Referring to the Buddhist Center of ancient Vietnam (now in Thuan Thanh district, Bac Ninh), many people often think of places such as But Thap pagoda, Dau pagoda, Kinh Duong Vuong mausoleum, Sy Nhiep temple... , relics bearing the mark of Vietnamese spiritual culture. But there is still a place of meditation whose birth is associated with the "Luy Lau Buddha land", which is the To Pagoda in Man Xa village, Ha Man commune, Thuan Thanh district. Phuc Nghiem Pagoda is popularly known as Chan Pagoda, because the pagoda is located in Chan Lang village, Yen Son commune, Luc Nam district, Bac Giang province. Chan village's name is Khe Khau village, under the Le dynasty it belonged to Lan Son commune, Tri Yen district, Phuong Nhon district, Lang Giang district, Kinh Bac region. Khe Khau village has long been divided into 3 independent village units (Chan Lang, Chan Dong and Trai Cau), so Phuc Nghiem Pagoda has become a Buddhist religious building for all 3 villages. Every year, in February, on the 19th and 20th of the lunar calendar, the people of the 3 villages organize a pagoda festival that attracts a large number of Buddhist disciples and tourists from all over to visit the festival. Through surveying the relics, it is estimated that Phuc Nghiem Pagoda was built around the 14th - 15th centuries, that is, the end of the Tran Dynasty and the beginning of the Early Le Dynasty. Over five or six hundred years of history, the architectural work has gone through many restorations and repairs, so there have been many changes compared to the original style of knowledge. The architectural works that still exist today bear the architectural style of the Nguyen Dynasty with typical construction items such as: Three Jewels Court, Ancestor House, Monk's House, Ancient Tower... Direct survey of people's relics It is possible to predict relatively accurately the layout of the ancient pagoda of the early Le period. At that time (15th century), Phuc Nghiem Pagoda had a complete architectural layout in the style of "foreign domestic work", but because the two corridors and three entrance gates were destroyed by time, the current building still follows its layout. Department of Public Letters. The three-jewel building is built in the style of a "vase-shaped vase" in front with two bronze pillars covered with fruit. The Three Jewels are divided into two adjacent buildings, the Front Hall and the Buddha Hall, arranged in a mallet-shaped layout. The front hall consists of 7 ironwood houses, with 5 rows of pillars, a striped architectural structure, and simple carvings. Connected behind the front hall is the Buddha hall, 3 large spaces with the same architectural style but not carved but carefully smoothed and sharpened. In the front hall, there are a number of carved panels, with decorative motifs on the theme of four precious things, vividly reflecting the rich products of the homeland. On the gable of the Buddha hall, the ancients wrote four Chinese characters in the style of a book, with magical butterfly strokes "Boundless Wind and Moon" to praise the charming beauty of this monument. Everlasting with the three jewels, Phuc Nghiem pagoda also preserves the ancient brick tower system. This is the eternal resting place of the monks who practiced and passed away at the temple. Today, visiting Phuc Nghiem Pagoda, people can still clearly see the traces of two ancient architectural works that were damaged during the resistance war against the French. These are two corridors (where the Arhat statue is placed) and three gates. That vestige has helped today's generation to imagine the majestic scale of this monument. For a long time, Phuc Nghiem Pagoda has become a famous Buddhist center of the Truc Lam Zen sect in the lower Luc Nam district. Currently, the system of ancient statues, architectural works, and worship objects are still carefully preserved by the locality. In the Tam Bao and the ancestral house, there are over thirty ancient wooden statues of the Le - Nguyen dynasties that are very valuable. The stone stele system is lost, but the temple still retains a Tay Son bronze bell. The bell is about 100cm high (including handle), mouth circumference is 160cm. The bell handle is molded into the shape of a pair of dragons living together, the dragon's mouth spits out pearls, looking serious but gentle, not fierce like the dragons of the later Nguyen Dynasty. On the 4 segments of the bell are embossed with 4 Chinese characters, indicating the name of the bell: "Phuc Nghiem Tu Chung" (Phuc Nghiem pagoda bell). At the end of the article, there is a stray line indicating the time of casting this bell: "Eight years of the Canh Thinh dynasty, three moons, the first day of the sand, the first day of the third month of the 8th year of the Canh Thinh era (1800). create a large bell). This article engraves the meaning of bell casting, then goes on to record some of the groups and individuals who contributed to casting this bell. The bell text was composed by the monk who was the abbot of Phuc Nghiem Pagoda at that time. Finally, there is an 18-sentence long poem, written in a 4-word verse form praising the scenery of Phuc Nghiem Zen temple and the kindness and compassion of the compassionate Buddhas to bring peace to the country and people. Phuc Nghiem Pagoda is an ancient pagoda, once a place where many Buddhist scriptures were printed in the 18th and 19th centuries. Along with Chan village communal house and Noi communal house, Phuc Nghiem pagoda relics have contributed to beautifying and enriching the people. relics in the lower Luc Nam district. Furthermore, Phuc Nghiem Pagoda also preserves many ancient relics of the Le - Nguyen dynasties, so they need the attention and research and protection of the government and professional sectors./. SOURCE: BUDDHISM TODAY
Bac Ninh 145 view
Van Phuc Pagoda, located in Trung Ban village, Dong Tho commune, Yen Phong district, Bac Ninh province, is a pagoda with a rich history and unique culture. This temple is not only a place of worship and spiritual practice for local people but also an important cultural and religious destination in the region. VAN PHUC Pagoda was a Vietnamese Buddhist center during the Ly Dynasty. The pagoda still retains a number of stone sculptures of the Ly Dynasty. In particular, in the Buddha hall, there is a statue of Buddha meditating on a lotus throne, 1.85m high, including a pedestal of 3m. This is a masterpiece of stone sculpture in our country. The pagoda worships the statue of Zen Master Chuyet Cong (1644). In particular, the pagoda has a 27m high stone statue of Great Buddha, weighing more than 3,000 tons, placed at a height of 108m, carved according to the prototype of the Ly Dynasty Buddha statue at the pagoda, which was unveiled on September 26, 2010. Van Phuc Pagoda was built a long time ago and has undergone many renovations. The temple's architecture is typical of Northern Vietnamese pagodas with curved tiled roofs, intricately carved wooden columns and solemnly decorated Buddha statues. The temple grounds have structures such as three gates, main hall, harem and other worship spaces, creating a solemn and pure space. Van Phuc Pagoda is a place of worship for Buddha, where local people come to pray, burn incense, and participate in Buddhist festivals such as Buddha's Birthday, Vu Lan and other religious holidays. The pagoda is not only a place of practice for monks but also a place to connect the community, helping people preserve and promote cultural values and traditional beliefs. In addition, Van Phuc Pagoda also plays an important role in moral and spiritual education for the young generation, helping to preserve the cultural beauty of the Vietnamese people. With its green landscape and peaceful space, the pagoda is a destination that attracts tourists and Buddhists from all over. Van Phuc Pagoda stands out with its ancient space, rare Buddha statues and many relics of historical value. This pagoda is a testament to the cultural and religious development of the land of Yen Phong, Bac Ninh over many generations. The existence and development of Van Phuc Pagoda makes an important contribution to preserving the cultural and spiritual heritage of Bac Ninh province in particular and Vietnam in general. Van Phuc Pagoda is not only a historical relic but also a symbol of the spirit of harmony between humans and nature, between the spiritual life and daily life of the people here. SOURCE: VIETNAMESE GLOBAL Pagoda
Bac Ninh 224 view
The story of the hundreds of years old communal house in Ngam Luong village, Lang Ngam commune, Gia Binh district, Bac Ninh province that we talk about below is an example to prove that. Ngam Luong village, Lang Ngam commune (formerly named Ngam Dien) is located adjacent to the Thien Thai mountain range, and is the meeting place of many transitional geo-cultural circuits. In the area, there is Duong River hugging the West and Northwest. Along with that is the ancient road route, now the Duong River dyke. That river route and ancient road form an East-West connection between the Thai Binh and Red River basins. Lang Ngam is also located on the western bank of the Luc Dau Giang area, where the high mountains and low hills in the North end; The place where the Thuong River, Cau River, and Luc Dau River converge, opening up the delta and down to the East Sea. Those river routes are important traffic arteries in transporting ancient Vietnamese residents along with the country's economic, historical and cultural elements back to Lang Ngam; And from here - thanks to these special bloodlines - it continues to spread out, integrating with the country in all fields. That has made Ngam Luong - Lang Ngam countryside - since ancient times - a place to both witness and directly contribute to the creation of many unique cultural histories of the homeland and the country. Located at the beginning of the village, looking to the Southeast, Ngam Luong village communal house is in a beautiful feng shui position. In front of the road is a lake with water, the village road curves around, and in the distance is fertile countryside. On both sides are villages and fields. Behind the communal house is a great dike and the Duong river like a strip of noise surrounding it. Perhaps the village and communal house are located by the river, but when the ancients built the communal house, they worshiped the three Water Gods as tutelary gods. The water gods are considered to be figures with a decisive role, directly influencing the thinking, daily life and production of agricultural residents who have grown wet rice since early times. Currently, their records in the locality have been lost for a long time, so it is unclear what their merits were. But in the pavilion, there are still Chinese characters recording their names: First Five Six Shows Improvising Linh Hon Than, Second Trung Thien heroically heroic and strategic Hon Than, and Third Chan Nhi Thong Rui Mat. attain godhood. Ngam Luong village communal house has quite a large scale, containing many unique values of history, cultural beliefs and architecture - art. In particular, in the field of architecture and art, this is one of the last and outstanding representatives of Northern communal house sculpture art during the three golden centuries of folk culture. Because of that, the communal house was ranked as a Historical - Cultural relic by the People's Committee of Bac Ninh province in 2009. According to the chronology still recorded on the first sentence of the communal house in Ngam Luong village, the communal house was restored. created on a beautiful day in early summer in the year of Giap Than - Le Dynasty (around 1764). The overall construction at that time included: The communal house gate and the Tam Quan were built in the style of a 8-roof match stack, on both sides there were 2 dancers, elephants and painted four sacred animals. Inside are two Dance Strips, each side has 4 compartments. Next is the Great Court and the Harem. Over time and war, some works such as Tam Quan and Dai Vu of the relic site were demolished. In 1962, the wooden floor in Dai Dinh was also removed to make tables and chairs. Later, the villagers repaired the outer garden, built walls and gates, and redid the three gates; Gather enough remaining floorboards to fit the floor on one side of the house. Currently, when villages are gathered together, houses are spacious; The communal house, which was originally large and imposing compared to the people's houses in the past, is now somewhat less massive; But the spiritual value and historical and cultural value are multiplied over time. With the Ngam Luong communal house project, the architectural beauty over the centuries still exists through the ancient architectural structure that is still maintained. The great communal house consists of 3 compartments, 2 wings and 4 curved roofs, measuring 21m long and 11m wide, truly an architectural work with all the typical beauty of Northern village communal houses. The architecture of Ngam Luong village communal house has the same style as many Northern village communal houses. The system of ironwood columns, large and small, is solid, structured in the style of stacking beams and gong racks, with 6 rows of columns horizontally and 4 vertical rows. This sturdy column system lifts up the wide, tiled roof of the communal house, protecting the sacred inner space of the communal house, with many carved works of artistic value, imbued with the souls and emotions of the workers - Folk artists build communal houses. The main columns in the front and back horizontal rows of the three main halls all have column ears. That is the worker who sawed the top of the column into a wide frame, then brought the wooden slab down to spread out on both sides of the top of the column, below was the support arm, and on top was a dowel attached to support the upper beam. Thanks to this structure, the column ears are always in a stable position. It is these pillars that the craftsmen have turned into works of art with embossed techniques and rich themes, bringing the bustling breath of life. The rear palace is in the style of a mallet, consisting of 5 architectural compartments in the style of a row, surrounded by bricks, the axis is 11.5m long, 8m wide. Inside the Harem are arranged 3 thrones worshiping the tablets of the tutelary gods. In front are incense bowls, stands, candles, floating trays, altars... all placed on brick pedestals and square tables. Some of these artifacts date back to the Nguyen Dynasty, 19th century. In particular, the ancient communal house was bestowed with many titles by Vietnamese feudal dynasties. Over time, it was lost, and up to now, 7 ordinations are still preserved in the temple. The earliest religion was established in Canh Hung 28 (1767), the latest religion was established in Dong Khanh 2 (1886). Most of them acknowledged the merits of the village tutelary god for helping, eliminating disasters, and dispelling disasters for the people, so that the people could be prosperous and happy. SOURCE: LITERATURE AND ART ASSOCIATION OF BAC NINH PROVINCE
Bac Ninh 148 view
Dai Bi Pagoda is located in hamlet 8, Ninh Giang village, Ninh Hiep commune, Gia Lam district, suburban Hanoi. The pagoda is also called Ninh Giang pagoda or Xom 8 pagoda. Dai Bi Pagoda was built very early. Based on written documents and relics left in the monument, it can be confirmed that the pagoda was built at least 400 years ago. According to the elders in the commune, the pagoda was burned on September 22, Mau Dan year, but soon after, local people joined in making merit with Mr. Ky, a native of the commune, who practiced here. Contribute to rebuilding the pagoda according to its old appearance. Perhaps the most recent was the restoration in 1939, which is still inscribed in Chinese characters on the upper palace: Emperor Bao Dai's reign was fourteen years old The fifth year of Ky Mao, five moons, twenty-six days of great prosperity and great auspiciousness. Translated as: The roof was topped off on the auspicious day of May 26, Ky Mao year, the 14th Bao Dai era (1939). Dai Bi Pagoda is not very large in scale; The entire floor plan is square, each side is 13.4m with an area of about 200m2. The ancient craftsman cleverly built a pagoda that has all the architectural components of a typical pagoda including: Front hall, incense burner, upper hall and surrounding corridors, Patriarch's house, guest house, outbuilding. On the top of the Tien Duong roof, in the middle is a relief of the sun image, on both sides there is a relief of a phoenix and a pincer head is a relief of a dragon, on the two banks of the river is a relief of Nghe. These are reliefs symbolizing the mascots in the Four Sacred Treasures. The head of the knife is stylized in the form of a carp turning into a dragon, and all the tiles are covered with funny-nosed tiles. On the 4 pillars attached to the facade are 2 parallel sentences made of cement. The Upper Palace is the center of worship decoration, has a simple structure and shares the roof with the Tien Duong, which includes 25 round statues painted in red and gold, splendidly decorated with parallel parallelograms and flags. Close to the wall of the Upper Palace, there are 4 stone relief statues of the Hau and a gable wall on the right are typical works of art of the 17th century. Through many ups and downs and changes of time, especially the fire, the relics have suffered a lot of loss. Currently, the pagoda still retains precious relics made of stone and bronze including: 5 relief stone queen statues, 6 small stone stele, 1 heavenly stone pillar (1691), some earthen statues, 1 bronze bell. 75cm high, 50cm diameter, 25cm handle, 4 sides with the words "Dai Bi Tu Chung", the era name "Canh Thinh Royal Dynasty" (1800); 3 horizontal paintings and 7 parallel sentences. Every year the people still maintain the festival at the temple on the 5th, 6th, and 7th days of the second lunar month. Dai Bi Pagoda was ranked an architectural and artistic relic by the Ministry of Culture and Information in 1997./. SOURCE: HANOI PEOPLE ONLINE MAGAZINE - SPEECH AGENCY OF HANOI LITERATURE AND ART ASSOCIATION ASSOCIATION
