolutionary soldiers in the fight against colonialism. steal the country. During the historic Ho Chi Minh campaign, at 7:00 a.m. on April 30, 1975, Hoc Mon town was completely liberated, the National flag fluttered above the District Palace, where District Chief Nguyen Nhu Sang and his gang sai has been running away since last night. Today, Hoc Mon District Palace is chosen as the District Museum, where many documents are displayed, illustrating the ups and downs of historical periods as well as the revolutionary fighting spirit of the army and people in Hoc Mon district over the past two years. resistance war against French colonialism and American imperialism. A monument placed in front of the Hoc Mon District Palace relic represents the indomitable sacrifice of the army and people of 18 Betel Garden Villages, recognized as a national historical and cultural relic. Source: Hoc Mon District People's Committee
Ho Chi Minh City 2058 view
Hang Temple at the foot of Voi Mountain, An Lao district, Hai Phong city has long been a place to worship Female General Le Chan - who had meritorious contributions with people in the area to establish An Bien village during the Eastern Han Dynasty. After leaving her hometown of Quang Ninh to avoid being forced to become a concubine of the governor To Dinh. Le Chan set foot in the land of Hai An, Hai Phong, recruited soldiers to join them in farming, building a hamlet named An Bien site (today's inner city). Great ambition did not stop there. Disgruntled over the crimes committed by the enemy, causing the people's lives to be miserable and miserable, Le Chan silently prepared his forces, waiting for the day of the uprising. She went to the present-day Elephant Mountain area, gathered soldiers, actively practiced, stored food and herbs, and took advantage of the rugged terrain of the mountains and forests to hide from the enemy. Afterwards, receiving news of Hai Ba Trung's uprising, from the mountains and forests of An Lao, Le Chan contacted and officially brought his army to join the uprising. Due to its good fortified terrain, along with the commanding talent of a talented female general, the Elephant Mountain base quickly developed its forces, in a short time becoming an important base in the Northeast region. During that time, the surrounding area also had many insurgent troops, typically the insurgent army of Mrs. Tran Thi Trinh and her son Ngu Dao in Dai Dien, Tong Thuong Cau, An Lao district, (6km from Elephant Mountain), heard News of Le Chan's reputation contacted the Elephant Mountain base and became a general under her command. Although the uprising later failed and female general Le Chan had to commit suicide to preserve her reputation in the mountainous areas of Lat Son - Ha Nam, An Lao people still remembered her merits and kindness, so after hearing News of the female general's death, people in the area took her to worship in Hang Pagoda. Therefore, Hang Pagoda is also known as Hang Temple - which represents a wonderful combination of Buddhist religion and national hero worship. In the temple, King Thanh Thai still retains the title of female general as "Hoang Ba Long Hoi, Great King, Middle-Class Minister". On the basis of the old Hang Temple, in 2011 the government restored a new temple commemorating the Female General. The Temple of Female General Le Chan is located in the Hang Temple area, where the Buddha, the Holy Mother, the Monsignor and the Princess Thanh Chan were formerly worshiped in An Tien commune, An Lao district, on a large closed campus. more than 4000m2. The main temple has a Dinh-shaped structure with an area of 190 square meters, including five pre-sacrificing rooms and one back room. The front of the temple faces south, looking straight at Highway No. 10, beyond are undulating hills and mountains, the back side is based on a cliff creating a sustainable position. The temple is surrounded by city walls. The ritual gate is made up of 4 large pillars, the 2 tall central pillars at the top are converging purple phoenixes, the 2 slightly lower columns on both sides and at the top are 2 unicorns facing the center. The outside of the ritual wall is embossed with a white horse on the left and a large statue on the right. The renovation and embellishment of the Temple of General Le Chan was completed and put into use, not only meeting the visiting needs of people and tourists while also contributing to preserving the values of the monument for generations to come. next system. Source: Hai Phong Youth Union
Hai Phong 2043 view
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