Bac Ninh 184 view
Xa Temple is located on the south bank of Cau River, near Xa junction, which is the confluence of two ancient rivers Ca Lo and Cau River (also known as Nhu Nguyet River) flowing into Luc Dau River (Hai Duong province). Xa Temple, Xa Doai village, Tam Giang commune (Yen Phong district, Bac Ninh) worships two generals Truong Hong and Truong Hat. The two were siblings and talented generals of Trieu Quang Phuc in the resistance war against the invaders of the Luong Dynasty. Nearly a thousand years ago, in the 11th century, Lieutenant Ly Thuong Kiet built the Nhu Nguyet river defense line here during the second resistance war against the Song Dynasty, leading to a famous victory over the Song invaders in October 1077. Talking about the history of the temple, Mr. Vu Cong Tuong (82 years old, from Xa Doai village, head of Xa Temple) said: Xa Temple worships Saint Tam Giang - the brothers Truong Hong and Truong Hat, who are famous generals of the temple. Trieu Quang Phuc was credited with fighting the Liang invaders in the 6th century. The sacred temple also dates from the 6th century, after their death. The legend of Saint Tam Giang says that, in the past, in Van Mau village (Kinh Bac region) there was a girl named Phung Tu Nhan. At the age of 18, Tu Nhan dreamed that the Dragon god descended from the sky and entwined herself on the Luc Dau River. After that, she was 14 months pregnant and gave birth to a bundle of 5 children: 4 boys and 1 girl. Because she was a child given by heaven, she took the Jade Emperor's surname Truong and gave it to her four sons, Truong Hong, Truong Hat, Truong Lung, Truong Lay, and her daughter, Truong Dam Nuong. Some time later, Heaven sent La Tien Ong to earth to teach literature and martial arts to Tu Nhan's five children at Trang Hoc beach near Co Trach's house. The five brothers, all skilled in literature and martial arts, grew up responding to Trieu Viet Vuong's call to become generals to fight the Luong invaders in Da Trach lagoon and win a great victory. Truong Hong and Truong Hat were appointed talented generals of Trieu Quang Phuc. When Trieu Quang Phuc ascended the throne (other names are Trieu Viet Vuong, Da Trach Vuong), Ly Phat Tu led his army to fight back but could not win, so he used the trick of marrying his son, causing Trieu Viet Vuong to fall for the trick and be defeated. When Ly Phat Tu won the throne, knowing that Truong Hong and Truong Hat were talented generals, he invited them to become mandarins. But with your loyalty, you decided not to worship two kings. Knowing that he could not be subdued, Ly Phat Tu ordered them to be arrested everywhere. They knew they couldn't escape so they committed suicide in the Cau River to maintain their loyalty to the king. Also according to legend, the Jade Emperor felt compassion and ordained Truong Hong and Truong Hat as River Gods. Since then, the people of 372 villages along the Cau River, Thuong River, Ca Lo River and the places where the two men were stationed to fight the enemy all mourned and built temples to worship them as Gods. The Ngo, Dinh, Le, and Ly dynasties were later blessed by Yin to keep their territories in peace, so they all honored the Truong cousins as Saint Tam Giang - great kings and superior gods. According to history books, Xa Temple and Saint Tam Giang are also associated with the birth of the poem "Nam Quoc Son Ha" by Ly Thuong Kiet - our country's first declaration of independence. Talking about the legend of the story of the poem Than, Mr. Vu Cong Tuong said: According to the elders of Xa Doai village, one night in October 1077, at the sacred temple on the Cau River battlefield against the Tong and Ly Thuong invaders. Kiet went to the temple to pray for yin and yang to support the resistance war against foreign invaders. After the ceremony, the sky suddenly lit up like daytime, two clouds appeared in the air, one white, one red. Above were two brave soldiers, one riding a white horse, the other riding a pink horse, riding the clouds among the four armies cheering their horses. hi. Legend has it that he was Mr. Truong Hong and Truong Hat who appeared to bless our army and people in fighting the Song invaders. Tu Vu Cong Tuong was moved and respectfully said: "You are "born as a form, death as a spirit"; That means living as a general, transforming into a god, and still carrying out the noble mission of serving the country." At the same time, in the air or in Ly Thuong Kiet's mind, the poem "Nam Quoc Son Ha" suddenly echoed: Nam Quoc Son Ha Nam Emperor's residence/ Absolutely destined to be in the book of heaven/ Like a rebellious river invading/ Nhu "The king of the South lives in the rivers and mountains of the country. The fate is clear in the book of heaven. Why do the invaders invade? They will be beaten to a pulp." This is the reason why the poem is called Divine poetry. When the poem was read by Ly Thuong Kiet, it resounded loudly in the area, causing the Song invaders to panic and run away, trampling each other to death. Together with the strategic ingenuity of our army and people, the resistance war against the Song Dynasty was completely victorious, destroying 300,000 Song troops, corpses piled up into mountains, blood flowed into rivers. After nearly 1,000 years since that divine victory, currently in Tam Giang commune there are still places such as Bai Xac, Bo Xac, and Dong Xa which are traces of the disastrous defeat of the enemy in the past. Every year, Xa Temple has two major festivals on the 5th of the first lunar month and the 9th and 10th of the fourth month of the lunar calendar. The Xa Temple Festival is the largest in the region. In addition to the solemn rituals of palanquin procession and water procession, there is also the custom of swimming competitions. Legend has it that the swimming custom of Xa Temple is associated with Ly Thuong Kiet mobilizing local militia to participate in fighting the Tong invaders on Nhu Nguyet River. Xa Temple today is located on a mound of land nearly 10 hectares wide, less than a kilometer from Xa junction - the confluence of two ancient rivers. The temple is currently being restored but its architecture still retains its ancient features that have existed for thousands of years. In front of the yard there is still an ancient stone stele engraved with the divine poem "Nam Quoc Son Ha" on both sides in Chinese and national language, outside is a four-pillar gate with a time-tinged relief. In addition to the system of precious antiques still kept as worship statues, in the harem of Xa temple there is also a Tao Quan altar with statues of "two men and one woman". In early spring, tourists and people who come to the Xa Temple ceremony to pray for the country of Thai Dan An do not forget to light incense at the Tao Quan altar with the wish to pray for the family to always be warm, hoping for happiness and peace for their family and for everyone. home. With a history of nearly 1,500 years, in 1988, Xa Temple was ranked by the Ministry of Culture as a National Historical Site. Source: Electronic newspaper of the Central Vietnam Farmers' Union
Bac Ninh 171 view
Located in Tam Son neighborhood, Tam Son ward, Tu Son city, Comrade Ngo Gia Tu Memorial House is the place of birth, upbringing and revolutionary activities of Comrade Ngo Gia Tu - the senior leader. of the Party, an outstanding son of his hometown Bac Ninh. Today, Comrade Ngo Gia Tu's Memorial House has become a red address for educating revolutionary traditions for the young generation and people of all walks of life. The entire house was built by Comrade Ngo Gia Tu's father, Mr. Ngo. Gia Du built it in the first year of Khai Dinh (ie 1916) including the following projects: main house, electric house, horizontal house, school house, farming equipment house and lush green garden all year round. The entrance to the Memorial House still retains the original architectural style. On both sides of the gate, there are a couple of parallel sentences written by comrade Ngo Gia Tu himself in the national language: "The independent gate is free to open and close/The house is free to come in and out", expressing the comrade's independent and free will. Ngo Gia Tu, but it also means that this is a gathering place for like-minded people with ambitions to fight for a free and independent country. On the roof of the gate, the words "The door is like a market" are embossed, expressing the great ambition of the youth of Comrade Ngo Gia Tu's generation. The 3-room classroom was formerly the family's guest house. In 1926, comrade Ngo Gia Tu moved Truong Buoi back to his hometown, using the guest house as a place to teach classes and spread the revolution. The statue of comrade Ngo Gia Tu is solemnly placed in the middle room. The main house is the residence of comrade Ngo Gia Tu's family. The middle space worships his father and comrade Ngo Gia Tu. Above is a horizontal painting left by comrade Ngo Gia Tu's father, which includes the four words "Di Khuyen Yen Duc" with the meaning of reminding future generations to always look towards their ancestral roots and help the country wisely. , help at home. To the left of the main house is the 3-compartment Palace, which is the family's place to worship Saint Tran, but here on September 29, 1928, the Northern Vietnam Revolutionary Youth Association held a conference and proposed the theme "Proletarianization" campaign, contributing to bringing the Vietnamese revolution to a new level. In the Palace, many portraits of senior leaders of the Party and artifacts are preserved. Opposite the Dien house is the horizontal house, which is the living area and contains the family's belongings. During her leisure days, comrade Ngo Gia Tu's mother often worked hard at this loom to weave cloth to contribute to raising her children's education. In particular, this house was used by comrades to print secret documents for revolutionary activities. To the right of Hoc's house is a row of farming tools, consisting of 5 rooms. This is where the daily farming tools of comrade Ngo Gia Tu's family are stored. The stele commemorating the place where comrade Ngo Gia Tu lived during his youth and participated in revolutionary activities in the years 1926 - 1928 is located in the relic grounds. The Memorial House of Comrade Ngo Gia Tu has been recognized by the State as a National Historical - Cultural Relic according to Decision No. 100-VH/QH dated January 21, 1989. SOURCE: BAC NINH ELECTRONIC INFORMATION PORTAL
Bac Ninh 184 view
Located about 20km east of Hanoi city center, Keo Pagoda has a history of nearly 1,000 years and is located on an area of nearly 10,000 square meters, in Kim Son commune, Gia Lam district. The pagoda also has another name "Bao An Trung Nghiem pagoda" and is a place to worship Mrs. Keo - one of the Four Great Buddha Dharmas of ancient times. Introducing Keo Pagoda, Mr. Hoang Dinh Phong - the caretaker and incense burner at the pagoda - explained: According to legend, the name Keo means that the two villages Giao Tu and Giao Tat are tightly bonded together like paint glue. There are two traditional professions here: cooking glue from buffalo skin and making scallops for gilding. Legend has it that in the past, the people here carved four statues of Phap Van, Phap Vu, Phap Loi, and Phap Dien. After finishing, there was a piece of wood left over to carve a smaller statue of Phap Van. The statues were brought to pagodas in Luy Lau area and named after the village: Ba Dau, Ba Dau, Ba Tuong, Ba Dan. The smallest statue of Phap Van was taken by Keo village to worship at Keo Pagoda, then called the statue of Ba Keo. Over nearly 1,000 years of history, Keo Pagoda currently retains a total of 47 Buddha statues, including the statue of Ba Keo. Glue is a unique work of art. The pagoda still retains 6 stone steles, 1 ancient bell cast during the Canh Thinh period (1794), 1 bronze, 8 ordinations, many worship objects and some antiques in the style of the Le Dynasty. The pagoda has been restored many times so it has many mixed styles. The three gates were built of bricks in the style of Nguyen Dynasty's ritual gates, and the upper palace is a 4-roof house. The harem and the Three Jewels Tower are in the style of the Nguyen Dynasty. Notably, the statue of Avalokiteshvara with three hands and three eyes is a product of the 17th century. One of the typical cultural features associated with Keo Pagoda for generations is the Keo Village Traditional Festival. Talking about his hometown's festivals, Mr. Hoang Dinh Phong repeated the folk song: "The 6th is the Keo festival, the 7th is the Kham festival, the 8th is the Dau festival, the 9th returns to the Giong festival." According to Mr. Hoang Dinh Phong, Keo village traditional festival takes place on the 6th day of the 4th lunar month every year. In particular, at the Keo Village Festival, in addition to ritual activities according to religious rituals, there is also a procession of President Ho Chi Minh's image and a procession of Buddha with many ancient rituals, customs and practices imbued with the colors of the soul. spirit, attracting a large number of local people and tourists from all over to participate. With its long-standing cultural and historical values, Keo Pagoda has been recognized as a national historical architectural and artistic relic since 1993. Mr. Bui Trong The, Head of the Management Board of Keo Pagoda Relics said: "The people of Keo village in particular and Kim Son commune in general are very proud of the history and culture of Keo Pagoda. During the resistance war against the French, the pagoda was severely damaged and then majorly restored in 1995. Through Over time, the temple has many degraded items. We have sent requests to leaders at all levels to rebuild the altar, bell tower and repair the upper hall and Buddha statue corridor The above proposals will soon be approved to contribute to preserving and promoting this nearly thousand-year-old historical relic." SOURCE: PEOPLE'S ARMY
Bac Ninh 202 view
Vong Nguyet Temple is located at the end of Vong Nguyet village (Tam Giang commune, Yen Phong district), near Cau River dyke. The temple was built a long time ago with many buildings, however due to the request of the resistance war in 1948, the Ha temple and Trung temple were destroyed. Currently, only the Upper Temple remains, which was restored in 2004. The temple is located in the east of the village, with a spacious landscape. The current architectural work of Vong Nguyet Temple is in the artistic style of the Nguyen Dynasty. The temple's architectural plan is in the style of First, First, Dinh, and is a combination of two Pre-Temple buildings with 3 compartments and 2 wings and 1-room Hau Palace. Both the Temple's Pre-Temple and the Rear Palace are structured in the style of 4 roofs, 4 curved blades, the roof edge and strip edge are decorated with lemon flowers, evoking gentle serenity. On the roof are embossed a pair of dragons flanking the moon... The temple frame is made of ironwood and is linked by the branches according to the pattern of "the higher the husband, the higher the gong, the lower the price". On some of the statues, the ends and money lines are carved with patterns of dragons, clouds, and string flowers. According to recorded documents, Vong Nguyet temple worships Princess Ly Nguyet Sinh (King Ly's daughter) and Pho Ma Do Uy. They sacrificed heroically for the country, and the people here built an incense temple to worship them. At the temple, there are still many valuable typical artifacts such as: the ordinations given by the Le and Nguyen kings to the two gods; The 1642 miraculous stele, altar throne, tablets, horizontal scrolls, scrolls, couplets, and sentences date back to the Nguyen Dynasty; The altar crane, the altar palanquin, the bowl-shaped super knife set dating back to the 20th century... These ancient documents are both evidence of the temple in history and a valuable cultural heritage of the homeland. In addition, Vong Nguyet Temple also has a stele house to worship heroic martyrs and honor local talents. The main festival at Vong Nguyet village temple is held on February 9 (lunar calendar) every year. There are also other special days such as: The 4th day of the 4th lunar month (Ky Phuc festival); June 8 (Mrs. Ly Nguyet Sinh's day of observance); September 12 (the death anniversary of Saint Tam Giang)… Vong Nguyet Temple was ranked as a historical relic by the Ministry of Culture and Sports according to Decision No. 28-VH/QD dated January 18, 1988. SOURCE: BAC NINH ELECTRONIC INFORMATION PORTAL
Bac Ninh 276 view
(BNP) – Ba Chua Kho Temple is located halfway up Kho Mountain, in Co Me area, Vu Ninh ward (Bac Ninh city). The temple was established during the Ly dynasty. It was initially a small temple. During the Le dynasty, it was restored and expanded into a large temple area. Up to now, Ba Chua Kho Temple has been ranked by the State as a National Historical - Cultural relic and recognized by Bac Ninh province as one of the province's 14 tourist destinations. Ba Chua Kho Temple is the center of cultural and religious activities of the Northern people. The temple is the place to organize traditional festivals of local people on January 12 - 15, with many rituals and folk games imbued with national cultural identity. If given the opportunity, Bac Ninh people often invite friends and tourists from everywhere to visit and make a pilgrimage to Ba Chua Kho Temple once. SOURCE: BAC NINH ELECTRONIC INFORMATION PORTAL
Bac Ninh 220 view
Kim Dai Pagoda, also known as Quynh Lam Pagoda, Xuan Dai Quarter, Dinh Bang Ward, Tu Son City was built by Zen Master Dinh Khong in the 13th century. Having undergone many restorations and embellishments, the pagoda still retains its ancient architecture and is a place of religious activities for local people and a tourist destination for tourists from all over when returning to the Ly Dynasty's homeland. Kim Dai Pagoda is a place to worship Buddha, Patriarch, Mother Goddess and jointly worship two patriarchs, Zen Master Dinh Khong and Zen Master Ly Khanh Van. The pagoda was built on a campus of nearly 3,800 square meters, with Dinh-shaped architecture, including items: Three gates, Three jewels, To house, Mother house, Ni house, Quan Am floor... The pagoda gate (Three Entrances) was built on a massive scale, including the main gate and 2 side gates on both sides, above the domed roof in the style of "2 floors and 8 curved blade roofs". The Three Jewels include Tien Duong and Thuong Dien linked together to form a Dinh-shaped architectural plan. The front hall consists of 5 compartments, 2 left, with the architecture of "4 curved blade roofs". On the roof of the Tien Duong building are embossed three Chinese characters "Kim Dai Tu". The upper palace consists of 3 compartments, structured in the style of "upper is stacked with beams, lower is stacked with beams and seven porches". The Patriarch's House and the Mother's House have 4 rooms, with the architecture of "the head of the vase covering the arms of the throne". The Buddha statue system is placed in the hallway of 2 rows of 7-room houses. The pagoda still retains a system of worship statues, horizontal panels, parallel sentences and many valuable ancient artifacts of the Nguyen Dynasty. The path leading to the pagoda is lined with green trees and ornamental plants of all kinds... During the years before the uprising, Kim Dai pagoda was also a place where revolutionary cadres and local guerrillas operated secretly. The pagoda festival is held on the 9th day of the first lunar month every year to commemorate the contributions of ancestors to the Ly dynasty. Kim Dai Pagoda is ranked by the state as a provincial-level relic according to Decision No. 61/QD-UBND dated January 5, 2009. Source: Bac Ninh province electronic information portal
Bac Ninh 154 view
About 33km east of Hanoi and located close to the southern bank of the Duong River dike, Ho village or Dong Ho is a traditional craft village, whose Nom name is Mai village, now in Song Ho commune, Thuan Thanh district, Bac Ninh province. This is the cradle of a unique line of folk wood carvings known to many people both at home and abroad, with paintings that have long entered the spiritual life of many Vietnamese people. From Hanoi, if you want to go to Dong Ho, tourists go along Highway 5 (the road to Hai Phong) about 15km to Phu Thuy station, then turn left, continue about 18 km to reach Ho street, the district capital of Thuan Thanh district. From here, turn left and go about 2km further to reach Ho village. Visitors can also go all the way to Ho Street and then up the dike, turn left to the second dike guard post, there will be a sign pointing the way to Dong Ho. Dong Ho is a small village with more than 220 households, making a living from making paintings and votive goods more than farming, where the oldest way of making paintings in Kinh Bac land is preserved. Vietnamese folk songs have vivid depictions of Dong Ho painting village with the image of a simple village nestled on the gentle Duong River, outstanding with moral standards that have been advocated and preserved for many years. life, has created a unique way of behaving for the people of Mai village: respect for honor, integrity, elegant speech, clear communication from above and below, and rarely in the village do people curse loudly at each other... “Hey lady with the green sack belt If you come back to Mai village with me, then come back Mai Village has a calendar with margins There is a cool bathing pond and a profession of making paintings." Appearing around the 16th century, Dong Ho paintings are created by manual methods, the crystallization of ingenuity and patience, plus delicate aesthetic art... These are not painted paintings. inspired but reprinted through engravings, and to have engravings that reach a level of sophistication, requires the modeler as well as the engraver to have a love of art and a high technical level. Dong Ho paintings have up to 180 types divided into 5 main categories including worship paintings, historical paintings, congratulatory paintings, daily life paintings and comics. It can be said that the period from the second half of the 19th century to 1944 was the heyday of the painting village, with 17 families in the village participating in making paintings. During the years of resistance against the French, due to the fierce destruction of the war, the painting profession was temporarily interrupted. Only when peace is restored in the North, especially when the country is unified, will the painting village be restored. Unfortunately, after decades of innovation under the market economy and with the impact of Western art trends, social awareness and trends have also changed, forcing the Dong Ho painting line to face decline. one's own survival (!). Every year, from March to July, the whole village makes votive products, and from August to December, the Tet painting season is busy, the whole village is filled with colorful paper messages. In particular, Ho village has a festival on the full moon day of the third lunar month. During the village festival, there are traditional rituals such as sacrifices to gods, horse competitions, and very fun painting competitions... Among the known Vietnamese folk paintings such as Hang Trong (Hanoi), Kim Hoang (Hanoi - former Ha Tay), Dong Ho (Bac Ninh), Sinh village (Hue)..., Dong Ho paintings stand out. Thanks to being closely associated with the countryside, with the simple life of rural people, very close to the Vietnamese community... Dong Ho paintings are printed on Do paper, a type of paper handmade from the Do tree that grows in the forest like eucalyptus bark. Bring the Do tree home, put it in a mortar and pound it, sift it into fine powder, then use this powder to process it into Do paper. Because the paper base is often painted with a layer of paste or resin mixed with powder from crushed Scallop shells to create a sparkling color, it is also called Diep paper. The people of Ho village know how to use and refine natural materials to create traditional colors that are both fresh and durable, such as blue extracted from copper rust; Indigo is extracted from the leaves of the Cham tree in Lang Son; crimson color from the bark of the Vang tree; Vermillion red from gravel quarried in the mountains; yellow color from Hoe flowers or sticky rice straw; Black color from Xoan ash or Bamboo leaf ash; The shiny ivory white color of scallops is due to scallops made from snail shells or clamshells from Quang Ninh waters... These are basic colors, unmixed and each color corresponds to a wood engraving, so they are often painted. Dong Ho is limited to only four colors. Particularly, the topic is taken from life itself, production activities or comes from the philosophy of prosperity. Although simple, it is also very close to everyday life. From characters in legends or stories, beautiful scenes of the country's mountains and rivers, to paintings with meanings of wishes, and everyday activities such as "Vinh Hoa Phu Quy", "Coconut Picking", " Jealousy", "The Shepherd Plays the Flute", "The Mouse Wedding"..., all contain profound humanist philosophies. Not applying the principles of light or the near-far law of contemporary paintings with strict anatomical composition, artists create folk paintings using only a single line drawing style, creating the Eastern painting line. The lake has many conventional features in both description and composition, bringing viewers of the painting into the world of naive, simple but also very interesting drawings. Especially on each painting, the artist always writes a few Chinese or Nom characters (in the past) or romantic and love poems (nowadays), making the painting even more meaningful... Dong Ho paintings are quite close to rural life in the Red River Delta and northern provinces and cities. Its images have entered poetry, literature and even in school curricula. In the poem "Across the Duong River" Fortunately, thanks to the few people who are still passionate about making paintings, the paintings their family produces are sold, and occasionally foreign tourists come to buy paintings. Their income is also temporarily stable, giving them more motivation to continue preserving and developing their traditional profession. The good news is that after a period of following the trend of "trendy" paintings, many people were able to recognize the hidden beauty in the simplicity of folk paintings and returned to the hobby of playing and hanging Dong Ho paintings. especially during Tet days. Hopefully, together with Bac Ninh province, we will build a national candidate dossier for Dong Ho painting to submit to the United Nations Educational, Scientific and Cultural Organization (UNESCO) for recognition as a world cultural heritage. Luckily, Dong Ho painting village will smile again so that Dong Ho paintings will forever retain their fresh and bright features on Diep paper... Source: Dong Ho folk paintings
Bac Ninh 179 view
Tam Phu Temple (also known as Three Kings Temple), located in Cao Duc commune, Gia Binh district, is a place to worship three supreme deities: Thien Phu, Dia Phu, Thuy Phu - Kings of the three natural realms (Heaven - Earth). - Water) created all living things. According to local documents, the temple was built a long time ago on a high mound in the middle of Nguyet Ban beach - a large alluvial ground, surrounded by a vast river. The relic is associated with the historical event where the kings and mandarins of the Tran Dynasty convened the Binh Than Conference (military conference) to discuss plans to defeat the Yuan-Mongol invaders who invaded our country in the 13th century (1282). Nguyet Ban - Tam Phu Temple holds a ceremony to pray for heaven and earth, praying for victory over the enemy and keeping the land peaceful. Through historical periods, today Tam Phu Temple relics still preserve ancient relics dating back to the Le - Nguyen dynasties and have been restored and embellished spaciously. In front is the "Three Kings" temple consisting of 3 buildings: Upper temple, Middle temple and Lower temple; Behind the temple grounds there are also a number of buildings such as: a Buddhist temple and a shrine to Mother Goddess Lieu Hanh. Among them, the most outstanding historical and architectural value is the temple worshiping the "Three Kings" consisting of 3 buildings: front altar, middle temple and harem. The altar building is built according to the architecture of 3 compartments and 2 left, curved roof, frame built entirely of ironwood with many sophisticated carved lines of dragons, phoenixes, plants, flowers... There is an altar here to worship Saint Tran (Hung Dao Vuong - Tran Quoc Tuan) - the person who had meritorious service in fighting the Mongol invaders in the Dai Than gate area, was built a temple by the people here and bestowed the title by the kings. The central temple is built according to the architecture of 3 compartments and 2 left, curved roof, with the same architecture as the front altar, where the altar to worship the Five Immortals, Lord and Lady of Luc Dau Giang is located. In particular, on the altar there is hung an ancient horizontal panel in Chinese "Tam Phu Linh Tu" (sacred temple of the Three Palaces), on both sides of the pillars are hung parallel sentences: "The eternally magnificent Tam Phu Dien/Sudden autumn Luc Luc". first river". Tam Phu Temple relic and Bai Nguyet Ban site were ranked historical and cultural relics by the Provincial People's Committee in 2007. Source: Bac Ninh province electronic information portal.
Bac Ninh 163 view
For a long time, in the subconscious of every Vietnamese person, whenever talking about villages, no one forgets to mention the village communal house, because it is the crystallization of intelligence, effort, prosperity of the village, and pride. of the village, where large and small activities of the whole village are witnessed and taken place... is where boys and girls confide and express their feelings. "Go to the communal house and take off your hat to see how much the communal house loves you." 20km north of Hanoi, Dinh Bang village communal house (Dinh Bang communal house) belongs to Tu Son town, Bac Ninh (formerly Huong Co Phap). This sacred land is the hometown of Ly Cong Uan (also known as Ly Thai To), who founded the Ly dynasty and founded the capital Thang Long (in 1010). Dinh Bang has a cluster of cultural relics, especially relics of the Ly Dynasty, forming a unique memorial area, with historical resonance, of national significance, with all: Communal house, Temple, Pagoda, Mausoleum, Tam .... characteristic of Vietnamese village culture. Dinh Bang village communal house is the most famous ancient communal house in Kinh Bac, built in 1700 and completed in 1736, thanks to the efforts of mandarin Nguyen Thac Luong, a Dinh Bang native, and his capable wife Nguyen. Thi Nguyen, from Thanh Hoa, bought ironwood for the villagers to build, and the communal house was able to last forever (now the ancient house of Mr. Nguyen Thac Luong, which was built on a trial basis before building Dinh Bang Communal House, still exists and is preserved). . Dinh Bang Communal House is a place of cultural and religious convergence. In front of the communal house, there were 3 natural gods: Cao Son Dai Vuong (God of Earth), Thuy Ba Dai Vuong (God of Water) and Bach Le Dai Vuong (God of Cultivation). The gods are worshiped by agricultural residents, praying for good weather and good crops. Every year in the 12th lunar month, people hold festivals to pray for a good harvest year. Also at the village communal house, people also worship the Six Patriarchs (six people who were instrumental in reestablishing the village in the 15th century. Later, when Ly Bat De temple was destroyed by the French colonialists in 1948, the people received the tablets of eight kings of the dynasty. Ly returned to worship at Dinh Bang communal house. Dinh Bang communal house is a unique image of national architecture, preserving the integrity of the ethnic stilt house style applied to village communal house architecture. Looking back at the history from the beginning of the nation's founding, the image of a stilt house is still printed on Dong Son bronze drums - a creation of our ancestors in the field of residential architecture. It is impossible to compare the massive communal house after several decades with the stilt houses on Dong Son bronze drums, but it must be recognized that both of these models have a unified style, inheriting and developing architectural traditions. established from the beginning of the nation's founding. Dinh Bang Communal House is a large-scale architectural work, originally there were three gates, the middle door was built with two tall lantern-style brick pillars, on both sides there were rolling archways with fake roofs, behind was a large yard, on both sides were two ranges left vu and right vu. Like all other communal houses, the most important work of Dinh Bang Communal House in terms of artistic architecture is the Bai Duong (Dai Dinh) building. The communal house's Bai Duong is rectangular, 20m long, 14m wide, divided into seven compartments, two wings located on a high platform of green stone with two steps. The massive appearance of the communal house is shown through the wide roof that accounts for 2/3 of the overall height and 6 rows of about 60 large and small iron columns with diameters from 0.55 - 0.65 meters placed on square green rocks. Vac. When entering the communal house, you are welcomed and fascinated by all the quintessence of 18th century carving art. The first attraction for all visitors is the large Hammock door in the middle palace of the outer hall. The Hammock painting covers a large area, extending from Thuong Luong to Lower beam and opens across an entire room. The Hammock Door is carved with sophisticated embossments on all 7 layers and 9 panels of the four sacred and precious themes.... Above the Hammock door is a wooden ceiling covering the roof of the nave with a decorative image of a The Phoenix bird spread its wings to the surrounding clouds. Decorative patterns on other architectural structures are very diverse, intricately carved, elaborate, and harmonious. The structure of the communal house's frame is quite solid, tied together with all kinds of mortises in the "Upper third, lower fourth" way. Each carving in the communal house is a unique and famous work. The more you admire, the more fascinated you become: The painting "Eight Horses Flying" shows the liveliness, the freedom and tranquility of this land through the image and posture of each horse. The two-piece statue stands in adoration, male and female, each with its own look. The exquisite dragon carvings: Dragon Cloud Congress, Five Dragons Painting Pearls, Six Dragons on Heaven... each painting, each depicting many things. For more than 200 years since its inception, up to now Dinh Bang communal house has entered the emotional life and is the pride of the Northern people as well as the people of the country: "The first is Dong Khang communal house Second is Dinh Bang Communal House, glorious Diem Communal House" Dong Khang Communal House today no longer exists, what we can still admire today is Dinh Bang Village Communal House. With the beauty of architectural scale, carving art, decorative art and the more precious Dinh Bang communal house, it gives visitors a complete view of the village communal house architecture built in the first half of the 18th century. while other communal houses can no longer maintain their intact appearance. SOURCE: BAC NINH DEPARTMENT OF CULTURE, SPORTS AND TOURISM
Bac Ninh 188 view
Pha Lai Pagoda is currently located on top of Pha Lai mountain in Duc Long commune, Que Vo town, Bac Ninh province. This is a cultural, religious and belief project that was built a long time ago and has been associated throughout the history of formation and development of the locality. Pha Lai Pagoda was built a long time ago. According to ancient documents, around the Thai Ninh era (1075 - 1075) during the reign of King Ly Nhan Tong, Pha Lai pagoda was built by Zen monks Giac Hai (from Gia Vinh, Thanh Hoa) and Duong Khong Lo. built on a large scale. During this period, the pagoda had a scale of hundreds of compartments, including works: Buddha Pagoda, Ho Pagoda, Am Pagoda, Tam Quan Inner Gate, Tam Quan Outer Gate, Kinh Thien Palace, Bell Tower, Drum Tower, Monk Room... During the Tran Dynasty, the king came here many times to admire the scenery, write poetry and allowed the pagoda to undergo major renovations. The scale includes: Kinh Thien Palace, Four large towers, Bell Tower, Drum Tower, Three Jewels, Temple of Saints Duong Khong Lo and Khong Minh Khong, on both sides are two corridors. At the foot of the mountain, in front of Kinh Thien Palace is the Lower Temple and Dragon Pond, on the east side of the mountain is Co Am Pagoda. Also during this time, the pagoda was renamed "Chuc Thanh Pagoda", the pagoda was recorded in history books as follows: "Since 1407, when our country had the Ming invaders, Chuc Thanh Pagoda was destroyed by the Ming invaders. , they took all the bronze bells, bronze tops... to make weapons, guns and bullets. They also took other gas objects." When Le Loi raised the flag of rebellion and defeated the Ming invaders, a number of other Buddhist objects were also returned to the pagoda. During the reign of Le Trung Hung, Pha Lai pagoda continued to be renovated and embellished. The people, the pagoda, the princes and noblemen donated money and hired green stone carvers to rebuild the Kinh Thien, Tam Bao, Temple, and Am palaces. , Tower... At the same time, a brick and tile kiln was opened on the north side of the hill of the pagoda to provide bricks and tiles for construction projects and a bronze kiln was opened to cast necessary offerings. After each temple repair, the pagoda sets up merit stele and posthumous stele to save for future generations. Over the years from the Le Dynasty to the Nguyen Dynasty, Pha Lai Pagoda continued to repair and offer Buddhist objects such as: Amulets, thrones, incense burners, dragon tablets, fruits, tablets, bells... In 1884, the French colonialists occupied Pha Lai mountain. They destroyed most of the land and tried to set up a post here but failed and had to move to Phao Son to set up a post. After that, people renovated the pagoda to include: 8 compartments worshiping Khong Minh Khong and Duong Khong Lo, 3 compartments for worshiping, 5 compartments in the front called Co Am pagoda worshiping Buddha, 3 compartments Nghe worshiping the Tutelary God and two wooden towers. stone. In 1947, the French invaded Pha Lai again, occupied and destroyed the above works, leaving only a few worship objects. In 1957, Pha Lai people continued to restore and rebuild the works including: 3 Pre-Teacher spaces, 2 Rear Palace spaces, 3 pagoda spaces. Many relics were gathered and returned to their locations, such as the collapsed stone of Kinh Thien Palace, the Adoring Dragon, crocodiles, saint statues, stone stele... In 1985, people continued to repair and embellish the pagoda. In 2014, the doors were replaced with ironwood. In 2018, the entire monument was restored. Currently, Tam Bao Pagoda Pha Lai has a Dinh-shaped architectural plan including: The front hall has 3 compartments, 2 wings and 2 shelves, the architecture is in the style of 4 curved roofs. The frame is made of reinforced concrete, the structure of the roof is "stack of beams and gongs", the middle compartment is of the "cob" style, and the side compartments are of "stack of beams". The upper hall has 2 compartments, the structure is like "The upper house is stacked with beams and gongs, the lower side is stacked with beams and seven porches". In the relic space, there is also the temple of Saint Khong Minh Khong, consisting of 3 architectural buildings: Front temple with 4 compartments, Middle temple with 4 compartments, Rear temple with 2 compartments. In addition, in the relic space there is also a 3-compartment building, the middle of which holds the altar to worship the God Emperor. Through historical changes, Pha Lai Pagoda still preserves a system of extremely precious documents and antiques, with unique artistic value and containing a lot of information about the nation's history, typically: Stele "Pha Lai tu bi" Le Dynasty; the miraculous miracle of 1938; 3 leaders conferred the reigns Dong Khanh 2 (1887), Duy Tan 3 (1909), Khai Dinh 9 (1924); Artifacts of the Nguyen Dynasty include: dragon communal house; octagon set; Statues of the Father's body, the Holy Mother's body of Minh Khong, the statue of the Three Worlds, and the statue of Avalokiteśvara. Pha Lai Pagoda is a place to worship Buddha, Mother Goddess... This place also worships Zen Master Khong Minh Khong and his father and mother. Zen Master Nguyen Minh Khong (1073 - 1141), from Dam Xa village, Gia Vien district, Ninh Binh province. He was a talented Zen master, with many contributions to the political life and cultural ideology of Dai Viet during the Ly dynasty. He was appointed National Teacher by the king, the highest position in the Ly dynasty monk system. . In folk consciousness, Nguyen Minh Khong is a man with extraordinary strength, able to move clouds and wind, move mountains, fill seas... and is one of the very few historical figures who have been canonized as saints by the people. In addition, he is also considered the founder of the medical and pharmaceutical industry and the founder of Vietnamese bronze casting. From ancient times until now, Pha Lai pagoda has always been a place to preserve and maintain the spiritual and cultural activities and beliefs of the village community. Every year, the relic has main event days such as: On March 10, a spring festival takes place to commemorate the day Duong Khong Lo returned to fish and practice at Co Am pagoda; The temple festival takes place from August 12 to 15 (lunar calendar). Especially during the festival, there is a ritual of carrying water from Vuc Chuong to the temple - legend has it that the temple bell of the Ly dynasty sank there. Activities during the special days attracted a large number of people and visitors from all over to attend the festival, contributing to tightening the solidarity of village communities and enriching the country's cultural traditions. Pha Lai Pagoda, Duc Long commune, Que Vo town has been ranked as a national relic by the State, Decision No. 100 VH/QD dated January 21, 1989. SOURCE: QUE VO TOWN ELECTRONIC INFORMATION PORTAL
Bac Ninh 228 view
The hammock door of Diem village communal house in Hoa Long commune, Bac Ninh city, Bac Ninh province is more than 300 years old, is a unique masterpiece of wood carving art, representing the pinnacle of wood carving art. Combined with red lacquer and gilding during the Le Trung Hung period, it has just been recognized as a National Treasure. Diem communal house, also known as Viem Xa communal house, formerly belonged to Cham Khe canton, Yen Phong district, now belongs to Viem Xa village, Hoa Long commune, Bac Ninh city, Bac Ninh province. Completed in the 13th Chinh Hoa era (1692), this is one of the "first Kinh Bac" communal houses. Diem communal house currently preserves many artifacts of high artistic value, among which the hammock door of Diem communal house is a unique masterpiece of wood carving art. Accordingly, each floor is decorated with different themes, divided into separate floors and sections, but all 5 floors have a harmonious, flexible connection, bringing beauty to life, promoting human life, working and spirit. The god of democracy as well as the desire for prosperity, the desire for human proliferation in life. The top layer of the attic has a station shaped like the sun and clouds. The next part is delicately decorated with the highlight being four statues of fairies lifting the clouds and looking down. Mr. Nguyen Kim Vet, Head of Diem Communal House, said: "The beauty of Diem Communal House is the "unique" Hammock Door painting. This Hammock Door painting runs all the way from Thuong Luong at a height of 7m down to the communal house floor. consists of four large floors arranged in descending order until the main column inside. Each floor is delicately carved with many artistic shapes, symbols of the four sacred animals (dragon, lychee, tortoise, phoenix) and themes. full of art". The carved layer in the center of the hammock door is delicately carved with symmetrical images, demonstrating the skills of Kinh Bac sculptors at that time. The altar of Diem village communal house is carved very elaborately and vividly, creating a monumental but extremely delicate work of art. On one side are elephants and mahouts, on the other side are images of horses and people. In 1964, Diem communal house was recognized by the Ministry of Culture as an architectural and artistic relic and in January 2020, the hammock door of Diem village communal house was recognized as a National Treasure. Located in the ancient and solemn scenic complex of an ancient village on the banks of the Nhu Nguyet River in the land of Quan Ho's ancestors, the national architectural and artistic relic of Diem family along with valuable antiques and treasures has been converging and crystallizing the typical cultural beauty of the thousand-year-old cultural land of Bac Ninh - Kinh Bac and is one of the treasures of precious cultural and spiritual heritage of the homeland and the nation. Source: VOV electronic newspaper
Bac Ninh 193 view
Linh Ung Pagoda (Ngoc Kham - Gia Dong - Thuan Thanh) located on Road 282 in Pho Kham area is an important historical site in the Dau region since ancient times with the song: "The seventh day of the Kham festival/The eighth day of the Dau festival/Mong festival". Wherever you go, you always go to the Giong festival." This ancient pagoda, after hundreds of years of existence, no longer has its original architecture, but still retains its treasures, which are three stone statues and the Linh Ung restoration stele from the epigrams inscribed in the year of Hoang Dinh. 13 (1613). The large stone stele placed on the turtle's back measures 196 x 129 x 26 (cm) with double-sided writing revealing many valuable sources of information about the history of the temple. The pagoda was built during the Tran Dynasty in accordance with the legend "Besides the Buddha next to the pedestal" as follows: Statues of three Buddhas were transported from India. The boat carrying the statue went ahead along the Thien Duc River and landed at Bao Kham wharf (old name of Ngoc Kham village) on the south bank. The boat carrying the platform later landed at Long Kham wharf (Tien Du district) on the north bank. Long Kham people immediately sent a delegation to Bao Kham to demand the statue. While the two sides have yet to negotiate, the Buddha's spirit shows that wherever the statue has settled, the pagoda will be built there. So the people of Bao Kham built a pagoda where there were three stone statues, named Linh Ung Tu. At the beginning of Le Trung Hung's reign, Thai Loc Marquis Le Dinh Chat, the special adjutant of the Fatherland, General Kim Tu Vinh Loc, from Bai Thuong (Thanh Hoa), spent money on his house to buy wood to restore the pagoda, including building a bell tower and erecting a house. stone stele, repairing three treasures, corridors, burning incense, front hall, three gates, Buddha statue bowl and buying a field of 1 sao 3 meters to offer to the pagoda. Construction started on May 11, Nham Ty (1612), completed on November 19 of the same year. Joining in the meritorious service with Marquis Thai Loc Le Dinh Chat were many high-ranking mandarins such as Duke Thanh Trinh Trang (at this time not yet crowned lord), Hoa Duong Marquis Vuong Chau (from Binh Ngo neighboring Bao Kham, later promoted to the throne). The duke, when he died, was crowned king for the people to worship). The three stone statues are almost the same size, 145 cm high. Although there is a legend about the Buddha and the pedestal, in reality the statue still has a lotus-shaped stone pedestal, the middle pedestal is 112 cm high, the two pedestals on both sides are 105 cm high. The statue is in a meditating position, looking healthy. The two faces on both sides are slightly bowed, the middle face is slightly turned up. All three statues have curly hair, so people often call them hibiscus snails. In terms of clothing, all three pho wear ao dai with the chest part wide open and decorated with hyacinth strings with flowers, leaves, and tassels, making the statue feel lively when looking at the statue. The statue's pedestal is decorated with lotus flowers and motifs of dragons, clouds, chrysanthemum strings... bearing the style of the Tran dynasty to prove that the pagoda dates back to the Tran dynasty, meaning that since there was a statue, there was a pagoda. Through some other artifacts, Linh Ung Pagoda has been repaired many times. By 1952, the pagoda was completely destroyed, the stone statues had no roof, and one statue even had its head blown into the water of nearby Thuan Thanh high school. However, with the unique value of the three stone statues, in 1981 the State ranked them as historical and artistic relics. After that, local people rebuilt the pagoda and gradually perfected it into the current scenic spot. Source: Bac Ninh Online Newspaper
Bac Ninh 187 view
(BNP) – Dam Pagoda is an ancient pagoda located on Dam mountain (Nam Son ward, Bac Ninh city, Bac Ninh province). The pagoda worships Buddha and Nguyen Phi Y Lan (people call her Tam, so it is also called Ba Tam pagoda). The pagoda also has many names: Dam Pagoda, Lam Son, "Canh Long Dong Khanh", "Than Quang Tu". History records and legends say that the pagoda was personally chosen by Nguyen Phi Ỷ Lan and built from the winter of 1086 to 1094, when it was completed and is considered "the largest Buddhist center of Dai Viet". This is an important project, so King Ly Nhan Tong took great care of it and when the pagoda was completed, he gave it the name "Canh Long Dong Khanh". Over a long history, the pagoda has been restored and embellished many times. During the resistance war against the French, the pagoda was demolished. After peace was restored, in 1986, local people built 3 small pagodas on the old ground to worship Buddha. Inheriting archaeological results, from 2015 to present, as well as consulting with Among experts and scientists, Bac Ninh province has carried out the master planning and construction of the "Dam Mountain cultural and ecological relic area". Dam Pagoda was restored and embellished, with a large scale, spacious and perfect decoration, along with a system of statues and worshiping objects at the pagoda of great artistic and aesthetic value, representing the artistic characteristics of each period. . Currently, Tam Bao building has an architectural structure of the letter Cong (I); including works such as: Front Street, Burning Incense and Thuong Dien. The entire structure is made of massive, strong ironwood. The front hall has 7 compartments, 2 wings and 4 curved roofs; The roof structure is "stacked with a beam for the price of a gong", because the armpit is "stacked with a beam for the price of a gong". Connecting the front hall and the upper hall are 3 incense burning spaces. The upper palace has 3 compartments, 2 wings and 4 curved roofs, with a structure similar to the Tien Duong building, with a porch system running around the main building. The new pagoda items have a massive architectural scale, built entirely of ironwood, painted, and exquisitely decorated using traditional techniques. The table door system opens all 7 compartments, 2 compartments are built with brick walls and doors in the style of "Tho". In addition, the pagoda also has the Patriarch's House and the Mother's House built on opposite sides, each with 3 compartments, 2 wings, 4 curved roofs and a load-bearing wooden frame with similar structures. Currently, the pagoda still preserves the stone pillar of Dam pagoda dating from the 11th century, which has been recognized as a national treasure with historical and aesthetic value, attracting a large number of scientific researchers to study. , learn about. In the pagoda, there are also new worship statues and worship objects created in the 21st century such as: 03 statues of Tam The, a set of statues of Dida Tam Ton, a set of Hoa Nghiem Tam Thanh statues, 01 statue of the Jade Emperor, 01 statue of Maitreya, 01 Statue of Avalokiteshvara, statue of Dharma Protector, statue of Monsignor, statue of Thanh Hien, statue of the Eight Sets of Diamonds, statue of Ten Dien Diem Kings, statue of Mrs. Nguyen Phi Ỷ Lan, statue of King Ly Nhan Tong, Hoang Phi, parallel sentences and worship objects on one's own….. The pagoda is located halfway east - south of Dam mountain, overlooking the field in front of Con Rua mountain, in the distance are Tao Khe and Thien Duc rivers. In front of the pagoda there is a ditch running from the foot of the mountain to the river bank called Con Ten stream. Like most pagodas in Vietnamese villages, Dam Pagoda is a religious construction built a long time ago to worship Buddha, Mother Goddesses, and monks. In addition, the pagoda worships Mrs. Nguyen Phi Ỷ Lan (who was instrumental in building the pagoda in the Ly Dynasty), and is also the center of Buddhist religious activities of the people. The pagoda festival takes place every year on September 8 (lunar calendar). The pagoda and all the people prepare offerings to Buddha to pray for peace, health and luck. In addition, on days such as: Buddha's Birthday, Vu Lan Festival, full moon week, first day, traditional festivals, Lunar New Year, Buddhists, monks and guests from all over come to attend the pagoda festival. Dam Pagoda was ranked as a cultural and historical relic by the Ministry of Culture and Information - Decision No. 29 -VH/QD dated January 13, 1964. Source: BAC NINH ELECTRONIC INFORMATION PORTAL
Bac Ninh 224 view
Tieu Pagoda has the literal name (Thien Tam Tu) or also known as Tieu Son Tu, located halfway up Tieu Mountain, in Tuong Giang commune - Tu Son town - Bac Ninh province. The place preserves valuable cultural heritage of the Ly dynasty and attracts a large number of tourists from all over to visit and learn about history. According to historical records, Tieu pagoda is where Ly Cong Uan was reincarnated and was raised and educated by National Teacher Ly Van Hanh, who later became a wise king who was instrumental in founding the Ly dynasty and Dai Viet civilization. Thai To, surnamed Nguyen (Ly), from Co Phap Lo Bac Giang province; His mother was Pham Thi. On February 12, the 5th year of the Thai Binh era (974), the king was born. When he was a child, the king was intelligent, virtuous, and generous. He studied at Luc To Pagoda. Monk Van Hanh saw him with surprise and said: This is an extraordinary person who, when he grows up, will definitely be able to save the country, calm the people, and become a wise man. master of the world. Based on history books and folk legends, Tieu Pagoda can be considered to date back to the Early Le Dynasty. By the Ly dynasty, it was one of the major Buddhist centers, where the abbot of Zen Master Ly Van Hanh, who was instrumental in raising Ly Cong Uan, grew up. Tieu Pagoda has many works such as: Cam Tuyen Institute, Tien Linh Floor, Front Hall, Upper Palace, Back Hall... Besides, to the Southeast, there is Truong Lieu Pagoda. During the reign of Le Trung Hung, Tieu Pagoda was restored and expanded on a large scale in the style of a hundred-room pagoda, so it was also called "hundred-room" pagoda. During the Nguyen Dynasty, King Bao Dai's reign, the pagoda continued to be restored and recorded on the first sentence of the Three Jewels court. During the years of resistance against the US, the enemy bombed and destroyed Tieu Pagoda, leaving only a few Buddha statues and worshiping objects remaining. Truong Lieu Pagoda was also destroyed, leaving only three statues of Tam The, a statue of God and a bronze bell named "Truong Lieu Tu Chung" cast in the year Thieu reigned 3 (1843). The current architecture of Tieu Pagoda is the architecture of restorations and embellishments. The pagoda includes buildings: Tam Bao, Patriarch's house, guest house, bell tower and auxiliary works. The Three Jewels Palace is built with a wooden frame, carved with stylized floral decorations. The Patriarch's House has a roof in the style of stacking matches. At the Patriarch's house, there is an ancient statue of Zen Master Van Hanh and a throne tablet clearly stating "Ly Dynasty entered into Prime Minister Ly Van Hanh's divine position". In addition to the main works, Tieu Pagoda also has a number of auxiliary works such as guest houses, monks' houses... In particular, Tieu Pagoda also preserves 14 ancient towers of famous monks who once lived here. In addition, on the top of Tieu Mountain there is also a statue of Zen Master Ly Van Hanh about 5 meters high. Tieu Pagoda still preserves a number of valuable antiques from the Le and Nguyen dynasties, reflecting the Ly dynasties as follows: 15 beautifully carved wooden Buddha statues, 01 statue of Zen Master Ly Van Hanh, 01 stone stele with the name "Ly Gia Linh Thach" dated "Canh Thinh Nguyen Nien" (1793) records the background and merits of Ly Cong Uan, 01 bronze bell of Truong Lieu pagoda, dated Thieu Tri reign "(1843), 01 stone stele named "Cung Dien Bi Ky" dated Bao Dai 3 (1923) and many parallel sentences, poems, oracles... Visitors to the Tieu pagoda relic area (Thien Tam pagoda) are looking for vivid stories about the childhood of Ly Cong Uan, the wise king who publicly founded the Ly dynasty and the Dai Viet nation. About Tieu Pagoda is about an ancient land with many mysteries associated with the history and culture of the land of Bac Ninh - Kinh Bac and of the Vietnamese people. SOURCE ELECTRONIC INFORMATION PORTAL OF BAC NINH PROVINCE
Bac Ninh 182 view
Every year, every Tet holiday and spring, thousands of "Lac descendants" from all over the region come to the temple relics and tombs of Kinh Duong Vuong, Lac Long Quan, Au Co, in A Lu village. , Dai Dong Thanh commune, Thuan Thanh district, to pay tribute and worship the ancestors of the nation who openly opened the country. A Lu is an ancient village located close to the southern bank of the Duong River. Legend has it that it is the convergence land of the "Four Spirits" with 99 ponds and 99 humps, considered as the Dragon, the Ly, the Quy, and the Phuong, the only place where Tombs and temples of Kinh Duong Vuong, Lac Long Quan, and Au Co are the ancestors who were instrumental in opening the country. Kinh Duong Vuong's tomb is located on a wide open alluvial ground close to the southern bank of the Duong River and is bustling with ancient forests surrounding it. In the past, two ancient temples in the west of A Lu village worshiped Kinh Duong Vuong, Lac Long Quan, Au Co (Upper Temple worshiped Kinh Duong Vuong, Ha Temple worshiped Lac Long Quan and Au Co), with large architectural scales. large, decorated with splendid "four sacred animals and four precious" decorations. To the east of Kinh Duong Vuong's tomb, there was also a pagoda with the literal name "Dong Linh Bat Nha Tu" worshiping the "Holy Mother Ancestors" namely Vu Tien, Than Long and Au Co. The ancestor Kinh Duong Vuong is also worshiped as the Thanh Hoang of A Lu village. The ancient communal house in the east of the village was built on a large scale, consisting of 2 buildings: the 7-compartment front hall and the 5-compartment main hall, with a splendid wooden frame carved with "four scriptures and four precious rooms". . The system of divine genealogy and ordaining of communal houses and temples clearly shows that the people worshiped are Kinh Duong Vuong, Lac Long Quan and Au Co, who are known for their achievements in mountain and water. In 1949-1952, the French invaders came to A Lu village, set up posts here, and destroyed all temples and pagodas. The villagers were able to save a number of precious ancient worship objects such as: thrones, palanquins, ordinations... of temple and communal house. In 1971, the people of A Lu village restored Kinh Duong Vuong Tomb. In 2000, a communal temple worshiping ancestors was restored in the traditional style. The extremely valuable thing about the relic complex is that it still preserves a treasure trove of tangible and intangible cultural heritage such as: divine genealogy, ordination, stone stele, horizontal panels, couplets, beliefs, and festivals: At Kinh Duong Vuong's tomb, a stone stele is still preserved clearly stating "Kinh Duong Vuong's tomb", dated "Minh Menh's second decade" (1840). At the temples of Kinh Duong Vuong, Lac Long Quan and Au Co, many precious antiques are still preserved such as: thrones, tablets, genealogies, ordinations, orations, diaphragms, and parallel sentences. The system of horizontal panels and parallel sentences reflects and praises the person being worshiped such as: "Nam Bang's ancestors" (Southern country's ancestors), "Nam To Mieu" (Southern country's ancestors' temple)... Especially the 15 ordinations of The kings named the worshipers Kinh Duong Vuong, Lac Long Quan and Au Co, with the following dates: 1 Gia Long 9 (1810), 1 Minh Menh 2 (1821), 2 Thieu Tri 2 (1842), 2 Thieu Tri 6 (1846), 2 Tu Duc 3 (1850), 1 Tu Duc 33 (1880), 2 Dong Khanh 2 (1887), 1 Duy Tan 3 (1909) and 2 Khai Dinh 9 (1924). The precious cultural heritage treasure of the relic complex is also expressed in traditional beliefs and festivals. Legend has it that every year on January 18, A Lu village temple and communal house held a festival. To take care of popular matters, right from within the five villages, tasks were assigned to officials and guards. Giap, who hosts the festival, receives public fields to raise pigs and make banh chung and banh day to sacrifice to the gods. At the festival, right from the 12th day, temples and communal houses are opened to pack worship items and fan flags. On the 16th, the village organizes a procession of water from the Duong River to the temple for offerings all year round. On the 17th, the village organizes a palanquin procession from the communal house to the Upper and Lower temples to request the procession of the nation's ancestors to the communal house for offerings and festivals. From the 18th to the 24th, each day is a week of worship. Offerings include whole pigs, banh chung, and banh day. On the 25th, offerings will be made at the Upper and Lower temples with fish salad. In addition to the festival on January 18, there are also special days for the Upper Temple and the Lower Temple. Legend has it that every August 15 (lunar calendar), villagers make 3 trays of black fillings and 3 trays of fish salad to worship the Kinh Duong Vuong ancestors. Lac Long Quan and Au Co at the Thuong and Ha temples. The offerings: "black filling" symbolizes the 50 children who followed their mother to the mountains and forests to make a living. The "fish salad" trays represent the 50 children who followed their father to the sea to open up the coastal region. During the festival days, thousands of "Lost Sons of Hong" from all over the country have been attracted to the mausoleum and temple relics, to pay tribute and worship to honor Kinh Duong Vuong, Lac Long Quan, Au Co are the ancestors who were instrumental in opening the country. With the great value and significance of the relics of the mausoleums and temples of Kinh Duong Vuong, Lac Long Quan, and Au Co, the People's Committee of Bac Ninh province recently announced a plan to preserve and promote the value of the relics. with a very large scale including many project items. The relic site has become a key cultural and spiritual tourism center of our country. Source: THUAN THANH CULTURAL HERITAGE
Bac Ninh 195 view
But Thap Pagoda, the literal name is Ninh Phuc Tu - Known as one of the most beautiful ancient pagodas in the Northern Delta, still preserved relatively intact to this day, far from the capital Hanoi. About 30km from the inner city and 3km from Dau Pagoda. The pagoda is located next to the south bank of Duong River, in But Thap village, Dinh To commune, Thuan Thanh district, Bac Ninh province. The pagoda's ruins date back to the 13th century, and it was built during the reign of King Tran Thanh Tong. Monk Huyen Quang, after passing the exam and then resigning from mandarin, returned to practice here (Book of But Thap Pagoda - Bui Van Tien, also mentioned The abbot of the pagoda during the Tran Dynasty was Zen Master Huyen Quang, the third founder of Truc Lam). Over time, the pagoda has been restored and embellished many times. But the biggest restoration was at the beginning of the 17th century, during the Le - Trinh period. At that time, the abbot of the pagoda was monk Chuyet Chuyet (From 1633-1644), and his disciple, Zen master Minh Hanh (From 1633-1659), restored the entire pagoda on a large scale, with architectural style. "Domestic work, foreign work" and has great meritorious contributions in terms of money and fields from the Queen Mother - Dieu Vien, Trinh Thi Ngoc Truc (Daughter of Thanh King Trinh Trang) and Princess Le Thi Ngoc Duyen Dharma names Dieu Tue and Princess Trinh Thi Ngoc Co (These people were also later built temples, statues were carved and placed in shrines, and worshiped at But Thap Pagoda to this day). This restoration period lasted from 1644 to In 1647, the pagoda was completed and had the literal name "Ninh Phuc Zen Tu". In the early 18th century, But Thap Pagoda was repaired on a larger scale than before. The stele "Ninh Phuc Thien Tu Bi Ky" and "Khanh Luu Bi Ky" built in the year Vinh Thinh 10 (1714) write that "the pagoda was further repaired by officials, did not hesitate to buy thousands of gold to buy only good wood, and was popular with the people. The village contributed and invited workers to build and repair, with a magnificent temple, spacious pagodas, adorned with a world of glass. Compared to before, the pagoda has a separate row of houses behind the Buddha hall, the scale is much larger. In 1876, when King Tu Duc visited here, he saw a giant tower, so it was named But Thap Pagoda from then on. The architectural complex of But Thap Pagoda stands out among the vast rice fields. The pagoda faces south, which is the direction of wisdom and prajna in Buddhist philosophy. The outermost is the three-entrance gate, followed by the 2-storey and 8-roof bell tower. The central area includes 7 rows of houses, all horizontal, running parallel, arranged on a vertical axis - Shinto Street. Inside the inner temple, located between two corridors (each row consists of 26 rooms) are 7 buildings connected from the outside in, including: Tien Duong, Thieu Huong, Thuong Dien, connecting Thuong Dien and Tich Thien Am. The stone bridge spans the lotus pond (The bridge is 4m long and has 3 curved arches. The bridge surface is paved with green stone, on both sides of the bridge there are 12 elaborate and sophisticated stone reliefs of birds, flowers and leaves). Tich Thien Am Building, as the name suggests, means containing good things. In Tich Thien Am, there is a nine-level lotus tower - a wooden tower, 9 floors, 8 sides, 9 lotus petals symbolizing the 9 levels of Buddhist practice. Then comes the Trung house, the worship hall and finally the rear hall, with a total length of more than 100m. Behind the Hau Duong house is a row of stone towers, including the 5-storey, 11m high Ton Duc stone tower, which is where the relics of Zen Master Minh Hanh, the second patriarch of the pagoda, are placed. On the left side of the pagoda is the church of the first patriarch Chuyet Chuyet and the eight-sided Bao Nghiem stone tower, 5 floors 13m high, which is the burial place of Zen master Chuyet Chuyet. On both sides of the outer end, along the front hall, are two stele houses. Each architectural work of this temple is a skillful work of art with decorative motifs made of rich and diverse materials such as stone, wood, and brick. It represents a harmonious combination of architecture and natural environment. Overall, the pagoda is arranged symmetrically and tightly in the central area, but is very naturally open in the surrounding area, so But Thap Pagoda has its own and extremely unique features. In particular, in the system of ancient statues of But Thap Pagoda, there is an ancient treasure, considered unique in Vietnam. That is the Buddha statue "Thousands of hands, thousands of eyes - thousand eyes, thousand hands". The statue is 3.7m high, 2.1m wide, has 11 heads, 46 large arms and 954 small arms of different lengths, expanding and rising like a halo of light. This is considered a masterpiece of Buddha statues and contemporary statuary art. The statue is placed on a dragon lotus throne, with a relaxed, religious posture. The special and unique thing about the pagoda that cannot be found anywhere else in our country is the tall, majestic stone stupa, rising into the blue sky, called Bao Nghiem tower, which stands out in the middle of the area. vast plain. Bao Nghiem Tower is like a giant pen, reaching straight to the deserted sky. The tower is 13.05m high, 5 floors with a top part made of green stone, 5 corners of 5 floors have 5 small bells, around the tower are decorated with vivid and unique patterns. The inside of the tower has a circle with a diameter of 2.29m. The bottom floor of this tower has 13 stone carvings, mainly images of animals. The tower demonstrates the excellent stone grafting and sculpting skills of ancient Vietnamese craftsmen. Behind is the 11m high Ton Duc tower, where the relics of Zen Master Minh Hanh, the second patriarch of the pagoda, are located. The tower was built in the mid-17th century, all four sides of the tower are covered with stone. Recently, inside the tower, people have just found 2 ancient bronze books, written/engraved with Buddhist scriptures. Several centuries have passed, but what remains at But Thap Pagoda shows that this was one of the most influential Buddhist centers in the ancient Kinh Bac region, one of the few pagodas still kept quite intact. complete architectural blocks, altar objects, and ancient statues of our country. Through many historical ups and downs, But Thap Pagoda has always been protected, preserved and embellished more and more beautifully, becoming one of the famous spiritual tourist attractions in the Bac Ninh - Kinh Bac region. Every year, people in the area and tourists from near and far always remember and return to attend the pagoda festival, held on March 24 (Lunar Calendar). But Thap Pagoda Festival takes place amid the joy and reverence of visitors from all over every time they come to the pagoda. With typical values of history, culture and art of architecture and sculpture. But Thap Pagoda has been ranked and recognized by the Ministry of Culture and Information as a national cultural relic since April 28, 1962. By 2013, the Prime Minister granted a special national relic status and the Buddha Statue "Thousand Eyes - Thousand Eyes and Thousand Hands" was recognized as a national treasure./. Source: THUAN THANH CULTURAL HERITAGE
Bac Ninh 185 view
Dau Pagoda is one of the oldest pagodas in Vietnam, where Buddhism originated. This is one of the typical spiritual tourist destinations of Bac Ninh province, attracting many domestic and foreign tourists to make pilgrimages and learn about historical values. Dau Pagoda is also known as Ca Pagoda, Co Chau Tu, Dien Ung Tu, Phap Van Tu. Dau Pagoda is located in Thanh Khuong commune, Thuan Thanh district, and was certified as a special National Monument in 2013. This is the oldest Buddhist center in Vietnam. The pagoda is also called by people with different names such as Ca Pagoda, Co Chau Tu, Dien Ung Tu, Thien Dinh Tu. This is the temple that is considered to have the earliest history in Vietnam, although the physical traces no longer exist, it has been rebuilt. The pagoda is one of the most famous landmarks of the Northern Kinh region in the past. This is also a special national monument of Vietnam ranked 4th. Dau Pagoda is considered the oldest pagoda in Vietnam. The pagoda is located in the Dau area, during the Han Dynasty, it was called Luy Lau. In the Dau area, there are five ancient pagodas: Dau pagoda worshiping Phap Van, Dau pagoda worshiping Phap Vu, Tuong pagoda worshiping Phap Loi, Dan pagoda worshiping Phap Dien and To pagoda worshiping Man Nuong, the mother of the Four Dharmas. These five pagodas, in addition to worshiping Buddha, also worship the Four Dharmas. Dau Pagoda in Dau area was destroyed during the war, so the statue of Ba Dau was worshiped in Dau pagoda. Among the Four Dharmas, Phap Van is at the top, Thach Quang Phat (the rock in the Dung tree) is always with Phap Van and Phap Van represents all Four Dharmas, every time the court invites the statue to the capital to pray for the island, they can process it in procession. all four statues or just Phap Van. It can be said that among the Four Dharmas, Phap Van and Phap Vu are worshiped most widely, but Phap Van is the focus, so Dau Pagoda has become the center of this belief in both the Dau region and the whole country. The front house consists of 7 rooms, 2 wings, inside there are a number of tables and chairs for guests to prepare their offerings before entering to worship Buddha. The most prominent of the pagoda's buildings is the Hoa Phong tower. According to ancient bibliographies, during the Tran Dynasty, Poinsettia Mac Dinh Chi restored Dau Pagoda and built a 9-storey tower. The architecture of the tower that still exists is from the Le Trung Hung period. The tower is built of old burnt bricks, with 3 floors, 15m high. Outside the tower there is a statue of a stone sheep 1.33 m long and 0.8 m high. In the tower there are 4 statues of Thien Vuong - 4 legendary gods who govern the 4 directions of heaven. In the tower, hang a bronze bell cast in 1793 and a gong cast in 1817. Tien Duong House consists of 7 rooms and 2 wings. In front of the house are three steps running through the 5 middle spaces. In the middle space, there are two dragon-carved stone steps, bearing the artistic style of the Tran Dynasty. At the front hall, there are altars to worship Ho Dharma, Monsignor, Duc Thanh Hien, and Bat Bo Vajra. The statue of Phap Van is worshiped in the Upper Palace. This is one of four statues in the Four Dharma statue system in Dau - Luy Lau region recognized as a National Treasure. The statue of Phap Van is majestic, quiet, bronze-colored, nearly 2 meters high. The statue has a beautiful face with a large mole in the middle of the forehead, reminiscent of Indian dancers and the homeland of Tay Truc. The area connecting the front room and back hall is the place to worship the Eighteen Arhats (18 enlightened disciples of Buddha who have cultivated to the Arhat realm). In addition, statues of Bodhisattva, Tam The, Monsignor, and Saint monk are placed in the back of the hall. Source 'Bac Ninh Province Electronic Information Portal'
Bac Ninh 219 view
Phat Tich Pagoda (also known as Van Phuc Pagoda) is located on the southern slope of Phat Tich Mountain in Phat Tich commune, Tien Du district, Bac Ninh province. According to the book "Complete History of Dai Viet" and traces and relics found in the pagoda area, Van Phuc pagoda was built between the 7th and 10th centuries. Right from the beginning, Tien Son Pagoda was the gathering place and stopping place of the first missionaries from India to our country and highly enlightened Zen masters. However, it was not until the Ly Dynasty (1010-1025) that the model of living and practicing at the pagoda became clear and large-scale because at this time the pagoda became a national temple and also the homeland of the Ly dynasty kings. In 1041, Ly Thai Tong built Tu Thi Thien Phuc Institute and cast a 7,560-kg statue of Amitabha Buddha to worship. Since then, Thien Phuc Mountain or Thien Phuc Pagoda was formed, replacing the name Tien Son Pagoda. In 1057 - 1066, King Ly Thanh Tong built Thien Phuc Pagoda and erected the highest tower in the country, inside built a Buddha statue currently 1.87m high, the entire pedestal is 2.87m, cast 2 gold statues of Brahma and De Thich for worship. in front of the temple. According to history books, in 1071, King Ly went on a trip to Phat Tich and wrote the word Buddha 1 truong 6 meters (5 meters) long, and had it carved into stone to be kept at the pagoda on Tien Du mountain. There is also a story that in 1129, under the reign of King Ly Than Tong, 84,000 terracotta stupas were inaugurated, placed in many places throughout the country, 80,000 stupas were placed in Phat Tich alone, so the mountain range in Phat Tich is named Bat Van Son. From 1073 to 1210, the dynasties of King Ly Anh Tong and Ly Cao Tong all visited Thien Phuc National Temple. During the Tran Dynasty (1228 - 1400), Thien Phuc Pagoda was still the national temple but was renamed Van Phuc. In 1279 - 1280, King Tran Nhan Tong built Bao Hoa palace. After its inauguration, the king compiled Bao Hoa's poetry collection consisting of 8 volumes to commemorate. King Tran Nghe Tong (1370) built the Lan Kha library, with himself as Director, for reading, enjoying and serving the court. In 1384, the King organized a Thai student exam (PhD) here to choose talented people to serve the country. The pagoda is also the place to record the mark of a famous Chinese Zen master - Zen master Chuyet Chuyet. From 1635 - 1644, Zen Master Chuyet Cong came to practice at Phat Tich Pagoda, and Lord Trinh Trang, King Le Huyen Tong and the servants all respected him. Lord Trinh Trang wanted more Buddhist scriptures to circulate in the country, so the Zen master sent his disciple Minh Hanh to China to request the scriptures. The scriptures were brought back, some were engraved for dissemination, the rest and the engravings were stored at Phat Tich Pagoda. During the reign of Le Trung Hung (1686), the pagoda was degraded, the Le kings restored it to its old scale, calling it Phat Tich Pagoda (literally called Van Phuc). During the Nguyen Dynasty, Phat Tich Pagoda was last renovated. From 1949 - 1952, the French occupied Phat Tich Pagoda and completely destroyed this national pagoda, leaving only the brick foundation, some Patriarch statues, and a few other Dharma objects. In 1959, Phat Tich Pagoda was built by the State. Rebuilt on a small scale to preserve the remaining relics. In 2008, construction began on a number of new projects, including a 30m high stone Buddha statue (including pedestal) on Phat Tich Mountain. The newly built Amitabha Buddha statue is based on the Buddha statue carved by King Ly Thanh Tong in 1057, and is now worshiped in the main hall. Phat Tich is not only the center of Buddhism but also preserves a treasure of legends, cultural activities - folk arts, typically the legends of Mrs. To Co, the wars between An Duong Vuong and Trieu Da , the woodcutter Vuong Chat, Tu Thuc meeting a fairy, Cao Bien building an enchanted tower, the Tea Queen, Nguyen Dang Cao flower gardener and the famous peony viewing festival at Phat Tich pagoda on the 4th of the first lunar month. With the above outstanding values, Phat Tich Pagoda was recognized by the Prime Minister as a special national historical and artistic architectural monument on December 31, 2014. Source: Department of Cultural Heritage
Bac Ninh 602 view
Qua Cam village communal house is located on Tuong mountain. According to ancient documents of the village, during the Le Dinh period, it had a large scale. That communal house was destroyed during the resistance war against the French colonialists. The current communal house was built right when peace was restored in the North (1954), leaning against Tuong Mountain, facing Southeast, overlooking the confluence of Cau River and Ngu Huyen Khe. . The communal house has 3 rooms, 2 front wings, 3 back rooms, linked into a building with a "nail" shaped architectural plan with a solid frame structure with strong ironwood structures, and a smooth-nosed tiled roof. Ancient, brick walls. The content of the legends and ordinations dating back to the Le and Nguyen dynasties tells us that Qua Cam communal house worships the tutelary god Saint Tam Giang. Sac is dated as early as 1710 and as late as the 9th year of Khai Dinh (1924). The communal house has a wooden altar and a tablet inscribed with "Tam Giang's epiphany", 2 great letters, 7 pairs of parallel sentences, 3 wooden incense burners from the Le and Nguyen dynasties, on top of which are ceramic and porcelain incense bowls, and antique celadon flower vases. , blue enamel of the Ly and Le and Nguyen dynasties, coffins containing colors and various types of dragon crowns, dragon robes, and dragon stele. Not only is it a religious worship facility, it also preserves many ancient documents and artifacts. During the Ly Dynasty, Qua Cam Communal House was an important point on the Nhu Nguyet River defense line during the resistance war against the Song Dynasty. Dai Viet people in the 11th century. Qua Cam Communal House was ranked as a Historical Monument by the Ministry of Culture and Information on January 9, 1990. Qua Cam village temple was built on Sang camp, located east of Tuong mountain in Mieu beach area. According to village legends and legends, the temple worships Princess Sanh, Tran Thi Ngoc, a native of Qua Cam village, concubine of King Tran Anh Tong. She had many contributions to her homeland, so when she died, she was honored by 72 hamlets as a blessing and a temple was established. Camp Sang in the Ly Dynasty was an important place on the Nhu Nguyet River defense line during the resistance war against the Song Dynasty army in 1077 under the Ly Dynasty. Over the years, the temple was restored many times. During the resistance war against the French colonialists, the temple was completely destroyed. Peace was restored and the people rebuilt on the old foundation. The temple has a "nail" shaped architectural plan, with 3 pre-worship spaces and 1 back palace space. Recently, the villagers built 3 more rooms in front. The entire building faces southwest. In the temple, there is a horizontal painting "Quang Thai Sinh", 2 pairs of parallel sentences, a statue of Princess Sanh in a meditating position, made of wood, 3 ordinations dated 1783, 1812, 1924, a 4-sided stele inscribed Write about the legend of Princess Sanh. Qua Cam Temple was ranked as a Historical Monument by the Ministry of Culture and Information on January 9, 1990. Qua Cam village pagoda called Kim Son is located on Kim Son mountain, facing Ngu Huyen Khe in the southwest direction. This is an architectural work in the style of the Nguyen Dynasty. The current construction items of Kim Son pagoda include: Tam Bao temple, Taoist temple. Tam Bao Palace has a "nail" shaped architectural plan, including 5 compartments, 2 front halls and 4 upper palace compartments. The trusses are structured in the style of a stack of beds, a gong stand, and a front and a back. Strong column system. The main column has a circumference of 1.32 meters. The outstanding decorative art is the cloud dragon image embossed on the ends and traps. The Three Jewels Palace was majorly renovated in 1998. Kim Son Pagoda, in addition to a rich system of worship statues (statues of Buddha, Bodhisattva, Saint monk,...) entirely made of wood dating back to the Nguyen Dynasty, also has a statue of Princess Sanh's mother, a statue of De Lanh mandarin. The four people of Chi Long village are beautiful wooden statues. The pagoda also preserves bells of the Nguyen Dynasty, bells of the Qing Dynasty, single vases, ceramic incense bowls and epitaphs: The pagoda festival is held on the 20th day of the first lunar month every year. Kim Son Pagoda had an important position in the resistance war against the Song dynasty of Dai Viet's army and people in the 11th century. The pagoda was ranked as a Historical Monument by the Ministry of Culture and Information on January 9, 1990. Source: People's Committee of Bac Ninh province
Bac Ninh 1068 view
Temple of King Ba Thuy To (Viem Xa area, Hoa Long ward, Bac Ninh city) is the only place among the 49 original Quan Ho villages of Bac Ninh and Bac Giang to worship the Quan Ho Patriarch. The temple was recognized as a National Historical Site in 1994. Based on local documents, King Ba Temple was originally built during the Le Dynasty and has been renovated many times. Currently, the monument is restored and embellished with a large scale, spacious and perfect, with a neat and tight layout, integrating with the surrounding natural environment. The monument's construction is made of various materials. Traditional, sustainable, bold Vietnamese style. King Ba Temple has a Dinh-style architectural structure consisting of 2 buildings: the Great Hall and the Hau Palace. In particular, the Dai Bai building consists of 3 rooms, 2 vase-shaped wings, tiled roof, and a pair of flanking dragons on the top of the roof. The Harem Court consists of 2 rooms running horizontally in the same direction as the Great Pagoda Court, newly restored in 2018, and is a work to celebrate the 10th anniversary of the Bac Ninh Quan Ho Folk Songs being recognized by UNESCO as an Intangible Cultural Heritage. representative of humanity. King Ba Temple is the only place in the 49 original Quan Ho villages of Bac Ninh, Bac Giang to worship the Quan Ho Patriarch, the creator of the Quan Ho song and the founder of the hamlet, teaching the people to do business and teach the villagers to grow. Rice, mulberry growing, silkworm rearing, silk reeling, weaving, this profession today is still maintained and developed into a traditional profession of Viem Xa village, she was awarded the title of Queen Mother of Precepts. Many centuries later, the people of Viem Xa still worshiped her in their communal houses as a divine emperor. Diem Communal House still retains 5 thrones of 5 gods and ordinations of 5 people, including her. She was awarded the title of "Dynasty Emperor Nhu Nuong of Nam Hai Dai Vuong". Every year, on the 6th and 7th of February, it is called the spring flower-playing day of Her Majesty the King. February 6 is the day of cleaning algae, naturalization ceremony at the temple, sacrifices and Quan ho singing at the temple. February 7 is the main holiday. On the main day of the ceremony, there is a procession and festival to ensure traditional customs, safety and savings. In 2014, Diem village festival was recognized by the state as a national intangible cultural heritage. To preserve intangible cultural heritage, every year on January 10, authorities gather at the temple to organize incense offerings, opening the Quan Ho singing competition in early spring, which is attended by a large number of people. . Through the contest, the Organizing Committee selected many excellent talents, ensuring the preservation of teaching Quan Ho cultural heritage to future generations. Source: Bac Ninh province electronic information portal
Bac Ninh 1122 view
Ham Long Pagoda (or Long Ham) in Thai Bao area, Nam Son ward, Bac Ninh city, was built during the Ly dynasty (about the 12th century). According to folk eyes, the pagoda is located in the jaw of a dragon, meaning under the jaw of a large dragon 9 segments long, which is the entire Lam Son range. This is a large Buddhist center, and is said to be the place of practice for monk Duong Khong Lo. Located on a land area of more than 9,000 square meters, the pagoda has a beautiful landscape, in harmony with nature, is known as an ancient temple with a long history, the architectural works are designed and decorated according to Traditional style, exquisitely carved, artistic. Today, Ham Long Pagoda is the center of spiritual activities of local people and people from all over the region, a place to worship Buddha Dharma, a place to guide living beings to good things, to stay away from evil, to live with compassion, joy and forgiveness. The current pagoda has a large scale including works: Tam Quan gate, Tam Bao, Patriarch's house, Mother's house, Guest house, Monk's house and auxiliary works. The Three Treasures Pagoda is made of ironwood, shaped like a Dinh, including the 7-compartment Tien Duong, the structure of the roof "stacked with beams and gongs", the armpits of which "those sitting on the bed are fascinated" and 3 rooms of the Upper Palace, the structure of the roof. stack of gongs and gongs", because underarms "the one sitting". The pagoda worships the 7 Patriarchs, the Mother Goddess, and Mr. Do Trong Vy, he is famous for being an intelligent and studious man and later became an honest mandarin, teacher, and culturer, especially he was the one who had the merit of founding the Vietnamese Literature. Bac Ninh Temple. After he got old, he returned to Ham Long Pagoda to practice. After his death, he was worshiped here. Currently, Ham Long Pagoda still maintains the ritual of sending souls to the souls who died at evil and sinful hours. To avoid disasters and yokes, families of ghosts often send ghosts to Ham Long Pagoda to receive shelter and salvation, so that ghosts can soon be reborn and escape to the realm of bliss. The architectural works within the Pagoda's grounds are carved with sophisticated, artistic decorations with a spacious and perfect appearance. The pagoda has a festival on the 14th day of the second lunar month, in addition, during the year there are other days such as: Buddha's Birthday, Vu Lan festival, Full Moon week, First lunar month, traditional festivals, Lunar New Year. The pagoda also welcomed many domestic and foreign delegations, high-ranking leaders of the Party and State to visit Buddha. The pagoda was ranked as a cultural and historical relic by the Ministry of Culture and Information on January 18, 1988. Source: Bac Ninh province electronic information portal
Bac Ninh 1111 view
Lang Le Bau Co relic site is located in Tan Nhut commune, Binh Chanh district, Ho Chi Minh City. Lang Le Bau Co is associated with the resistance war against the French invasion in 1948 with major battles that went down in history. Lang Le Bau Co relic was recognized as a city-level historical relic in 2003. The reason it is called Lang Le Bau Co relic area is because the name of Lang Le Bau Co relic area was given by local people. The hamlet was established next to the interlaced canals and rivers. Lang Le Bau Co is located inside a large field with many shrimp, crabs, and fish. Along with many species of birds such as mallards, storks, teal, nuthatches, gongs, partridges, herons, and red armpits come to feed here. Therefore, Tan Nhut people call it by the familiar and rustic name Lang Le Bau Co. Lang Le Bau Co relic is considered the gateway to move to the center of Vuon Thom base and attack the enemy headquarters in Saigon. Previously, Lang Le Bau Co relic area was originally a field of overgrown reeds. On April 15, 1948, the French colonialists sent 3 thousand soldiers and many modern weapons to simultaneously attack the Lang Le Bau Co area to destroy the Vuon Thom base. At that time, the revolutionary armed forces in Lang Le - Bau, because of their small force and rudimentary weapons, had the help of local people along with the advantage of terrain. After just over half a day of fighting, it turned to attack, causing the French army to suffer a large number of casualties. The victory at Lang Le Bau Co killed 300 enemies, captured 30 mercenaries, and destroyed many machines, military vehicles, and guns of all kinds of the enemy. However, on our side, there are many officers and soldiers who heroically sacrificed their lives at a very young age. On October 14, 1966, in Lang Le, the Republic of Vietnam Army Ranger Battalion was destroyed by tourist militia. Lang Le Bau Co relic site has great historical significance for the people of Saigon in particular and the whole country in general. Faced with hatred for the French colonialists, Lang Le Bau Co's army and people fought a war of great historical significance that opened the door for our side and the enemy. For our side, the battle opened the door to heroism in a strong resistance position. As for the enemy, they had to retreat into a strategic position and were destroyed. The French colonialists could no longer form a strategy to defeat the Viet Minh. Moreover, at Vuon Thom base, Lang Le Bau Co also took place a determined battle to protect our base and destroy all sabotage plans of the enemy. Lang Le Bau Co relic area, after the Dong Khoi movement in 1960, was also a logistics and springboard for the armed forces to liberate Long An - Saigon - Gia Dinh. To commemorate the sacrifices of our compatriots and soldiers, in 1988 Binh Chanh district built a historical building in Lang Le Bau Co land with an area of 1000m2. Source: Ho Chi Minh City Electronic Information Newspaper
Ho Chi Minh City 3708 view
The US Embassy relics, also known as the "White House of the East", are the origin of sinister military and political plots aimed at long-term annexation of Vietnam. The relic site is a 5-storey building built Built in modern architecture, located at the corner of Mac Dinh Chi - Le Duan Street, Ben Nghe Ward, District 1, Ho Chi Minh City, on a plot of land nearly 5,000 square meters. Previously, the US embassy was located at 39 Ham Nghi Street. At around 10:00 a.m. on March 30, 1963, the US embassy on Ham Nghi Street was hit with explosives by the F21 Commando team, collapsing three floors: 1, 2, 3, so the US decided to rebuild it. Construction began on the building in 1965, most of the materials and construction machinery were transported from the US, under the control of American engineers. According to the design, the building is surrounded by 7,800 Taredo stones that can withstand mines and artillery shells. The main door is equipped with thick steel, the other doors are blocked by a special thick bulletproof layer. All doors use automatic systems, including iron doors blocking the way to the upper floors. Inside the building there are 140 rooms with 200 staff serving day and night. In addition, next to the building is also built an additional row of houses called the "Norodom" area exclusively for C.I.A. employees. When inaugurated, the building had only 3 floors. At the end of 1966, two more floors and a terrace were built to serve as a landing place for helicopters. Surrounding the building is a 3m high wall, at both ends of the wall close to Le Duan Street, 2 high blockhouses are built, guarded day and night. The Embassy was completed in September 1967 with a defense system such as a fortress with 60 guards, a bomb shelter, and a radar screen system to control the facade. Immediately after the building was completed, on September 24, 1967, thousands of students flocked to the gate of the US Embassy to fight for "America to stop bombing the North", "America to go home" and issued a notice denouncing the US for "trampling and seriously violating the right to self-determination of the Southern people". But the outstanding event that happened at the US Embassy was the battle of the City Rangers during the General Offensive and Uprising in the Spring of 1968. The target of attacking the US Embassy was added on January 24, 1968 by Ngo Thanh. Van is in charge of general affairs. Ranger Team 11 took on this important mission, including captain Ut Nho (military region reconnaissance captain) and soldiers: Bay Truyen, Tuoc, Thanh, Chuc, Tran The Ninh, Chinh, Tai, Van, Duc, Cao Hoai Vinh, Mang, Sau and 2 drivers: Tran Si Hung and Ngo Van Thuan. Another equally humiliating event for the US Embassy was the chaotic escape that occurred on April 29 and 30, 1975 by the US and its accomplices. Faced with the rapid attack of the Vietnamese army and people in the historic Ho Chi Minh campaign, over 1,000 Americans and more than 5,000 pro-American Vietnamese jostled, pushed, and kicked each other to compete for a place on the terrace of the building. building to be rescued by helicopter. This relic was granted a certificate of recognition by the Ministry of Culture on June 25, 1976. Currently, the US Embassy building has been demolished and a new consulate in Ho Chi Minh City has been built, but next to it is a memorial stele forever remembering the achievements of the special forces soldiers who died in the battle. . Source: Ho Chi Minh City Youth Union
Ho Chi Minh City 3104 view
Tan Hiep Prison, also known as "Tan Hiep Correctional Center", is located in Quarter 6, Tan Tien Ward, Bien Hoa City. Tan Hiep Prison Relic was ranked as a national relic by the Ministry of Culture and Sports on January 15, 1994. Tan Hiep Prison is one of the six largest prisons in South Vietnam and the largest prison in the Southeast region, built in an important military position, northeast of Bien Hoa town. Ahead is National Highway 1; Behind is the North - South railway line. This is an isolated location, convenient for transportation, easy for protecting, guarding, receiving prisoners from other places and transferring prisoners to Con Dao, Phu Quoc... Tan Hiep Prison has an area of 46,520 square meters with 8 prisons, including 5 prisons for communist prisoners and patriots. The prison is surrounded by 4 layers of barbed wire with 9 bunkers, 3 watchtowers with a team of guards and a modern alarm system. It's called "Correctional Center" but inside is actually a gun warehouse, an interrogation and torture room with the most modern tools. Each prison only has an area of nearly 200 square meters but holds 300-400 people, sometimes up to a thousand people. In particular, there are "repentance" rooms and "tiger cages" that are very small and narrow and living conditions are extremely harsh, prisoners live like in a crematorium. The diet was extremely unhygienic. The prison guards bought rotten rice and rotten fish to fertilize the fields, and fried them in oil to feed the prisoners, leading to many people being poisoned. With the determination to escape the imperial prison, return to the Party and the people to continue fighting and liberating the nation, on December 2, 1956, with the agreement of the Eastern Inter-Provincial Party Committee, the soldiers Communists were "detained" in Tan Hiep prison under the direct direction of comrade Nguyen Trong Tam (Bat Tam) - in charge of the prison Party Committee and a number of other comrades who suddenly broke the shackles. was able to free nearly 500 comrades and patriots. This event caused a stir in the Pentagon. America - Diem hastily mobilized both main forces and security forces, civil guards defending the three provinces of Bien Hoa, Ba Ria, Thu Dau Mot and two special forces to encircle and capture the prisoners, but all were defeated. failure. Our comrades and compatriots who escaped from Tan Hiep prison received help and protection from local facilities and returned safely to base. Among the escaped prisoners were comrades: Bay Tam, Hai Thong, Ly Van Sam... who became the core nucleus of the Dong Khoi movement later. In 2001, to partly recreate the crimes of the US - Diem against our comrades and compatriots imprisoned at Tan Hiep prison and describe the entire Tan Hiep uprising on December 2, 1956. , Dong Nai Museum has collected images, documents, and artifacts displayed at the relic and made a model to serve the research and sightseeing needs of all classes of people. Every day, the monument is open to visitors. Source: Dong Nai Electronic Newspaper
Dong Nai 2757 view
Chot Mat Tower Historical-Cultural Relic, located in Xom Thap hamlet, Tan Phong commune, Tan Bien district, Tay Ninh province, was recognized by the Ministry of Culture and Information (now the Ministry of Culture, Sports and Tourism) as historical - cultural relic on July 23, 1993. Also one of the last three ancient towers remaining in the South of our country. Having undergone many restorations in 1938, 2003 and most recently in 2013. Despite undergoing restorations, the Chot Mat ancient tower relic site has given itself a new look but still remains retains the spirit of ancient architecture. The entire Tower is built of brick and slate with the top of the tower tapering upward, from the ground to the highest point of the tower is estimated to be 10m. In addition, this ancient tower is located on a high mound in the middle of the field, so from a distance it looks like a pen rising gradually. In 2003, the People's Committee of Tay Ninh province decided to approve the investment project to restore, embellish and preserve Chot Mat tower relics and carried out the restoration, restoration, display and opening of the excavation pit in 2003. into use. On November 27, 2019, the Provincial People's Committee issued a Decision regulating the decentralization of management, protection and promotion of the value of historical and cultural relics and scenic spots in Tay Ninh province. Decision to assign the People's Committee of Tan Bien district to directly manage 4 relics, including the National Historical-Cultural relic Thap Chot Mat. In particular, the Chot Mat Tower Historical-Cultural Relic in Tan Phong commune, Tan Bien district was chosen to be part of the tourism development link of Tay Ninh Province. This is a tourist destination worth exploring, contributing to tourism development in Tan Phong commune in particular and Tan Bien district in general. Source: Tay Ninh province electronic information portal
Tay Ninh 2543 view
Bac Cung Temple (literally known as Thinh Temple) in Tam Hong commune, Yen Lac district is one of four large temples around the Ba Vi mountain region and the Red River Delta worshiping Saint Tan Vien. The temples: Tay Cung, Nam Cung, and Dong Cung are on the other side of the Red River in Son Tay territory. These are four temples that were built and preserved relatively carefully by the people. The temple is located in the middle of fertile fields on a 10,000 square meter plot of land next to winding canals, surrounded by rich and densely populated villages. On both sides, the left desert and the right desert stand majestically and silently, covering a large brick yard, looking up to a unique architectural work. Thinh Temple was built 20 centuries ago on the foundation of a small temple worshiping Saint Tan, where he had previously let his troops stay during a mission to help people clear land and manage water. The divine genealogy passes down that: Saint Tan (still called Son Tinh), whose name is Nguyen Tuan, was born on January 15, Dinh Hoi year in Lang Xuong cave, Trung Nghia commune, Thanh Thuy district, Phu Tho province. He lost his father at a young age and lived with his mother and two cousins, Nhuy Hien and Nguyen Sung. Every day, the three brothers crossed the Da River and went to the Ba Vi mountains to clear fields and farm, looking for a living. Here, Nguyen Tuan met Princess Thuong Ngan, was adopted by her, and gave her a walking stick and many magic spells to save humanity. After defeating Thuy Tinh and marrying Princess Ngoc Hoa, he refused the throne that King Hung wanted to give him, and with his two younger siblings traveled everywhere, helping people clear land and water, and was respected by people everywhere. When passing through the Tam Hong area, he let the troops rest and taught the people to grow rice and fish... After he left, the villagers came to the place where the Holy One rested and saw that there were still some packets of hearing left there, so after This temple is called Thinh temple. There is also a story that: when letting the army stay here, Saint Tan taught the people to butcher Thinh, so the people called the temple that name. From a small temple, during the reign of King Ly Than Tong (1072-1128), the temple was rebuilt into a large temple. This is where the king came to pray for longevity. During the reign of King Minh Mang (1820-1840), the temple was repaired many times. During the reign of King Thanh Thai, the Tri of Yen Lac district appointed monk Thanh At to restore the temple. The project lasted until the 6th reign of Khai Dinh (1900-1921). Through many ups and downs, the temple continues to be preserved and preserved by local people. On January 21, 1992, the temple was recognized by the Ministry of Culture and Information as a cultural and historical relic. Every year, the Thinh Temple festival is held from the 6th of the first lunar month to the 20th of the first lunar month. The festival includes sacrifices, palanquin processions from villages inside and outside the commune and many folk games will be held. Source: Vinh Phuc province electronic information portal
Vinh Phuc 2416 view
During the period when the Mac dynasty had its capital in Cao Bang, in order to prevent the Le dynasty from attacking, the Mac dynasty restored and repaired Na Lu citadel (now in Hoang Tung commune, Hoa An) and Ban Phu citadel (now in Hung Dao commune). ), Phuc Hoa citadel, in addition to building many other citadels in Cao Bang, making Cao Bang a political and military center in the far Northeast border region at that time. Na Lu citadel and Phuc Hoa citadel are two citadels built before. According to the records of Be Huu Cung in Cao Bang Thuc Luc, Na Lu citadel and Phuc Hoa citadel began in the reign of Tang Y Tong in the year Giap Than, the 5th Ham Thong era (874). Based on the presence of many ancient tombs with stone inscriptions containing the names, addresses, and hometowns of the citadel builders who died here during the Ham Thong Dynasty, it can be confirmed that these two citadels were built during the Tang Dynasty. Na Lu Citadel was built over many different dynasties. When the Mac dynasty came to Cao Bang, it was rebuilt with bricks. Na Lu citadel has a nearly rectangular shape, has a total area of about 37.5 hectares, a length of about 800 m, a width of about 600 m, the citadel has 4 gates. Ban Phu citadel in the capital of Nam Binh, Nam Cuong country of Thuc Phan in the past in Cao Binh (Cao Bang), the Mac dynasty renovated the royal palace in the inner circle of the old capital of Nam Binh and called it Ban Phu citadel or Royal Palace. In the ancient capital of Nam Binh of the Nam Cuong country and the Mac dynasty, Ban Phu citadel still has clear traces. The capital city of Nam Binh consists of two citadels, to protect the citadel, the outer ring has a circumference of about 5 km, including a low hillock area, around the foot of the hill is covered with vertical canvas like a wall, convenient for navigation. Build defense lines. The western wall of the citadel runs parallel to the bank of the Bang River to the beginning of Bo Ma village, connecting the southeast wall of the citadel, flowing in front of Ban Phu, following the foot of the hill to meet National Highway 4, the northeastern side running along the foot of the hill close to the outside of National Highway 4. , up to the top of the mound is the northwest side, continue running along the foot of the hill, out to the river bank and meet the west wall, forming a closed citadel. When the Mac Dynasty established the capital, it repaired and built a number of additional works, in which Ban Phu Citadel (inner citadel - the king's working place) was built higher on the old citadel walls from the Thuc Phan period. The citadel is located on a flat land. Along with rebuilding the capital, the Mac dynasty also built a system of posts and ramparts quite thick around the capital and a number of important border points, forming a system of protecting the capital and protecting the border. gender. Phuc Hoa citadel (Phuc Hoa district) was built in a square style, about 400 m in each direction, including two citadel rings, the distance between the two rings is 80 m. Currently, the southern wall has been completely destroyed. Phuc Hoa Citadel has 2 main gates: The North Gate is open to the national highway to Ta Lung Border Gate today, people often call it Pac Gate, this gate is built in a rectangular style, 8 m wide, 5 m high. , including two gates made of thick, very sturdy wood; The second gate is in the south, opening to the river bank. Both gates were flattened long ago, and now there are no traces left. Near the citadel, in the northwest suburbs along the riverbank, there are many traces of brick kilns. People said that during the process of labor and exploration, many intact brick kilns were found in this area. Through research and surveys, it has been shown that in Cao Bang, the Mac dynasty renovated, embellished and built many citadels and fortresses, including repairing, embellishing and rebuilding Ban Phu citadel, Na Lu citadel, and Phuc citadel. Hoa. These fortifications have formed a quite solid system of protecting the capital. Up to now, of the ancient citadels built by the Mac Dynasty during the capital period in Cao Bang, some of the citadels built of earth only have traces left, but the citadels built of stone are still very clear. Source: Cao Bang Electronic Newspaper
Cao Bang 2328 view
Mai Xuan Thuong was the leader of the Can Vuong movement against the French at the end of the 19th century in Binh Dinh. Mai Xuan Thuong was born in the year of Canh Than, 1860, died in the year of the Pig, 1887, from Phu Lac village, Phu Phong district, Tuy Vien district, Binh Dinh province (now Phu Lac village, Binh Thanh commune, Tay Son district, Binh Dinh province). His father, Mai Xuan Tin, was the chief father in Cao Bang. His mother, Huynh Thi Nguyet, was the daughter of a noble family in the village. Mai Xuan Thuong is inherently intelligent and eager to learn. At the age of 18 (1878), he passed the Baccalaureate at Binh Dinh Examination School. At the age of 25 (1885), he passed the bachelor's exam. Responding to King Ham Nghi's Can Vuong edict, Mai Xuan Thuong returned to his hometown of Phu Lac, recruited insurgents, set up a base on Sung island to raise the Can Vuong flag against the French, then Mai Xuan Thuong brought his forces to join the army. The insurgent army was led by Dao Doan Dich and was appointed by Dao Doan Dich to the position of Military Salary Officer (in charge of food for the insurgent army). From then until 1887, the Can Vuong movement in Binh Dinh developed strongly and spread to Quang Ngai, Phu Yen... attracting tens of thousands of people from all walks of life to participate. On September 20, 1885, Dao Doan Dich died and assigned all his forces to Mai Xuan Thuong. He chose the Loc Dong mountain area (now in Binh Tuong commune, Tay Son district) as his headquarters and organized a flag worshiping ceremony, calling on scholars, literati, and people to join the movement to fight against the French. During that ceremony, insurgents from many regions in Binh Dinh province agreed to honor him as the Marshal leading the uprising and raised the slogan: "First to kill the left, later to attack the West". In early 1887, the French army under the command of Lieutenant Colonel Cherrean and the royal army led by Tran Ba Loc along with Minister Trira launched a major attack on the headquarters of the Can Vuong movement in Binh Dinh, the battle The fighting between the insurgent forces and the French enemy was extremely fierce, the fight was unequal, and in the end the insurgent force was pushed back. In March 1887, after a fierce battle in Bau Sau (An Nhon town, Binh Dinh province), Mai Xuan Thuong was seriously injured, the insurgents withdrew to Linh Dong secret area. On April 21, 1887, Tran Ba Loc surrounded and captured the Linh Dong secret base and captured a number of insurgents, including Mai Nguyen Soai's mother. On the night of April 30, 1887, Mai Xuan Thuong sent a suicide squad to break into Tran Ba Loc barracks, relieve the captured people, and he and a group of 50 subordinates crossed the mountain into Phu Yen and continued to resist. battle, but when she reached Phu Quy Pass (boundary between Binh Dinh and Phu Yen), she was captured by Tran Ba Loc's ambush and taken to be beheaded at Go Cham (East of Binh Dinh Citadel). The mausoleum of patriot Mai Xuan Thuong is located on a high hill of the Ngang mountain range (in Hoa Son village, Binh Tuong commune, Tay Son district, Binh Dinh province) about 50km northwest of Quy Nhon city; The mausoleum was built on a land area of 1988m2, inaugurated on January 22, 1961. Overall, the mausoleum is designed in the style of an ancient mausoleum, surrounded by low walls. The Lang gate (three gates) is made up of 4 square pillars, the top is tied in the style of a gourd and a vase, bearing the architectural appearance of a communal house or temple gate of the late 19th century. In the middle of the Mausoleum is Mai Xuan Thuong's tomb, rectangular in shape in the East - West direction; At the head of the grave is a stone stele engraved with an inscription recording the biography and career of Mai Xuan Thuong: The relic was ranked at the National level by the Ministry of Culture and Information on April 20, 1995. Source: People's Committee of Tay Son District, Binh Dinh Province
Binh Dinh 2226 view
Dien Khanh Temple of Literature is located in Phu Loc Tay cluster, Dien Khanh town, Dien Khanh district, Khanh Hoa province. The Temple of Literature is a place to worship Confucius, the founder of Confucianism, and the sages who were his students; At the same time, it is also a place for activities of local scholars and scholars, honoring those who successfully passed the examinations. In 1803, King Gia Long issued an edict to establish a Temple of Literature in Phu Loc commune, Hoa Chau district - Binh Hoa town, now in Phu Loc Tay cluster - Dien Khanh town - Khanh Hoa province. The Temple of Literature was built on a large scale in 1853 and by the following year it was basically completed: in front there was a pavilion, in the middle there was a high and wide front hall and main hall, made of wood and surrounded by brick walls. The rafters are carved with beautiful and majestic gilded lacquer. Dien Khanh Temple of Literature was built on a large, flat area of land, with a total area of 1,500 square meters. When it was first built, the Temple of Literature had the following architectural works: Chinh temple and Khai Thanh temple, roofed with thatched grass. In 1849, the Temple of Literature had its roof system renovated, replacing thatched roofs with tiled roofs and building Ta Vu, Huu Vu, Khai Mieu, Quan Cu, Tu Mieu... with a very large and solid scale. In 1959, the Temple of Literature was rebuilt on the old foundation in Phu Loc village, but on a smaller scale, including: the outer gate and city walls; Internal Nghi Mon; stele house (Thach Bi communal house); temple yard; flag pole; Eastern and Western houses (Ta Vu - Huu Vu); Worshiping the road; Chief of soaking. Basically, the structures of Chanh Tam and Bai Duong compartments were transferred from Van Chi Phuoc Dien, and Ta Vu and Huu Vu were built in the style of a four-level, three-compartment house. The walls are built of bricks, there are no wings. The roof is covered with yin and yang tiles, later restored and replaced with Western tiles; The wooden door system is built in a plank style, replacing the ancient style of upper and lower sides; Do not rebuild Khai Mieu, Quan Cu and Tu Temple. Currently, the Temple of Literature only retains two stone steles from the Tu Duc 11 period (1858), which help us better understand the history, culture, and activities of the people of Khanh Hoa and the process of completing the Temple of Literature area in 1854. There is also an article in Bai Duong that speaks more clearly about the achievements of literary and martial arts scholars, scholars, notables, dignitaries and local students from the beginning of the Nguyen Dynasty to the Tu Duc period. With a rich history, the Temple of Literature area carries great value in the process of learning, receiving knowledge and expressing respect for teachers, enriching the treasure of national cultural heritage. Dien Khanh Temple of Literature relic was ranked a National Monument by the Ministry of Culture, Sports and Tourism on October 15, 1998. Source: Department of Culture and Sports of Khanh Hoa province
Khanh Hoa 2179 view
Hoc Mon District Palace is located at No. 1, Ly Nam De Street, Hoc Mon Town, (next to the District People's Committee headquarters) and is the place where many outstanding fighting events have been recorded throughout the long history from 1885 to the Southern days. Complete liberation of the People of 18 Betel Garden Villages. After defeating Chi Hoa Fort, the French colonialists built a 3-storey wooden house here to use as a military post. When Tran Tu Ca took office as Governor of the Palace, he used the Station as the Palace of Binh Long district. Originally a cunning drunkard of the French colonialists, Tran Tu Ca was led by a group led by Mr. Phan Van Hon (Quan Hon) and Nguyen Van Qua (Chanh Lanh Binh) of nearly 1,000 insurgents who came to burn the District Palace, captured and head cut off in the middle of the market. That was February 8, 1885, At Dau Tet. Afterwards, Hoc Mon District Palace was rebuilt with a blue stone foundation, brick walls, and a defense system from the upper floors to the fence. The architecture is similar to the Military Fort, so the locals call it Hoc Mon Fort. Tran took over from Tran Tu Ca as Governor of Ngon district, moving to Tra District and then Tho District. This was a long period of time when the people of the Hoc Mon region suffered from many cruel and despicable scenes from the French colonialists and their oligarchic henchmen mentioned above. With the indomitable tradition of Hoc Mon people. On June 4, 1930, around 6 a.m. in front of the District Palace, hundreds of Hoc Mon people protested demanding "abolition of poll tax, reduction of license and market taxes, and granting land to poor farmers." Tra District invited the leaders into the Palace to negotiate, but they cunningly arrested them, including Mr. Le Van Uoi (Secretary of Tan Thoi Nhi Commune), who was the leader of the protest. People were undaunted and fiercely demanded that Tea District release those detained. The protest group became more and more crowded, the fighting spirit spread somewhat, causing Tra District to give in. On the one hand, they released the detained people, on the other hand, they called the officials in Saigon for help. 2 hours later, the struggle was led by two men, Blachole and Nobbot, who opened fire on the protest group, causing many casualties. But the most impressive historical event at Hoc Mon District Palace was the Southern Uprising on November 23, 1940. Hoc Mon Fort is very solid, built of green stone like a fortress, about 15 meters high, has a gun emplacement and a defense system with battlements guarded by a platoon of green soldiers. On November 22, 1940, France reinforced one more platoon to deal with the situation. On the afternoon of November 22, 1940, Mr. Do Van Coi's army broke into the town, disguised as civilians, ambushed behind the Station waiting for orders to rob the Station. Another army wing has the task of destroying bridges, cutting down trees blocking roads, and occupying offices and houses... The army wing from Phuoc Vinh An, Tan Thong, Tan An Hoi, Tan Phu Trung is led by Mr. Pham Van Sang and Dang Cong Binh commanded, started from Ben Do hamlet, attacked the house, killed 1 person, collected 4 guns, and took control of the situation here (Tan Phu Trung). Immediately this army was ordered to pull back to Hoc Mon. The Long Tuy Thuong army was commanded by Mr. Bui Van Hoat. The army of General Long Tuy Trung was commanded by Mr. Do Van Day and Le Binh Dang. At around 24:00 on the night of November 22, 1940, the sound of artillery fire had not yet been heard in Saigon. After consulting, the army commanders united to attack the enemy's post. Immediately the troops headed straight to Fort Hoc Mon, where District Chief Bui Ngoc Tho resided. Two insurgents named Nghe and Kinh volunteered to enter the front gate and sacrificed their lives. Insurgents from all directions rushed into the Fort like water bursting its banks. Faced with the power of the insurgents and the masses, the soldiers in the Station no longer had the spirit to resist and fled in disarray. The insurgents completely occupied the inside of the station, but upstairs, the enemy still stubbornly used guns to shoot sporadically, at the same time calling Saigon and Thu Dau Mot for emergency help. Because he was eager to capture the name of Tho District, comrade Do Van Day climbed up to the upper floor of the Station by clinging to the gutter. Halfway up, he was hit by bullets, the comrade fell and died later. The battle was at a standstill when enemy reinforcements arrived. Unable to hold out, the insurgents withdrew from the town, dispersed to the villages, the armed forces withdrew to Ben Do hamlet (Tan Phu Trung) and then moved to My Hanh hamlet (Duc Hoa). Although the attack on Hoc Mon Fort (later called Hoc Mon District Palace) failed, it left a deep impression in the hearts of all civilians admiring the courage of revolutionary soldiers in the fight against colonialism. steal the country. During the historic Ho Chi Minh campaign, at 7:00 a.m. on April 30, 1975, Hoc Mon town was completely liberated, the National flag fluttered above the District Palace, where District Chief Nguyen Nhu Sang and his gang sai has been running away since last night. Today, Hoc Mon District Palace is chosen as the District Museum, where many documents are displayed, illustrating the ups and downs of historical periods as well as the revolutionary fighting spirit of the army and people in Hoc Mon district over the past two years. resistance war against French colonialism and American imperialism. A monument placed in front of the Hoc Mon District Palace relic represents the indomitable sacrifice of the army and people of 18 Betel Garden Villages, recognized as a national historical and cultural relic. Source: Hoc Mon District People's Committee
Ho Chi Minh City 2166 view
Hang Temple at the foot of Voi Mountain, An Lao district, Hai Phong city has long been a place to worship Female General Le Chan - who had meritorious contributions with people in the area to establish An Bien village during the Eastern Han Dynasty. After leaving her hometown of Quang Ninh to avoid being forced to become a concubine of the governor To Dinh. Le Chan set foot in the land of Hai An, Hai Phong, recruited soldiers to join them in farming, building a hamlet named An Bien site (today's inner city). Great ambition did not stop there. Disgruntled over the crimes committed by the enemy, causing the people's lives to be miserable and miserable, Le Chan silently prepared his forces, waiting for the day of the uprising. She went to the present-day Elephant Mountain area, gathered soldiers, actively practiced, stored food and herbs, and took advantage of the rugged terrain of the mountains and forests to hide from the enemy. Afterwards, receiving news of Hai Ba Trung's uprising, from the mountains and forests of An Lao, Le Chan contacted and officially brought his army to join the uprising. Due to its good fortified terrain, along with the commanding talent of a talented female general, the Elephant Mountain base quickly developed its forces, in a short time becoming an important base in the Northeast region. During that time, the surrounding area also had many insurgent troops, typically the insurgent army of Mrs. Tran Thi Trinh and her son Ngu Dao in Dai Dien, Tong Thuong Cau, An Lao district, (6km from Elephant Mountain), heard News of Le Chan's reputation contacted the Elephant Mountain base and became a general under her command. Although the uprising later failed and female general Le Chan had to commit suicide to preserve her reputation in the mountainous areas of Lat Son - Ha Nam, An Lao people still remembered her merits and kindness, so after hearing News of the female general's death, people in the area took her to worship in Hang Pagoda. Therefore, Hang Pagoda is also known as Hang Temple - which represents a wonderful combination of Buddhist religion and national hero worship. In the temple, King Thanh Thai still retains the title of female general as "Hoang Ba Long Hoi, Great King, Middle-Class Minister". On the basis of the old Hang Temple, in 2011 the government restored a new temple commemorating the Female General. The Temple of Female General Le Chan is located in the Hang Temple area, where the Buddha, the Holy Mother, the Monsignor and the Princess Thanh Chan were formerly worshiped in An Tien commune, An Lao district, on a large closed campus. more than 4000m2. The main temple has a Dinh-shaped structure with an area of 190 square meters, including five pre-sacrificing rooms and one back room. The front of the temple faces south, looking straight at Highway No. 10, beyond are undulating hills and mountains, the back side is based on a cliff creating a sustainable position. The temple is surrounded by city walls. The ritual gate is made up of 4 large pillars, the 2 tall central pillars at the top are converging purple phoenixes, the 2 slightly lower columns on both sides and at the top are 2 unicorns facing the center. The outside of the ritual wall is embossed with a white horse on the left and a large statue on the right. The renovation and embellishment of the Temple of General Le Chan was completed and put into use, not only meeting the visiting needs of people and tourists while also contributing to preserving the values of the monument for generations to come. next system. Source: Hai Phong Youth Union
Hai Phong 2132 view
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